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Displaying results 1 to 25 of 36.

  1. Poetic biopolitics
    practices of relation in architecture and the arts
    Contributor: Rawes, Peg (HerausgeberIn); Loo, Stephen (HerausgeberIn); Mathews, Timothy (HerausgeberIn)
    Published: 2016
    Publisher:  I.B. Tauris, London

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2016:2365:
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    Source: Union catalogues
    Contributor: Rawes, Peg (HerausgeberIn); Loo, Stephen (HerausgeberIn); Mathews, Timothy (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781780769127
    RVK Categories: LH 61020 ; LH 61045
    Subjects: Biopolitik; Kunstpolitik; Ästhetik; Künste; Gesellschaft;
    Scope: xi, 314 Seiten, Illustrationen
  2. Tradition, translation, trauma
    the classic and the modern
    Published: 2011
    Publisher:  Oxford University Press, Oxford

    This is a collection of essays by a team of international contributors concerned with how Classic - mainly Greek and Latin but also Arabic and Portuguese - texts become present in later cultures; how they are passed on, received and affect over time... more

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    This is a collection of essays by a team of international contributors concerned with how Classic - mainly Greek and Latin but also Arabic and Portuguese - texts become present in later cultures; how they are passed on, received and affect over time and space, and how they resonate in the modern.

     

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    Source: Union catalogues
    Contributor: Parker, Jan; Mathews, Timothy
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780199554591; 9780191808258 (Sekundärausgabe)
    Other identifier:
    RVK Categories: FB 5701
    Series: Classical presences
    Subjects: Griechisch; Latein; Antike; Literatur; Rezeption; Moderne; Trauma <Motiv>; Nostalgie
    Scope: xvi, 358 p., Ill.
    Notes:

    Includes bibliographical references and index

    Online-Ausg.:

  3. Tradition, translation, trauma
    the classic and the modern
    Published: 2011
    Publisher:  Oxford University Press, Oxford ; EBSCO Industries, Inc., Birmingham, AL, USA

    Tradition, Trauma, Translation is concerned with how Classic texts - mainly Greek and Latin but also Arabic and Portuguese - become present in later cultures and how they resonate in the modern. A distinguished international team of contributors and... more

    Bibliothek der Hochschule Mainz, Untergeschoss
    No inter-library loan

     

    Tradition, Trauma, Translation is concerned with how Classic texts - mainly Greek and Latin but also Arabic and Portuguese - become present in later cultures and how they resonate in the modern. A distinguished international team of contributors and responders examine the topic in different ways. Some discuss singular encounters with the Classic - those of Heaney, Pope, Fellini, Freud, Ibn Qutayba, Cavafy and others - and show how translations engage with the affective impact of texts over time and space. Poet-translator contributors draw on their own experience here. Others offer images of translation: as movement of a text over time, space, language, and culture. Some of these images are resistant, even violent: tradition as silencing, translation as decapitation, cannibalistic reception. Others pose searching questions about the interaction of modernity with tradition: what is entailed in 'The Price of the Modern'? Drawing, as it does, on Classical, Modernist, Translation, Reception, Comparative Literary, and Intercultural Studies, the volume has the potential to suggest critiques of practice in these disciplines but also concerns that are common to all these fields.

     

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    Source: Union catalogues
    Contributor: Parker, Jan; Mathews, Timothy
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191617607; 0191617601; 1283348527; 9781283348522
    Series: Classical presences
    Scope: 1 Online-Ressource (xvi, 358 pages), Illustrations
    Notes:

    Includes bibliographical references and index

  4. Transitions
    Emerging Women Writers in German-language Literature
    Published: 2013
    Publisher:  Editions Rodopi, Amsterdam

    This volume introduces ten emerging voices in German-language literature by women. Their texts speak to the diverse modalities of transition that characterise society and culture in the twenty-first century, such as the adaptation to evolving... more

    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    This volume introduces ten emerging voices in German-language literature by women. Their texts speak to the diverse modalities of transition that characterise society and culture in the twenty-first century, such as the adaptation to evolving political and social conditions in a newly united Germany; globalisation, the dissolution of borders, and the changing face of Europe; dramatic shifts in the meaning of national, ethnic, sexual, gender, religious, and class identities; rapid technological advancement and the revolutionary power of new media, which in turn have radically altered the connec...

     

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    Source: Union catalogues
    Contributor: Mathews, Timothy; Obradovic, Dragana
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042036895; 9789401209489 (Sekundärausgabe)
    RVK Categories: GN 1411 ; GO 23500 ; GO 12410
    Series: German Monitor ; v.76
    Subjects: Deutsch; Literatur; Autorschaft; Schriftstellerin; Literarisches Leben
    Scope: 235 p.
    Notes:

    Description based upon print version of record

    Online-Ausg.:

  5. Poetic biopolitics
    practices of relation in architecture and the arts
    Contributor: Rawes, Peg (HerausgeberIn); Loo, Stephen (HerausgeberIn); Mathews, Timothy (HerausgeberIn)
    Published: 2016
    Publisher:  I.B. Tauris, London

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Rawes, Peg (HerausgeberIn); Loo, Stephen (HerausgeberIn); Mathews, Timothy (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781780769127
    RVK Categories: LH 61020 ; LH 61045
    Subjects: Biopolitik; Kunstpolitik; Ästhetik; Künste; Gesellschaft;
    Scope: xi, 314 Seiten, Illustrationen
  6. Tradition, translation, trauma
    the classic and the modern
    Contributor: Parker, Jan (Publisher); Mathews, Timothy (Publisher)
    Published: 2011
    Publisher:  Oxford Univ. Press, Oxford

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    Source: Union catalogues
    Contributor: Parker, Jan (Publisher); Mathews, Timothy (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780199554591; 0199554595
    RVK Categories: FB 5701
    Series: Classical presences
    Subjects: Literature--History and criticism.; Influence (Literary, artistic, etc.)--History.; Transmission of texts--Europe--History.; Translating and interpreting--History.
    Scope: XVI, 358 S., Ill., 23 cm
    Notes:

    Hier auch später erschienene, unveränderte Nachdrucke (2012)

    Literaturangaben

  7. Poetic biopolitics
    practices of relation in architecture and the arts
    Contributor: Rawes, Peg (HerausgeberIn); Loo, Stephen (HerausgeberIn); Mathews, Timothy (HerausgeberIn)
    Published: 2016
    Publisher:  I.B. Tauris, London

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2016:2365:
    No inter-library loan
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Source: Union catalogues
    Contributor: Rawes, Peg (HerausgeberIn); Loo, Stephen (HerausgeberIn); Mathews, Timothy (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781780769127
    RVK Categories: LH 61020 ; LH 61045
    Subjects: Biopolitik; Kunstpolitik; Ästhetik; Künste; Gesellschaft; ; Ästhetik; ; Kunstpolitik;
    Scope: xi, 314 Seiten, Illustrationen
  8. The modernist bestiary
    translating animals and the arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland
    Contributor: Kay, Sarah (HerausgeberIn); Mathews, Timothy (HerausgeberIn); Sutherland, Graham (IllustratorIn); Dufy, Raoul (IllustratorIn)
    Published: 2020
    Publisher:  UCL Press, London

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Kay, Sarah (HerausgeberIn); Mathews, Timothy (HerausgeberIn); Sutherland, Graham (IllustratorIn); Dufy, Raoul (IllustratorIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781787351578; 9781787351820
    Series: Comparative literature and culture
    Subjects: Modernism (Literature); Modernism (Art); Modernism (Aesthetics); Animals in literature; Animals in art; Art and literature
    Other subjects: Apollinaire, Guillaume (1880-1918): Bestiaire; Sutherland, Graham Vivian (1903-1980): Bestiary or Procession of Orpheus
    Scope: xiii, 168 Seiten, Illustrationen
  9. The Modernist Bestiary
    Contributor: Kay, Sarah (HerausgeberIn); Mathews, Timothy (HerausgeberIn); Sutherland, Graham (IllustratorIn); Dufy, Raoul (IllustratorIn)
    Published: 2020
    Publisher:  UCL Press, London

    The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by... more

    Access:
    Verlag (Description of rights in Directory of Open Access Books (DOAB): Attribution (CC by))
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconstructing the lineage of these two compositions, the book uncovers the aesthetic and intellectual processes involved that operate in different times, places and media. The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. These include Orphic poetry from the past, contemporary musical settings, and bestiary writing from its origins to the present. The nature of productive dialogue between thought and art, and the refracted light they throw on each other are explored in each of the pieces in the book, and the aesthetic experience emerges as generative rather than reductive or complacent. The contributors’ encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature affective, is by nature also interdisciplinary and motivating, and that it spurs the critical in addressing the complex issues of 'humananimality'. 'Enacting in multiple compelling ways the mobility and relationality at the heart of its concerns, this collection makes a major contribution to the various fields into which it intervenes, including modernist studies, translation studies, critical animal studies, and research into intermedial transmission, especially between text and image and text and music.’ - Martin Crowley, University of Cambridge

     

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    Source: Union catalogues
    Contributor: Kay, Sarah (HerausgeberIn); Mathews, Timothy (HerausgeberIn); Sutherland, Graham (IllustratorIn); Dufy, Raoul (IllustratorIn)
    Media type: Ebook
    Format: Online
    ISBN: 9781787351516; 9781787351882; 9781787352063
    Other identifier:
    Subjects: Literature (General); History of the arts; Modernism (Literature); Modernism (Art); Modernism (Aesthetics); Animals in literature; Animals in art; Art and literature
    Other subjects: Apollinaire, Guillaume (1880-1918): Bestiaire; Sutherland, Graham Vivian (1903-1980): Bestiary or Procession of Orpheus
    Scope: 1 Online-Ressource (xiii, 168 Seiten), Illustrationen
  10. Poetic biopolitics
    practices of relation in architecture and the arts
    Contributor: Rawes, Peg (HerausgeberIn); Loo, Stephen (HerausgeberIn); Mathews, Timothy (HerausgeberIn)
    Published: 2016
    Publisher:  I.B. Tauris, London

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Rawes, Peg (HerausgeberIn); Loo, Stephen (HerausgeberIn); Mathews, Timothy (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781780769127
    RVK Categories: LH 61020 ; LH 61045
    Subjects: Biopolitik; Kunstpolitik; Ästhetik; Künste; Gesellschaft; ; Ästhetik; ; Kunstpolitik;
    Scope: xi, 314 Seiten, Illustrationen
  11. Poetic biopolitics
    practices of relation in architecture and the arts
    Contributor: Rawes, Peg (Publisher); Loo, Stephen (Publisher); Mathews, Timothy (Publisher)
    Published: 2016
    Publisher:  I.B. Tauris, London

    As the French philosopher and social theorist Michel Foucault defined the concept, 'biopolitics' is the extension of state control over both the physical and political bodies of a population. Poetic Biopolitics is a positive attempt to explain and... more

     

    As the French philosopher and social theorist Michel Foucault defined the concept, 'biopolitics' is the extension of state control over both the physical and political bodies of a population. Poetic Biopolitics is a positive attempt to explain and show how the often destructive effects and affects of biopolitical power structures can be 'poeticised' and deconstructed through the arts and humanities: in architecture, art, literature, modern languages, performance studies, film and philosophy. It is an interdisciplinary response to the contemporary global crisis of community conflict, social and environmental wellbeing. Structured in three parts - biopolitical bodies and imaginaries, voices and bodies, and social and environmental turbulence - this innovative book meshes performative and visual poetics with critical theory and feminist philosophy. It examines the complex expressions of our physical and psychic lives through artefact, body, dialogue, image, installation and word. (Quelle: ibtauris.com)

     

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    Source: Union catalogues
    Contributor: Rawes, Peg (Publisher); Loo, Stephen (Publisher); Mathews, Timothy (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781780769127; 1780769121
    RVK Categories: LH 60200 ; LH 61055 ; LH 61100
    Subjects: Biopolitik; Kunstpolitik; Ästhetik; Künste; Gesellschaft;
    Scope: xi, 314 Seiten, Illustrationen
  12. The modernist bestiary
    translating animals and the arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland
    Contributor: Kay, Sarah (HerausgeberIn); Mathews, Timothy (HerausgeberIn); Sutherland, Graham (IllustratorIn); Dufy, Raoul (IllustratorIn)
    Published: 2020
    Publisher:  UCL Press, London

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 108190
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2020 A 8597
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Kay, Sarah (HerausgeberIn); Mathews, Timothy (HerausgeberIn); Sutherland, Graham (IllustratorIn); Dufy, Raoul (IllustratorIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781787351578; 9781787351820
    Series: Comparative literature and culture
    Subjects: Modernism (Literature); Modernism (Art); Modernism (Aesthetics); Animals in literature; Animals in art; Art and literature
    Other subjects: Apollinaire, Guillaume (1880-1918): Bestiaire; Sutherland, Graham Vivian (1903-1980): Bestiary or Procession of Orpheus
    Scope: xiii, 168 Seiten, Illustrationen
  13. The Modernist Bestiary
    Contributor: Kay, Sarah (HerausgeberIn); Mathews, Timothy (HerausgeberIn); Sutherland, Graham (IllustratorIn); Dufy, Raoul (IllustratorIn)
    Published: 2020
    Publisher:  UCL Press, London

    The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by... more

    Access:
    Verlag (Description of rights in Directory of Open Access Books (DOAB): Attribution (CC by))
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Digitale Bibliothek
    No inter-library loan

     

    The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconstructing the lineage of these two compositions, the book uncovers the aesthetic and intellectual processes involved that operate in different times, places and media. The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. These include Orphic poetry from the past, contemporary musical settings, and bestiary writing from its origins to the present. The nature of productive dialogue between thought and art, and the refracted light they throw on each other are explored in each of the pieces in the book, and the aesthetic experience emerges as generative rather than reductive or complacent. The contributors’ encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature affective, is by nature also interdisciplinary and motivating, and that it spurs the critical in addressing the complex issues of 'humananimality'. 'Enacting in multiple compelling ways the mobility and relationality at the heart of its concerns, this collection makes a major contribution to the various fields into which it intervenes, including modernist studies, translation studies, critical animal studies, and research into intermedial transmission, especially between text and image and text and music.’ - Martin Crowley, University of Cambridge

     

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    Content information
    Source: Union catalogues
    Contributor: Kay, Sarah (HerausgeberIn); Mathews, Timothy (HerausgeberIn); Sutherland, Graham (IllustratorIn); Dufy, Raoul (IllustratorIn)
    Media type: Ebook
    Format: Online
    ISBN: 9781787351516; 9781787351882; 9781787352063
    Other identifier:
    Subjects: Literature (General); History of the arts; Modernism (Literature); Modernism (Art); Modernism (Aesthetics); Animals in literature; Animals in art; Art and literature
    Other subjects: Apollinaire, Guillaume (1880-1918): Bestiaire; Sutherland, Graham Vivian (1903-1980): Bestiary or Procession of Orpheus
    Scope: 1 Online-Ressource (xiii, 168 Seiten), Illustrationen
  14. Thinking through relation
    encounters in creative critical writing
    Contributor: Mussgnug, Florian (HerausgeberIn); Nabugodi, Mathelinda (HerausgeberIn); Petrou, Thea (HerausgeberIn); Mathews, Timothy (GefeierteR)
    Published: [2021]
    Publisher:  Peter Lang, Oxford

    "This book is an offering. It contains eighteen essays in honour of Timothy Mathews, written by leading scholars in the fields of French, Comparative Literature, Visual Culture and Creative Critical Writing. These essays examine the power of... more

    Universitätsbibliothek Heidelberg
    2023 C 2722
    Unlimited inter-library loan, copies and loan

     

    "This book is an offering. It contains eighteen essays in honour of Timothy Mathews, written by leading scholars in the fields of French, Comparative Literature, Visual Culture and Creative Critical Writing. These essays examine the power of serendipitous encounter, between artists, thinkers and artistic media as well as the importance of creative interjection in the arts and humanities. They advance fresh interpretations of some important figures in twentieth-century European culture - Apollinaire, Beckett, Benjamin, Calvino, Dalí, Genet, Nooteboom, Roubaud - using modes of reading that are both intellectually brave and open to fragility, intimate as well as critical, at once playful and earnest. They bring texts and artworks into relation in order to amply demonstrate that relation itself is a form of thinking"--

     

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    Source: Union catalogues
    Contributor: Mussgnug, Florian (HerausgeberIn); Nabugodi, Mathelinda (HerausgeberIn); Petrou, Thea (HerausgeberIn); Mathews, Timothy (GefeierteR)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781789976397
    Series: New comparative criticism ; vol. 11
    Subjects: Art and literature; European literature; Serendipity; Influence (Literary, artistic, etc.)
    Scope: xi, 298 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  15. The Modernist Bestiary : Translating Animals and the Arts through Guillaume Apollinaire, Raoul Dufy and Graham Sutherland
    Contributor: Kay, Sarah (Publisher); Mathews, Timothy (Publisher)
    Published: 2020
    Publisher:  UCL Press, London

    The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by... more

     

    The Modernist Bestiary centres on Le Bestiaire ou Cortège d’Orphée (1911), a multimedia collaborative work by French-Polish poet Guillaume Apollinaire and French artist Raoul Dufy, and its homonym, The Bestiary or Procession of Orpheus (1979), by British artist Graham Sutherland. Rather than reconstructing the lineage of these two compositions, the book uncovers the aesthetic and intellectual processes involved that operate in different times, places and media. The Apollinaire and Dufy Bestiary is an open-ended collaboration, a feature that Sutherland develops in his re-visiting, and this book shows how these neglected works are caught up in many-faceted networks of traditions and genres. These include Orphic poetry from the past, contemporary musical settings, and bestiary writing from its origins to the present. The nature of productive dialogue between thought and art, and the refracted light they throw on each other are explored in each of the pieces in the book, and the aesthetic experience emerges as generative rather than reductive or complacent. The contributors’ encounters with these works take the form of poetry and essays, all moving freely between different disciplines and practices, humanistic and posthumanist critical dimensions, as well as different animals and art forms. They draw on disciplines ranging from music, art history, translation, Classical poetry and French poetry, and are nurtured by approaches including phenomenology, cultural studies, sound studies, and critical animal studies. Collectively the book shows that the aesthetic encounter, by nature affective, is by nature also interdisciplinary and motivating, and that it spurs the critical in addressing the complex issues of 'humananimality'. 'Enacting in multiple compelling ways the mobility and relationality at the heart of its concerns, this collection makes a major contribution to the various fields into which it intervenes, including modernist studies, translation studies, critical animal studies, and research into intermedial transmission, especially between text and image and text and music.’ - Martin Crowley, University of Cambridge

     

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    Source: OAPEN
    Contributor: Kay, Sarah (Publisher); Mathews, Timothy (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    Other identifier:
    Subjects: Literature: history & criticism; History of art / art & design styles
    Other subjects: Comparative literature; History of art
  16. Literature, art and the pursuit of decay in twentieth-century France
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Bibliotheken Romanisches Seminar und Institut für Slavistik
    FL 20/203
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    ISBN: 0521419700
    RVK Categories: IH 1403
    Series: Cambridge studies in French
    Subjects: Französisch; Malerei; Kunst; Literatur
    Scope: XI, 232 S.
  17. Reading Apollinaire
    theories of poetic language
    Published: 1987
    Publisher:  Manchester Univ. Press, Manchester

    Staats- und Universitätsbibliothek Bremen
    a rom 220 apo 7/988
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    88 A 10245
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    H VII y 33/27
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    Universitätsbibliothek Rostock
    IH 11961 M429
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0719022207
    Subjects: Apollinaire
    Scope: XVI, 252 S, 22 cm
  18. The «Doppelgänger» in our Time
    Visions of Alterity in Literature, Visual Culture, and New Media
    Published: 2024
    Publisher:  Peter Lang International Academic Publishers, Oxford

    «Alia Soliman’s re-assessment of the motif of the doppelgänger moves it comprehensively into the twenty-first century and adds new dimensions to the figure. Here, through incisive readings, the double is brought to perspectives on ageing, the crisis... more

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    Universitätsbibliothek Gießen
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    «Alia Soliman’s re-assessment of the motif of the doppelgänger moves it comprehensively into the twenty-first century and adds new dimensions to the figure. Here, through incisive readings, the double is brought to perspectives on ageing, the crisis of masculinity and, crucially, our digital condition. Soliman’s book prompts vital questions about the literary, cultural and social work the double can do.»(Patrick ffrench, Professor of French, King’s College London)«Alia Soliman’s book focuses on aspects of the female double, the doppelgänger in Latin American literature, contemporary photography and in social media, making relevant contributions to scholarship. Considering the growing importance of the digital double and the implications of public image and self-perception, this publication presents an interesting link from the motif’s literary past to its multi-mediated present.»(Gerald Bär, Professor of Literature and Cultural Studies, Universidade Aberta, Lisbon)«From the female double to digital doppelgänger trends, this book offers a topical investigation into issues pertaining to identity formation through the lens of the double. Emanating from the literary realm and into photography, film, and new media, the study reveals new and exciting engagements with the doppelgänger that span feminist, visual, and digital studies.»(Prof. Umberto Mondini, President, International Centre for Studies of Arts and Humanities, Rome) The book examines the doppelgänger persona’s gradual shift to representations of the self as simulacrum and responds to changing conceptions of identity that celebrate the potentiality of alterity. Varied literary, visual, and digital narratives of the self showcase the doppelgänger as an increasingly image-based construction. The increasing visuality of the doppelgänger corpus engages with notions of exteriorisation, fragmentation, and the materialisation of unfulfilled possibilities, reflecting a sense of self that indulges in multiple realities and alternative lives. The literature of Jorge Luis Borges and Carlos Fuentes reveal the birth of multiple selfhoods that are rooted in temporality; Willem Hermans, José Saramago, and Denis Villeneuve put forth under-represented experiences of alienation and the remedial powers of the alter; contemporary photographic campaigns by Cornelia Hediger and François Brunelle and digital doppelgänger series such as «twin strangers» lead trends in visual culture and new media where the encounter between self and double is constructive, performative, and interactive. Delineating a structural change, the book proposes a paradigm shift that celebrates the female double, multiplicity, and visual and digital engagement and furnishes the reader with an expanded conception of the doppelgänger figure.

     

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    Source: Union catalogues
    Contributor: Mathews, Timothy (Herausgeber); Ades, Dawn (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781800793620
    Other identifier:
    DDC Categories: 420
    Edition: 1st, New ed.
    Series: Art and Thought / Art et pensée ; 5
    Scope: 1 Online-Ressource (326 Seiten), Illustrationen
  19. Reading Apollinaire
    theories of poetic language
    Published: 1987
    Publisher:  Manchester Univ. Press, Manchester

    Universitätsbibliothek Bamberg
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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    Universitätsbibliothek Passau
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    Universitätsbibliothek Regensburg
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    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Language: English; French
    Media type: Book
    ISBN: 0719022207
    RVK Categories: IH 11961
    Subjects: poetry in French
    Other subjects: Apollinaire, Guillaume <1880-1918>; Apollinaire, Guillaume <1880-1918> - Criticism and interpretation; Apollinaire, Guillaume (1880-1918)
    Scope: XVI, 252 S.
  20. Literature, art and the pursuit of decay in twentieth century France
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "In Literature, Art and the Pursuit of Decay, Timothy Mathews examines work by a range of writers and painters working in France in the twentieth century. This illustrated book engages with canonical figures - Guillaume Apollinaire, Marguerite Duras... more

    Universitätsbibliothek Bayreuth
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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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    "In Literature, Art and the Pursuit of Decay, Timothy Mathews examines work by a range of writers and painters working in France in the twentieth century. This illustrated book engages with canonical figures - Guillaume Apollinaire, Marguerite Duras and Jean Genet, Roland Barthes, Pablo Picasso and Rene Magritte - as well as more neglected individuals including Robert Desnos and Jean Fautrier. Mathews draws on psychoanalysis, existentialism and poststructuralism to show how both literature and fine art promote the value of generosity in a culture of anxiety and intolerance. Decay emerges as a surprising ally in this quest because of its ability to undermine intellectual complacency and egoism. Integrating theoretical and material approaches to reading and viewing, Mathews engages with the distinctive features of different literary genres and different types of painting to develop an original history of artistic ambition in twentieth-century France."--BOOK JACKET.

     

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  21. Literature, art and the pursuit of decay in twentieth-century France
    Published: 2000
    Publisher:  Cambridge University Press, Cambridge [u.a.]

    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521419700
    RVK Categories: IH 1403
    Edition: 1. publ.
    Series: Cambridge Studies in French ; 66
    Subjects: Französisch; Literatur; Malerei; Kunst
    Other subjects: Barthes, Roland (1915-1980); Genet, Jean (1910-1986); Duras, Marguerite (1914-1996); Desnos, Robert (1900-1945); Fautrier, Jean (1898-1964); Picasso, Pablo (1881-1973); Apollinaire, Guillaume (1880-1918); Magritte, René (1898-1967)
    Scope: XI, 232 S., Ill.
  22. Literature, art and the pursuit of decay in twentieth-century France
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    Universität Mainz, Zentralbibliothek
    8097 FAD 3889
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0521419700
    RVK Categories: IH 1403
    Series: Cambridge studies in French ; 66
    Subjects: Französisch; Literatur; Kunst; Malerei
    Scope: XI, 232 S., Ill.
    Notes:

    Literaturverz. S. 223 - 228

  23. Literature, art and the pursuit of decay in Twentieth century France
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge

    Universitäts- und Landesbibliothek Bonn
    W 2000/2549
    Loan of volumes, no copies
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0521419700
    Series: Cambridge studies in French ; 66
    Subjects: Arts, Modern; Französisch; Kunst; Literatur
    Scope: 256 S., Ill.
    Notes:

    Includes index. - Bibliography

  24. Provocation and negotiation
    essays in comparative criticism
    Published: 2013
    Publisher:  Rodopi, Amsterdam ; Brill, Leiden

    This collection of essays takes on two of the most pressing questions that face the discipline of Comparative Literature today: "Why compare?" and "Where do we go from here?". At a difficult economic time, when universities all over the world once... more

    Universität Mainz, Zentralbibliothek
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    This collection of essays takes on two of the most pressing questions that face the discipline of Comparative Literature today: "Why compare?" and "Where do we go from here?". At a difficult economic time, when universities all over the world once again have to justify the social as well as academic value of their work, it is crucial that we consider the function of comparison itself in reaching across disciplinary and cultural boundaries. The essays written for this book are by researchers from all over the world, and range in topic from the problem of translating biblical Hebrew to modern atheism, from Freud to Marlene van Niekerk, from the formation of one person's identity to experiences of globalisation, and the relation of history to fiction. Together they display the ground-breaking, ideas which lie at the heart of an act as deceptively simple as comparing one piece of writing to another.

     

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    Source: Union catalogues
    Contributor: Ipsen, Gesche; Mathews, Timothy; Obradović, Dragana
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789401209625
    Other identifier:
    Series: Textxet, ; 70
    Scope: 1 Online-Ressource (xi, 290 pages), illustrations
    Notes:

    International conference proceedings

    Includes bibliographical references and index.

  25. Literature, art and the pursuit of decay in twentieth century France
    Published: 2000
    Publisher:  Cambridge Univ. Press, Cambridge [u.a.]

    "In Literature, Art and the Pursuit of Decay, Timothy Mathews examines work by a range of writers and painters working in France in the twentieth century. This illustrated book engages with canonical figures - Guillaume Apollinaire, Marguerite Duras... more

    Freie Universität Berlin, Universitätsbibliothek
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    "In Literature, Art and the Pursuit of Decay, Timothy Mathews examines work by a range of writers and painters working in France in the twentieth century. This illustrated book engages with canonical figures - Guillaume Apollinaire, Marguerite Duras and Jean Genet, Roland Barthes, Pablo Picasso and Rene Magritte - as well as more neglected individuals including Robert Desnos and Jean Fautrier. Mathews draws on psychoanalysis, existentialism and poststructuralism to show how both literature and fine art promote the value of generosity in a culture of anxiety and intolerance. Decay emerges as a surprising ally in this quest because of its ability to undermine intellectual complacency and egoism. Integrating theoretical and material approaches to reading and viewing, Mathews engages with the distinctive features of different literary genres and different types of painting to develop an original history of artistic ambition in twentieth-century France."--BOOK JACKET.

     

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    Content information