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  1. Object to be destroyed
    the work of Gordon Matta-Clark
    Author: Lee, Pamela M.
    Published: 2001
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
    Signature:
    kunb99994.m435
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    Location:
    Universitätsbibliothek der RPTU in Kaiserslautern
    Signature:
    ARB 686/027
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    Universitätsbibliothek Paderborn
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    KDWM2304
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0262122200; 0262621568; 9780262122207; 9780262621564
    Edition: 1. MIT Press paperback ed.
    Subjects: Dekonstruktion
    Other subjects: Matta-Clark, Gordon (1943-1978)
    Scope: XX, 280 S., Ill.
  2. Object to be destroyed
    the work of Gordon Matta-Clark
    Contributor: Lee, Pamela M.; Matta-Clark, Gordon (Ill.)
    Published: 2001
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    Location:
    Universitätsbibliothek Kassel, Standort Holländischer Platz
    Signature:
    25 Asl 430/20.M MAT
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    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / Kunstgeschichte
    Signature:
    MON M 3140/2.3
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    Location:
    Universität Marburg, Bibliothek Kunst und Kulturwissenschaften, Kunstgeschichte
    Signature:
    Foto Matta 2
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    Location:
    Universität Marburg, Bibliothek Kunst und Kulturwissenschaften, Kunstgeschichte
    Signature:
    881 4 AP 94100 M436 O12
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    Source: Union catalogues
    Contributor: Lee, Pamela M.; Matta-Clark, Gordon (Ill.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0262621568; 9780262621564
    RVK Categories: AP 94100 ; LI 99999
    Edition: 1. paperback ed.
    Subjects: Aktionskunst; Dekonstruktion
    Scope: XX, 280 S., zahlr. Ill.
  3. Chronophobia
    on time in the art of the 1960s
    Author: Lee, Pamela M.
    Published: 2006
    Publisher:  M I T Press, Cambridge, Mass.

    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
    Signature:
    03/LH 84958 L477+2
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    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
    Signature:
    03/LH 84958 L477
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    Location:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / Kunstgeschichte
    Signature:
    J r.6/14
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    Universität Marburg, Universitätsbibliothek
    Signature:
    001 LH 65827 L479
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0262622033; 026212260X
    RVK Categories: LH 61020 ; LH 65827 ; LH 84958
    Edition: 1. paperback edition
    Subjects: Zeit <Motiv>; Technik <Motiv>; Kunst
    Scope: 368 Seiten, Illustrationen
  4. Chronophobia
    on time in the art of the 1960's
    Author: Lee, Pamela M.
    Published: 2004

    Location:
    Universitätsbibliothek Kassel, Standort Kunsthochschulbibliothek
    Signature:
    75 Kun 32 LEE
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 026212260X
    RVK Categories: LH 65827
    Subjects: Zeit <Motiv>; Technik <Motiv>; Kunst
    Scope: XXV, 368 S., Ill.
  5. Object to be destroyed
    the work of Gordon Matta-Clark
    Contributor: Lee, Pamela M.; Matta-Clark, Gordon (Ill.)
    Published: 2000
    Publisher:  MIT Press, Cambridge, Mass. [u.a.]

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Lichtwiese
    Signature:
    /ZH 4800 M435 L479
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    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
    Signature:
    03/LI 99999 M435
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    Source: Union catalogues
    Contributor: Lee, Pamela M.; Matta-Clark, Gordon (Ill.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0262122200
    RVK Categories: LI 99999 ; ZH 4800
    Subjects: Aktionskunst; Dekonstruktion
    Other subjects: Matta-Clark, Gordon (1943-1978)
    Scope: XX, 280 S., zahlr. Ill.
  6. Nancy Holt, sightlines
    [exhibition, Miriam and Ira D. Wallach Art Gallery, Columbia University, New York, September 22 - December 11, 2010 ; Badischer Kunstverein, Karlsruhe, Germany, January 28 - March 27, 2011 ...]
    Contributor: Williams, Alena; Holt, Nancy (Ill.); Lee, Pamela M.
    Published: 2011
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.]

    Location:
    Universitätsbibliothek Gießen
    Signature:
    000 LI 99999 H758 W721
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    Location:
    Universitätsbibliothek Kassel, Standort Kunsthochschulbibliothek
    Signature:
    75 Kun 451 HOLT
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    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / Kunstgeschichte
    Signature:
    MON H 4561/2.1
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    Location:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / USA-Bibliothek
    Signature:
    709.2 NAN
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    Source: Union catalogues
    Contributor: Williams, Alena; Holt, Nancy (Ill.); Lee, Pamela M.
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520268562; 0520268563
    RVK Categories: AP 94100
    Subjects: Fotografie; Kreis <Motiv>
    Other subjects: Holt, Nancy (1938-2014)
    Scope: 296 S., zahlr. Ill., 29x28x3 cm
    Notes:

    Hardback

    Literaturverz. S. 284 - 289
  7. Object to be destroyed
    the work of Gordon Matta-Clark
    Author: Lee, Pamela M.
    Published: 2000
    Publisher:  MIT Press, Cambridge, Mass. ; EBSCO Industries, Inc., Birmingham, AL, USA

    "Although highly regarded during his short life - and honored by artists and architects today - the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific... more

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    Bibliothek der Hochschule Mainz, Untergeschoss
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    "Although highly regarded during his short life - and honored by artists and architects today - the American artist Gordon Matta-Clark (1943-78) has been largely ignored within the history of art. Matta-Clark is best remembered for site-specific projects known as "building cuts." Sculptural transformations of architecture produced through direct cuts into buildings scheduled for demolition, these works now exist only as sculptural fragments, photographs, and film and video documentations. Matta-Clark is also remembered as a catalytic force in the creation of SoHo in the early 1970s. Through loft activities, site projects at the exhibition space 112 Greene Street, and his work at the restaurant Food, he participated in the production of a new social and artistic space."--BOOK JACKET. "In this first critical account of Matta-Clark's work, Lee considers it in the context of the art of the 1970s - particularly site-specific, conceptual, and minimalist practices - and its confrontation with issues of community, property, the alienation of urban space, the "right to the city," and the ideologies of progress that have defined modern building programs."--Jacket.

     
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    Source: Union catalogues
    Contributor: Matta-Clark, Gordon
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 058527858X; 9780585278582
    RVK Categories: LI 99999 ; ZH 4800
    Subjects: Aktionskunst; Dekonstruktion
    Other subjects: Matta-Clark, Gordon (1943-1978)
    Scope: 1 Online-Ressource (xx, 280 pages), Illustrations
    Notes:

    Includes bibliographical references (pages 236-271) and index
  8. New games
    postmodernism after contemporary art
    Author: Lee, Pamela M.
    Published: 2013
    Publisher:  Routledge, New York, NY [u.a.]

    "Art History After the Sixties examines the 1960s and 1970s as a watershed era in our current understanding of art and its historiography. Pamela Lee asks how, why, and at what cost art critics of that generation shifted their attention away from... more

    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2013:1360:
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 878298
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    Staats- und Universitätsbibliothek Bremen
    Signature:
    a kun 040.8/522
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    "Art History After the Sixties examines the 1960s and 1970s as a watershed era in our current understanding of art and its historiography. Pamela Lee asks how, why, and at what cost art critics of that generation shifted their attention away from aesthetics to focus pimarily on the social and political nature of art, most notably in the writings appearing in the influential journal October. She also looks closesly at the major artists of that era from Robert Smithson, most well known for his provocative earthwork Spiral Jetty, to Andy Warhol. Art History After the Sixties is the fifth volume in "Theories of Modernism and Postmodernism in the Visual Arts", James Elkins's series of short books on the theories of modernism written by leading art historians on twentieth-century art and art criticism. The book will feature a critical introduction by a fellow art historian placing the book in conversation with the previous books in the series. "--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415988797
    RVK Categories: LH 61060
    Series: Theories of modernism and postmodernism in the visual arts ; 4
    Subjects: Postmodernism
    Scope: XXXI, 251 S, Ill
  9. Think tank aesthetics
    midcentury modernism, the Cold War, and the neoliberal present
    Author: Lee, Pamela M.
    Published: [2020]; © 2020
    Publisher:  The MIT Press, Cambridge, Massachusetts ; London, England

    How the approaches and methods of think tanksincluding systems theory, operational research, and cyberneticspaved the way for a peculiar genre of midcentury modernism. In Think Tank Aesthetics, Pamela Lee traces the complex encounters between Cold... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    How the approaches and methods of think tanksincluding systems theory, operational research, and cyberneticspaved the way for a peculiar genre of midcentury modernism. In Think Tank Aesthetics, Pamela Lee traces the complex encounters between Cold War think tanks and the art of that era. Lee shows how the approaches and methods of think tanksincluding systems theory, operations research, and cyberneticspaved the way for a peculiar genre of midcentury modernism and set the terms for contemporary neoliberalism. Lee casts these shadowy institutions as sites of radical creativity and interdisciplinary practice in the service of defense strategy. Describing the distinctive aesthetics that emerged from such institutions as the RAND Corporation, she maps the multiple and overlapping networks that connected nuclear strategists, mathematicians, economists, anthropologists, artists, designers, and art historians. Lee recounts, among other things, the decades-long colloquy between Albert Wohlstetter, a RAND analyst, and his former professor, the famous art historian Meyer Schapiro; the anthropologist Margaret Mead's deployment of innovative visual aids that recall midcentury abstract art; and the combination of cybernetics and modernist design in an "Opsroom for the short-lived socialist government of Salvador Allende in 1970s Chile (and its restaging many years later as a work of art). Lee suggests that we think of these connections less as disciplinary border crossings than as colonization of the specific interests of arts by the approaches and methods of the sciences. Hearing the echoes of think tank aesthetics in today's pursuit of the interdisciplinary and in academia's science-infused justification of the humanities, Lee wonders what territory has been ceded in a laboratory approach to the arts.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780262043526
    Subjects: Ost-West-Konflikt; Politik; Neoliberalismus; Ästhetik; Thinktank; Kunst
    Other subjects: Art / Political aspects / History / 20th century; Modernism (Aesthetics); Research institutes; Neoliberalism; Art / Political aspects; Modernism (Aesthetics); Neoliberalism; Research institutes; 1900-1999; History
    Scope: xiii, 343 Seiten, 16 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Aesthetic Strategist : Albert Wohlstetter, Meyer Schapiro and a Theory of Midcentury Modernism -- Pattern Recognition circa 1947 : 'A Curious Assortment of Individuals' -- 1973; or, the Arche of Neoliberalism -- Open Secret : The Work of Art between Disclosure and Redaction
  10. Chronophobia
    on time in the art of the 1960's
    Author: Lee, Pamela M.
    Published: 2006
    Publisher:  MIT Press, Cambridge, Massachusetts

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0262622033; 9780262122603; 9780262622035
    Other identifier:
    9780262622035
    RVK Categories: LH 65827
    Edition: first MIT paperback edition
    Subjects: Kinetische Kunst; Kunst; Zeit <Motiv>; Zeit; Technik <Motiv>
    Other subjects: Riley, Bridget (1931-); Smithson, Robert (1938-1973); Kubler, George (1912-1996)
    Scope: xxv, 368 Seiten, Illustrationen
  11. Chronophobia
    on time in the art of the 1960's
    Author: Lee, Pamela M.
    Published: [2004]; © 2004
    Publisher:  MIT Press, Cambridge, Massachusetts ; London, England

    "In the 1960s art fell out of time; both artists and critics lost their temporal bearings in response to what E. M. Cioran called "not being entitled to time." This anxiety and uneasiness about time, which Pamela Lee calls "chronophobia," cut across... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der LMU München
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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    "In the 1960s art fell out of time; both artists and critics lost their temporal bearings in response to what E. M. Cioran called "not being entitled to time." This anxiety and uneasiness about time, which Pamela Lee calls "chronophobia," cut across movements, media, and genres, and was figured in works ranging from kinetic sculptures to Andy Warhol films. Despite its pervasiveness, the subject of time and 1960s art has gone largely unexamined in historical accounts of the period. Chronophobia is the first critical attempt to define this obsession and analyze it in relation to art and technology."--BOOK JACKET.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 026212260X
    RVK Categories: LH 65827
    Subjects: 1960-1969; Art et technologie; Kunst; Temps (Philosophie); Thème artistique; Tijd; Geschichte; Art and technology; Nineteen sixties; Time in art; Zeit; Zeit <Motiv>; Technik <Motiv>; Kunst; Kinetische Kunst
    Other subjects: Riley, Bridget (1931-); Smithson, Robert (1938-1973); Kubler, George (1912-1996)
    Scope: xxv, 368 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  12. New games
    postmodernism after contemporary art
    Author: Lee, Pamela M.
    Published: 2013
    Publisher:  Routledge, New York [u.a.]

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Signature:
    PBA11971
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    Ruhr-Universität Bochum, Universitätsbibliothek
    Signature:
    PBA11971+1
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    Hochschulbibliothek der Hochschule Düsseldorf
    Signature:
    11 KDT 155
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    Kunst- und Museumsbibliothek der Stadt Köln
    Signature:
    KMB/CAK 2013 C
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780415988803; 9780415988797
    Series: Theories of modernism and postmodernism in the visual arts ; 4
    Subjects: Postmoderne; Kunstgeschichtsschreibung; Ästhetik
    Scope: XXXI, 251 S., Ill.
  13. Think tank aesthetics
    midcentury modernism, the Cold War, and the neoliberal present
    Author: Lee, Pamela M.
    Published: [2020]; © 2020
    Publisher:  The MIT Press, Cambridge, Massachusetts

    Aesthetic Strategist : Albert Wohlstetter, Meyer Schapiro and a Theory of Midcentury Modernism -- Pattern Recognition circa 1947 : 'A Curious Assortment of Individuals' -- 1973; or, the Arche of Neoliberalism -- Open Secret : The Work of Art between... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Aesthetic Strategist : Albert Wohlstetter, Meyer Schapiro and a Theory of Midcentury Modernism -- Pattern Recognition circa 1947 : 'A Curious Assortment of Individuals' -- 1973; or, the Arche of Neoliberalism -- Open Secret : The Work of Art between Disclosure and Redaction.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780262043526
    RVK Categories: CC 6900
    Subjects: Art; Modernism (Aesthetics); Research institutes; Neoliberalism
    Scope: xiii, 343 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  14. Think tank aesthetics
    midcentury modernism, the Cold War, and the neoliberal present
    Author: Lee, Pamela M.
    Published: [2020]; © 2020
    Publisher:  The MIT Press, Cambridge, Massachusetts ; London, England

    How the approaches and methods of think tanksincluding systems theory, operational research, and cyberneticspaved the way for a peculiar genre of midcentury modernism. In Think Tank Aesthetics, Pamela Lee traces the complex encounters between Cold... more

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    Unlimited inter-library loan, copies and loan

     

    How the approaches and methods of think tanksincluding systems theory, operational research, and cyberneticspaved the way for a peculiar genre of midcentury modernism. In Think Tank Aesthetics, Pamela Lee traces the complex encounters between Cold War think tanks and the art of that era. Lee shows how the approaches and methods of think tanksincluding systems theory, operations research, and cyberneticspaved the way for a peculiar genre of midcentury modernism and set the terms for contemporary neoliberalism. Lee casts these shadowy institutions as sites of radical creativity and interdisciplinary practice in the service of defense strategy. Describing the distinctive aesthetics that emerged from such institutions as the RAND Corporation, she maps the multiple and overlapping networks that connected nuclear strategists, mathematicians, economists, anthropologists, artists, designers, and art historians. Lee recounts, among other things, the decades-long colloquy between Albert Wohlstetter, a RAND analyst, and his former professor, the famous art historian Meyer Schapiro; the anthropologist Margaret Mead's deployment of innovative visual aids that recall midcentury abstract art; and the combination of cybernetics and modernist design in an "Opsroom for the short-lived socialist government of Salvador Allende in 1970s Chile (and its restaging many years later as a work of art). Lee suggests that we think of these connections less as disciplinary border crossings than as colonization of the specific interests of arts by the approaches and methods of the sciences. Hearing the echoes of think tank aesthetics in today's pursuit of the interdisciplinary and in academia's science-infused justification of the humanities, Lee wonders what territory has been ceded in a laboratory approach to the arts.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780262043526
    Subjects: Ost-West-Konflikt; Politik; Neoliberalismus; Thinktank; Kunst; Ästhetik
    Other subjects: Art / Political aspects / History / 20th century; Modernism (Aesthetics); Research institutes; Neoliberalism; Art / Political aspects; Modernism (Aesthetics); Neoliberalism; Research institutes; 1900-1999; History
    Scope: xiii, 343 Seiten, 16 ungezählte Seiten Tafeln, Illustrationen
    Notes:

    Aesthetic Strategist : Albert Wohlstetter, Meyer Schapiro and a Theory of Midcentury Modernism -- Pattern Recognition circa 1947 : 'A Curious Assortment of Individuals' -- 1973; or, the Arche of Neoliberalism -- Open Secret : The Work of Art between Disclosure and Redaction
  15. Think tank aesthetics
    midcentury modernism, the Cold War, and the neoliberal present
    Author: Lee, Pamela M.
    Published: [2020]; © 2020
    Publisher:  The MIT Press, Cambridge, Massachusetts

    Aesthetic Strategist : Albert Wohlstetter, Meyer Schapiro and a Theory of Midcentury Modernism -- Pattern Recognition circa 1947 : 'A Curious Assortment of Individuals' -- 1973; or, the Arche of Neoliberalism -- Open Secret : The Work of Art between... more

    Location:
    Max-Planck-Institut für Wissenschaftsgeschichte, Bibliothek
    Signature:
    701.1 L4795t
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    Location:
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2021:2391:
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    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    CC 6900 225
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    documenta archiv, Bibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    21-983
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    Location:
    Universitätsbibliothek Osnabrück
    Signature:
    JXZ 6260-171 9
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    Aesthetic Strategist : Albert Wohlstetter, Meyer Schapiro and a Theory of Midcentury Modernism -- Pattern Recognition circa 1947 : 'A Curious Assortment of Individuals' -- 1973; or, the Arche of Neoliberalism -- Open Secret : The Work of Art between Disclosure and Redaction.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780262043526
    RVK Categories: CC 6900
    Subjects: Art; Modernism (Aesthetics); Research institutes; Neoliberalism
    Scope: xiii, 343 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  16. Think tank aesthetics
    midcentury modernism, the Cold War, and the neoliberal present
    Author: Lee, Pamela M.
    Published: [2020]
    Publisher:  The MIT Press, Cambridge

    Aesthetic Strategist : Albert Wohlstetter, Meyer Schapiro and a Theory of Midcentury Modernism -- Pattern Recognition circa 1947 : 'A Curious Assortment of Individuals' -- 1973; or, the Arche of Neoliberalism -- Open Secret : The Work of Art between... more

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    Aggregator (lizenzpflichtig)

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    Staats- und Universitätsbibliothek Bremen
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    Location:
    Hochschule für Bildende Künste Dresden, Bibliothek
    Signature:
    2024/0352
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    Aesthetic Strategist : Albert Wohlstetter, Meyer Schapiro and a Theory of Midcentury Modernism -- Pattern Recognition circa 1947 : 'A Curious Assortment of Individuals' -- 1973; or, the Arche of Neoliberalism -- Open Secret : The Work of Art between Disclosure and Redaction. How the approaches and methods of think tanks--including systems theory, operational research, and cybernetics--paved the way for a peculiar genre of midcentury modernism. In Think Tank Aesthetics, Pamela Lee traces the complex encounters between Cold War think tanks and the art of that era. Lee shows how the approaches and methods of think tanks--including systems theory, operations research, and cybernetics--paved the way for a peculiar genre of midcentury modernism and set the terms for contemporary neoliberalism. Lee casts these shadowy institutions as sites of radical creativity and interdisciplinary practice in the service of defense strategy. Describing the distinctive aesthetics that emerged from such institutions as the RAND Corporation, she maps the multiple and overlapping networks that connected nuclear strategists, mathematicians, economists, anthropologists, artists, designers, and art historians. Lee recounts, among other things, the decades-long colloquy between Albert Wohlstetter, a RAND analyst, and his former professor, the famous art historian Meyer Schapiro; the anthropologist Margaret Mead's deployment of innovative visual aids that recall midcentury abstract art; and the combination of cybernetics and modernist design in an "Opsroom" for the short-lived socialist government of Salvador Allende in 1970s Chile (and its restaging many years later as a work of art). Lee suggests that we think of these connections less as disciplinary border crossings than as colonization of the specific interests of arts by the approaches and methods of the sciences. Hearing the echoes of think tank aesthetics in today's pursuit of the interdisciplinary and in academia's science-infused justification of the humanities, Lee wonders what territory has been ceded in a laboratory approach to the arts

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 026235702X; 9780262357029
    RVK Categories: CC 6900
    Subjects: Modernism (Aesthetics); Research institutes; Neoliberalism; Art; Modernism (Aesthetics); Neoliberalism; Research institutes; ART / Criticism & Theory; Art ; Political aspects; History
    Scope: 1 Online-Ressource (xiii, 343 Seiten), Illustrationen
    Notes:

    Includes bibliographical references and index
  17. Think tank aesthetics
    midecenutry modernism, the Cold War, and the neoliberal present
    Author: Lee, Pamela M.
    Published: 2020
    Publisher:  The MIT Press, Cambridge, Massachusetts ; London, England

    Location:
    Universitäts- und Landesbibliothek Bonn
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    Source: Union catalogues
    Language: German
    Media type: Ebook
    Format: Online
    ISBN: 9780262357029
    Subjects: Ästhetik; Thinktank; Neoliberalismus
    Scope: 1 Online-Ressource (xiii, 343 Seiten, 16 ungezählte Seiten Tafeln), Illustrationen
  18. Think tank aesthetics
    midcentury modernism, the Cold War, and the neoliberal present
    Author: Lee, Pamela M.
    Published: [2020]; © 2020
    Publisher:  The MIT Press, Cambridge, Massachusetts ; London, England

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signature:
    KMB/CUR 2020 F
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780262043526
    Series: art history
    Subjects: Ästhetik; Thinktank; Neoliberalismus
    Scope: xiii, 343 Seiten, 16 ungezählte Seiten Tafeln, Illustrationen
  19. Think tank aesthetics
    midcentury modernism, the Cold War, and the neoliberal present
    Author: Lee, Pamela M.
    Published: [2020]; ©2020
    Publisher:  The MIT Press, Cambridge, Massachusetts

    How the approaches and methods of think tanks-including systems theory, operational research, and cybernetics-paved the way for a peculiar genre of midcentury modernism.In Think Tank Aesthetics, Pamela Lee traces the complex encounters between Cold... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    How the approaches and methods of think tanks-including systems theory, operational research, and cybernetics-paved the way for a peculiar genre of midcentury modernism.In Think Tank Aesthetics, Pamela Lee traces the complex encounters between Cold War think tanks and the art of that era. Lee shows how the approaches and methods of think tanks-including systems theory, operations research, and cybernetics-paved the way for a peculiar genre of midcentury modernism and set the terms for contemporary neoliberalism. Lee casts these shadowy institutions as sites of radical creativity and interdisciplinary practice in the service of defense strategy. Describing the distinctive aesthetics that emerged from such institutions as the RAND Corporation, she maps the multiple and overlapping networks that connected nuclear strategists, mathematicians, economists, anthropologists, artists, designers, and art historians.Lee recounts, among other things, the decades-long colloquy between Albert Wohlstetter, a RAND analyst, and his former professor, the famous art historian Meyer Schapiro; the anthropologist Margaret Mead's deployment of innovative visual aids that recall midcentury abstract art; and the combination of cybernetics and modernist design in an "Opsroom" for the short-lived socialist government of Salvador Allende in 1970s Chile (and its restaging many years later as a work of art). Lee suggests that we think of these connections less as disciplinary border crossings than as colonization of the specific interests of arts by the approaches and methods of the sciences. Hearing the echoes of think tank aesthetics in today's pursuit of the interdisciplinary and in academia's science-infused justification of the humanities, Lee wonders what territory has been ceded in a laboratory approach to the arts.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780262357029
    RVK Categories: CC 6900
    Subjects: Art; Modernism (Aesthetics); Research institutes; Neoliberalism; Art-Political aspects-History-20th century; Electronic books
    Scope: 1 Online-Ressource (xiii, 343 Seiten, 15 Bildtafeln), Illustrationen
    Notes:

    Description based on publisher supplied metadata and other sources
  20. Think tank aesthetics
    midcentury modernism, the Cold War, and the neoliberal present
    Author: Lee, Pamela M.
    Published: 2020
    Publisher:  The MIT Press, [Cambridge, Massachusetts]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780262357029
    Other identifier:
    Subjects: Neoliberalismus; Thinktank; Ästhetik
    Other subjects: Art / Political aspects / History / 20th century; Modernism (Aesthetics); Research institutes; Neoliberalism; Art / Political aspects; Modernism (Aesthetics); Neoliberalism; Research institutes; 1900-1999; History
    Scope: 1 Online-Ressource, Illustrationen
    Notes:

    Bevorzugte Informationsquelle: Landingpage (The MIT Press Direct), da weder Titelblatt noch Impressum vorhanden

    Aesthetic Strategist : Albert Wohlstetter, Meyer Schapiro and a Theory of Midcentury Modernism -- Pattern Recognition circa 1947 : 'A Curious Assortment of Individuals' -- 1973; or, the Arche of Neoliberalism -- Open Secret : The Work of Art between Disclosure and Redaction
  21. New games
    Postmodernism after contemporary art
    Author: Lee, Pamela M.
    Published: 2013
    Publisher:  Routledge, New York, NY [u.a.]

    "Art History After the Sixties examines the 1960s and 1970s as a watershed era in our current understanding of art and its historiography. Pamela Lee asks how, why, and at what cost art critics of that generation shifted their attention away from... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Signature:
    ::8:2013:1360:
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 878298
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    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    a kun 040.8/522
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    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
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    Location:
    Staatliche Hochschule für Bildende Künste, Städelschule, Bibliothek
    Signature:
    02.30 2013
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    Location:
    Institut für Europäische Kunstgeschichte der Universität, Bibliothek
    Signature:
    HKu 9
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    "Art History After the Sixties examines the 1960s and 1970s as a watershed era in our current understanding of art and its historiography. Pamela Lee asks how, why, and at what cost art critics of that generation shifted their attention away from aesthetics to focus pimarily on the social and political nature of art, most notably in the writings appearing in the influential journal October. She also looks closesly at the major artists of that era from Robert Smithson, most well known for his provocative earthwork Spiral Jetty, to Andy Warhol. Art History After the Sixties is the fifth volume in "Theories of Modernism and Postmodernism in the Visual Arts", James Elkins's series of short books on the theories of modernism written by leading art historians on twentieth-century art and art criticism. The book will feature a critical introduction by a fellow art historian placing the book in conversation with the previous books in the series. "--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415988803; 9780415988797
    RVK Categories: LH 61060
    Series: Theories of modernism and postmodernism in the visual arts ; v. 4
    Subjects: Postmodernism
    Scope: XXXI, 251S., Ill., 22 cm
    Notes:

    Includes index
  22. Chronophobia
    on time in the art of the 1960's
    Author: Lee, Pamela M.
    Published: 2004
    Publisher:  MIT Press, Cambridge, Mass. ; EBSCO Industries, Inc., Birmingham, AL, USA

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780262278065; 0262278065; 1417560622; 9781417560622
    RVK Categories: LH 65827
    Subjects: Zeit <Motiv>; Technik <Motiv>; Kunst
    Scope: 1 Online-Ressource (xxv, 368 pages), Illustrations
    Notes:

    Includes bibliographical references and index
  23. Think tank aesthetics
    midcentury modernism, the Cold War, and the neoliberal present
    Author: Lee, Pamela M.
    Published: [2020]
    Publisher:  The MIT Press, Cambridge, Massachusetts

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780262043526
    Subjects: Thinktank; Ästhetik; Neoliberalismus;
    Scope: xiii, 343 Seiten, 16 ungezählte Seiten Tafeln, Illustrationen
  24. Illegibility
    = Unleserlichkeit
    Author: Lee, Pamela M.
    Published: 2011
    Publisher:  Hatje Cantz, Ostfildern

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    Source: Union catalogues
    Language: German; English
    Media type: Book
    Format: Print
    ISBN: 9783775728799; 3775728791
    Other identifier:
    9783775728799
    Series: 100 notes - 100 thoughts ; No. 030
    Other subjects: (Produktform)Paperback / softback; (Keywords)contemporary art; (Keywords)Documenta; (Keywords)Zeitgenössische Kunst; (Keywords)Documenta; (VLB-WN)1952: Hardcover, Softcover / Sachbücher/Kunst, Literatur/Kunst/Allgemeines, Nachschlagewerke
    Scope: 23 S., Ill., 21 cm
    Notes:

    Text dt. und engl.
  25. Pierrette Bloch
    Contributor: Bloch, Pierrette (Illustrator); Enckell Julliard, Julie (Herausgeber); Lee, Pamela M. (Mitwirkender); Müller, Nicolas (Mitwirkender); Piguet, Philippe (Mitwirkender); Schmidlin, Laurence (Mitwirkender); Zegher, Catherine de (Mitwirkender)
    Published: [2013]
    Publisher:  JRP Ringier, Zürich

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    Source: Union catalogues
    Contributor: Bloch, Pierrette (Illustrator); Enckell Julliard, Julie (Herausgeber); Lee, Pamela M. (Mitwirkender); Müller, Nicolas (Mitwirkender); Piguet, Philippe (Mitwirkender); Schmidlin, Laurence (Mitwirkender); Zegher, Catherine de (Mitwirkender)
    Language: English; French
    Media type: Book
    Format: Print
    ISBN: 9783037643297
    Other identifier:
    9783037643297
    Series: Binding sélection d'artistes ; No 52
    Other subjects: (Produktform)Hardback; (VLB-WN)1953: Hardcover, Softcover / Sachbücher/Kunst, Literatur/Bildende Kunst
    Scope: 179 Seiten, 28 cm