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  1. The distorting mirror
    visual modernity in China
    Author: Pang, Laikwan
    Published: 2007
    Publisher:  University of Hawai'i Press, Honolulu

    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
    Signature:
    83/Sin/EKK 31287
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0824830938; 9780824830939
    RVK Categories: LO 88900
    Subjects: Visuelle Medien; Bildpublizistik; Moderne <Motiv>
    Scope: VIII, 280 Seiten, Illustrationen
    Notes:

    Literaturverz. S- 247 - 272
  2. Masculinities and Hong Kong cinema
    Contributor: Pang, Laikwan (Hrsg.)
    Published: 2005
    Publisher:  Hong Kong Univ. Press, Hong Kong

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    13.415.24
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    Source: Union catalogues
    Contributor: Pang, Laikwan (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9622097383; 9622097375
    Subjects: Hongkongfilm; Männlichkeit <Motiv>
    Scope: XI, 342 S.
  3. The distorting mirror
    visual modernity in China
    Author: Pang, Laikwan
    Published: 2007
    Publisher:  University of Hawaiʻi Press, Honolulu ; EBSCO Industries, Inc., Birmingham, AL, USA

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    Bibliothek der Hochschule Mainz, Untergeschoss
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781435666429; 1435666429; 9780824864675; 0824864670
    RVK Categories: LO 88900
    Subjects: Visuelle Medien; Bildpublizistik; Moderne <Motiv>
    Scope: 1 Online-Ressource (viii, 280 pages), Illustrations
    Notes:

    Includes bibliographical references (pages 247-272) and index
  4. The distorting mirror
    visual modernity in China
    Author: Pang, Laikwan
    Published: [2007]; © 2007
    Publisher:  University of Hawai'i Press, Honolulu

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0824830938; 9780824830939
    RVK Categories: LO 88900
    Subjects: Arts, Chinese; Arts, Chinese; Modernism (Aesthetics); Identity (Psychology); Arts and society
    Scope: viii, 280 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite [247]-272. Index
  5. Listening to China’s Cultural Revolution
    Music, Politics, and Cultural Continuities
    Contributor: Clark, Paul (Hrsg.); Pang, Laikwan (Hrsg.); Tsai, Tsan-Huang (Hrsg.)
    Published: 2016
    Publisher:  Palgrave Macmillan US, New York

    Bringing together the most recent research on the Cultural Revolution in China, musicologists, historians, literary scholars, and others discuss the music and its political implications. Combined, these chapters, paint a vibrant picture of the... more

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    Universitätsbibliothek Freiburg
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    Max-Planck-Institut für ethnologische Forschung, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Bringing together the most recent research on the Cultural Revolution in China, musicologists, historians, literary scholars, and others discuss the music and its political implications. Combined, these chapters, paint a vibrant picture of the long-lasting impact that the musical revolution had on ordinary citizens, as well as political leaders.

     
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    Content information
    Source: Union catalogues
    Contributor: Clark, Paul (Hrsg.); Pang, Laikwan (Hrsg.); Tsai, Tsan-Huang (Hrsg.)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137463579
    Other identifier:
    RVK Categories: NQ 9030
    Series: Chinese Literature and Culture in the World
    Springer eBook Collection
    Array
    Subjects: Social sciences; Culture; World politics; Cultural studies; Social Sciences; Music; Asia; Oriental literature; Ethnology—Asia.; Arts.; Civilization—History.; Social sciences; Culture; Music; Asia; Oriental literature; World politics; Cultural studies
    Scope: Online-Ressource (272 p, online resource)
    Notes:

    Includes bibliographical references and index
  6. The art of cloning
    creative production during China's Cultural Revolution
    Author: Pang, Laikwan
    Published: [2017]; © 2017
    Publisher:  Verso, London ; New York

    "Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity. In the 1950s, a French journalist joked that the Chinese were 'blue ants under the red flag,' dressing identically and even marching in an... more

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    "Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity. In the 1950s, a French journalist joked that the Chinese were 'blue ants under the red flag,' dressing identically and even marching in an identical fashion. When the Cultural Revolution officially began, this uniformity seemed to extend to the mind. From the outside, this was a monotonous world, full of repetitions and imitation, but a closer look reveals a range of cultural experiences, which also provided individuals with an obscure sense of freedom. In The Art of Cloning, Pang Laikwan examines this period in Chinese history when ordinary citizens read widely, travelled extensively through the country, and engaged in a range of cultural and artistic activities. The freedom they experienced, argues Pang, differs from the freedom, under Western capitalism, to express individuality through a range of consumer products. However, it was far from boring, and filled with its own kind of diversity"...

     
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  7. The distorting mirror
    visual modernity in China
    Author: Pang, Laikwan
    Published: [2007]
    Publisher:  University of Hawai'i Press, Honolulu

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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  8. The art of cloning
    creative production during China's Cultural Revolution
    Author: Pang, Laikwan
    Published: [2017]; © 2017
    Publisher:  Verso, London ; New York

    "Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity. In the 1950s, a French journalist joked that the Chinese were 'blue ants under the red flag,' dressing identically and even marching in an... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity. In the 1950s, a French journalist joked that the Chinese were 'blue ants under the red flag,' dressing identically and even marching in an identical fashion. When the Cultural Revolution officially began, this uniformity seemed to extend to the mind. From the outside, this was a monotonous world, full of repetitions and imitation, but a closer look reveals a range of cultural experiences, which also provided individuals with an obscure sense of freedom. In The Art of Cloning, Pang Laikwan examines this period in Chinese history when ordinary citizens read widely, travelled extensively through the country, and engaged in a range of cultural and artistic activities. The freedom they experienced, argues Pang, differs from the freedom, under Western capitalism, to express individuality through a range of consumer products. However, it was far from boring, and filled with its own kind of diversity"...

     
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  9. The art of cloning
    creative production during China's Cultural Revolution
    Author: Pang, Laikwan
    Published: 2017
    Publisher:  Verso, London

    "Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity. In the 1950s, a French journalist joked that the Chinese were 'blue ants under the red flag, ' dressing identically and even marching in an... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 996981
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    Universität Freiburg, Orientalisches Seminar, Bibliothek
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    Frei 29: China/LS/164
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    Burg Giebichenstein Kunsthochschule Halle, Hochschulbibliothek
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    A 41943
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
    Signature:
    DS778.7.P37 2017
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    "Cultural production under Mao, and how artists and thinkers found autonomy in a culture of conformity. In the 1950s, a French journalist joked that the Chinese were 'blue ants under the red flag, ' dressing identically and even marching in an identical fashion. When the Cultural Revolution officially began, this uniformity seemed to extend to the mind. From the outside, this was a monotonous world, full of repetitions and imitation, but a closer look reveals a range of cultural experiences, which also provided individuals with an obscure sense of freedom. In The Art of Cloning, Pang Laikwan examines this period in Chinese history when ordinary citizens read widely, traveled extensively through the country, and engaged in a range of cultural and artistic activities. The freedom they experienced, argues Pang, differs from the freedom, under Western capitalism, to express individuality through a range of consumer products. However, it was far from boring, and filled with its own kind of diversity"--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1784785199; 1784785202; 9781784785192; 9781784785208
    RVK Categories: MH 50930 ; NQ 9030
    Subjects: Arts; Autonomy; Conformity; Cultural pluralism; HISTORY; POLITICAL SCIENCE; Arts; Creative ability; Cultural industries; Arts; Autonomy; Conformity; Cultural pluralism
    Scope: xii, 308 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  10. The distorting mirror
    visual modernity in China
    Author: Pang, Laikwan
    Published: [2007]; © 2007
    Publisher:  University of Hawai'i Press, Honolulu

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 679930
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    Staats- und Universitätsbibliothek Bremen
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    a puz 028/376
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2016 A 3423
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0824830938; 9780824830939
    RVK Categories: LO 88900
    Subjects: Arts, Chinese; Arts, Chinese; Modernism (Aesthetics); Identity (Psychology); Arts and society
    Scope: viii, 280 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite [247]-272. Index
  11. The distorting mirror
    visual modernity in China
    Author: Pang, Laikwan
    Published: [2007]; © 2007
    Publisher:  University of Hawai'i Press, Honolulu

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0824830938; 9780824830939
    RVK Categories: LO 88900
    Subjects: Arts, Chinese; Arts, Chinese; Modernism (Aesthetics); Identity (Psychology); Arts and society; Arts, Chinese; Arts, Chinese; Modernism (Aesthetics); Identity (Psychology); Arts and society
    Scope: viii, 280 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite [247]-272. Index
  12. The distorting mirror
    visual modernity in China
    Author: Pang, Laikwan
    Published: [2007]; © 2007
    Publisher:  University of Hawai'i Press, Honolulu

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 679930
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    Staats- und Universitätsbibliothek Bremen
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    Universitätsbibliothek Freiburg
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    GE 2010/4765
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    2016 A 3423
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    Centre for Asian and Transcultural Studies (CATS), Abteilung Ostasien
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    NX583.A1 P363 2007
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0824830938; 9780824830939
    RVK Categories: LO 88900
    Subjects: Arts, Chinese; Arts, Chinese; Modernism (Aesthetics); Identity (Psychology); Arts and society; Arts, Chinese; Arts, Chinese; Modernism (Aesthetics); Identity (Psychology); Arts and society
    Scope: viii, 280 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite [247]-272. Index
  13. Listening to China’s Cultural Revolution
    Music, Politics, and Cultural Continuities
    Contributor: Pang, Laikwan (Herausgeber); Clark, Paul (Herausgeber); Tsai, Tsan-Huang (Herausgeber)
    Published: 2016
    Publisher:  Palgrave Macmillan US, New York ; Springer International Publishing AG, Cham

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    Source: Union catalogues
    Contributor: Pang, Laikwan (Herausgeber); Clark, Paul (Herausgeber); Tsai, Tsan-Huang (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137463579; 1137463570
    Other identifier:
    Edition: 1st ed. 2016
    Series: Chinese Literature and Culture in the World
    Subjects: Oriental literature; Ethnology; Culture; Asia; Music; Arts; Civilization; Asian Literature; Asian Culture; Asian History; Music; Arts; Cultural History
    Scope: 1 Online-Ressource (IX, 280 Seiten)
  14. Piracy-Privacy: The Despair of Cinema and Collectivity in China
    Author: Pang, Laikwan
    Published: 2004

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    Source: Online Contents Comparative Literature
    Media type: Article (journal)
    Format: Print
    Parent title: Boundary 2; Durham, NC : Duke Univ. Press, 1972-; Band 31, Heft 3 (2004), Seite 101-124; Bände, 23 cm

  15. The distorting mirror
    visual modernity in China
    Author: Pang, Laikwan
    Published: c2007
    Publisher:  University of Hawaiʻi Press, Honolulu

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0824864670; 1435666429; 9780824864675; 9781435666429
    Subjects: ART / Reference; ART / Performance; Arts and society; Arts, Chinese; Identity (Psychology); Modernism (Aesthetics); PHILOSOPHY / Aesthetics; Ästhetik; Arts, Chinese; Arts, Chinese; Modernism (Aesthetics); Identity (Psychology); Arts and society
    Scope: 1 Online-Ressource (viii, 280 p.)
    Notes:

    Includes bibliographical references (p. [247]-272) and index