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Displaying results 1 to 11 of 11.

  1. The noisemakers
    Estridentismo, vanguardism, and social action in postrevolutionary Mexico
    Author: Klich, Lynda
    Published: [2018]; © 2018
    Publisher:  University of California Press, Berkeley

    "The Noisemakers examines Estridentismo, one of Mexico's first modernist art and literary movements. Founded by poet Manuel Maples Arce, Estridentismo spurred dynamic collaborations and debates among artists, writers, and intellectuals during the... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    "The Noisemakers examines Estridentismo, one of Mexico's first modernist art and literary movements. Founded by poet Manuel Maples Arce, Estridentismo spurred dynamic collaborations and debates among artists, writers, and intellectuals during the decade after the Mexican Revolution. Lynda Klich explores the paradoxical aims of the movement's writers and artists who deployed manifestos, journals, and cubo-futurist forms to insert themselves into international vanguard networks as they simultaneously participated in nationalist reconstruction of the 1920s. In crafting a cosmopolitan Mexican identity, Estridentista artists both circulated images of modern technologies and urban life and visually updated traditional subjects such as masks and Mexican types. Klich reads the movement's radical cultural production as a call for active sociopolitical engagement and characterizes Estridentismo as an ambitious program for national cultural and social modernity in the early twentieth century. Exploring the tensions that emerged from these divergent cosmopolitan and local proposals, The Noisemakers inserts Mexico into the dialogue of global modernisms."...Provided by publisher

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780520296404
    Series: Ahmanson Murphy fine arts imprint
    The Phillips Collction book prize series ; 7
    Subjects: Estridentismo (Art movement); Estridentismo (Literary movement); Art, Mexican; Avant-garde (Aesthetics); Art; Art and society; Avantgarde; Estridentismo; Literatur; Kunst
    Scope: xiii, 344 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  2. The propaganda front
    postcards from the era of world wars : the Leonard A. Lauder postcard archive
    Author: Klich, Lynda
    Published: [2017]
    Publisher:  MFA Publications, Boston ; ARTBOOK D.A.P., New York, New York

    "A socialist worker raises the red flag. Adoring crowds greet Hitler and Mussolini. Uncle Sam orders Americans to enlist. In the first half of the twentieth century, these images and many more circulated by the millions on postcards that were... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    "A socialist worker raises the red flag. Adoring crowds greet Hitler and Mussolini. Uncle Sam orders Americans to enlist. In the first half of the twentieth century, these images and many more circulated by the millions on postcards that were designed to change minds and inspire actions. Whether produced by government propaganda bureaus, opportunistic publishers, aid organizations or resistance movements, postcards conveyed their messages with striking graphics, pithy slogans and biting caricatures -- and in a uniquely personal form. The more than 350 cards reproduced in full color in this book advocate for political causes and celebrate war efforts on all sides of the major conflicts of their time. The accompanying text shows how a ubiquitous form of communication served increasingly sophisticated campaigns in an age of propaganda, and highlights the postcards collected here as both priceless historical documents and masterworks of graphic design." -- Book jacket

     

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  3. Into the night
    cabarets and clubs in modern art

    "Ranging from the 1880s to the 1960s, this richly illustrated history of cafés, cabarets and clubs in modern art includes both famed and little-known sites of the avant-garde. Organised by city, 'Into the Night' presents an exhilarating journey into... more

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der LMU München
    Unlimited inter-library loan, copies and loan
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent

     

    "Ranging from the 1880s to the 1960s, this richly illustrated history of cafés, cabarets and clubs in modern art includes both famed and little-known sites of the avant-garde. Organised by city, 'Into the Night' presents an exhilarating journey into a selection of social spaces across the world, from New York to Tehran, Paris, Mexico City, London, Berlin, Vienna, Ibadan and beyond. Bringing together painting, drawing, photography, sculpture, performance, film and archival material, this publication highlights the work of artists, performers, designers, musicians and writers such as Henri de Toulouse-Lautrec, Loïe Fuller, Josef Hoffmann, Wyndham Lewis and Giacomo Balla, as well as Ramón Alva de la Canal, Theo van Doesburg, Sophie Taeuber-Arp, Jeanne Mammen, Anita Berber, Aaron Douglas, Jacob Lawrence, Colette Omogbai, Twins Seven-Seven and Parviz Tanavoli. Fourteen newly commissioned essays, accompanied by numerous artworks and rarely seen ephemera, explore how these unique spaces fostered a spririt of experimentation and collaboration, sparking new forms of artistic expression." This book explores the role of cabarets, clubs, and cafés in modern art. These creative spaces were incubators of radical thinking, in which artists could exchange provocative ideas. They were welcoming environments for artists, dancers, designers, writers, and musicians pushing the boundaries of cultural and social norms. Spanning the decades from the 1880s to the 1960s, this unique and multi-faceted illustrated history of alternative artistic spaces covers four continents and includes both famed and little-known sites of the avant-garde. Organized by city, it features painting, drawing, photography, sculpture, film, and archival material emanating from over a dozen cabarets, clubs, and bars that were home to the likes of Henri de Toulouse-Lautrec, Loie Fuller, Josef Hoffmann, Giacomo Balla, Sophie Taeuber-Arp, Theo Van Doesburg, Jeanne Mammen, Jacob Lawrence, Ramon Alva de la Canal, and Ibrahim El-Salahi. It includes photographs of the interiors of the Chat Noir in Paris, the Cafe L'Aubette in Strasbourg and the Mbari Club in Nigeria; a cocktail menu from the Cabaret Fledermaus in Vienna; a 1930s night club map of Harlem; posters and invitations advertising performances at the Cabaret Voltaire in Zurich and Mexico City's Cafe de Nadie; and countless artworks that emerged from these spaces conveying the energy and excitement of the time. A series of enlightening essays explore how each space fostered and stimulated new forms of artistic expression. Exhibition: Barbican Art Gallery, London, UK (04.10.2019-19.01.2020) / Belvedere, Vienna, Austria (14.02.-01.06.2020)

     

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  4. The propaganda front
    postcards from the era of World Wars : the Leonard A. Lauder Postcard Archive
    Contributor: Jozefacka, Anna (VerfasserIn von ergänzendem Text); Klich, Lynda (VerfasserIn von ergänzendem Text); Kreinik, Juliana D. (VerfasserIn von ergänzendem Text); Weiss, Benjamin (VerfasserIn von ergänzendem Text)
    Published: [2017]
    Publisher:  MFA Publications, Museum of Fine Arts, Boston, Boston

    "A socialist worker raises the red flag. Adoring crowds greet Hitler and Mussolini. Uncle Sam orders Americans to enlist. In the first half of the twentieth century, these images and many more circulated by the millions on postcards that were... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    "A socialist worker raises the red flag. Adoring crowds greet Hitler and Mussolini. Uncle Sam orders Americans to enlist. In the first half of the twentieth century, these images and many more circulated by the millions on postcards that were designed to change minds and inspire actions. Whether produced by government propaganda bureaus, opportunistic publishers, aid organizations or resistance movements, postcards conveyed their messages with striking graphics, pithy slogans and biting caricatures -- and in a uniquely personal form. The more than 350 cards reproduced in full color in this book advocate for political causes and celebrate war efforts on all sides of the major conflicts of their time. The accompanying text shows how a ubiquitous form of communication served increasingly sophisticated campaigns in an age of propaganda, and highlights the postcards collected here as both priceless historical documents and masterworks of graphic design." -- Book jacket

     

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    Source: Union catalogues
    Contributor: Jozefacka, Anna (VerfasserIn von ergänzendem Text); Klich, Lynda (VerfasserIn von ergänzendem Text); Kreinik, Juliana D. (VerfasserIn von ergänzendem Text); Weiss, Benjamin (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780878467631
    Other identifier:
    9780878467631
    RVK Categories: AP 15440 ; AP 17340
    Edition: First edition
    Corporations / Congresses:
    Museum of Fine Arts, Boston (VerfasserIn)
    Subjects: Propaganda in art; Postcards; World War, 1939-1945; Postcards; Postcards; War in art; World War, 1914-1918; Postcards; Postcards; Postcards; Postcards; Propaganda in art; War in art; War in art; World War, 1914-1918; Lauder, Leonard A.; World War (1914-1918); Catalogs; Catalogs; Pictorial works; 1914-1918
    Other subjects: Lauder, Leonard A
    Scope: 271 Seiten, 24 cm
  5. The propaganda front
    postcards from the era of world wars : the Leonard A. Lauder Postcard Archive
    Author: Klich, Lynda
    Published: © 2017; [2017]
    Publisher:  MFA Publications, Boston ; ARTBOOK D.A.P., New York, New York

    Abstract: "A socialist worker raises the red flag. Adoring crowds greet Hitler and Mussolini. Uncle Sam orders Americans to enlist. In the first half of the twentieth century, these images and many more circulated by the millions on postcards that... more

     

    Abstract: "A socialist worker raises the red flag. Adoring crowds greet Hitler and Mussolini. Uncle Sam orders Americans to enlist. In the first half of the twentieth century, these images and many more circulated by the millions on postcards that were designed to change minds and inspire actions. Whether produced by government propaganda bureaus, opportunistic publishers, aid organizations or resistance movements, postcards conveyed their messages with striking graphics, pithy slogans and biting caricatures -- and in a uniquely personal form. The more than 350 cards reproduced in full color in this book advocate for political causes and celebrate war efforts on all sides of the major conflicts of their time. The accompanying text shows how a ubiquitous form of communication served increasingly sophisticated campaigns in an age of propaganda, and highlights the postcards collected here as both priceless historical documents and masterworks of graphic design." -- Book jacket

     

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    Content information
    Source: Union catalogues
    Contributor: Jozefacka, Anna (Verfasser von Zusatztexten); Kreinik, Juliana D. (Verfasser von Zusatztexten); Weiss, Benjamin (Verfasser von Zusatztexten); Lauder, Leonard A. (Verfasser eines Vorworts)
    Language: English
    Media type: Book
    Format: Print
    Edition: First edition
    Corporations / Congresses:
    Museum of Fine Arts, Boston, Leonard A. Lauder Collection (Verfasser)
    Subjects: Geschichte 1900-1945; Bildpostkarte; Propaganda; Postkarte; Weltkrieg <1939-1945, Motiv>; Weltkrieg <1914-1918, Motiv>; Sammlung
    Other subjects: Lauder, Leonard A. (1933-); Lauder, Leonard A. / Art collections / Catalogs; (1914-1918)World War (1914-1918); Postcards / History / 20th century / Catalogs; Postcards / Catalogs; War in art / Catalogs; World War, 1914-1918 / Pictorial works; Propaganda in art / Catalogs; Postcards / Collectors and collecting / United States; Pictorial works
    Scope: 271 Seiten, 25 cm
    Notes:

    Literaturangaben

  6. The propaganda front
    postcards from the era of World Wars : the Leonard A. Lauder Postcard Archive
    Contributor: Jozefacka, Anna (VerfasserIn von ergänzendem Text); Klich, Lynda (VerfasserIn von ergänzendem Text); Kreinik, Juliana D. (VerfasserIn von ergänzendem Text); Weiss, Benjamin (VerfasserIn von ergänzendem Text)
    Published: [2017]
    Publisher:  MFA Publications, Museum of Fine Arts, Boston, Boston

    "A socialist worker raises the red flag. Adoring crowds greet Hitler and Mussolini. Uncle Sam orders Americans to enlist. In the first half of the twentieth century, these images and many more circulated by the millions on postcards that were... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2018:4316:
    No inter-library loan
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2019 C 1981
    Unlimited inter-library loan, copies and loan
    Unlimited inter-library loan, copies and loan
    Germanisches Nationalmuseum, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Osnabrück
    KGC G 6248-950 4
    Unlimited inter-library loan, copies and loan
    Württembergische Landesbibliothek
    68a/955
    Unlimited inter-library loan, copies and loan

     

    "A socialist worker raises the red flag. Adoring crowds greet Hitler and Mussolini. Uncle Sam orders Americans to enlist. In the first half of the twentieth century, these images and many more circulated by the millions on postcards that were designed to change minds and inspire actions. Whether produced by government propaganda bureaus, opportunistic publishers, aid organizations or resistance movements, postcards conveyed their messages with striking graphics, pithy slogans and biting caricatures -- and in a uniquely personal form. The more than 350 cards reproduced in full color in this book advocate for political causes and celebrate war efforts on all sides of the major conflicts of their time. The accompanying text shows how a ubiquitous form of communication served increasingly sophisticated campaigns in an age of propaganda, and highlights the postcards collected here as both priceless historical documents and masterworks of graphic design." -- Book jacket

     

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    Source: Union catalogues
    Contributor: Jozefacka, Anna (VerfasserIn von ergänzendem Text); Klich, Lynda (VerfasserIn von ergänzendem Text); Kreinik, Juliana D. (VerfasserIn von ergänzendem Text); Weiss, Benjamin (VerfasserIn von ergänzendem Text)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780878467631
    Other identifier:
    9780878467631
    RVK Categories: AP 15440 ; AP 17340
    Edition: First edition
    Corporations / Congresses:
    Museum of Fine Arts, Boston (VerfasserIn)
    Subjects: Propaganda in art; Postcards; World War, 1939-1945; Postcards; Postcards; War in art; World War, 1914-1918; Postcards; Postcards; Postcards; Postcards; Propaganda in art; War in art; War in art; World War, 1914-1918; Lauder, Leonard A.; World War (1914-1918); Catalogs; Catalogs; Pictorial works; 1914-1918
    Other subjects: Lauder, Leonard A
    Scope: 271 Seiten, 24 cm
  7. The noisemakers
    estridentismo, vanguardism, and social action in postrevolutionary Mexico
    Author: Klich, Lynda
    Published: [2018]; © 2018
    Publisher:  University of California Press, Oakland, California

    "The Noisemakers examines Estridentismo, one of Mexico's first modernist art and literary movements. Founded by poet Manuel Maples Arce, Estridentismo spurred dynamic collaborations and debates among artists, writers, and intellectuals during the... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    "The Noisemakers examines Estridentismo, one of Mexico's first modernist art and literary movements. Founded by poet Manuel Maples Arce, Estridentismo spurred dynamic collaborations and debates among artists, writers, and intellectuals during the decade after the Mexican Revolution. Lynda Klich explores the paradoxical aims of the movement's writers and artists who deployed manifestos, journals, and cubo-futurist forms to insert themselves into international vanguard networks as they simultaneously participated in nationalist reconstruction of the 1920s. In crafting a cosmopolitan Mexican identity, Estridentista artists both circulated images of modern technologies and urban life and visually updated traditional subjects such as masks and Mexican types. Klich reads the movement's radical cultural production as a call for active sociopolitical engagement and characterizes Estridentismo as an ambitious program for national cultural and social modernity in the early twentieth century. Exploring the tensions that emerged from these divergent cosmopolitan and local proposals, The Noisemakers inserts Mexico into the dialogue of global modernisms."--Provided by publisher The invention of the vanguardia -- Actual no. 1's Mexican Nexus, C. 1921 -- Public art, the vanguard, and the postrevolutionary body -- Estridentista portraits : Forging a vanguard identity -- Art as action -- Estridentópolis : vanguardia and the state

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520296404
    Series: The Phillips book prize series ; 7
    Subjects: Estridentismo (Art movement); Estridentismo (Literary movement); Art, Mexican; Avant-garde (Aesthetics); Art; Art and society
    Scope: xiii, 344 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  8. Little women
    the female nude in the golden age of picture postcards
    Author: Klich, Lynda
    Published: 2001

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Zentralinstitut für Kunstgeschichte, Bibliothek
    No loan of volumes, only paper copies will be sent
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Parent title:
    Visual resources / sponsored by the Visual Resources Association; Philadelphia, Pa., 2001; 17.2001, 4, 435-448
    Subjects: Postkarte; Aktdarstellung; Frau <Motiv>
    Other subjects: Geschichte 1890-1914
  9. The noisemakers
    estridentismo, vanguardism, and social action in postrevolutionary Mexico
    Author: Klich, Lynda
    Published: [2018]; © 2018
    Publisher:  University of California Press, Oakland, California

    "The Noisemakers examines Estridentismo, one of Mexico's first modernist art and literary movements. Founded by poet Manuel Maples Arce, Estridentismo spurred dynamic collaborations and debates among artists, writers, and intellectuals during the... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2018:4977:
    No inter-library loan
    Staats- und Universitätsbibliothek Bremen
    02.x.0110
    Unlimited inter-library loan, copies and loan

     

    "The Noisemakers examines Estridentismo, one of Mexico's first modernist art and literary movements. Founded by poet Manuel Maples Arce, Estridentismo spurred dynamic collaborations and debates among artists, writers, and intellectuals during the decade after the Mexican Revolution. Lynda Klich explores the paradoxical aims of the movement's writers and artists who deployed manifestos, journals, and cubo-futurist forms to insert themselves into international vanguard networks as they simultaneously participated in nationalist reconstruction of the 1920s. In crafting a cosmopolitan Mexican identity, Estridentista artists both circulated images of modern technologies and urban life and visually updated traditional subjects such as masks and Mexican types. Klich reads the movement's radical cultural production as a call for active sociopolitical engagement and characterizes Estridentismo as an ambitious program for national cultural and social modernity in the early twentieth century. Exploring the tensions that emerged from these divergent cosmopolitan and local proposals, The Noisemakers inserts Mexico into the dialogue of global modernisms."--Provided by publisher The invention of the vanguardia -- Actual no. 1's Mexican Nexus, C. 1921 -- Public art, the vanguard, and the postrevolutionary body -- Estridentista portraits : Forging a vanguard identity -- Art as action -- Estridentópolis : vanguardia and the state

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520296404
    Series: The Phillips book prize series ; 7
    Subjects: Estridentismo (Art movement); Estridentismo (Literary movement); Art, Mexican; Avant-garde (Aesthetics); Art; Art and society
    Scope: xiii, 344 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  10. The noisemakers
    estridentismo, vanguardism, and social action in postrevolutionary Mexico
    Author: Klich, Lynda
    Published: [2018]; © 2018
    Publisher:  The Phillips Collection, [Washington, DC] ; University of California Press, Oakland, California

    "The Noisemakers examines Estridentismo, one of Mexico's first modernist art and literary movements. Founded by poet Manuel Maples Arce, Estridentismo spurred dynamic collaborations and debates among artists, writers, and intellectuals during the... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    ::8:2018:4977:
    No inter-library loan
    Staats- und Universitätsbibliothek Bremen
    02.x.0110
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek Heidelberg
    2018 C 2298
    Unlimited inter-library loan, copies and loan

     

    "The Noisemakers examines Estridentismo, one of Mexico's first modernist art and literary movements. Founded by poet Manuel Maples Arce, Estridentismo spurred dynamic collaborations and debates among artists, writers, and intellectuals during the decade after the Mexican Revolution. Lynda Klich explores the paradoxical aims of the movement's writers and artists who deployed manifestos, journals, and cubo-futurist forms to insert themselves into international vanguard networks as they simultaneously participated in nationalist reconstruction of the 1920s. In crafting a cosmopolitan Mexican identity, Estridentista artists both circulated images of modern technologies and urban life and visually updated traditional subjects such as masks and Mexican types. Klich reads the movement's radical cultural production as a call for active sociopolitical engagement and characterizes Estridentismo as an ambitious program for national cultural and social modernity in the early twentieth century. Exploring the tensions that emerged from these divergent cosmopolitan and local proposals, The Noisemakers inserts Mexico into the dialogue of global modernisms."--Provided by publisher The invention of the vanguardia -- Actual no. 1's Mexican Nexus, C. 1921 -- Public art, the vanguard, and the postrevolutionary body -- Estridentista portraits : Forging a vanguard identity -- Art as action -- Estridentópolis : vanguardia and the state

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520296404
    Series: The Phillips book prize series ; 7
    Subjects: Estridentismo (Art movement); Estridentismo (Literary movement); Art, Mexican; Avant-garde (Aesthetics); Art; Art and society; Estridentismo (Art movement); Estridentismo (Literary movement); Art, Mexican; Avant-garde (Aesthetics); Art; Art and society
    Scope: xiii, 344 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index

  11. The noisemakers
    estridentismo, vanguardism, and social action in postrevolutionary Mexico
    Author: Klich, Lynda
    Published: [2018]; © 2018
    Publisher:  The Phillips Collection, [Washington, DC] ; University of California Press, Oakland, California

    "The Noisemakers examines Estridentismo, one of Mexico's first modernist art and literary movements. Founded by poet Manuel Maples Arce, Estridentismo spurred dynamic collaborations and debates among artists, writers, and intellectuals during the... more

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    Unlimited inter-library loan, copies and loan

     

    "The Noisemakers examines Estridentismo, one of Mexico's first modernist art and literary movements. Founded by poet Manuel Maples Arce, Estridentismo spurred dynamic collaborations and debates among artists, writers, and intellectuals during the decade after the Mexican Revolution. Lynda Klich explores the paradoxical aims of the movement's writers and artists who deployed manifestos, journals, and cubo-futurist forms to insert themselves into international vanguard networks as they simultaneously participated in nationalist reconstruction of the 1920s. In crafting a cosmopolitan Mexican identity, Estridentista artists both circulated images of modern technologies and urban life and visually updated traditional subjects such as masks and Mexican types. Klich reads the movement's radical cultural production as a call for active sociopolitical engagement and characterizes Estridentismo as an ambitious program for national cultural and social modernity in the early twentieth century. Exploring the tensions that emerged from these divergent cosmopolitan and local proposals, The Noisemakers inserts Mexico into the dialogue of global modernisms."--Provided by publisher The invention of the vanguardia -- Actual no. 1's Mexican Nexus, C. 1921 -- Public art, the vanguard, and the postrevolutionary body -- Estridentista portraits : Forging a vanguard identity -- Art as action -- Estridentópolis : vanguardia and the state

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780520296404
    Series: The Phillips book prize series ; 7
    Subjects: Estridentismo (Art movement); Estridentismo (Literary movement); Art, Mexican; Avant-garde (Aesthetics); Art; Art and society; Estridentismo (Art movement); Estridentismo (Literary movement); Art, Mexican; Avant-garde (Aesthetics); Art; Art and society
    Scope: xiii, 344 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index