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  1. Goodbye Eros
    Recasting Forms and Norms of Love in the Age of Cervantes
    Contributor: Laguna, Ana (HerausgeberIn); Beusterien, John (HerausgeberIn)
    Published: [2020]
    Publisher:  University of Toronto Press, Toronto

    Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Eros in the Age of Cervantes -- 1. Egocentricity versus Persuasion: Eros, Logos, and Pathos in Cervantes’s Marcela and Grisóstomo Episode -- 2. The Deceived Gaze:... more

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    Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Eros in the Age of Cervantes -- 1. Egocentricity versus Persuasion: Eros, Logos, and Pathos in Cervantes’s Marcela and Grisóstomo Episode -- 2. The Deceived Gaze: Visual Fantasy, Art, and Feminine Adultery in Cervantes’s Reading of Ariosto -- 3. El Greco’s and Cervantes’s Euclidean Theologies -- 4. Love and the Laws of Literature: The Ethics and Poetics of Affect in Cervantes’s “The Little Gypsy Girl” -- 5. Eros and Ethos in the Political and Religious Logos of The Trials of Persiles and Sigismunda: Anomic Characters in Cervantes -- 6. Sexy Beasts: Women and Lapdogs in Baroque Satirical Verse -- 7. Sexual Deviance and Morisco Marginality in Cervantes’s The Trials of Persiles and Sigismunda -- 8. The Black Madonna Icon: Race, Rape, and the Virgin of Montserrat in The Confession with the Devil by Francisco de Torre y Sevil -- 9. For Love of the White Sea: The Curious Identity of Uludj Ali -- 10. Writing a Tragic Image: Eros and Eris in Lope de Vega’s Jerusalem Conquered -- 11. The Unromantic Approach to Don Quixote: Cervantine Love in the Spanish Post-War Age -- Contributors -- Index -- TORONTO IBERIC Traditional Petrarchan and Neoplatonic paradigms of love started to show clear signs of inadequacy and exhaustion in the sixteenth century. How did the Spanish Golden Age recast worn out discourses of love and make them compelling again? This volume explores how Spanish letters recognized that old love paradigms, especially the crisis of the subject, presented an extraordinary opportunity for revising traditional literary strictures. As a result, during Spain’s nascent modernity, literature took up the challenge to expand existing forms of desire and subjectivity. A range of scholars show how canonical and non-canonical Golden Age writers like Miguel de Cervantes, Diego Hurtado de Mendoza, Francisco de Quevedo, Luis de Góngora, Lope de Vega, and Francisco de la Torre y Sevil became equal agents of the sweeping ontological reconfiguration of the idea of eros that defined their culture. Such reconfiguration includes: the troubling displacement of "self" and "other" seen in sentimental genres like the pastoral or romance; the overlapping of emotions such as love and jealousy characteristic of the baroque lyric and dramatic production; and the conflation of axioms such as eros and eris prevalent in contemporaneous epic experiments. In uniting the findings of often surprising texts, the collection of essays in Goodbye Eros takes a pioneering look at how Golden Age moral, ideological, scientific, and literary discourses intersected to create fascinating re-elaborations of the trope of love

     
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    Source: Union catalogues
    Contributor: Laguna, Ana (HerausgeberIn); Beusterien, John (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487519667
    Other identifier:
    Series: Toronto Iberic
    Subjects: Love in literature; Spanish literature; LITERARY CRITICISM / European / Spanish & Portuguese
    Scope: 1 Online-Ressource (350 p)
  2. Drawing the Curtain
    Cervantes's Theatrical Revelations
    Contributor: Burningham, Bruce R. (Mitwirkender); Calderón, José R. Cartagena (Mitwirkender); Domínguez, Julia (Mitwirkender); Fernández, Esther (Mitwirkender); Galán, Mercedes Alcalá (Mitwirkender); Guerrero, Eduardo Olid (Mitwirkender); Ife, B. W. (Mitwirkender); Infante, Catherine (Mitwirkender); Johnson, Paul Michael (Mitwirkender); Laguna, Ana (Mitwirkender); Martín, Adrienne L. (Mitwirkender); Slater, John (Mitwirkender); Velasco, Sherry (Mitwirkender); Velázquez, Sonia (Mitwirkender)
    Published: 2022; ©2022
    Publisher:  University of Toronto Press, Toronto ; Walter de Gruyter GmbH, Berlin

    Miguel de Cervantes's experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes's prose and analyses the... more

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    Miguel de Cervantes's experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes's prose and analyses the ways in which he uses theatricality in his own literary production. Bringing together the works of well-known scholars, who draw from a variety of disciplines and theoretical approaches, this collection demonstrates how Cervantes exploits revelation and disclosure to create dynamic dramatic moments that surprise and engage observers and readers. Hewing closely to Peter Brook's notion of the bare or empty stage, Esther Fernández and Adrienne L. Martín argue that Cervantes's omnipresent concern with theatricality manifests not only in his drama but also in the myriad metatheatrical instances dispersed throughout his prose works. In doing so, Drawing the Curtain sheds light on the ways in which Cervantes forces his readers to engage with themes that are central to his life and works, including love, freedom, truth, confinement, and otherness.

     
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    Content information
    Source: Union catalogues
    Contributor: Burningham, Bruce R. (Mitwirkender); Calderón, José R. Cartagena (Mitwirkender); Domínguez, Julia (Mitwirkender); Fernández, Esther (Mitwirkender); Galán, Mercedes Alcalá (Mitwirkender); Guerrero, Eduardo Olid (Mitwirkender); Ife, B. W. (Mitwirkender); Infante, Catherine (Mitwirkender); Johnson, Paul Michael (Mitwirkender); Laguna, Ana (Mitwirkender); Martín, Adrienne L. (Mitwirkender); Slater, John (Mitwirkender); Velasco, Sherry (Mitwirkender); Velázquez, Sonia (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487538927
    Other identifier:
    Series: Toronto Iberic
    Scope: 1 Online-Ressource (392 p.), 6 b&w illustrations
  3. Goodbye Eros
    Recasting Forms and Norms of Love in the Age of Cervantes
    Contributor: Laguna, Ana (HerausgeberIn); Beusterien, John (HerausgeberIn)
    Published: [2020]
    Publisher:  University of Toronto Press, Toronto

    Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Eros in the Age of Cervantes -- 1. Egocentricity versus Persuasion: Eros, Logos, and Pathos in Cervantes’s Marcela and Grisóstomo Episode -- 2. The Deceived Gaze:... more

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    Universität Potsdam, Universitätsbibliothek
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    Unlimited inter-library loan, copies and loan

     

    Frontmatter -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Eros in the Age of Cervantes -- 1. Egocentricity versus Persuasion: Eros, Logos, and Pathos in Cervantes’s Marcela and Grisóstomo Episode -- 2. The Deceived Gaze: Visual Fantasy, Art, and Feminine Adultery in Cervantes’s Reading of Ariosto -- 3. El Greco’s and Cervantes’s Euclidean Theologies -- 4. Love and the Laws of Literature: The Ethics and Poetics of Affect in Cervantes’s “The Little Gypsy Girl” -- 5. Eros and Ethos in the Political and Religious Logos of The Trials of Persiles and Sigismunda: Anomic Characters in Cervantes -- 6. Sexy Beasts: Women and Lapdogs in Baroque Satirical Verse -- 7. Sexual Deviance and Morisco Marginality in Cervantes’s The Trials of Persiles and Sigismunda -- 8. The Black Madonna Icon: Race, Rape, and the Virgin of Montserrat in The Confession with the Devil by Francisco de Torre y Sevil -- 9. For Love of the White Sea: The Curious Identity of Uludj Ali -- 10. Writing a Tragic Image: Eros and Eris in Lope de Vega’s Jerusalem Conquered -- 11. The Unromantic Approach to Don Quixote: Cervantine Love in the Spanish Post-War Age -- Contributors -- Index -- TORONTO IBERIC Traditional Petrarchan and Neoplatonic paradigms of love started to show clear signs of inadequacy and exhaustion in the sixteenth century. How did the Spanish Golden Age recast worn out discourses of love and make them compelling again? This volume explores how Spanish letters recognized that old love paradigms, especially the crisis of the subject, presented an extraordinary opportunity for revising traditional literary strictures. As a result, during Spain’s nascent modernity, literature took up the challenge to expand existing forms of desire and subjectivity. A range of scholars show how canonical and non-canonical Golden Age writers like Miguel de Cervantes, Diego Hurtado de Mendoza, Francisco de Quevedo, Luis de Góngora, Lope de Vega, and Francisco de la Torre y Sevil became equal agents of the sweeping ontological reconfiguration of the idea of eros that defined their culture. Such reconfiguration includes: the troubling displacement of "self" and "other" seen in sentimental genres like the pastoral or romance; the overlapping of emotions such as love and jealousy characteristic of the baroque lyric and dramatic production; and the conflation of axioms such as eros and eris prevalent in contemporaneous epic experiments. In uniting the findings of often surprising texts, the collection of essays in Goodbye Eros takes a pioneering look at how Golden Age moral, ideological, scientific, and literary discourses intersected to create fascinating re-elaborations of the trope of love

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Contributor: Laguna, Ana (HerausgeberIn); Beusterien, John (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487519667
    Other identifier:
    Series: Toronto Iberic
    Subjects: Love in literature; Spanish literature; LITERARY CRITICISM / European / Spanish & Portuguese
    Scope: 1 Online-Ressource (350 p)
  4. Drawing the Curtain
    Cervantes's Theatrical Revelations
    Contributor: Burningham, Bruce R. (MitwirkendeR); Calderón, José R. Cartagena (MitwirkendeR); Domínguez, Julia (MitwirkendeR); Fernández, Esther (MitwirkendeR); Fernández, Esther (HerausgeberIn); Galán, Mercedes Alcalá (MitwirkendeR); Guerrero, Eduardo Olid (MitwirkendeR); Ife, B. W. (MitwirkendeR); Infante, Catherine (MitwirkendeR); Johnson, Paul Michael (MitwirkendeR); Laguna, Ana (MitwirkendeR); Martín, Adrienne L. (MitwirkendeR); Martín, Adrienne L. (HerausgeberIn); Slater, John (MitwirkendeR); Velasco, Sherry (MitwirkendeR); Velázquez, Sonia (MitwirkendeR)
    Published: 2022; ©2022
    Publisher:  University of Toronto Press, Toronto

    Miguel de Cervantes’s experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes’s prose and analyses the... more

    Access:
    Resolving-System (lizenzpflichtig)
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Universitätsbibliothek der Eberhard Karls Universität
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    No inter-library loan

     

    Miguel de Cervantes’s experimentation with theatricality is frequently tied to the notion of revelation and disclosure of hidden truths. Drawing the Curtain showcases the elements of theatricality that characterize Cervantes’s prose and analyses the ways in which he uses theatricality in his own literary production. Bringing together the works of well-known scholars, who draw from a variety of disciplines and theoretical approaches, this collection demonstrates how Cervantes exploits revelation and disclosure to create dynamic dramatic moments that surprise and engage observers and readers. Hewing closely to Peter Brook’s notion of the bare or empty stage, Esther Fernández and Adrienne L. Martín argue that Cervantes’s omnipresent concern with theatricality manifests not only in his drama but also in the myriad metatheatrical instances dispersed throughout his prose works. In doing so, Drawing the Curtain sheds light on the ways in which Cervantes forces his readers to engage with themes that are central to his life and works, including love, freedom, truth, confinement, and otherness

     
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    Source: Union catalogues
    Contributor: Burningham, Bruce R. (MitwirkendeR); Calderón, José R. Cartagena (MitwirkendeR); Domínguez, Julia (MitwirkendeR); Fernández, Esther (MitwirkendeR); Fernández, Esther (HerausgeberIn); Galán, Mercedes Alcalá (MitwirkendeR); Guerrero, Eduardo Olid (MitwirkendeR); Ife, B. W. (MitwirkendeR); Infante, Catherine (MitwirkendeR); Johnson, Paul Michael (MitwirkendeR); Laguna, Ana (MitwirkendeR); Martín, Adrienne L. (MitwirkendeR); Martín, Adrienne L. (HerausgeberIn); Slater, John (MitwirkendeR); Velasco, Sherry (MitwirkendeR); Velázquez, Sonia (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781487538927
    Other identifier:
    Series: Toronto Iberic
    Subjects: Revelation in literature; Theater in literature; LITERARY CRITICISM / Renaissance
    Other subjects: Don Quixote; Miguel de Cervantes; Peter Brook; Renaissance; Spanish drama; drama; dramatic works; early modern Spanish literature; empty space; entremeses; performance; prose; revelations; theatre; theatricality
    Scope: 1 Online-Ressource (392 p.), 6 b&w illustrations