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Displaying results 1 to 18 of 18.

  1. Caught in-between
    intermediality in contemporary Eastern European and Russian cinema
    Contributor: Pethő, Ágnes (Publisher)
    Published: [2020]; © 2020
    Publisher:  Edinburgh University Press, Edinburgh

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    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Contributor: Pethő, Ágnes (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781474435499
    Series: Edinburgh studies in film and intermediality
    Subjects: Film; Intermedialität
    Other subjects: Motion pictures / Europe, Eastern / History; Motion pictures / Russia / History; Motion pictures; Eastern Europe; Russia; History
    Scope: xii, 260 Seiten, Illustrationen, 24 cm
  2. Caught in-between
    intermediality in contemporary Eastern European and Russian cinema
    Contributor: Pethő, Ágnes (Publisher)
    Published: 2021
    Publisher:  Edinburgh University Press, Edinburgh

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    Hochschule für Fernsehen und Film, Bibliothek
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    Source: Union catalogues
    Contributor: Pethő, Ágnes (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781474435529; 1474435521
    Series: Edinburgh studies in film and intermediality
    Subjects: Intermedialität; Film
    Other subjects: Motion pictures / Europe, Eastern / History; Motion pictures / Europe, Central / History; Motion pictures / Russia (Federation) / History; Intermediality; Intermediality; Motion pictures; Central Europe; Eastern Europe; Russia (Federation); History
    Scope: xii, 260 Seiten, Illustrationen, 24 cm
    Notes:

    First published in hardback by Edinburgh University Press 2020
  3. Caught in-between
    intermediality in contemporary Eastern European and Russian cinema
    Contributor: Pethő, Ágnes (HerausgeberIn)
    Published: [2020]; © 2020
    Publisher:  Edinburgh University Press, Edinburgh

    Explores the intermedial poetics of the post-communist cinemas of Eastern Europe and RussiaProvides in-depth and comparative analyses of films, with case studies covering fiction films, documentaries, avant-garde experiments, arthouse movies and... more

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Explores the intermedial poetics of the post-communist cinemas of Eastern Europe and RussiaProvides in-depth and comparative analyses of films, with case studies covering fiction films, documentaries, avant-garde experiments, arthouse movies and mainstream cinemaCinematic case studies are drawn from Romania, Hungary, Poland, the Czech Republic, Bosnia and Herzegovina and RussiaDiscusses different strategies of intermediality and covers the analysis of a wide range of intermedial and inter-art phenomena, including the relationship between film and painting, film and sculpture, film and photography, cinema and the graphic novel, words and images and images and musicThis collection of essays explores intermediality as a new perspective in the interpretation of the cinemas that have emerged after the collapse of the former Eastern bloc. As an aesthetic based on a productive interaction of media and highlighting cinema’s relationship with the other arts, intermediality always implies a state of in-betweenness which is capable of registering tensions and ambivalences that go beyond the realm of media. The comparative analyses of films from Hungary, Romania, Poland, the Czech Republic, Bosnia and Herzegovina and Russia demonstrate that intermediality can be employed in this way as a form of introspection dealing with complex issues of art and society. Appearing in a variety of sensuous or intellectual modes, intermediality can become an effective poetic strategy to communicate how the cultures of the region are caught in-between East and West, past and present, emotional turmoil and more detached self-awareness. The diverse theoretical approaches that unravel this in-betweenness contribute to the understanding of intermedial phenomena in contemporary cinema as a whole.ContributorsMelinda Blos-Jáni, Sapientia Hungarian University of TransylvaniaMalgorzata Bugaj, University of Stirling and the University of EdinburghFátima Chinita, Lisbon Polytechnic InstituteZsolt Gyenge, Moholy-Nagy University of Art and DesignHajnal Király, Eötvös Loránd UniversityBence Kránicz, Eötvös Loránd UniversityGabriel Laverdière, from Laval University, Quebec Ágnes Pethő, Sapientia Hungarian University of TransylvaniaJudit Pieldner, Sapientia Hungarian University of TransylvaniaKatalin Sándor, Babeș–Bolyai UniversityMareike Sera, Humboldt University of Berlin

     
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    Source: Union catalogues
    Contributor: Pethő, Ágnes (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474435505
    Other identifier:
    Series: Edinburgh studies in film and intermediality
    Subjects: Motion pictures; Motion pictures; Film, Media & Cultural Studies; HISTORY / Russia & the Former Soviet Union
    Scope: 1 Online-Ressource (xii, 260 Seiten), Illustrationen
  4. Múzsák tükre
    az intermedialitás és az önreflexió poétikája a filmben
    Author: Pethő, Ágnes
    Published: 2003
    Publisher:  Pro-Print Könyv., Csíkszereda

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    87.563.13
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    Source: Union catalogues
    Language: Hungarian
    Media type: Book
    Format: Print
    ISBN: 973846806X
    Subjects: Film; Ästhetik; Selbstreflexion
    Scope: 327 S., Ill.
    Notes:

    Literaturangaben
  5. Words and images on the screen
    language, literature, moving pictures
    Contributor: Pethő, Ágnes
    Published: 2008
    Publisher:  Cambridge Scholars Publ., Newcastle upon Tyne

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    88.833.53
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    Source: Union catalogues
    Contributor: Pethő, Ágnes
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1847188435; 9781847188434
    Subjects: Literatur; Verfilmung; Film; Sprache
    Scope: 393 S.
  6. Caught in-between
    intermediality in contemporary Eastern European and Russian cinema
    Contributor: Pethő, Ágnes (HerausgeberIn)
    Published: [2020]; © 2020
    Publisher:  Edinburgh University Press, Edinburgh

    Af indholdet: S. 65-90: Sculpture and affect in cinema's expanded field: from Aleksey Gherman's Hard to be a god to Aleksey Gherman Jr's Under electric clouds / Ágnes Pethö. -- S. 91-108: Intermedial densities in the work of Jan Švankmajer / Mareike... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Af indholdet: S. 65-90: Sculpture and affect in cinema's expanded field: from Aleksey Gherman's Hard to be a god to Aleksey Gherman Jr's Under electric clouds / Ágnes Pethö. -- S. 91-108: Intermedial densities in the work of Jan Švankmajer / Mareike Sera. -- S. 147-162: Trauma, memorialisation and intermediality in Jasmila Žbanić's For those who can tell no tales / Katalin Sándor. -- S. 163-184: An immersive theatrical journey through media and time in Alexander Sokurov's Russian ark / Fátima Chinita. -- S. 185-202: The real and the internedial in Alexander Sokurov's family trilogy / Malgorzata Bugaj. -- S. 203-218: This is not Magritte: Corneliu Porumboiu's theory of representation / Zsolt Gyenge.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Pethő, Ágnes (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781474435499
    Series: Edinburgh studies in film and intermediality
    Subjects: Motion pictures; Motion pictures
    Scope: xii, 260 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  7. Cinema and intermediality
    the passion for the in-between
    Author: Pethő, Ágnes
    Published: 2011
    Publisher:  Cambridge Scholars, Newcastle upon Tyne

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1443828793; 1443830348; 9781443828796; 9781443830348
    Subjects: ART / Film & Video; PERFORMING ARTS / Film & Video / Reference; Intermediality; Motion pictures; Film; Geschichte; Motion pictures; Intermediality; Intermedialität; Film
    Scope: 1 Online-Ressource (VIII, 432 Seiten)
    Notes:

    Literaturverzeichnis Seite 417-432
  8. Cinema and intermediality
    the passion for the in-between
    Author: Pethő, Ágnes
    Published: 2011
    Publisher:  Cambridge Scholars Publ., Newcastle upon Tyne

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: AP 46600 ; AP 46900 ; AP 47500 ; AP 50300 ; AP 74600
    Subjects: Motion pictures / History; Intermediality; Films; Intermedialiteit; Film; Geschichte; Film; Intermedialität
    Scope: VIII, 432 S., Ill., 21 cm
    Notes:

    Met lit.opg
  9. Caught in-between
    intermediality in contemporary Eastern European and Russian cinema
    Contributor: Pethő, Ágnes (HerausgeberIn)
    Published: [2020]; © 2020
    Publisher:  Edinburgh University Press, Edinburgh

    Af indholdet: S. 65-90: Sculpture and affect in cinema's expanded field: from Aleksey Gherman's Hard to be a god to Aleksey Gherman Jr's Under electric clouds / Ágnes Pethö. -- S. 91-108: Intermedial densities in the work of Jan Švankmajer / Mareike... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 106601
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    Staats- und Universitätsbibliothek Bremen
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    03.d.3125
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    tea 954.2 4aa DJ 2882
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    Af indholdet: S. 65-90: Sculpture and affect in cinema's expanded field: from Aleksey Gherman's Hard to be a god to Aleksey Gherman Jr's Under electric clouds / Ágnes Pethö. -- S. 91-108: Intermedial densities in the work of Jan Švankmajer / Mareike Sera. -- S. 147-162: Trauma, memorialisation and intermediality in Jasmila Žbanić's For those who can tell no tales / Katalin Sándor. -- S. 163-184: An immersive theatrical journey through media and time in Alexander Sokurov's Russian ark / Fátima Chinita. -- S. 185-202: The real and the internedial in Alexander Sokurov's family trilogy / Malgorzata Bugaj. -- S. 203-218: This is not Magritte: Corneliu Porumboiu's theory of representation / Zsolt Gyenge.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Pethő, Ágnes (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781474435499
    Series: Edinburgh studies in film and intermediality
    Subjects: Motion pictures; Motion pictures
    Scope: xii, 260 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  10. Cinema and intermediality
    the passion for the in-between
    Author: Pethő, Ágnes
    Published: 2011
    Publisher:  Cambridge Scholars Publ., Newcastle upon Tyne

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Union catalogues
    Language: English
    Media type: Book
    RVK Categories: AP 46600 ; AP 46900 ; AP 47500 ; AP 50300 ; AP 74600
    Subjects: Motion pictures / History; Intermediality; Films; Intermedialiteit; Film; Geschichte; Film; Intermedialität
    Scope: VIII, 432 S., Ill., 21 cm
    Notes:

    Met lit.opg
  11. Cinema and intermediality
    the passion for the in-between
    Author: Pethő, Ágnes
    Published: 2011
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781283142885; 9781443830348
    RVK Categories: AP 46600 ; AP 46900 ; AP 47500 ; AP 50300 ; AP 74600
    Subjects: Motion pictures / History; Intermediality; Films; Intermedialiteit; Film; Geschichte; Film; Intermedialität
    Scope: 1 Online-Ressource (VIII, 432 Seiten), Illustrationen
  12. Film in the post-media age
    Contributor: Pethő, Ágnes (Publisher)
    Published: 2012
    Publisher:  Cambridge Scholars, Newcastle upon Tyne

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    Source: Union catalogues
    Contributor: Pethő, Ágnes (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781443837538; 1443837539
    Subjects: Motion pictures--Philosophy.; Motion pictures--Social aspects.; Motion pictures--Technological innovations.
    Scope: vii, 429 S., Ill., 22 cm
  13. Words and images on the screen
    language, literature, moving pictures
    Contributor: Pethő, Ágnes (Publisher)
    Published: 2008
    Publisher:  Cambridge Scholars Publ., Newcastle

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    Source: Union catalogues
    Contributor: Pethő, Ágnes (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781847188434; 1847188435
    Edition: 1. publ.
    Subjects: Motion pictures and literature; Film adaptations; Motion pictures
    Scope: VII, 393 p., Ill., graph. Darst., 22 cm
    Notes:

    Literaturangaben
  14. Caught in-between
    intermediality in contemporary Eastern European and Russian cinema
    Contributor: Pethő, Ágnes (HerausgeberIn)
    Published: [2020]; © 2020
    Publisher:  Edinburgh University Press, Edinburgh

    Af indholdet: S. 65-90: Sculpture and affect in cinema's expanded field: from Aleksey Gherman's Hard to be a god to Aleksey Gherman Jr's Under electric clouds / Ágnes Pethö. -- S. 91-108: Intermedial densities in the work of Jan Švankmajer / Mareike... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Af indholdet: S. 65-90: Sculpture and affect in cinema's expanded field: from Aleksey Gherman's Hard to be a god to Aleksey Gherman Jr's Under electric clouds / Ágnes Pethö. -- S. 91-108: Intermedial densities in the work of Jan Švankmajer / Mareike Sera. -- S. 147-162: Trauma, memorialisation and intermediality in Jasmila Žbanić's For those who can tell no tales / Katalin Sándor. -- S. 163-184: An immersive theatrical journey through media and time in Alexander Sokurov's Russian ark / Fátima Chinita. -- S. 185-202: The real and the internedial in Alexander Sokurov's family trilogy / Malgorzata Bugaj. -- S. 203-218: This is not Magritte: Corneliu Porumboiu's theory of representation / Zsolt Gyenge.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Pethő, Ágnes (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781474435499; 1474435491
    Series: Edinburgh studies in film and intermediality
    Subjects: Motion pictures; Motion pictures; Motion pictures; History
    Scope: xii, 260 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  15. Cinema and intermediality
    the passion for the in-between
    Author: Pethő, Ágnes
    Published: 2011
    Publisher:  Cambridge Scholars Publishing, Newcastle upon Tyne

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1283142880; 9781283142885
    Subjects: Intermediality; Motion pictures; Film; Geschichte; Motion pictures; Intermediality; Intermedialität; Film
    Scope: 1 Online-Ressource (VIII, 432 Seiten), Illustrationen
  16. Cinema and intermediality
    the passion for the in-between
    Author: Pethő, Ágnes
    Published: 2011
    Publisher:  Cambridge Scholars Publ., Newcastle upon Tyne

    Within the last two decades "intermediality" has emerged as one of the most challenging concepts in media theory with no shortage of various taxonomies and definitions. What prompted the writing of the essays gathered in this volume, however, was not... more

     

    Within the last two decades "intermediality" has emerged as one of the most challenging concepts in media theory with no shortage of various taxonomies and definitions. What prompted the writing of the essays gathered in this volume, however, was not a desire for more classifications applied to the world of moving pictures, but a strong urge to investigate what the "inter-" implied by the idea of "intermediality" stands for, and what it actually entails in the cinema. The book offers in each of the individual chapters a cross-section view of specific instances in which cinema seems to consciously position itself "in-between" media and arts, employing techniques that tap into the multimedial complexity of cinema, and bring into play the tensions generated by media differences. The introductory theoretical writings deal with the historiography of approaching intermedial phenomena in cinema presenting at the same time some of the possible "gateways" that can open up the cinematic image towards the perceptual frames of other media and arts. The book also contains essays that examine more closely specific paradigms in the poetics of cinematic intermediality, like the allure of painting in Hitchcock's films, the exquisite ways of framing and un-framing haptical imagery in Antonioni's works, the narrative allegories of media differences, the word and image plays and ekphrastic techniques in Jean-Luc Godard's "total" cinema, the floneuristic intermedial gallery of moving images created by Josè Luis Guerìn, or the types of intermedial metalepses in Agnés Varda's "cinècriture." From a theoretical vantage point these essays break with the tradition of thinking of intermediality in analogy with intertextuality and attempt a phenomenological (re)definition of intermedial relations. (Quelle: Klappentext)

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781443828796; 1443828793
    RVK Categories: AP 45100 ; AP 46900 ; AP 47500 ; AP 47600
    Edition: 1. publ.
    Subjects: Film; Intermedialität; Aufsatzsammlung;
    Scope: VIII, 432 S., Ill., 21 cm
    Notes:

    Literaturverz. S. [417] - 432
  17. Caught in-between
    intermediality in contemporary Eastern Europe and Russian cinema
    Contributor: Pethő, Ágnes (Publisher)
    Published: [2020]
    Publisher:  Edinburgh University Press, Edinburgh

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    Source: Union catalogues
    Contributor: Pethő, Ágnes (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781474435499
    RVK Categories: KD 5120 ; AP 59800 ; KK 1035 ; AP 47600
    Series: Edinburgh studies in film and intermediality
    Subjects: Motion pictures ; Europe, Eastern ; History; Motion pictures ; Russia ; History
    Scope: xii, 260 Seiten, Illustrationen
    Notes:

    Enthält Literaturangaben
  18. Caught in-between
    intermediality in contemporary Eastern European and Russian cinema
    Contributor: Pethő, Ágnes (HerausgeberIn)
    Published: [2020]; © 2020
    Publisher:  Edinburgh University Press, Edinburgh

    Af indholdet: S. 65-90: Sculpture and affect in cinema's expanded field: from Aleksey Gherman's Hard to be a god to Aleksey Gherman Jr's Under electric clouds / Ágnes Pethö. -- S. 91-108: Intermedial densities in the work of Jan Švankmajer / Mareike... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 106601
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    03.d.3125
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    Unlimited inter-library loan, copies and loan

    Location:
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    Signature:
    tea 954.2 4aa DJ 2882
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    Unlimited inter-library loan, copies and loan

     

    Af indholdet: S. 65-90: Sculpture and affect in cinema's expanded field: from Aleksey Gherman's Hard to be a god to Aleksey Gherman Jr's Under electric clouds / Ágnes Pethö. -- S. 91-108: Intermedial densities in the work of Jan Švankmajer / Mareike Sera. -- S. 147-162: Trauma, memorialisation and intermediality in Jasmila Žbanić's For those who can tell no tales / Katalin Sándor. -- S. 163-184: An immersive theatrical journey through media and time in Alexander Sokurov's Russian ark / Fátima Chinita. -- S. 185-202: The real and the internedial in Alexander Sokurov's family trilogy / Malgorzata Bugaj. -- S. 203-218: This is not Magritte: Corneliu Porumboiu's theory of representation / Zsolt Gyenge.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Pethő, Ágnes (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781474435499; 1474435491
    Series: Edinburgh studies in film and intermediality
    Subjects: Motion pictures; Motion pictures; Motion pictures; History
    Scope: xii, 260 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index