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  1. Representing 9/11
    trauma, ideology, and nationalism in literature, film, and television
    Contributor: Petrovic, Paul (Herausgeber, Verfasser)
    Published: [2015]
    Publisher:  Rowman & Littlefield, Lanham ; Boulder ; New York ; London

    Universitäts- und Landesbibliothek Münster
    3K 65341
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    Source: Union catalogues
    Contributor: Petrovic, Paul (Herausgeber, Verfasser)
    Language: English
    Media type: Book
    ISBN: 9781442252677
    Subjects: Literatur; Elfter September <Motiv>; Fernsehsendung; Film
    Scope: xvii, 231 Seiten
  2. Representing 9/11
    trauma, ideology, and nationalism in literature, film, and television
    Contributor: Petrovic, Paul (Herausgeber)
    Published: 2015
    Publisher:  Rowman & Littlefield, Lanham, Maryland

    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    813.6093587393 REP
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    Source: Union catalogues
    Contributor: Petrovic, Paul (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1442252677; 9781442252677
    RVK Categories: HU 1691 ; EC 5207
    Subjects: Literatur; Film; Fernsehsendung; Elfter September <Motiv>
    Scope: xvii, 231 Seiten
    Notes:

    Literaturangaben

  3. Representing 9/11
    trauma, ideology, and nationalism in literature, film, and television
    Contributor: Petrovic, Paul (Publisher)
    Published: 2015
    Publisher:  Rowman & Littlefield, Lanham, Md [u.a.]

    Universitätsbibliothek Bamberg
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  4. Representing 9/11
    Trauma, Ideology, and Nationalism in Literature, Film, and Television
    Contributor: Petrovic, Paul (Publisher)
    Published: 2015
    Publisher:  Rowman & Littlefield Publishers, Lanham, MD

    This diverse collection of essays analyzes popular culture texts-including novel, films, and television shows-that demonstrate a variety of attitudes in the wake of the September 11, 2001 attacks more

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Universitätsbibliothek Würzburg
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    This diverse collection of essays analyzes popular culture texts-including novel, films, and television shows-that demonstrate a variety of attitudes in the wake of the September 11, 2001 attacks

     

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    Source: Union catalogues
    Contributor: Petrovic, Paul (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442252684
    RVK Categories: EC 5207 ; HU 1691
    Subjects: American fiction -- 21st century -- History and criticism; Psychic trauma in literature; Psychic trauma in motion pictures; September 11 Terrorist Attacks, 2001 -- Influence; September 11 Terrorist Attacks, 2001, in literature; September 11 Terrorist Attacks, 2001, in motion pictures; September 11 Terrorist Attacks, 2001, on television; Terrorism in literature; Fernsehsendung; Film; Elfter September <Motiv>; Literatur
    Scope: 1 online resource (251 pages)
    Notes:

    Contents -- Acknowledgments -- Introduction -- I: Counterreactions against Realism -- Chapter One: Jess Walter's The Zero -- Chapter Two: Memorializing Post-9/11 New York in Jonathan Lethem's Chronic City -- Chapter Three: "Never Give a Good Politician Time to Pray" -- Chapter Four: Which Came First, Zombies or the Plague? -- Chapter Five: A Eulogy of the Urban Superhero -- II: Perception, Ideology, and Community -- Chapter Six: Paucity of Imagination -- Chapter Seven: Strangers in a Homeland -- Chapter Eight: "Our New Customer Is the Bush Administration?" -- Chapter Nine: "I'm the Motherfucker Who Found This Place" -- Chapter Ten: From 24 to Homeland -- III: Masculinity, Marginalization, Melancholy, and Hyper-Protection -- Chapter Eleven: The Danger That Keeps Knocking -- Chapter Twelve: Post-Closet and Post-9/11 -- Chapter Thirteen: The Human Barnyard -- Chapter Fourteen: The Pain and Prison of Post-9/11 Parenting in Jonathan Franzen's Freedom -- Chapter Fifteen: How to Get to 9/11 -- Chapter Sixteen: Poetic Responses to 9/11 and Adrienne Rich's The School among the Ruins -- IV: International Responses -- Chapter Seventeen: "Some Sense of Bridge Making" -- Chapter Eighteen: Haunting Cartographies -- Index -- About the Contributors

  5. Representing 9/11
    trauma, ideology, and nationalism in literature, film, and television
    Contributor: Petrovic, Paul (Verfasser, Herausgeber)
    Published: [2015]
    Publisher:  Rowman & Littlefield, New York

    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Source: Union catalogues
    Contributor: Petrovic, Paul (Verfasser, Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781442252677
    Subjects: USA; Literatur; Film; Fernsehsendung; Elfter September <Motiv>
    Scope: xvii, 231 Seiten
  6. Representing 9/11
    trauma, ideology, and nationalism in literature, film, and television
    Contributor: Petrovic, Paul (Publisher)
    Published: 2015
    Publisher:  Rowman & Littlefield, Lanham, Md [u.a.]

    Freie Universität Berlin, Universitätsbibliothek
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  7. Representing 9/11
    trauma, ideology, and nationalism in literature, film, and television
  8. Representing 9/11
    trauma, ideology, and nationalism in literature, film, and television
    Contributor: Petrovic, Paul (HerausgeberIn)
    Published: [2015]; © 2015
    Publisher:  Rowman & Littlefield, Lanham

    Introduction / Paul Petrovic -- Counter-reactions against realism. Jess Walter's The zero: satirizing the "desert of the real" / Marjorie Worthington -- Memorializing post-9/11 New York in Jonathan Lethem's Chronic city / Jeffrey Severs -- Never give... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
    a ang 291.9 9/11/679
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    Introduction / Paul Petrovic -- Counter-reactions against realism. Jess Walter's The zero: satirizing the "desert of the real" / Marjorie Worthington -- Memorializing post-9/11 New York in Jonathan Lethem's Chronic city / Jeffrey Severs -- Never give a good politician time to pray: Stephen King's treatment of political power and community involvement in Under the dome / Tamara Watkins -- Which came first: zombies or the plague?: Colson Whitehead's Zone one as Post-9/11 allegory / Anne Canavan -- A eulogy of the urban superhero: the everyday destruction of space in the superhero film / James M. Gilmore -- Perception, ideology and community. Paucity of imagination: stereotypes, public debates, and the limits of ideology in Amy Waldman's The submission / Amir Khadem -- Strangers in a homeland: veterans and "innocensus" in Billy Lynn's Long halftime walk and The yellow birds / Damon Barta -- "Our new customer is the Bush administration": questioning cultural identity and governmental surveillance in Allegra Goodman's The cookbook collector / Paul Petrovic -- "I'm the motherfucker who found this place": locating post-Bin Laden America in Zero dark thirty / Lloyd Isaac Vayo -- From 24 to Homeland: the shift in America's perception of terrorism / Deborah Pless -- Masculinity, marginalization, melancholy, and hyper-protection: the danger that keeps knocking: representations of post-9/11 masculinity in Vince Gilligan's Breaking bad / Shana Kraynak -- Post-closet and post-9/11: the bromantic imagination of disaster in This is the end and I'm so excited! / Ken Feil -- The human barnyard: rhetoric, identification, and symbolic representation in Giannina Braschi's United States of banana / Elizabeth Lowry -- The pain and prison of post-9/11 parenting in Jonathan Franzen's Freedom / Megan Cannella -- How to get to 9/11: Teju Cole's melancholic fiction / Ariela Freedman -- Poetic responses to 9/11 and Adrienne Rich's "The school among the ruins" / Lin Knutson -- International responses. "Some sense of bridge-making": exploring the relationship between America and Pakistan in Moshin Hamid's The reluctant fundamentalist and Mira Nair's film adaptation / Laura Findlay -- Haunting cartographies: mapping the aftermath in Joachim Trier's Oslo, 31st August / Danica Van De Velde

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Petrovic, Paul (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781442252677
    RVK Categories: HU 1691 ; EC 5207
    Subjects: American fiction; September 11 Terrorist Attacks, 2001, in literature; September 11 Terrorist Attacks, 2001, in motion pictures; September 11 Terrorist Attacks, 2001, on television; Terrorism in literature; Terrorism in motion pictures; Terrorism on television; Psychic trauma in literature; Psychic trauma in motion pictures; September 11 Terrorist Attacks, 2001
    Scope: xvii, 231 Seiten
    Notes:

    Includes bibliographical references and index

    Paul Petrovic: Introduction

    Marjorie Worthington: Counter-reactions against realism. Jess Walter's The zero: satirizing the "desert of the real"

    Jeffrey Severs: Memorializing post-9/11 New York in Jonathan Lethem's Chronic city

    Tamara Watkins: Never give a good politician time to pray: Stephen King's treatment of political power and community involvement in Under the dome

    Anne Canavan: Which came first: zombies or the plague?: Colson Whitehead's Zone one as Post-9/11 allegory

    James M. Gilmore: A eulogy of the urban superhero: the everyday destruction of space in the superhero film

    Amir Khadem: Perception, ideology and community. Paucity of imagination: stereotypes, public debates, and the limits of ideology in Amy Waldman's The submission

    Damon Barta: Strangers in a homeland: veterans and "innocensus" in Billy Lynn's Long halftime walk and The yellow birds

    Paul Petrovic: "Our new customer is the Bush administration": questioning cultural identity and governmental surveillance in Allegra Goodman's The cookbook collector

    Lloyd Isaac Vayo: "I'm the motherfucker who found this place": locating post-Bin Laden America in Zero dark thirty

    Deborah Pless: From 24 to Homeland: the shift in America's perception of terrorism

    Shana Kraynak: Masculinity, marginalization, melancholy, and hyper-protection: the danger that keeps knocking: representations of post-9/11 masculinity in Vince Gilligan's Breaking bad

    Ken Feil: Post-closet and post-9/11: the bromantic imagination of disaster in This is the end and I'm so excited!

    Elizabeth Lowry: The human barnyard: rhetoric, identification, and symbolic representation in Giannina Braschi's United States of banana

    Megan Cannella: The pain and prison of post-9/11 parenting in Jonathan Franzen's Freedom

    Ariela Freedman: How to get to 9/11: Teju Cole's melancholic fiction

    Lin Knutson: Poetic responses to 9/11 and Adrienne Rich's "The school among the ruins"

    Laura Findlay: International responses. "Some sense of bridge-making": exploring the relationship between America and Pakistan in Moshin Hamid's The reluctant fundamentalist and Mira Nair's film adaptation

    Danica Van De Velde.: Haunting cartographies: mapping the aftermath in Joachim Trier's Oslo, 31st August

  9. Representing 9/11
    trauma, ideology, and nationalism in literature, film, and television
    Contributor: Petrovic, Paul (HerausgeberIn)
    Published: [2015]
    Publisher:  Rowman & Littlefield, Lanham

    <span><span>This diverse collection of essays analyzes popular culture texts-including novel, films, and television shows-that demonstrate a variety of attitudes in the wake of the September 11, 2001 attacks. more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    ProQuest Academic Complete
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    This diverse collection of essays analyzes popular culture texts-including novel, films, and television shows-that demonstrate a variety of attitudes in the wake of the September 11, 2001 attacks.

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Petrovic, Paul (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781442252684
    RVK Categories: HU 1691 ; EC 5207
    Subjects: American fiction -- 21st century -- History and criticism; Psychic trauma in literature; Psychic trauma in motion pictures; September 11 Terrorist Attacks, 2001 -- Influence; September 11 Terrorist Attacks, 2001, in literature; September 11 Terrorist Attacks, 2001, in motion pictures; September 11 Terrorist Attacks, 2001, on television; Terrorism in literature; Electronic books
    Scope: Online-Ressource (xvii, 231 Seiten)
    Notes:

    Contents; Acknowledgments; Introduction; I: Counterreactions against Realism; Chapter One: Jess Walter's The Zero; Chapter Two: Memorializing Post-9/11 New York in Jonathan Lethem's Chronic City; Chapter Three: "Never Give a Good Politician Time to Pray"; Chapter Four: Which Came First, Zombies or the Plague?; Chapter Five: A Eulogy of the Urban Superhero; II: Perception, Ideology, and Community; Chapter Six: Paucity of Imagination; Chapter Seven: Strangers in a Homeland; Chapter Eight: "Our New Customer Is the Bush Administration?"; Chapter Nine: "I'm the Motherfucker Who Found This Place"

    Chapter Ten: From 24 to HomelandIII: Masculinity, Marginalization, Melancholy, and Hyper-Protection; Chapter Eleven: The Danger That Keeps Knocking; Chapter Twelve: Post-Closet and Post-9/11; Chapter Thirteen: The Human Barnyard; Chapter Fourteen: The Pain and Prison of Post-9/11 Parenting in Jonathan Franzen's Freedom; Chapter Fifteen: How to Get to 9/11; Chapter Sixteen: Poetic Responses to 9/11 and Adrienne Rich's The School among the Ruins; IV: International Responses; Chapter Seventeen: "Some Sense of Bridge Making"; Chapter Eighteen: Haunting Cartographies; Index; About the Contributors

  10. American Cinema in the Shadow of 9/11
    Published: [2016]; ©2016
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    A comprehensive critical survey of the impact of 9/11 on Film, written by some of the foremost scholars in American cinemaAmerican Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the... more

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    A comprehensive critical survey of the impact of 9/11 on Film, written by some of the foremost scholars in American cinemaAmerican Cinema in the Shadow of 9/11 is a ground-breaking collection of essays by some of the foremost scholars writing in the field of contemporary American film. Through a dynamic critical analysis of the defining films of the turbulent post-9/11 decade, the volume explores and interrogates the impact of 9/11 and the 'War on Terror' on American cinema and culture. In a vibrant discussion of films like American Sniper (2014), Zero Dark Thirty (2012), Spectre (2015), The Hateful Eight (2015), Lincoln (2012), The Mist (2007), Children of Men (2006), Edge of Tomorrow (2014) and Avengers: Age of Ultron (2015), noted authors Geoff King, Guy Westwell, John Shelton Lawrence, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many others consider the power of popular film to function as a potent cultural artefact, able to both reflect the defining fears and anxieties of the tumultuous era, but also shape them in compelling and resonant ways.Key FeaturesFifteen original essays by some of the foremost scholars in American CinemaFeatures essays on the key films of the era, along with many that have previously been overlooked in scholarly literatureThe volume is critically informed but vibrant and engagingIncludes chapters by Geoff King, Guy Westwell, John Shelton Lawrence and Robert Jewett, Ian Scott, Andrew Schopp, James Kendrick, Sean Redmond, Steffen Hantke and many othersCase StudiesAmericanEast (Hesham Issawi, 2008) American Sniper (Clint Eastwood, 2014)Avengers: Age of Ultron (Joss Whedon, 2015)Casino Royale (Martin Campbell, 2006)Children of Men (Alfonso Cuarón, 2006) Django Unchained (Quentin Tarantino, 2012)Edge of Tomorrow (Doug Liman, 2014)Extremely Loud and Incredibly Close (Stephen Daldry, 2011)Halloween (John Carpenter, 1978)Halloween (Rob Zombie, 2007)Halloween II (Rob Zombie, 2009)The Hateful Eight (Quentin Tarantino, 2015)Inglourious Basterds (Quentin Tarantino, 2009)The Kingdom (Peter Berg, 2007)Lincoln (Steven Spielberg, 2012)Marvel Avengers Assemble (Joss Whedon, 2012) U.S Title The AvengersPearl Harbour (Michael Bay, 2001)The Reluctant Fundamentalist (Mira Nair, 2012)RoboCop (Paul Verhoeven, 1987)RoboCop (José Padilha, 2014)The Siege (Edward Zwick, 1998)Source Code (Duncan Jones, 2011)Spectre (Sam Mendes, 2015)Unstoppable (Tony Scott, 2011)The Walk (Robert Zemeckis, 2015)The War Within (Joseph Castrello, 2005)Zero Dark Thirty (Kathryn Bigelow, 2012)...

     

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    Source: Union catalogues
    Contributor: Bennett, Karen (Mitwirkender); Gaine, Vincent M. (Mitwirkender); Hantke, Steffen (Mitwirkender); Jewett, Robert (Mitwirkender); Joyce, Stephen (Mitwirkender); Kendrick, James (Mitwirkender); King, Geoff (Mitwirkender); Knee, Adam (Mitwirkender); Lawrence, John Shelton (Mitwirkender); Mendes, Ana Cristina (Mitwirkender); Muller, Christine (Mitwirkender); Petrovic, Paul (Mitwirkender); Redmond, Sean (Mitwirkender); Schopp, Andrew (Mitwirkender); Scott, Ian (Mitwirkender); Westwell, Guy (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474413824
    Other identifier:
    RVK Categories: AP 44983 ; AP 59783 ; AP 44981
    Subjects: Film; Elfter September <Motiv>
    Scope: 1 Online-Ressource (352 p.), 40 B/W illustrations
  11. Representing 9/11
    Trauma, Ideology, and Nationalism in Literature, Film, and Television
    Published: 2015
    Publisher:  Rowman & Littlefield Publishers, Lanham, MD ; ProQuest, Ann Arbor, Michigan

    This diverse collection of essays analyzes popular culture texts-including novel, films, and television shows-that demonstrate a variety of attitudes in the wake of the September 11, 2001 attacks. more

    Universität Frankfurt, Elektronische Ressourcen
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    This diverse collection of essays analyzes popular culture texts-including novel, films, and television shows-that demonstrate a variety of attitudes in the wake of the September 11, 2001 attacks.

     

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