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Displaying results 1 to 12 of 12.

  1. The Haecceitancy of Reading James Joyce's Finnegans Wake
    Ways of Sensemaking
    Author: Rößler, Philipp
    Published: 2015
    Publisher:  Freie Universität Berlin, Berlin

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
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    Other subjects: James Joyce; Finnegans Wake; Reading Process; Meaning Construction; Modernism; Language; Reader Position; Symbolic Production
    Scope: Online-Ressource
    Notes:

    Berlin, Freie Universität Berlin, Diss., 2013
  2. The haecceitancy of reading James Joyce's Finnegans Wake
    ways of sensemaking
    Author: Rößler, Philipp
    Published: 2015

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Online
    Other identifier:
    RVK Categories: HM 3135
    Subjects: Interpretation; Joyce, James; Leserlenkung;
    Scope: V, 368 Bl.
    Notes:

    Berlin, Freie Univ., Diss., 2013
  3. Finnegans Wake as proving ground for theory and agent provocateur in literary studies
    Author: Rößler, Philipp
    Published: 2011

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 820
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    kostenfrei
  4. 1924, Introducing "Modernism"
    Author: Rößler, Philipp
    Published: 2017
    Publisher:  Humboldt-Universität zu Berlin

    Abstract ; The paper’s focus is the archival recovery of one of modernist studies’ (unknown) beginnings, reforging the multifacetedness of the history of modernism and of the early history of the study of modernism. The paper introduces the earliest... more

     

    Abstract ; The paper’s focus is the archival recovery of one of modernist studies’ (unknown) beginnings, reforging the multifacetedness of the history of modernism and of the early history of the study of modernism. The paper introduces the earliest comprehensive and movement-defining study of modernism. This study is unknown to scholars of modernisms and is thus apt to contribute a new perspective on the beginnings of the concept of modernism’s formation. The study in question is an unpublished PhD thesis written (in English) at the University of Washington and submitted in 1924 – thus preceding Laura Riding and Robert Graves’s A Survey of Modernist Poetry and Edmund Wilson’s Axel’s Castle, which are considered to be the first movement-defining studies of modernism. The paper outlines this unpublished und unknown study and puts it into context by considering it in the light of the earlier critical discussions of modernist painting among other things. Furthermore it investigates the technological aspect of the study’s precarious status of being archived but being unpublished and unknown at the same time. By inquiring more generally into how the status of such texts is influenced by the technological developments of the internet age, the paper reflects on the technological conditions of academic discourse today. Arnesen’s study is the paradigmatic instance of what the paper refers to as the issue of the deep archive.

     
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    Source: BASE Selection for Comparative Literature
    Language: Undetermined
    Media type: Report
    Format: Online
    DDC Categories: 800
    Subjects: Modernism (Literature); History of Modernism; Concept of Modernism; History of Criticism; Deep Archive; Elias Arnesen
  5. 1924, Introducing "Modernism"
    The Deep Archive in the Age of WWWisibility
    Author: Rößler, Philipp
    Published: 2017
    Publisher:  Humboldt-Universität zu Berlin, Berlin

    The paper’s focus is the archival recovery of one of modernist studies’ (unknown) beginnings, reforging the multifacetedness of the history of modernism and of the early history of the study of modernism. The paper introduces the earliest... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

     

    The paper’s focus is the archival recovery of one of modernist studies’ (unknown) beginnings, reforging the multifacetedness of the history of modernism and of the early history of the study of modernism. The paper introduces the earliest comprehensive and movement-defining study of modernism. This study is unknown to scholars of modernisms and is thus apt to contribute a new perspective on the beginnings of the concept of modernism’s formation. The study in question is an unpublished PhD thesis written (in English) at the University of Washington and submitted in 1924 – thus preceding Laura Riding and Robert Graves’s A Survey of Modernist Poetry and Edmund Wilson’s Axel’s Castle, which are considered to be the first movement-defining studies of modernism. The paper outlines this unpublished und unknown study and puts it into context by considering it in the light of the earlier critical discussions of modernist painting among other things. Furthermore it investigates the technological aspect of the study’s precarious status of being archived but being unpublished and unknown at the same time. By inquiring more generally into how the status of such texts is influenced by the technological developments of the internet age, the paper reflects on the technological conditions of academic discourse today. Arnesen’s study is the paradigmatic instance of what the paper refers to as the issue of the deep archive.

     
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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Book
    Other identifier:
    Subjects: Bericht
    Other subjects: Modernism (Literature); History of Modernism; Concept of Modernism; History of Criticism; Deep Archive; Elias Arnesen; Literatur und Rhetorik
    Scope: 1 Online-Ressource (24 Seiten)
  6. Finnegans Wake as proving ground for theory and agent provocateur in literary studies
    Author: Rößler, Philipp
    Published: 2011
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
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    Subjects: Joyce, James / Finnegans wake; Lacan, Jacques; Eco, Umberto
    Scope: Online-Ressource
    Notes:

    In: Möglichkeiten und Grenzen der Philologie : Tagungsband ; 1. – 3. Juli 2010, Freie Universität Berlin, Internationale Arbeitstagung
  7. Finnegans Wake as proving ground for theory and agent provocateur in literary studies
    Author: Rößler, Philipp
    Published: 2011

    "Finnegans Wake" has struck many of its exegetes as the epitome of the postmodern text. The oddity of James Joyce's last work has been and still is a provocation not only for literary criticism and theory but for every reader of the work. It provokes... more

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Title in the local catalogue:
    https://hds.hebis.de/ubffm/Record/HEB31205193X

     

    "Finnegans Wake" has struck many of its exegetes as the epitome of the postmodern text. The oddity of James Joyce's last work has been and still is a provocation not only for literary criticism and theory but for every reader of the work. It provokes us to reflect on our preconceptions concerning such fundamental issues as reading, meaning and understanding. Due to this very quality, the work has been a fertile intellectual stimulus for an illustrious band of thinkers of the ―post-projects. Its singularity has provoked and facilitated the further development of theoretical frameworks beyond the confines of literary theory proper. This essay will trace the elaborate theoretical responses of Umberto Eco and Jacques Lacan to Joyce's grand literary arcanum. Eco's concept of the openness of modern works of art and Lacan's elaboration of his psychoanalytic concepts of the symptom and of the Borromean knot were inspired by their study of Joyce. As an extreme instance of literariness, Finnegans Wake thus constitutes an ideal opportunity to consider the scope and boundaries of the scholarly study of literary texts more generally.

     
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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Book
    Format: Online
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    Parent title: In: Möglichkeiten und Grenzen der Philologie; Berlin, 2011; (2011), Seite 53-78; Online-Ressource

    DDC Categories: 800
    Scope: Online-Ressource
  8. The Haecceitancy of Reading James Joyce's Finnegans Wake
    Author: Rößler, Philipp
    Published: 2015

  9. 1924, Introducing "Modernism" ; The Deep Archive in the Age of WWWisibility
    Author: Rößler, Philipp
    Published: 2017
    Publisher:  Humboldt-Universität zu Berlin

    The paper’s focus is the archival recovery of one of modernist studies’ (unknown) beginnings, reforging the multifacetedness of the history of modernism and of the early history of the study of modernism. The paper introduces the earliest... more

     

    The paper’s focus is the archival recovery of one of modernist studies’ (unknown) beginnings, reforging the multifacetedness of the history of modernism and of the early history of the study of modernism. The paper introduces the earliest comprehensive and movement-defining study of modernism. This study is unknown to scholars of modernisms and is thus apt to contribute a new perspective on the beginnings of the concept of modernism’s formation. The study in question is an unpublished PhD thesis written (in English) at the University of Washington and submitted in 1924 – thus preceding Laura Riding and Robert Graves’s A Survey of Modernist Poetry and Edmund Wilson’s Axel’s Castle, which are considered to be the first movement-defining studies of modernism. The paper outlines this unpublished und unknown study and puts it into context by considering it in the light of the earlier critical discussions of modernist painting among other things. Furthermore it investigates the technological aspect of the study’s precarious status of being archived but being unpublished and unknown at the same time. By inquiring more generally into how the status of such texts is influenced by the technological developments of the internet age, the paper reflects on the technological conditions of academic discourse today. Arnesen’s study is the paradigmatic instance of what the paper refers to as the issue of the deep archive.

     
    Export to reference management software
    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Report
    Format: Online
    DDC Categories: 800
    Subjects: Modernism (Literature); History of Modernism; Concept of Modernism; History of Criticism; Deep Archive; Elias Arnesen
    Rights:

    rightsstatements.org/vocab/InC/1.0/
  10. Finnegans Wake as proving ground for theory and agent provocateur in literary studies
    Author: Rößler, Philipp
    Published: 2011

    "Finnegans Wake" has struck many of its exegetes as the epitome of the postmodern text. The oddity of James Joyce's last work has been and still is a provocation not only for literary criticism and theory but for every reader of the work. It provokes... more

     

    "Finnegans Wake" has struck many of its exegetes as the epitome of the postmodern text. The oddity of James Joyce's last work has been and still is a provocation not only for literary criticism and theory but for every reader of the work. It provokes us to reflect on our preconceptions concerning such fundamental issues as reading, meaning and understanding. Due to this very quality, the work has been a fertile intellectual stimulus for an illustrious band of thinkers of the ―post-projects. Its singularity has provoked and facilitated the further development of theoretical frameworks beyond the confines of literary theory proper. This essay will trace the elaborate theoretical responses of Umberto Eco and Jacques Lacan to Joyce's grand literary arcanum. Eco's concept of the openness of modern works of art and Lacan's elaboration of his psychoanalytic concepts of the symptom and of the Borromean knot were inspired by their study of Joyce. As an extreme instance of literariness, Finnegans Wake thus constitutes an ideal opportunity to consider the scope and boundaries of the scholarly study of literary texts more generally.

     
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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Conference object
    Format: Online
    DDC Categories: 800
    Subjects: Joyce; James / Finnegans wake; Lacan; Jacques; Eco; Umberto
    Rights:

    creativecommons.org/licenses/by/3.0/de/deed.de ; info:eu-repo/semantics/openAccess
  11. The Haecceitancy of Reading James Joyce's Finnegans Wake ; Ways of Sensemaking ; Die Haecceitancy des Lesens von James Joyces Finnegans Wake ; Weisen der Sinnerzeugung
    Author: Rößler, Philipp
    Published: 2015

    The central aim of this study is to describe and explain the peculiar position of the reader of Finnegans Wake and to account for the reading strategies and interpretive strategies resulting from this position. The first chapter is concerned with... more

     

    The central aim of this study is to describe and explain the peculiar position of the reader of Finnegans Wake and to account for the reading strategies and interpretive strategies resulting from this position. The first chapter is concerned with reconstructing the “symbolic production” of FW. It does so by conceiving the commentaries on and the criticism of the work, the processes of canonisation, in particular the factor university qua institution, and the effects of literary theories as agents and factors of this symbolic production, which influences the reader position. Chapter II explores how the language of FW ‘functions’ with respect to the reader and seeks to identify some of the devices through which the reader is put in the position in which s·he finds him·her·self. It examines the reader’s involvement in the text and develops a mode of analysis that allows us to account for and to describe coincidence as an important aspect of meaning construction in FW. Chapter III enquires into the two dynamics which FW elicits. These two dynamics point to the notion of the text’s essential selfreflexivity (in the case of the esoreferential dynamic) and to the notion of the text’s essential allusiveness (in the case of the exoreferential dynamic) respectively. The considerable issues that are implicated in the latter dynamic are examined here. The last chapter argues that coincidence is an apt concept to describe salient aspects of Ulysses and FW. Under the heading of coincidence, the chapter assembles a discussion of the notions of form and content and their relation in U and FW and of the coincidence of (characters in) time(s) and space(s). ; Das Ziel dieser Studie ist es, die spezifische Position des Lesers von Finnegans Wake und die Lese- und Interpretationsstrategien die sich aus dieser ergeben zu beschreiben und erklären. Dem ersten Kapitel geht es um eine Rekonstruktion der “symbolic production” von FW. Literaturkritische und –wissenschaftliche Beurteilungen, Prozesse der Kanonisierung, insbesondere der ...

     
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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Dissertation
    Format: Online
    DDC Categories: 800; 820
    Subjects: James Joyce; Finnegans Wake; Reading Process; Meaning Construction; Modernism; Language; Reader Position; Symbolic Production
    Rights:

    www.fu-berlin.de/sites/refubium/rechtliches/Nutzungsbedingungen
  12. Finnegans Wake as proving ground for theory and agent provocateur in literary studies
    Author: Rößler, Philipp
    Published: 13.10.2011

    "Finnegans Wake" has struck many of its exegetes as the epitome of the postmodern text. The oddity of James Joyce's last work has been and still is a provocation not only for literary criticism and theory but for every reader of the work. It provokes... more

     

    "Finnegans Wake" has struck many of its exegetes as the epitome of the postmodern text. The oddity of James Joyce's last work has been and still is a provocation not only for literary criticism and theory but for every reader of the work. It provokes us to reflect on our preconceptions concerning such fundamental issues as reading, meaning and understanding. Due to this very quality, the work has been a fertile intellectual stimulus for an illustrious band of thinkers of the ―post-projects. Its singularity has provoked and facilitated the further development of theoretical frameworks beyond the confines of literary theory proper. This essay will trace the elaborate theoretical responses of Umberto Eco and Jacques Lacan to Joyce's grand literary arcanum. Eco's concept of the openness of modern works of art and Lacan's elaboration of his psychoanalytic concepts of the symptom and of the Borromean knot were inspired by their study of Joyce. As an extreme instance of literariness, Finnegans Wake thus constitutes an ideal opportunity to consider the scope and boundaries of the scholarly study of literary texts more generally.

     
    Export to reference management software
    Content information: free
    Source: CompaRe
    Language: English
    Media type: Conference object; Conference object
    Format: Online
    DDC Categories: 800
    Subjects: Joyce, James / Finnegans wake; Lacan, Jacques; Eco, Umberto
    Rights:

    creativecommons.org/licenses/by/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess