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Displaying results 1 to 12 of 12.

  1. Horrible white people
    gender, genre, and television's precarious whiteness
    Author: Nygaard, Taylor; Lagerwey, Jorie
    Published: [2020]; © 2020
    Publisher:  New York University Press, New York

    Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like... more

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Signature:
    MPB8973
    Inter-library loan:
    Loan of volumes, no copies

     

    Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people-such as Broad City, Casual, You're the Worst, Catastrophe, Fleabag, and Transparent-proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right-particularly in the mobilization, representation, and sustenance of structural white supremacy on television.Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are "horrible white people," by putting them in conversation with similar upmarket comedies from creators and casts of color like Insecure, Atlanta, Dear White People, and Master of None. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV's dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis.Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey's book opens up new ways of looking at contemporary television consumption-and the political, cultural, and social repercussions of these "horrible white people" shows, both on- and off-screen

     
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  2. Horrible White People
    Gender, Genre, and Television's Precarious Whiteness
    Author: Nygaard, Taylor
    Published: [2020]; ©2020
    Publisher:  New York University Press, New York, NY ; Walter de Gruyter GmbH, Berlin

    Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like... more

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people—such as Broad City, Casual, You’re the Worst, Catastrophe, Fleabag, and Transparent—proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right—particularly in the mobilization, representation, and sustenance of structural white supremacy on television.Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are “horrible white people,” by putting them in conversation with similar upmarket comedies from creators and casts of color like Insecure, Atlanta, Dear White People, and Master of None. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV’s dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis.Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey’s book opens up new ways of looking at contemporary television consumption—and the political, cultural, and social repercussions of these “horrible white people” shows, both on- and off-screen.

     
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    Content information
    Source: Union catalogues
    Contributor: Lagerwey, Jorie
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781479805341
    Other identifier:
    RVK Categories: AP 35160
    Subjects: Fernsehen; Gesellschaftskritik; Weiße <Motiv>; Geschlechterverhältnis <Motiv>
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 25. Nov 2020)
  3. Horrible White People
    gender, genre, and television's precarious whiteness
    Author: Nygaard, Taylor; Lagerwey, Jorie
    Published: [2020]; © 2020
    Publisher:  New York University Press, New York, NY

    Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like... more

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people-such as Broad City, Casual, You're the Worst, Catastrophe, Fleabag, and Transparent-proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right-particularly in the mobilization, representation, and sustenance of structural white supremacy on television.Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are "horrible white people," by putting them in conversation with similar upmarket comedies from creators and casts of color like Insecure, Atlanta, Dear White People, and Master of None. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV's dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis.Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey's book opens up new ways of looking at contemporary television consumption-and the political, cultural, and social repercussions of these "horrible white people" shows, both on- and off-screen

     
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    Volltext (URL des Erstveröffentlichers)
  4. Horrible white people
    gender, genre, and television's precarious whiteness
    Author: Nygaard, Taylor; Lagerwey, Jorie
    Published: [2020]; © 2020
    Publisher:  New York University Press, New York

    Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like... more

    Location:
    Universitätsbibliothek Bayreuth
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    Unlimited inter-library loan, copies and loan

    Location:
    Bayerische Staatsbibliothek
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Regensburg
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    Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people-such as Broad City, Casual, You're the Worst, Catastrophe, Fleabag, and Transparent-proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right-particularly in the mobilization, representation, and sustenance of structural white supremacy on television.Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are "horrible white people," by putting them in conversation with similar upmarket comedies from creators and casts of color like Insecure, Atlanta, Dear White People, and Master of None. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV's dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis.Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey's book opens up new ways of looking at contemporary television consumption-and the political, cultural, and social repercussions of these "horrible white people" shows, both on- and off-screen

     
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  5. Horrible white people
    gender, genre, and television's precarious whiteness
    Author: Nygaard, Taylor; Lagerwey, Jorie
    Published: [2020]
    Publisher:  New York University Press, New York

    "Horrible White People" explores genre, gender, and whiteness in television more

    Location:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude
    Signature:
    ÄT 02 White 1
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    No inter-library loan

     

    "Horrible White People" explores genre, gender, and whiteness in television

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781479885459; 9781479805358
    Other identifier:
    9781479805358
    RVK Categories: AP 35160
    Subjects: Fernsehen; Gesellschaftskritik; Weiße <Motiv>; Geschlechterverhältnis <Motiv>; Whites on television; Sex role on television; Gender identity on television; Television broadcasting
    Scope: xi, 259 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite 235-251
  6. Horrible white people
    gender, genre, and television's precarious whiteness
    Author: Nygaard, Taylor; Lagerwey, Jorie
    Published: [2020]
    Publisher:  New York University Press, New York

    ""Horrible White People" explores genre, gender, and whiteness in television"-- more

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Signature:
    4.9.6.NYG
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    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 121609
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    Staats- und Universitätsbibliothek Bremen
    Signature:
    a puz 534.6/981
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    Universitätsbibliothek Freiburg
    Signature:
    GE 2021/832
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    ""Horrible White People" explores genre, gender, and whiteness in television"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781479885459; 9781479805358
    Other identifier:
    9781479805358
    RVK Categories: AP 35160
    Subjects: Whites on television; Sex role on television; Gender identity on television; Television broadcasting
    Scope: xi, 259 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  7. Horrible white people
    gender, genre, and television's precarious whiteness
    Author: Nygaard, Taylor; Lagerwey, Jorie
    Published: [2020]
    Publisher:  New York University Press, New York

    ""Horrible White People" explores genre, gender, and whiteness in television"-- more

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Unlimited inter-library loan, copies and loan

     

    ""Horrible White People" explores genre, gender, and whiteness in television"--

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781479885459; 9781479805358
    Other identifier:
    9781479805358
    RVK Categories: AP 35160
    Subjects: Whites on television; Sex role on television; Gender identity on television; Television broadcasting
    Scope: xi, 259 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  8. Single lives
    modern women in literature, culture, and film
    Contributor: Fama, Katherine (Herausgeber); Lagerwey, Jorie (Herausgeber)
    Published: [2022]
    Publisher:  Rutgers University Press, New Brunswick

    Location:
    Universitätsbibliothek Dortmund
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    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Fama, Katherine (Herausgeber); Lagerwey, Jorie (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781978828513
    RVK Categories: HG 431
    Series: Cultural studies / women's studies
    Subjects: Englisch; Literatur; Kultur; Film; Alleinstehende Frau <Motiv>;
    Scope: viii, 240 Seiten, Illustrationen, Breite 156 mm, Hoehe 235 mm
  9. Horrible white people
    gender, genre, and television's precarious whiteness
    Author: Nygaard, Taylor; Lagerwey, Jorie
    Published: [2020]; © 2020
    Publisher:  New York University Press, New York

    Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like... more

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Examines the bleak television comedies that illustrate the obsession of the white left with its own anxiety and sufferingAt the same time that right-wing political figures like Donald Trump were elected and reactionary socio-economic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. American and British programming that featured the abjection of young, middle-class, liberal white people-such as Broad City, Casual, You're the Worst, Catastrophe, Fleabag, and Transparent-proliferated to wide popular acclaim in the 2010s. Taylor Nygaard and Jorie Lagerwey track how these shows of the white left, obsessed with its own anxiety and suffering, are complicit in the rise and maintenance of the far right-particularly in the mobilization, representation, and sustenance of structural white supremacy on television.Nygaard and Lagerwey examine a cycle of dark television comedies, the focus of which are "horrible white people," by putting them in conversation with similar upmarket comedies from creators and casts of color like Insecure, Atlanta, Dear White People, and Master of None. Through their analysis, they demonstrate the ways these non-white-centric shows negotiate prestige TV's dominant aesthetics of whiteness and push back against the centering of white suffering in a time of cultural crisis.Through the lens of media analysis and feminist cultural studies, Nygaard and Lagerwey's book opens up new ways of looking at contemporary television consumption-and the political, cultural, and social repercussions of these "horrible white people" shows, both on- and off-screen

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781479805358; 9781479885459
    RVK Categories: AP 35160
    Subjects: Gender identity on television; Sex role on television; Television broadcasting; Whites on television
    Scope: xi, 259 Seiten, Illustrationen
  10. Single Lives
    Modern Women in Literature, Culture, and Film
    Contributor: Fama, Katherine (Publisher); Lagerwey, Jorie (Publisher)
    Published: 2022
    Publisher:  Rutgers University Press, New Brunswick NJ

    Location:
    Universitätsbibliothek Würzburg
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    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Fama, Katherine (Publisher); Lagerwey, Jorie (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781978828513
    RVK Categories: HG 431
    Series: Cultural studies / women's studies
    Subjects: Film; Alleinstehende Frau <Motiv>; Englisch; Kultur; Literatur
    Scope: viii, 240 Seiten, Illustrationen, Breite 156 mm, Hoehe 235 mm
  11. Single lives
    modern women in literature, culture, and film
    Contributor: Fama, Katherine (HerausgeberIn); Lagerwey, Jorie (HerausgeberIn)
    Published: [2022]; © 2022
    Publisher:  Rutgers University Press, New Brunswick

    "Single Lives is a collection of singleness studies essays from the interdisciplinary humanities that explores the last two hundred years of literature and popular media by, about, and for single women in the US and the UK. Independent women have... more

    Location:
    Staats- und Universitätsbibliothek Bremen
    Signature:
    03.k.1729
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    Location:
    Technische Informationsbibliothek (TIB) / Leibniz-Informationszentrum Technik und Naturwissenschaften und Universitätsbibliothek
    Signature:
    EA/848/983
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    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Kiel, Zentralbibliothek
    Signature:
    Df 2765
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Location:
    Universitätsbibliothek Mannheim
    Signature:
    500 EC 1874 F198
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    Universitätsbibliothek Rostock
    Signature:
    HG 431 F198
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    Unlimited inter-library loan, copies and loan

     

    "Single Lives is a collection of singleness studies essays from the interdisciplinary humanities that explores the last two hundred years of literature and popular media by, about, and for single women in the US and the UK. Independent women have always been a center around which social anxieties and excitement coalesced. Moving between the family home and domestic independence, between household and public labor, and between celibacy and a range of sexual relations, the single woman remains a literary and cultural focus, as she has been from the 19th to the 21st centuries. This collection offers readers the opportunity to uncover the social, political, economic, and cultural connections between the "singly blessed" women and "bachelor girls" of the 19th and early 20th century and "all the single ladies" of the 21st century. Essays read singleness across genre and field, offering new approaches to studying modern and contemporary single women in literature, film, and history. Authors engage scholarship from wide ranging fields of social history, women's studies, queer theory, and Black feminism. The collection reads familiar texts against the grain, rethinking archival resources, revisiting familiar figures, and exploring new sources: cookbooks, ephemera, personal documents, recovered film histories, and forms of domestic space and labor. This is a book for scholars of gender and sexuality, social history, feminist film and media scholars, and literary historians, and reflects the urgent contemporary interest in single women as a political, economic, and cultural force"--

     
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    Content information
    Source: Union catalogues
    Contributor: Fama, Katherine (HerausgeberIn); Lagerwey, Jorie (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781978828513; 9781978828520
    RVK Categories: EC 1874 ; HG 431
    Series: Cultural Studies / Women's Studies
    Subjects: Single women; Single women; Single women in literature; Single women in motion pictures
    Scope: viii, 240 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis: Seite 199-218
  12. Horrible white people
    gender, genre, and television's precarious whiteness
    Author: Nygaard, Taylor; Lagerwey, Jorie
    Published: 2021
    Publisher:  New York University Press, New York ; Oxford University Press, Oxford

    At the same time that reactionary conservative political figures like Donald Trump were elected and disastrous socioeconomic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens.... more

    Access:

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Inter-library loan:
    No inter-library loan

     

    At the same time that reactionary conservative political figures like Donald Trump were elected and disastrous socioeconomic policies like Brexit were voted into law, representations of bleakly comic white fragility spread across television screens. Analyzing a cycle of transatlantic television programs that emerged mostly between 2014 and 2016 targeting affluent, liberal, white audiences, 'Horrible White People' examines the complicity of the white Left, obsessed with its own anxiety and suffering, in the rise and maintenance of the Far Right-particularly in the mobilization, representation, and sustenance of structural white supremacy on television.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781479805341
    Other identifier:
    RVK Categories: AP 35160
    Series: NYU scholarship online
    Subjects: Fernsehen; Gesellschaftskritik; Weiße <Motiv>; Geschlechterverhältnis <Motiv>; Whites on television; Sex role on television; Gender identity on television; Television broadcasting
    Scope: 1 Online-Ressource (288 pages), Illustrations (black and white).
    Notes:

    Previously issued in print: 2020

    Includes bibliographical references and index