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  1. Contradictory Indianness
    Indenture, Creolization, and Literary Imaginary
    Author: Phukan, Atreyee
    Published: [2022]; © 2022
    Publisher:  Rutgers University Press, New Brunswick, NJ

    As Contradictory Indianness shows, a postcolonial Caribbean aesthetics that has from its inception privileged inclusivity, interraciality, and resistance against Old World colonial orders requires taking into account Indo-Caribbean writers and their... more

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    Technische Hochschule Augsburg
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    As Contradictory Indianness shows, a postcolonial Caribbean aesthetics that has from its inception privileged inclusivity, interraciality, and resistance against Old World colonial orders requires taking into account Indo-Caribbean writers and their reimagining of Indianness in the region. Whereas, for instance, forms of Indo-Caribbean cultural expression in music, cuisine, or religion are more readily accepted as creolizing (thus, Caribbeanizing) processes, an Indo-Caribbean literary imaginary has rarely been studied as such. Discussing the work of Ismith Khan, Harold Sonny Ladoo, Totaram Sanadhya, LalBihari Sharma, and Shani Mootoo, Contradictory Indianness maintains that the writers' engagement with the regional and transnational poetics of the Caribbean underscores symbolic bridges between cultural worlds conventionally set apart-the Africanized and Indianized-and distinguishes between cultural worlds assumed to be the same-indenture and South Asian Indianness. This book privileges Indo-Caribbean fiction as a creolizing literary imaginary to broaden its study beyond a narrow canon that has, inadvertently or not, enabled monolithic and unidimensional perceptions of Indian cultural identity and evolution in the Caribbean, and continued to impose a fragmentary and disconnected study of (post)indenture aesthetics within indenture's own transnational cartography

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781978829138
    Other identifier:
    Series: Critical Caribbean Studies
    Subjects: LITERARY CRITICISM / General; Caribbean fiction (English); Caribbean fiction (English); East Indian diaspora in literature; East Indians in literature
    Scope: 1 Online-Ressource (256 Seiten)
  2. Contradictory Indianness
    indenture, creolization, and literary imaginary
    Author: Phukan, Atreyee
    Published: [2022]
    Publisher:  Rutgers University Press, New Brunswick

    Introduction: Indenture, creolization, and literary imaginary -- Passage and poetics in Totaram Sanadhya and LalBihari Sharma -- Repatriation and the "Indian problem" in Ismith Khan's The Jumbie bird (1960) -- The trope of the ricefield in Harold... more

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    Introduction: Indenture, creolization, and literary imaginary -- Passage and poetics in Totaram Sanadhya and LalBihari Sharma -- Repatriation and the "Indian problem" in Ismith Khan's The Jumbie bird (1960) -- The trope of the ricefield in Harold Sonny Ladoo's No pain like this body (1972) -- (En)Gendering indenture in Shani Mootoo's Cereus blooms at night (1992). "As Contradictory Indianness shows, a postcolonial Caribbean aesthetics that has from its inception privileged inclusivity, interraciality, and resistance against Old World colonial orders requires taking into account Indo-Caribbean writers and their reimagining of Indianness in the region. Whereas, for instance, forms of Indo-Caribbean cultural expression in music, cuisine, or religion are more readily accepted as creolizing (thus, Caribbeanizing) processes, an Indo-Caribbean literary imaginary has rarely been studied as such. Discussing the work of Ismith Khan, Harold Sonny Ladoo, Totaram Sanadhya, LalBihari Sharma, and Shani Mootoo, Contradictory Indianness maintains that the writers' engagement with the regional and transnational poetics of the Caribbean underscores symbolic bridges between cultural worlds conventionally set apart--the Africanized and Indianized--and distinguishes between cultural worlds assumed to be the same--indenture and South Asian Indianness. This book privileges Indo-Caribbean fiction as a creolizing literary imaginary to broaden its study beyond a narrow canon that has, inadvertently or not, enabled monolithic and unidimensional perceptions of Indian cultural identity and evolution in the Caribbean, and continued to impose a fragmentary and disconnected study of (post)indenture aesthetics within indenture's own transnational cartography"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781978829107; 9781978829114
    Series: Critical Caribbean studies
    Subjects: Caribbean fiction (English); Caribbean fiction (English); East Indian diaspora in literature; East Indians in literature; Literary criticism
    Scope: vii, 231 Seiten
    Notes:

    Includes bibliographical references and index
  3. Contradictory Indianness
    indenture, creolization, and literary imaginary
    Author: Phukan, Atreyee
    Published: [2022]
    Publisher:  Rutgers University Press, New Brunswick

    Introduction: Indenture, creolization, and literary imaginary -- Passage and poetics in Totaram Sanadhya and LalBihari Sharma -- Repatriation and the "Indian problem" in Ismith Khan's The Jumbie bird (1960) -- The trope of the ricefield in Harold... more

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    Introduction: Indenture, creolization, and literary imaginary -- Passage and poetics in Totaram Sanadhya and LalBihari Sharma -- Repatriation and the "Indian problem" in Ismith Khan's The Jumbie bird (1960) -- The trope of the ricefield in Harold Sonny Ladoo's No pain like this body (1972) -- (En)Gendering indenture in Shani Mootoo's Cereus blooms at night (1992). "As Contradictory Indianness shows, a postcolonial Caribbean aesthetics that has from its inception privileged inclusivity, interraciality, and resistance against Old World colonial orders requires taking into account Indo-Caribbean writers and their reimagining of Indianness in the region. Whereas, for instance, forms of Indo-Caribbean cultural expression in music, cuisine, or religion are more readily accepted as creolizing (thus, Caribbeanizing) processes, an Indo-Caribbean literary imaginary has rarely been studied as such. Discussing the work of Ismith Khan, Harold Sonny Ladoo, Totaram Sanadhya, LalBihari Sharma, and Shani Mootoo, Contradictory Indianness maintains that the writers' engagement with the regional and transnational poetics of the Caribbean underscores symbolic bridges between cultural worlds conventionally set apart--the Africanized and Indianized--and distinguishes between cultural worlds assumed to be the same--indenture and South Asian Indianness. This book privileges Indo-Caribbean fiction as a creolizing literary imaginary to broaden its study beyond a narrow canon that has, inadvertently or not, enabled monolithic and unidimensional perceptions of Indian cultural identity and evolution in the Caribbean, and continued to impose a fragmentary and disconnected study of (post)indenture aesthetics within indenture's own transnational cartography"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781978829107; 9781978829114
    Series: Critical Caribbean studies
    Subjects: Caribbean fiction (English); Caribbean fiction (English); East Indian diaspora in literature; East Indians in literature; Literary criticism
    Scope: vii, 231 Seiten
    Notes:

    Includes bibliographical references and index
  4. Contradictory Indianness
    Indenture, Creolization, and Literary Imaginary
    Author: Phukan, Atreyee
    Published: 2022; ©2022
    Publisher:  Rutgers University Press, New Brunswick, NJ ; Walter de Gruyter GmbH, Berlin

    As Contradictory Indianness shows, a postcolonial Caribbean aesthetics that has from its inception privileged inclusivity, interraciality, and resistance against Old World colonial orders requires taking into account Indo-Caribbean writers and their... more

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    As Contradictory Indianness shows, a postcolonial Caribbean aesthetics that has from its inception privileged inclusivity, interraciality, and resistance against Old World colonial orders requires taking into account Indo-Caribbean writers and their reimagining of Indianness in the region. Whereas, for instance, forms of Indo-Caribbean cultural expression in music, cuisine, or religion are more readily accepted as creolizing (thus, Caribbeanizing) processes, an Indo-Caribbean literary imaginary has rarely been studied as such. Discussing the work of Ismith Khan, Harold Sonny Ladoo, Totaram Sanadhya, LalBihari Sharma, and Shani Mootoo, Contradictory Indianness maintains that the writers' engagement with the regional and transnational poetics of the Caribbean underscores symbolic bridges between cultural worlds conventionally set apart-the Africanized and Indianized-and distinguishes between cultural worlds assumed to be the same-indenture and South Asian Indianness. This book privileges Indo-Caribbean fiction as a creolizing literary imaginary to broaden its study beyond a narrow canon that has, inadvertently or not, enabled monolithic and unidimensional perceptions of Indian cultural identity and evolution in the Caribbean, and continued to impose a fragmentary and disconnected study of (post)indenture aesthetics within indenture's own transnational cartography.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781978829138
    Other identifier:
    Series: Critical Caribbean Studies
    Scope: 1 Online-Ressource (256 p.)
  5. Contradictory Indianness
    Indenture, Creolization, and Literary Imaginary
    Author: Phukan, Atreyee
    Published: [2022]; ©2022
    Publisher:  Rutgers University Press, New Brunswick, NJ

    As Contradictory Indianness shows, a postcolonial Caribbean aesthetics that has from its inception privileged inclusivity, interraciality, and resistance against Old World colonial orders requires taking into account Indo-Caribbean writers and their... more

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    As Contradictory Indianness shows, a postcolonial Caribbean aesthetics that has from its inception privileged inclusivity, interraciality, and resistance against Old World colonial orders requires taking into account Indo-Caribbean writers and their reimagining of Indianness in the region. Whereas, for instance, forms of Indo-Caribbean cultural expression in music, cuisine, or religion are more readily accepted as creolizing (thus, Caribbeanizing) processes, an Indo-Caribbean literary imaginary has rarely been studied as such. Discussing the work of Ismith Khan, Harold Sonny Ladoo, Totaram Sanadhya, LalBihari Sharma, and Shani Mootoo, Contradictory Indianness maintains that the writers' engagement with the regional and transnational poetics of the Caribbean underscores symbolic bridges between cultural worlds conventionally set apart—the Africanized and Indianized—and distinguishes between cultural worlds assumed to be the same—indenture and South Asian Indianness. This book privileges Indo-Caribbean fiction as a creolizing literary imaginary to broaden its study beyond a narrow canon that has, inadvertently or not, enabled monolithic and unidimensional perceptions of Indian cultural identity and evolution in the Caribbean, and continued to impose a fragmentary and disconnected study of (post)indenture aesthetics within indenture’s own transnational cartography

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781978829138
    Other identifier:
    Series: Critical Caribbean Studies
    Subjects: Caribbean fiction (English); Caribbean fiction (English); East Indian diaspora in literature; East Indians in literature; LITERARY CRITICISM / General
    Scope: 1 Online-Ressource (256 p.)
  6. Contradictory Indianness
    Indenture, Creolization, and Literary Imaginary
    Author: Phukan, Atreyee
    Published: [2022]; © 2022
    Publisher:  Rutgers University Press, New Brunswick, NJ

    As Contradictory Indianness shows, a postcolonial Caribbean aesthetics that has from its inception privileged inclusivity, interraciality, and resistance against Old World colonial orders requires taking into account Indo-Caribbean writers and their... more

     

    As Contradictory Indianness shows, a postcolonial Caribbean aesthetics that has from its inception privileged inclusivity, interraciality, and resistance against Old World colonial orders requires taking into account Indo-Caribbean writers and their reimagining of Indianness in the region. Whereas, for instance, forms of Indo-Caribbean cultural expression in music, cuisine, or religion are more readily accepted as creolizing (thus, Caribbeanizing) processes, an Indo-Caribbean literary imaginary has rarely been studied as such. Discussing the work of Ismith Khan, Harold Sonny Ladoo, Totaram Sanadhya, LalBihari Sharma, and Shani Mootoo, Contradictory Indianness maintains that the writers' engagement with the regional and transnational poetics of the Caribbean underscores symbolic bridges between cultural worlds conventionally set apart-the Africanized and Indianized-and distinguishes between cultural worlds assumed to be the same-indenture and South Asian Indianness. This book privileges Indo-Caribbean fiction as a creolizing literary imaginary to broaden its study beyond a narrow canon that has, inadvertently or not, enabled monolithic and unidimensional perceptions of Indian cultural identity and evolution in the Caribbean, and continued to impose a fragmentary and disconnected study of (post)indenture aesthetics within indenture's own transnational cartography

     
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781978829138
    Other identifier:
    Series: Critical Caribbean Studies
    Subjects: LITERARY CRITICISM / General; Caribbean fiction (English); Caribbean fiction (English); East Indian diaspora in literature; East Indians in literature
    Scope: 1 Online-Ressource (256 Seiten)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022)
  7. Contradictory Indianness
    Indenture, Creolization, and Literary Imaginary
    Author: Phukan, Atreyee
    Published: 2022; ©2022
    Publisher:  Rutgers University Press, New Brunswick

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781978829138
    Series: Critical Caribbean Studies
    Subjects: Electronic books
    Scope: 1 online resource (245 pages)
    Notes:

    Description based on publisher supplied metadata and other sources