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  1. Cultural identity in Eugenia Kim's The Calligrapher's Daughter

    Abstract: Eugenia Kim’s The Calligrapher's Daughter (2009) is a well-received East Asian novel about a Korean Christian, Najin's encounter with western culture. As an aristocratic woman, she is expected to uphold Korean tradition. However, as Najin... more

     

    Abstract: Eugenia Kim’s The Calligrapher's Daughter (2009) is a well-received East Asian novel about a Korean Christian, Najin's encounter with western culture. As an aristocratic woman, she is expected to uphold Korean tradition. However, as Najin realises that she is culturally marginalised by her father and the Korean traditional society mainly due to her gender, she picks up a foreign culture introduced to her, western culture. This move is extremely significant because after Najin driven by cultural marginalisation to embrace western culture, her cultural practices are no longer the same with traditional Korean women. This important turn of the novel has not been explored by scholars extensively. Thus, this study aims to depart from the cultural marginalisation faced by Najin. Furthermore, due to the fact that cultural identity formation is highly influenced by culture, there is a need to look into the changes of Najin’s cultural identity as she incorporates western culture into her Kor

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/56777
    DDC Categories: 300; 301
    Other subjects: (thesoz)Christentum; (thesoz)Literatur; (thesoz)Tradition; (thesoz)Ostasien; (thesoz)Roman; (thesoz)Emanzipation; (thesoz)Frau; (thesoz)Marginalität; (thesoz)kulturelle Identität; (thesoz)westliche Welt; (thesoz)Kultur; Korea
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2015) 62 ; 131-139

  2. Transculturalism in Tan Twan Eng's The Gift of Rain

    Abstract: While the growing body of research on Tan Twan Eng's The Gift of Rain (2009) focuses on the protagonist, Philip Hutton's traumatic condition, his Chinese identity, and his ambiguous identity, this study devotes particular attention to the... more

     

    Abstract: While the growing body of research on Tan Twan Eng's The Gift of Rain (2009) focuses on the protagonist, Philip Hutton's traumatic condition, his Chinese identity, and his ambiguous identity, this study devotes particular attention to the complexity of interactions between various cultures practised by Philip. This study aims to address this gap by applying the concept of transculturalism to analyse the processes of acquiring a foreign culture and incorporating the foreign culture into traditional cultures experienced by Philip. In other words, this study employs the concept of transculturalism to examine multicultural depictions in the novel. Scholars, such as Khan, Tiwari, Sheoran and Tan C. S. who have examined multicultural depictions in various literary texts, have found that multicultural circumstances cause certain ethnic groups to lose their cultures and identities. Hence, the multicultural circumstances depicted are perceived as negative phenomena. However, this study has

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/57076
    DDC Categories: 301; 300
    Other subjects: (thesoz)Literatur; (thesoz)Transkulturalität; (thesoz)Tradition; (thesoz)kulturelle Identität; (thesoz)Akkulturation; (thesoz)ethnische Gruppe; Neokultur
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2016) 74 ; 1-15

  3. Distortion of marxism in duong Thu Huong's novel Without a name and Kim Echlin's The disappeared
    Published: 2014

    Abstract: In Novel Without A Name (1996) and The Disappeared (2010), the brutalities of the Vietnam War and the Cambodian Civil War are depicted vividly. The implementation of suspect Marxist doctrines and ideologies is portrayed as the main factor... more

     

    Abstract: In Novel Without A Name (1996) and The Disappeared (2010), the brutalities of the Vietnam War and the Cambodian Civil War are depicted vividly. The implementation of suspect Marxist doctrines and ideologies is portrayed as the main factor that led to such atrocities. Thus, the central issue or theme of these two novels is the distortion of Marxism. This is foregrounded not only through incidents that take place on the battlefield, but also through the relationships between characters. The latter are not much explored by scholars to examine the main theme, the distortion of Marxism. Hence, this study investigates the importance of relationships in reflecting and developing the theme, the distortion of Marxism, as depicted in Duong Thu Huong's Novel Without A Name and Kim Echlin's The Disappeared via the concept of Marxism. By referring to the true set of Marxist ideologies, the distorted Marxist doctrines implemented in the Marxist regime depicted are shown. This paper reveals that

     

    Export to reference management software   RIS file
      BibTeX file
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    oai:gesis.izsoz.de:document/58252
    DDC Categories: 301; 320
    Other subjects: (thesoz)Literatur; (thesoz)Marxismus; (thesoz)Ideologie; (thesoz)Kambodscha; (thesoz)Bürgerkrieg; (thesoz)Vietnam; (thesoz)Krieg; Verzerrung
    Scope: Online-Ressource
    Notes:

    Veröffentlichungsversion

    begutachtet (peer reviewed)

    In: International Letters of Social and Humanistic Sciences (2014) 41 ; 138-149