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  1. Empire on the English stage, 1660-1714
    Author: Orr, Bridget
    Published: 2001
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Location:
    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
    Signature:
    L/V/4 O 7 I
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521773504
    RVK Categories: HK 1241
    Subjects: Drama; Imperialismus <Motiv>; Kolonialismus <Motiv>; Englisch
    Scope: x, 350 S.
    Notes:

    Literaturverz. S. 323-344
  2. British Enlightenment theatre
    dramatizing difference
    Author: Orr, Bridget
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays... more

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    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Universitätsbibliothek Gießen
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    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108584494
    RVK Categories: HK 1210 ; HK 1260
    Subjects: Englisch; Theater; Drama; Aufklärung; Freimaurerei; Toleranz <Motiv>
    Scope: 1 Online-Ressource (x, 285 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 20 Dec 2019)
  3. British enlightenment theatre
    dramatizing difference
    Author: Orr, Bridget
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    91.195.26
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781108499712
    RVK Categories: HK 1210 ; HK 1260
    Subjects: Englisch; Theater; Drama; Aufklärung; Freimaurerei; Toleranz <Motiv>
    Scope: x, 285 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite 253-274
  4. Empire on the English stage
    1660 - 1714
    Author: Orr, Bridget
    Published: 2001
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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  5. British Enlightenment theatre
    dramatizing difference
    Author: Orr, Bridget
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108584494
    Other identifier:
    RVK Categories: HK 1210 ; HK 1260
    Subjects: Theater / Great Britain / History / 18th century; English drama / 18th century / History and criticism; Enlightenment / Great Britain; Englisch; Freimaurerei; Theater; Aufklärung; Drama
    Scope: 1 Online-Ressource (x, 285 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 20 Dec 2019)

    Introduction : dramatizing enlightenment -- Addison, Steele and enlightened sentiment -- Fair captives and spiritual dragooning : Islam and toleration on stage -- The black legend, noble savagery and indigenous voice -- The Masonic invention of domestic tragedy -- Local savagery : the enlightenment countryside on stage
  6. British Enlightenment theatre
    dramatizing difference
    Author: Orr, Bridget
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge, United Kingdom ; New York, NY ; Port Melbourne, VIC ; New Delhi ; Singapore

    Klappentext: "In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment... more

    Location:
    Universitätsbibliothek Augsburg
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Klappentext: "In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, Freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781108499712
    RVK Categories: HK 1210 ; HK 1260
    Subjects: Drama; Englisch; Freimaurerei; Aufklärung; Theater
    Other subjects: Theater / Great Britain / History / 18th century; English drama / 18th century / History and criticism; Enlightenment / Great Britain; Great Britain / Intellectual life / 18th century
    Scope: x, 285 Seiten, 6 Illustrationen
    Notes:

    Literaturverzeichnis: Seite 253-274
  7. Empire on the English stage
    1660 - 1714
    Author: Orr, Bridget
    Published: 2007
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Analyzes Restoration and early eighteenth-century drama in terms of empire. more

    Location:
    Universitätsbibliothek Würzburg
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    Analyzes Restoration and early eighteenth-century drama in terms of empire.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780521773508; 9780521036009
    RVK Categories: HK 1241
    Edition: Digitally print. version
    Subjects: Englisch; Kolonialismus <Motiv>; England <Motiv>; Drama; Imperialismus <Motiv>
    Scope: X, 350 S., Ill.
  8. British Enlightenment Theatre
    Dramatizing Difference
    Author: Orr, Bridget
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge ; ProQuest, Ann Arbor, Michigan

    Reveals how England's eighteenth-century theatre dramatized anti-imperial protest, and gave voice to oppressed groups. more

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Reveals how England's eighteenth-century theatre dramatized anti-imperial protest, and gave voice to oppressed groups.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108606998
    RVK Categories: HK 1210 ; HK 1260
    Subjects: Englisch; Theater; Drama; Aufklärung; Freimaurerei; Toleranz <Motiv>
    Scope: 1 Online-Ressource (298 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  9. Empire on the English stage
    1660 - 1714
    Author: Orr, Bridget
    Published: 2007
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Analyzes Restoration and early eighteenth-century drama in terms of empire. more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Analyzes Restoration and early eighteenth-century drama in terms of empire.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780521773508; 9780521036009
    RVK Categories: HK 1241
    Edition: Digitally print. version
    Subjects: Englisch; Kolonialismus <Motiv>; England <Motiv>; Drama; Imperialismus <Motiv>
    Scope: X, 350 S., Ill.
  10. Empire on the English stage, 1660 - 1714
    Author: Orr, Bridget
    Published: 2001
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 0521773504
    RVK Categories: HK 1241
    Subjects: England <Motiv>; Imperialismus <Motiv>; Kolonialismus <Motiv>; Drama; Englisch
    Scope: X, 350 S., Ill.
  11. British Enlightenment theatre
    dramatizing difference
    Author: Orr, Bridget
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge, United Kingdom ; New York, NY ; Port Melbourne, VIC ; New Delhi ; Singapore

    Klappentext: "In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Unlimited inter-library loan, copies and loan

     

    Klappentext: "In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, Freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism"--

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781108499712
    RVK Categories: HK 1210 ; HK 1260
    Subjects: Drama; Englisch; Freimaurerei; Aufklärung; Theater
    Other subjects: Theater / Great Britain / History / 18th century; English drama / 18th century / History and criticism; Enlightenment / Great Britain; Great Britain / Intellectual life / 18th century
    Scope: x, 285 Seiten, 6 Illustrationen
    Notes:

    Literaturverzeichnis: Seite 253-274
  12. British Enlightenment theatre
    dramatizing difference
    Author: Orr, Bridget
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    Inhaltsverzeichnis: Introduction: dramatizing enlightenment -- Addison, Steele and enlightened sentiment -- Fair captives and spiritual dragooning: Islam and toleration on stage -- The black legend, noble savagery and indigenous voice -- The Masonic... more

    Location:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signature:
    A 2020/418
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signature:
    2020/5682
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    Universitätsbibliothek der Eberhard Karls Universität
    Signature:
    60 A 2693
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    Location:
    Klassik Stiftung Weimar / Herzogin Anna Amalia Bibliothek
    Signature:
    AP 78830 O75
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    Inhaltsverzeichnis: Introduction: dramatizing enlightenment -- Addison, Steele and enlightened sentiment -- Fair captives and spiritual dragooning: Islam and toleration on stage -- The black legend, noble savagery and indigenous voice -- The Masonic invention of domestic tragedy -- Local savagery: the enlightenment countryside on stage. Klappentext: "In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, Freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781108499712; 9781108731188
    Subjects: Theater; English drama; Enlightenment
    Scope: X, 285 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 253-274
  13. British Enlightenment theatre
    dramatizing difference
    Author: Orr, Bridget
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays... more

    Access:
    Resolving-System (lizenzpflichtig)

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
    Signature:
    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek Rostock
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    Universitätsbibliothek der Eberhard Karls Universität
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    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108584494
    Other identifier:
    Subjects: Theater; English drama; Enlightenment; Theater ; Great Britain ; History ; 18th century; English drama ; 18th century ; History and criticism; Enlightenment ; Great Britain; Great Britain ; Intellectual life ; 18th century
    Scope: 1 Online-Ressource (x, 285 Seiten), Illustrationen
  14. British Enlightenment theatre
    dramatizing difference
    Author: Orr, Bridget
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays... more

    Location:
    Universitäts- und Landesbibliothek Bonn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism.

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108584494
    Other identifier:
    Subjects: Toleranz <Motiv>; Englisch; Drama; Aufklärung; Freimaurerei
    Other subjects: Theater ; Great Britain ; History ; 18th century; English drama ; 18th century ; History and criticism; Enlightenment ; Great Britain; Great Britain ; Intellectual life ; 18th century
    Scope: 1 Online-Ressource (x, 285 Seiten), Illustrationen
  15. British Enlightenment theatre
    dramatizing difference
    Author: Orr, Bridget
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays... more

    Access:
    Resolving-System (lizenzpflichtig)

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108584494
    Other identifier:
    Subjects: Theater; English drama; Enlightenment; Theater ; Great Britain ; History ; 18th century; English drama ; 18th century ; History and criticism; Enlightenment ; Great Britain; Great Britain ; Intellectual life ; 18th century
    Scope: 1 Online-Ressource (x, 285 Seiten), Illustrationen
  16. British Enlightenment theatre
    dramatizing difference
    Author: Orr, Bridget
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge

    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays... more

     

    In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108584494
    Other identifier:
    Subjects: Theater ; Great Britain ; History ; 18th century; English drama ; 18th century ; History and criticism; Enlightenment ; Great Britain; Great Britain ; Intellectual life ; 18th century
    Scope: 1 Online-Ressource (x, 285 Seiten), Illustrationen
  17. British Enlightenment theatre
    dramatizing difference
    Author: Orr, Bridget
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge, United Kingdom ; New York, NY ; Port Melbourne, VIC ; New Delhi ; Singapore

    Klappentext: "In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment... more

    Location:
    Universitätsbibliothek Paderborn
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Klappentext: "In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, Freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781108499712
    RVK Categories: HK 1210 ; HK 1260
    Subjects: Englisch; Theater; Drama; Aufklärung; Freimaurerei; Geschichte 1700-1750; ; Englisch; Theater; Drama; Geschichte 1700-1830;
    Other subjects: Theater / Great Britain / History / 18th century; English drama / 18th century / History and criticism; Enlightenment / Great Britain; Great Britain / Intellectual life / 18th century
    Scope: x, 285 Seiten, 6 Illustrationen
    Notes:

    Literaturverzeichnis: Seite 253-274
  18. British Enlightenment theatre
    dramatizing difference
    Author: Orr, Bridget
    Published: 2021
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

    Inhaltsverzeichnis: Introduction: dramatizing enlightenment -- Addison, Steele and enlightened sentiment -- Fair captives and spiritual dragooning: Islam and toleration on stage -- The black legend, noble savagery and indigenous voice -- The Masonic... more

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    Thüringer Universitäts- und Landesbibliothek
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    Inhaltsverzeichnis: Introduction: dramatizing enlightenment -- Addison, Steele and enlightened sentiment -- Fair captives and spiritual dragooning: Islam and toleration on stage -- The black legend, noble savagery and indigenous voice -- The Masonic invention of domestic tragedy -- Local savagery: the enlightenment countryside on stage. Klappentext: "In this ground-breaking work, Bridget Orr shows that popular eighteenth-century theatre was about much more than fashion, manners and party politics. Using the theatre as a means of circulating and publicizing radical Enlightenment ideas, many plays made passionate arguments for religious and cultural toleration, and voiced protests against imperial invasion and forced conversion of indigenous peoples by colonial Europeans. Irish and labouring-class dramatists wrote plays, often set in the countryside, attacking social and political hierarchy in Britain itself. Another crucial but as yet unexplored aspect of early eighteenth-century theatre is its connection to freemasonry. Freemasons were pervasive as actors, managers, prompters, scene-painters, dancers and musicians, with their own lodges, benefit performances and particular audiences. In addition to promoting the Enlightened agenda of toleration and cosmopolitanism, Freemason dramatists invented the new genre of domestic tragedy, a genre that criticized the effects of commercial and colonial capitalism"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781108731188
    Edition: First paperback edition
    Subjects: Theater; English drama; Enlightenment
    Scope: x, 285 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 253-274
  19. British enlightenment theatre
    dramatizing difference
    Author: Orr, Bridget
    Published: 2020
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    91.195.26
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    Title in the local catalogue:
    https://hds.hebis.de/ubffm/Record/HEB456718281
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    Content information
    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781108499712
    RVK Categories: HK 1210 ; HK 1260
    Subjects: Englisch; Theater; Drama; Aufklärung; Freimaurerei; Toleranz <Motiv>
    Scope: x, 285 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite 253-274
  20. The only free people in the empire
    gender difference in colonial discourse
    Author: Orr, Bridget

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: De-Scribing Empire : post-colonialism and textuality.(1994); 1994; S. 152 - 168
  21. Cultural Institutions of the Novel
    Contributor: Orr, Bridget (Mitwirkender); Siskin, Clifford (Mitwirkender); Johnson, Dane (Mitwirkender); Lynch, Deidre (Mitwirkender); Mucke, Dorothea von (Mitwirkender); Brown, Homer (Mitwirkender); Fujii, James A. (Mitwirkender); Matlock, Jann (Mitwirkender); Trumpener, Katie (Mitwirkender); Berlant, Lauren (Mitwirkender); Lowe, Lisa (Mitwirkender); Burnham, Michelle (Mitwirkender); Glazener, Nancy (Mitwirkender); Andrade, Susan Z. (Mitwirkender); Warner, William B. (Herausgeber)
    Published: 1996; ©1996
    Publisher:  Duke University Press, Durham ; Walter de Gruyter GmbH, Berlin

    The story of the development of the novel-its origin, rise, and increasing popularity as a narrative form in an ever-expanding range of geographic and cultural sites-is familiar and, according to the contributors to this volume, severely limited. In... more

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    The story of the development of the novel-its origin, rise, and increasing popularity as a narrative form in an ever-expanding range of geographic and cultural sites-is familiar and, according to the contributors to this volume, severely limited. In a far-reaching blend of comparative literature and transnational cultural studies, this collection shifts the study of the novel away from a consideration of what makes a particular narrative a novel to a consideration of how novels function and what cultural work they perform-from what novels are, to what they do.The essays in Cultural Institutions of the Novel find new ways to analyze how a genre notorious for its aesthetic unruliness has become institutionalized-defined, legitimated, and equipped with a canon. With a particular focus on the status of novels as commodities, their mediation of national cultures, and their role in transnational exchange, these pieces range from the seventeenth century to the present and examine the forms and histories of the novel in England, Nigeria, Japan, France, New Zealand, Canada, and the United States. Works by Jane Austen, Natsume Sôseki, Gabriel García Márquez, Buchi Emecheta, and Toni Morrison are among those explored as Cultural Institutions of the Novel investigates how theories of "the" novel and disputes about which narratives count as novels shape social struggles and are implicated in contests over cultural identity and authority.Contributors. Susan Z. Andrade, Lauren Berlant, Homer Brown, Michelle Burnham, James A. Fujii, Nancy Glazener, Dane Johnson, Lisa Lowe, Deidre Lynch, Jann Matlock, Dorothea von Mücke, Bridget Orr, Clifford Siskin, Katie Trumpener, William B. Warner...

     
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    Content information
    Source: Union catalogues
    Contributor: Orr, Bridget (Mitwirkender); Siskin, Clifford (Mitwirkender); Johnson, Dane (Mitwirkender); Lynch, Deidre (Mitwirkender); Mucke, Dorothea von (Mitwirkender); Brown, Homer (Mitwirkender); Fujii, James A. (Mitwirkender); Matlock, Jann (Mitwirkender); Trumpener, Katie (Mitwirkender); Berlant, Lauren (Mitwirkender); Lowe, Lisa (Mitwirkender); Burnham, Michelle (Mitwirkender); Glazener, Nancy (Mitwirkender); Andrade, Susan Z. (Mitwirkender); Warner, William B. (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822396505
    Other identifier:
    Scope: 1 Online-Ressource (496 p.)
  22. Empire on the English stage
    1660 - 1714
    Author: Orr, Bridget
    Published: 2001
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521773504
    RVK Categories: HK 1241
    Edition: 1. publ.
    Subjects: English drama; English drama; Imperialism in literature
    Scope: X, 350 S., Ill., 23cm
    Notes:

    Literaturverz. S. 323 - 344
  23. Empire on the English stage
    1660 - 1714
    Author: Orr, Bridget
    Published: 2001
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 472734
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521773504
    Other identifier:
    9780521773508
    RVK Categories: HK 1241
    Subjects: English drama; English drama; Imperialism in literature; Ethnicity in literature; Colonies in literature; Race in literature; English drama; English drama; Imperialism in literature; Ethnicity in literature; Colonies in literature; Race in literature
    Scope: X, 350 S., Ill., 24 cm
    Notes:

    Includes bibliographical references and index
  24. BOOK REVIEWS - Empire on the English Stage, 1660-1714
    Author: Orr, Bridget
    Published: 2004

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    Source: Online Contents Comparative Literature
    Contributor: Staves, Susan
    Media type: Article (journal)
    Format: Print
    Parent title: Modern philology; Chicago, Ill. : Univ. of Chicago Press, 1903-; Band 102, Heft 2 (2004), Seite 267-270

  25. Fatal Desire: Women, Sexuality and the English Stage, 1660–1720 (review)
    Author: Orr, Bridget
    Published: 2007

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    Source: Online Contents Comparative Literature
    Media type: Article (journal)
    Format: Print
    Parent title: Comparative drama; Kalamazoo, Mich. : Western Michigan University, 1967-2019; Band 41, Heft 3 (2007), Seite 386-388