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  1. Alternative globalizations
    Eastern Europe and the postcolonial world
    Contributor: Mark, James (Publisher); Kalinovsky, Artemy M. (Publisher); Marung, Steffi, (Publisher)
    Published: [2020]
    Publisher:  Indiana University Press, Bloomington

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    Source: Union catalogues
    Contributor: Mark, James (Publisher); Kalinovsky, Artemy M. (Publisher); Marung, Steffi, (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780253046512; 9780253046505
    RVK Categories: MK 2700 ; NQ 8273 ; MS 1170
    Subjects: Osteuropa; Postkolonialismus;
    Scope: vii, 341 Seiten, Illustrationen
    Notes:

    Enthält Literaturangaben

  2. Alternative globalizations
    Eastern Europe and the postcolonial world
    Contributor: Mark, James (Publisher); Kalinovsky, Artemy M. (Publisher); Marung, Steffi (Publisher)
    Published: 2020
    Publisher:  Indiana Univ. Press, Bloomington

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Mark, James (Publisher); Kalinovsky, Artemy M. (Publisher); Marung, Steffi (Publisher)
    Language: English
    Media type: Book
    ISBN: 978-0-253-04651-2
    Subjects: Osteuropa; Globalisierung; Postkolonialismus
    Scope: VII, 341 S. : Ill.
  3. Socialism Goes Global
    The Soviet Union and Eastern Europe in the Age of Decolonization
    Contributor: Mark, James (Publisher); Betts, Paul (Publisher)
    Published: 2022
    Publisher:  Oxford University Press, Oxford

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Mark, James (Publisher); Betts, Paul (Publisher)
    Language: English
    Media type: Book
    ISBN: 978-0-19-2848857
    Edition: First Edition
    Subjects: Sowjetunion; Osteuropa; Entkolonialisierung
    Scope: vi, 367 Seiten
  4. Past for the Eyes
    East European Representations of Communism in Cinema and Museums after 1989
    Published: 2012
    Publisher:  Central European University Press, Budapest ; OpenEdition, Marseille

    How do museums and cinema shape the image of the Communist past in today's Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After... more

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    Bibliothek der Hochschule Darmstadt, Zentralbibliothek
    No inter-library loan
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
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    Bibliothek der Frankfurt University of Applied Sciences
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Hochschul- und Landesbibliothek Fulda, Standort Heinrich-von-Bibra-Platz
    No inter-library loan
    Technische Hochschule Mittelhessen, Hochschulbibliothek Gießen
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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    How do museums and cinema shape the image of the Communist past in today's Central and Eastern Europe? This volume is the first systematic analysis of how visual techniques are used to understand and put into context the former regimes. After history "ended" in the Eastern Bloc in 1989, museums and other memorials mushroomed all over the region. These efforts tried both to explain the meaning of this lost history, as well as to shape public opinion on their society's shared post-war heritage. Museums and films made political use of recollections of the recent past, and employed selected museum, memorial, and media tools and tactics to make its political intent historically credible. Thirteen essays from scholars around the region take a fresh look at the subject as they address the strategies of fashioning popular perceptions of the recent past. "Books on the CEE transformations that deal with media and popular cultures should be welcomed. Past for the Eyes belongs to this extraordinary breed. The book is devoted to the visual representations of the socialist / communist past and the forms they took. The interconnected processes of visualization of the past, and the collective memory sedimentation are the main focus. The book brings together perspectives of linked but still distinctive ways of enquiry: visual studies, cultural studies, area studies, museum studies and contemporary history with its passion for ethnography and oral evidence.

     

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