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Echte Geschichte
Authentizitätsfiktionen in populären Geschichtskulturen -
Echte Geschichte
Authentizitätsfiktionen in populären Geschichtskulturen -
Narrative projections of a black British history
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Multi-Ethnic Britain 2000+
New Perspectives in Literature, Film and the Arts -
Facing the East in the West
images of Eastern Europe in British literature, film and culture -
Facing the East in the West
images of Eastern Europe in British literature, film and culture -
Narrative projections of a Black British history
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Echte Geschichte
Authentizitätsfiktionen in populären Geschichtskulturen -
Narrative projections of a black British history
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Narrative projections of a black British history
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Narrative projections of a Black British history
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They knew that every night they went out, they were the first
British director Clint Dyer in interview about the Windrush musical The Big Life (2005) -
Comedy, drama and black Britain - an interview with Paulette Randall
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A divided kingdom?
Reflections on multi-ethnic Britain in the new millennium -
Afrofuturism's transcultural trajectories
resistant imaginaries between margins and mainstreams -
“Selling the Caribbean: An Introduction”
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Echte Geschichte
Authentizitätsfiktionen in populären Geschichtskulturen -
Narrative projections of a Black British history
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Narrative Projections of a Black British History
Narrative Projections of a Black British History -
Echte Geschichte
Authentizitätsfiktionen in populären Geschichtskulturen -
Erinnerung in Caryl Phillips' Romanen der Neunzigerjahre: Cambridge, Crossing the River, The Nature of Blood
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Bücherkunde für die Anglistik - Amerikanistik
eine Empfehlung des Englischen Seminars der Universität Freiburg i. Br -
"For me, familiarity and strangeness is about right"
: an interview with Mike Phillips -
Comedy, drama and black Britain - an interview with Paulette Randall
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They knew that every night they went out, they were the first
: British director Clint Dyer in interview about the Windrush musical The Big Life (2005)