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  1. Class divisions in serial television
    Contributor: Lemke, Sieglinde (Herausgeber); Schniedermann, Wibke (Herausgeber)
    Published: [2016]
    Publisher:  Palgrave Macmillan, London, United Kingdom

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    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
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    791.456552 CLA
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    Source: Union catalogues
    Contributor: Lemke, Sieglinde (Herausgeber); Schniedermann, Wibke (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781137594488
    RVK Categories: AP 35160 ; AP 39383
    Subjects: Fernsehserie; Soziale Klasse <Motiv>
    Scope: vii, 213 Seiten
    Notes:

    Literaturangaben
  2. The vernacular matters of American literature
    Author: Lemke, Sieglinde
    Published: 2009
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

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    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230620933; 0230620930
    Edition: 1. ed.
    Subjects: Literatur; Umgangssprache; Stilistik; Kulturerbe
    Scope: 189 S.
    Notes:

    Literaturverz. S. [161] - 180
  3. Inequality, poverty and precarity in contemporary American culture
    Author: Lemke, Sieglinde
    Published: [2016]; © 2016
    Publisher:  Palgrave Macmillan, New York

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781137603418
    RVK Categories: HU 1075
    Subjects: Kunst; Neoliberalismus; Armut; Diskurs; Kultur; Repräsentation; Massenmedien; Ungleichheit; Literatur; Prekariat
    Scope: ix, 176 Seiten, Illustrationen
  4. Inequality, Poverty and Precarity in Contemporary American Culture
    Author: Lemke, Sieglinde
    Published: 2016
    Publisher:  Palgrave Macmillan US, New York

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    Universitätsbibliothek Eichstätt-Ingolstadt
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    Volltext (URL des Erstveröffentlichers)
  5. Primitivist modernism
    black culture and the origins of transatlantic modernism
    Author: Lemke, Sieglinde
    Published: 1998
    Publisher:  Oxford University Press, Oxford [u.a.]

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 019510403X
    Other identifier:
    197-1352
    RVK Categories: HD 575 ; MR 5800
    Series: W. E. B. Du Bois Institute
    Subjects: Afro-American arts; Modernism (Art); Arts, European; Modernism (Art); Arts, American; Arts, Black; African American arts
    Scope: 183 S., Ill.
    Notes:

    Bibliography: p165-174. - Includes index
  6. The vernacular matters of American literature
    Author: Lemke, Sieglinde
    Published: 2009
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781349383092; 9780230620933
    Other identifier:
    9780230620933
    9781349383092
    RVK Categories: HT 4705 ; HU 3931 ; HU 9800 ; HR 1829 ; HR 1800
    Edition: 1. ed.
    Subjects: National characteristics, American, in literature; Cultural pluralism in literature; Social history in literature; American fiction; Literature and society
    Other subjects: Twain, Mark (1835-1910): Adventures of Huckleberry Finn; Hurston, Zora Neale: Their eyes were watching God; Castillo, Ana: So far from God
    Scope: 189 S.
    Notes:

    Includes index
  7. Class divisions in serial television
    Contributor: Lemke, Sieglinde (HerausgeberIn); Schniedermann, Wibke (HerausgeberIn)
    Published: [2016]
    Publisher:  Palgrave Macmillan, London

    This book brings the emergent interest in social class and inequality to the field of television studies. It reveals how the new visibility of class matters in serial television functions aesthetically and examines the cultural class politics... more

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    This book brings the emergent interest in social class and inequality to the field of television studies. It reveals how the new visibility of class matters in serial television functions aesthetically and examines the cultural class politics articulated in these programmes. This ground-breaking volume argues that reality and quality TV's intricate politics of class entices viewers not only to grapple with previously invisible socio-economic realities but also to reconsider their class alignment. The stereotypical ways of framing class are now supplemented by those dedicated to exposing the economic and socio-psychological burdens of the (lower) middle class. The case studies in this book demonstrate how sophisticated narrative techniques coincide with equally complex ways of exposing class divisions in contemporary American life and how the examined shows disrupt the hegemonic order of class. The volume therefore also invites a rethinking of conventional models of social stratification

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Lemke, Sieglinde (HerausgeberIn); Schniedermann, Wibke (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781137594488
    RVK Categories: AP 34000 ; AP 14000 ; AP 35160 ; AP 39383
    Subjects: Television series; Social classes on television; Motion pictures and television; Social classes on television; Social classes on television
    Scope: vii, 213 Seiten, Illustrationen, 21 cm
  8. Inequality, poverty and precarity in contemporary American culture
    Author: Lemke, Sieglinde
    Published: [2016]; © 2016
    Publisher:  Palgrave Macmillan, New York

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781137603418
    RVK Categories: HU 1075
    Subjects: Kunst; Neoliberalismus; Armut; Diskurs; Kultur; Repräsentation; Massenmedien; Ungleichheit; Literatur; Prekariat
    Scope: ix, 176 Seiten, Illustrationen
  9. Revisionism and the subversive cowboy in the classic Western: challenging the definitions and boundaries of the American Western literary genre of the 19th and early 20th century
    Author: Frankiewicz, Shane Joseph Willis
    Published: 2019
    Publisher:  Universität, Freiburg

    Abstract: This doctoral project is an in-depth examination of the subversive narratives in the late 19th and early 20th Century Classic American Western. The dissertation focuses on the elements within these works which anticipate the later... more

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    Abstract: This doctoral project is an in-depth examination of the subversive narratives in the late 19th and early 20th Century Classic American Western. The dissertation focuses on the elements within these works which anticipate the later Revisionist Western genre. The study explores the Classic American Western’s role in expressing contemporary conditions of non-normative issues and socio-cultural groups in canonical fiction. This focus ranges from defining the Classic and Revisionist Western genres whose narratives are informed by the normative elements of white, heterosexual working-class masculinity, to inclusive research which expands canonical readings to African American and Native American Western fiction. This work explores how the intersectional convergence of class, race, and gender was accomplished by these authors through appropriating the thematic and mytho-nationalist ethos of the Western in order to challenge subaltern positions

     
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    Source: Union catalogues
    Contributor: Lemke, Sieglinde (Akademischer Betreuer); Hochbruck, Wolfgang (Akademischer Betreuer)
    Language: English
    Media type: Dissertation
    Format: Online
    Other identifier:
    DDC Categories: 810
    Subjects: Westernliteratur; Cowboy
    Scope: Online-Ressource
    Notes:

    Dissertation, Universität Freiburg, 2017
  10. Revisionism and the subversive cowboy in the classic Western: challenging the definitions and boundaries of the American Western literary genre of the 19th and early 20th century
    Author: Frankiewicz, Shane Joseph Willis
    Published: 2019
    Publisher:  Universität, Freiburg

    Abstract: This doctoral project is an in-depth examination of the subversive narratives in the late 19th and early 20th Century Classic American Western. The dissertation focuses on the elements within these works which anticipate the later... more

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    Abstract: This doctoral project is an in-depth examination of the subversive narratives in the late 19th and early 20th Century Classic American Western. The dissertation focuses on the elements within these works which anticipate the later Revisionist Western genre. The study explores the Classic American Western’s role in expressing contemporary conditions of non-normative issues and socio-cultural groups in canonical fiction. This focus ranges from defining the Classic and Revisionist Western genres whose narratives are informed by the normative elements of white, heterosexual working-class masculinity, to inclusive research which expands canonical readings to African American and Native American Western fiction. This work explores how the intersectional convergence of class, race, and gender was accomplished by these authors through appropriating the thematic and mytho-nationalist ethos of the Western in order to challenge subaltern positions

     
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    Source: Union catalogues
    Contributor: Lemke, Sieglinde (Akademischer Betreuer)
    Language: English
    Media type: Dissertation
    Format: Online
    Other identifier:
    DDC Categories: 810
    Subjects: Westernliteratur; Cowboy
    Scope: Online-Ressource
    Notes:

    Dissertation, Universität Freiburg, 2017
  11. Class divisions in serial television
    Contributor: Lemke, Sieglinde (HerausgeberIn); Schniedermann, Wibke (HerausgeberIn)
    Published: [2016]
    Publisher:  Palgrave Macmillan, London

    This book brings the emergent interest in social class and inequality to the field of television studies. It reveals how the new visibility of class matters in serial television functions aesthetically and examines the cultural class politics... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    This book brings the emergent interest in social class and inequality to the field of television studies. It reveals how the new visibility of class matters in serial television functions aesthetically and examines the cultural class politics articulated in these programmes. This ground-breaking volume argues that reality and quality TV's intricate politics of class entices viewers not only to grapple with previously invisible socio-economic realities but also to reconsider their class alignment. The stereotypical ways of framing class are now supplemented by those dedicated to exposing the economic and socio-psychological burdens of the (lower) middle class. The case studies in this book demonstrate how sophisticated narrative techniques coincide with equally complex ways of exposing class divisions in contemporary American life and how the examined shows disrupt the hegemonic order of class. The volume therefore also invites a rethinking of conventional models of social stratification

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Lemke, Sieglinde (HerausgeberIn); Schniedermann, Wibke (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781137594488
    RVK Categories: AP 34000 ; AP 14000 ; AP 35160 ; AP 39383
    Subjects: Television series; Social classes on television; Motion pictures and television; Social classes on television; Social classes on television
    Scope: vii, 213 Seiten, Illustrationen, 21 cm
  12. Revisionism and the subversive cowboy in the classic Western: challenging the definitions and boundaries of the American Western literary genre of the 19th and early 20th century
    Author: Frankiewicz, Shane Joseph Willis
    Published: 2019
    Publisher:  Universität, Freiburg

    Abstract: This doctoral project is an in-depth examination of the subversive narratives in the late 19th and early 20th Century Classic American Western. The dissertation focuses on the elements within these works which anticipate the later... more

     

    Abstract: This doctoral project is an in-depth examination of the subversive narratives in the late 19th and early 20th Century Classic American Western. The dissertation focuses on the elements within these works which anticipate the later Revisionist Western genre. The study explores the Classic American Western’s role in expressing contemporary conditions of non-normative issues and socio-cultural groups in canonical fiction. This focus ranges from defining the Classic and Revisionist Western genres whose narratives are informed by the normative elements of white, heterosexual working-class masculinity, to inclusive research which expands canonical readings to African American and Native American Western fiction. This work explores how the intersectional convergence of class, race, and gender was accomplished by these authors through appropriating the thematic and mytho-nationalist ethos of the Western in order to challenge subaltern positions

     
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    Source: Union catalogues
    Contributor: Lemke, Sieglinde (Akademischer Betreuer)
    Language: English
    Media type: Dissertation
    Format: Online
    Other identifier:
    Subjects: Westernliteratur; Cowboy
    Other subjects: American Western literature; Subversive cowboy; (local)doctoralThesis
    Scope: Online-Ressource
    Notes:

    Dissertation, Universität Freiburg, 2017
  13. Revisionism and the subversive cowboy in the classic Western: challenging the definitions and boundaries of the American Western literary genre of the 19th and early 20th century
    Author: Frankiewicz, Shane Joseph Willis
    Published: 2019
    Publisher:  Universität, Freiburg

    Abstract: This doctoral project is an in-depth examination of the subversive narratives in the late 19th and early 20th Century Classic American Western. The dissertation focuses on the elements within these works which anticipate the later... more

     

    Abstract: This doctoral project is an in-depth examination of the subversive narratives in the late 19th and early 20th Century Classic American Western. The dissertation focuses on the elements within these works which anticipate the later Revisionist Western genre. The study explores the Classic American Western’s role in expressing contemporary conditions of non-normative issues and socio-cultural groups in canonical fiction. This focus ranges from defining the Classic and Revisionist Western genres whose narratives are informed by the normative elements of white, heterosexual working-class masculinity, to inclusive research which expands canonical readings to African American and Native American Western fiction. This work explores how the intersectional convergence of class, race, and gender was accomplished by these authors through appropriating the thematic and mytho-nationalist ethos of the Western in order to challenge subaltern positions

     
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    Source: Union catalogues
    Contributor: Lemke, Sieglinde (Akademischer Betreuer); Hochbruck, Wolfgang (Akademischer Betreuer)
    Language: English
    Media type: Dissertation
    Format: Online
    Other identifier:
    Subjects: Literary form; Miscegenation; Westernliteratur; Cowboy
    Other subjects: American Western literature; Subversive cowboy; (local)doctoralThesis
    Scope: Online-Ressource
    Notes:

    Dieses Dokument ist gesperrt, neue Version unter IDN 1184631042.

    Dissertation, Universität Freiburg, 2017
  14. Inequality, poverty and precarity in contemporary American culture
    Author: Lemke, Sieglinde
    Published: 2016; ©2016
    Publisher:  Palgrave Macmillan US, New York

    Dedication -- Contents -- List of Figures -- Chapter 1: Introduction -- Precarity or Precariousness? -- The Design of This Book -- Notes -- Chapter 2: Discourse: The Great Inequality Debate -- A Genealogy of the Debate -- Notes -- Chapter 3: The... more

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    Dedication -- Contents -- List of Figures -- Chapter 1: Introduction -- Precarity or Precariousness? -- The Design of This Book -- Notes -- Chapter 2: Discourse: The Great Inequality Debate -- A Genealogy of the Debate -- Notes -- Chapter 3: The Documentary: Barbara Ehrenreich's Nickel and Dimed and David Shipler's The Working Poor -- Making the Invisible Visible: Precariousness -- Narrative Strategies to Generate Outrage -- From Visibility to Action -- From Blame to Shame -- Notes -- Chapter 4: The Icon: Dorothea Lange's Migrant Mother -- The Hazard of Voyeurism -- The Contemplative Migrant and the Power of the Gaze -- Notes -- Chapter 5: The Precarious Gaze: Contemporary Documentary Photography by Jeff Wall and Tom Stone -- Re:Connect -- In:Visible -- Notes -- Chapter 6: The Nation: American Exceptionalism in Our Time -- A Plea on Behalf of the Precariat and the Nation -- Notes -- Chapter 7: Conclusion: Precarity -- Notes -- Index

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137603418; 9781137597014
    RVK Categories: HU 1070
    Series: ProQuest Ebook Central
    Subjects: Poverty; Electronic books
    Scope: 1 Online-Ressource (ix, 176 pages), Illustrationen
  15. Inequality, poverty and precarity in contemporary American culture
    Author: Lemke, Sieglinde
    Published: [2016]; © 2016
    Publisher:  Palgrave Macmillan US, New York

    This book analyses the discourse generated by pundits, politicians, and artists to examine how poverty and the income gap is framed through specific modes of representation. Set against the dichotomy of the structural narrative of poverty and the... more

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    This book analyses the discourse generated by pundits, politicians, and artists to examine how poverty and the income gap is framed through specific modes of representation. Set against the dichotomy of the structural narrative of poverty and the opportunity narrative, Lemke's modified concept of precarity reveals new insights into the American situation as well as into the textuality of contemporary demands for equity. Her acute study of a vast range of artistic and journalistic texts brings attention to a mode of representation that is itself precarious, both in the modern and etymological sense, denoting both insecurity and entreaty. With the keen eye of a cultural studies scholar her innovative book makes a necessary contribution to academic and popular critiques of the social effects of neoliberal capitalism

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781137603418
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    RVK Categories: HU 1075 ; HU 1070
    Subjects: Poverty; Income distribution; Equality; Popular culture
    Scope: ix, 176 Seiten, Illustrationen, 22 cm
  16. Class divisions in serial television
    Contributor: Lemke, Sieglinde (HerausgeberIn); Schniedermann, Wibke (HerausgeberIn)
    Published: [2016]; © 2016
    Publisher:  Palgrave Macmillan, London

    This book brings the emergent interest in social class and inequality to the field of television studies. It reveals how the new visibility of class matters in serial television functions aesthetically and examines the cultural class politics... more

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    This book brings the emergent interest in social class and inequality to the field of television studies. It reveals how the new visibility of class matters in serial television functions aesthetically and examines the cultural class politics articulated in these programmes. This ground-breaking volume argues that reality and quality TV's intricate politics of class entices viewers not only to grapple with previously invisible socio-economic realities but also to reconsider their class alignment. The stereotypical ways of framing class are now supplemented by those dedicated to exposing the economic and socio-psychological burdens of the (lower) middle class. The case studies in this book demonstrate how sophisticated narrative techniques coincide with equally complex ways of exposing class divisions in contemporary American life and how the examined shows disrupt the hegemonic order of class. The volume therefore also invites a rethinking of conventional models of social stratification. Contents -- List of Figures -- Introduction: Class Di_visions and the Cultural Politics of Serial TV -- Notes -- Bibliography -- Part I: (Di)Vision: "Lower" Class Televisibility -- Framing Class, Vicarious Living, and Conspicuous Consumption -- Media Framing and the Performance of Class in Everyday Life -- The Upper Classes: Affluence and Consumerism Make People Happy -- The Poor and Homeless: "Not Me!"-Negative Role Models in the Media -- The Working Class: Historical Relics and Jokes -- Middle-Class Framing and High-Level Worrying -- Media Framing and Our Distorted View of Inequality -- The Realities of Class -- The Hangover After Hedonistic Consumerism -- Is Change Likely? Media Realities Support the Status Quo -- Media Ownership -- Old-Media Journalists: Constraints and Opportunities -- New Media: Constraints and Opportunities -- Notes -- "Hillbillies," "Welfare Queens," and "Teen Moms": American Media's Class Distinctions -- Media Framing -- Americans' Self-Identification with a Social Class -- Media Framing of the Poor -- Framing Research -- "Welfare Queens" -- Mitt Romney's Welfare Attack Ad -- Teen Moms -- Here Comes Honey Boo Boo -- Implications -- Bibliography -- The Paradoxical Class Politics in Here Comes Honey Boo Boo -- Class and Reality TV -- Class and the South in Honey Boo Boo -- "Better Redneckognize": Redneck Lifestyle -- A Different Gaze -- Conclusion -- Notes -- Bibliography -- Reality TV and Its Audiences Reconsidered: Class and Poverty in Undercover Boss (CBS) -- Undercover Boss: Representing Class and Poverty -- Audiences Reconsidered: Social Media Writes Back -- Notes -- Bibliography -- Part II: Di*Visions: Screening Exploitation, Neoliberal Lies, and Class Realignment -- Lifestyle Precarity and Creative Class Affirmation in Girls -- Precarity and the Creative Class Girls and Feminist Celebrations of "Real Women's" Lives -- Creative Precarity as Cultural Capital -- Precarity as Lifestyle -- Precarity as Selling Point -- Conclusion -- Notes -- Bibliography -- House of Lies and the Management of Emotions -- Emotions and Finance -- Daddy's Girls, Social Mobility, and Emotional Health -- Breaking the 4th Wall: Emotional Management 101 -- Notes -- Bibliography -- The Financialization of Domestic Space in Arrested Development and Breaking Bad -- Financialization During the Housing Boom and the Great Recession -- Tricks (Illusions) and Arrested Development -- Home Cooking: Breaking Bad and Domestic Decay -- Conclusion -- Notes -- Bibliography -- Realignment and Televisual Intellect: The Telepraxis of Class Alliances in Contemporary Subscription Television Drama -- Television's New Golden Age? -- First Wave: HBO's The Wire and Treme -- Second Wave: FX's Justified -- Crisis and Realignment -- Third Wave: Netflix's Hemlock Grove -- Notes -- Index

     
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    Contributor: Lemke, Sieglinde (HerausgeberIn); Schniedermann, Wibke (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137594495
    RVK Categories: AP 35160 ; AP 39383
    Subjects: Social classes on television; Motion pictures and television; Television series; Electronic books; Social classes on television
    Scope: 1 Online-Ressource (vii, 213 Seiten), Illustrationen
  17. Revisionism and the subversive cowboy in the classic Western: challenging the definitions and boundaries of the American Western literary genre of the 19th and early 20th century
    Author: Frankiewicz, Shane Joseph Willis; Lemke, Sieglinde; Albert-Ludwigs-Universität Freiburg
    Published: 2017

    Abstract: This doctoral project is an in-depth examination of the subversive narratives in the late 19th and early 20th Century Classic American Western. The dissertation focuses on the elements within these works which anticipate the later... more

     

    Abstract: This doctoral project is an in-depth examination of the subversive narratives in the late 19th and early 20th Century Classic American Western. The dissertation focuses on the elements within these works which anticipate the later Revisionist Western genre. The study explores the Classic American Western’s role in expressing contemporary conditions of non-normative issues and socio-cultural groups in canonical fiction. This focus ranges from defining the Classic and Revisionist Western genres whose narratives are informed by the normative elements of white, heterosexual working-class masculinity, to inclusive research which expands canonical readings to African American and Native American Western fiction. This work explores how the intersectional convergence of class, race, and gender was accomplished by these authors through appropriating the thematic and mytho-nationalist ethos of the Western in order to challenge subaltern positions

     
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    Subjects: American Western literature; Subversive cowboy; doctoralThesis
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  18. Tabuisierte Sexualität im Que(e)rschnitt der Filmgeschichte Hollywoods
    Author: Hentschke, Felicitas; Lemke, Sieglinde

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    Media type: Part of a book
    Parent title: In: Tabu : Interkulturalität und Gender.(2008); 2008; S. 219 - 247
  19. The vernacular matters of American literature
    Author: Lemke, Sieglinde
    Published: 2009
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780230620933
    RVK Categories: HU 9800 ; HR 1829 ; HT 4705 ; HU 3931 ; HR 1800
    Edition: 1. ed
    Subjects: National characteristics, American, in literature; Cultural pluralism in literature; Social history in literature; American fiction; Literature and society
    Other subjects: Twain, Mark (1835-1910): Adventures of Huckleberry Finn; Hurston, Zora Neale: Their eyes were watching God; Castillo, Ana: So far from God
    Scope: IX, 189 S
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    Literaturverz. und Bibliogr. S. [161] - 182
  20. Cultural Studies Bibliographies on Black Popular Culture and Non-White Cultures
    Author: Lemke, Sieglinde
    Published: 1996

    Freie Universität Berlin more

     

    Freie Universität Berlin

     
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    Media type: Report
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    Subjects: americanstudies; culturalstudies
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  21. The vernacular matters of American literature
    Author: Lemke, Sieglinde
    Published: 2009
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
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    Edition: 1. ed.
    Subjects: Kulturerbe; Stilistik; Umgangssprache; Roman
    Scope: 189 S.
  22. The vernacular matters of American literature
    Author: Lemke, Sieglinde
    Published: 2009
    Publisher:  Palgrave Macmillan, New York, NY

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780230620933; 0230620930
    Edition: 1. ed
    Subjects: Stilistik; Kulturerbe; Umgangssprache; Roman
    Scope: 189 S.
  23. Class Divisions in Serial Television
    Contributor: Lemke, Sieglinde (Herausgeber); Schniedermann, Wibke (Herausgeber)
    Published: 2016
    Publisher:  Palgrave Macmillan UK, London ; Springer International Publishing AG, Cham

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    Contributor: Lemke, Sieglinde (Herausgeber); Schniedermann, Wibke (Herausgeber)
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    Media type: Ebook
    Format: Online
    ISBN: 9781137594495; 1137594497
    Other identifier:
    RVK Categories: AP 35160 ; AP 39383
    Edition: 1st ed. 2016
    Subjects: Fernsehserie; Soziale Klasse <Motiv>; Motion pictures; Television broadcasting; Communication; Ethnology; Film and Television Studies; Film Theory; Media and Communication; Sociocultural Anthropology
    Scope: 1 Online-Ressource (VII, 213 Seiten), 6 illus. in color.
  24. Primitivist modernism
    black culture and the origins of transatlantic modernism
    Author: Lemke, Sieglinde
    Published: 1998
    Publisher:  Oxford Univ. Press, Oxford [u.a.]

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek der LMU München
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  25. Primitivist modernism
    black culture and the origins of transatlantic modernism
    Author: Lemke, Sieglinde
    Published: 1998
    Publisher:  Oxford University Press, New York

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    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 019510403X
    Series: W.E.B. Du Bois Institute (Series)
    Subjects: Modernism (Art); Arts, European; Modernism (Art); Arts, American; Arts, Black; African American arts; Moderne; Primitivismus; Ästhetik; Schwarze; Kunst
    Other subjects: Picasso, Pablo (1881-1973): Les demoiselles d'Avignon; Baker, Josephine (1906-1975)
    Scope: 183 p.
    Notes:

    Includes bibliographical references and index