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  1. Chaucer on love, knowledge and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Brewer, Cambridge

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    12.731.89
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    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
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    K C 1 240
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 085991464x
    RVK Categories: HH 5092 ; HH 5082
    Series: Chaucer studies ; 21
    Subjects: Liebe <Motiv>; Wissen
    Other subjects: Chaucer, Geoffrey (1343-1400)
    Scope: XI, 225 S.
    Notes:

    Literaturverz. S. [211] - 218
  2. Chaucer on love, knowledge, and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Boydell & Brewer, Suffolk ; Cambridge University Press, Cambridge, UK

    In this study, Norman Klassen shows how Chaucer explores the complexity of the relationship between love and knowledge through recourse to the motif of sight. The convention of love at first sight involves love, knowledge, and sight, but insists that... more

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    Universität Frankfurt, Elektronische Ressourcen
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    Universitätsbibliothek Gießen
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    In this study, Norman Klassen shows how Chaucer explores the complexity of the relationship between love and knowledge through recourse to the motif of sight. The convention of love at first sight involves love, knowledge, and sight, but insists that the claims of love and the realm of the rational are in strict opposition. In the metaphysical tradition, however, the relationship between love, knowledge and sight is more complex, manifesting both qualities of opposition and of symbiosis, similar to that found in late medieval natural philosophy. The author argues that Chaucer is unorthodox in exploiting the possibilities for using sight both to express emotional experience and to accentuate rationality at the same time. The conventional opposition of love and knowledge in the phenomenon of love at first sight gives way in Chaucer's development of love, knowledge, and sight to a symbiosis in his love poetry. The complexity of this relationship draws attention to his own role as artificer, as one who in the process of articulating the effects of love at first sight cannot help but bring together love and knowledge in ways not anticipated by the conventions of love poetry.'NORMAN KLASSEN'is a Social Sciences and Humanities Research Council of Canada postdoctorial fellow at the Centre for Medieval Studies and the Department of English Language and Literature at the University of Minnesota.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846153075
    RVK Categories: HH 5092 ; HH 5082
    Subjects: Liebe <Motiv>; Wissen
    Other subjects: Chaucer, Geoffrey (1343-1400)
    Scope: 1 Online-Ressource (xi, 225 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  3. Chaucer on love, knowledge and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Brewer, Cambridge

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    Universitätsbibliothek der RWTH Aachen
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    Universitäts- und Landesbibliothek Düsseldorf
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 085991464X
    Series: Chaucer studies ; 21
    Subjects: Chaucer, Geoffrey; Sehen <Motiv>; Liebe <Motiv>; Erkenntnis <Motiv>
    Scope: XI, 225 S.
  4. Chaucer on love, knowledge and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Brewer, Cambridge

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    Universitätsbibliothek der RWTH Aachen
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    ND726-21
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 085991464X
    Series: Chaucer studies ; 21
    Subjects: Sehen <Motiv>; Liebe <Motiv>; Erkenntnis <Motiv>
    Other subjects: Chaucer, Geoffrey (1343-1400)
    Scope: XI, 225 S.
  5. Rationality is...the essence of literary theory
    Author: Klassen, Norman
    Published: [2022]
    Publisher:  Cascade Books, an imprint of Wipf and Stock Publishers, Eugene, OR

    "A culturally influential sub-discipline within literary studies, literary theory has developed in parallel form in other arts and social science disciplines, so that one might refer to "cultural theory" or "social theory" as well, or even just to... more

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    "A culturally influential sub-discipline within literary studies, literary theory has developed in parallel form in other arts and social science disciplines, so that one might refer to "cultural theory" or "social theory" as well, or even just to "theory." It's as familiar as the word "postmodern" and as tricky as "deconstruction." What is it about? What is at stake? Theory is about rationality. This book's title invites two different interpretations of what it might mean to say so. For many, the essence of literary theory is the unmasking and redescription of rationality in other terms. Put ironically, rationality is male; rationality is white; rationality is repression.... The book's title, however, can also be read in a second way. On this reading, rationality itself is the essence of literary theory and central to literature, art, and society. Certain conceptions of what it entails can be problematic; the critique in the first way of reading the title remains relevant. Yet one can affirm rationality as integral to human flourishing, including the processes of producing, analyzing, and enjoying literature, art, and culture. This book provides readers with a clear overview of theory's development and the abiding presence of its concern with the status of rationality across its forms."--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781666721355; 1666721352
    Subjects: Literature; Literature; Literature; Rationalism
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Includes bibliographical references and index
  6. Rationality is...the essence of literary theory
    Author: Klassen, Norman
    Published: [2022]
    Publisher:  Cascade Books, an imprint of Wipf and Stock Publishers, Eugene, OR

    "A culturally influential sub-discipline within literary studies, literary theory has developed in parallel form in other arts and social science disciplines, so that one might refer to "cultural theory" or "social theory" as well, or even just to... more

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    "A culturally influential sub-discipline within literary studies, literary theory has developed in parallel form in other arts and social science disciplines, so that one might refer to "cultural theory" or "social theory" as well, or even just to "theory." It's as familiar as the word "postmodern" and as tricky as "deconstruction." What is it about? What is at stake? Theory is about rationality. This book's title invites two different interpretations of what it might mean to say so. For many, the essence of literary theory is the unmasking and redescription of rationality in other terms. Put ironically, rationality is male; rationality is white; rationality is repression.... The book's title, however, can also be read in a second way. On this reading, rationality itself is the essence of literary theory and central to literature, art, and society. Certain conceptions of what it entails can be problematic; the critique in the first way of reading the title remains relevant. Yet one can affirm rationality as integral to human flourishing, including the processes of producing, analyzing, and enjoying literature, art, and culture. This book provides readers with a clear overview of theory's development and the abiding presence of its concern with the status of rationality across its forms."--

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781666721355; 1666721352
    Subjects: Literature; Literature; Literature; Rationalism
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Includes bibliographical references and index
  7. Chaucer on love, knowledge and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Brewer, Cambridge

    Location:
    Ruhr-Universität Bochum, Fakultät für Philologie, Englisches Seminar, Bibliothek
    Signature:
    14A CHA 95003
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    ISBN: 085991464X
    RVK Categories: HH 5092 ; HH 5082
    Series: Chaucer studies ; 21
    Subjects: Sehen; Liebe; Liebe <Motiv>; Erkenntnis; Erkenntnis <Motiv>; Sehen <Motiv>
    Other subjects: Chaucer, Geoffrey (1343-1400)
    Scope: XI, 225 S.
  8. Chaucer on love, knowledge and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Brewer [u.a.], Cambridge

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 085991464X
    Other identifier:
    94047959
    RVK Categories: HH 5092 ; HH 5082
    Series: Chaucer studies ; 21
    Subjects: Knowledge, Theory of, in literature; Philosophy, Medieval, in literature; Vision in literature; Love in literature
    Other subjects: Chaucer, Geoffrey (-1400)
    Scope: XI, 225 S
    Notes:

    Literaturverz. S. [211] - 218
  9. Chaucer on love, knowledge and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Brewer, Cambridge

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    Universitätsbibliothek Augsburg
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    Universitätsbibliothek Bayreuth
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  10. Fellowship of the beatific vision
    Chaucer on overcoming tyranny and becoming ourselves
    Author: Klassen, Norman
    Published: 2016
    Publisher:  Cascade Books, Eugene, Oregon

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    Hochschule Aalen, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1498283691; 9781498283694
    Series: Veritas
    Subjects: Criticism, interpretation, etc; Chaucer, Geoffrey; Philosophy
    Other subjects: Chaucer, Geoffrey (-1400); Chaucer, Geoffrey (-1400)
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index
  11. Chaucer on love, knowledge and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Brewer [u.a.], Cambridge

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    Staats- und Universitätsbibliothek Bremen
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    a ang 439.6-0/165
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    Universitätsbibliothek Freiburg
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    Universitätsbibliothek Heidelberg
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 085991464X
    Other identifier:
    94047959
    RVK Categories: HH 5092 ; HH 5082
    Series: Chaucer studies ; 21
    Subjects: Knowledge, Theory of, in literature; Philosophy, Medieval, in literature; Vision in literature; Love in literature
    Other subjects: Chaucer, Geoffrey (-1400)
    Scope: XI, 225 S
    Notes:

    Literaturverz. S. [211] - 218
  12. Chaucer on love, knowledge, and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Boydell & Brewer, Suffolk

    In this study, Norman Klassen shows how Chaucer explores the complexity of the relationship between love and knowledge through recourse to the motif of sight. The convention of love at first sight involves love, knowledge, and sight, but insists that... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    In this study, Norman Klassen shows how Chaucer explores the complexity of the relationship between love and knowledge through recourse to the motif of sight. The convention of love at first sight involves love, knowledge, and sight, but insists that the claims of love and the realm of the rational are in strict opposition. In the metaphysical tradition, however, the relationship between love, knowledge and sight is more complex, manifesting both qualities of opposition and of symbiosis, similar to that found in late medieval natural philosophy. The author argues that Chaucer is unorthodox in exploiting the possibilities for using sight both to express emotional experience and to accentuate rationality at the same time. The conventional opposition of love and knowledge in the phenomenon of love at first sight gives way in Chaucer's development of love, knowledge, and sight to a symbiosis in his love poetry. The complexity of this relationship draws attention to his own role as artificer, as one who in the process of articulating the effects of love at first sight cannot help but bring together love and knowledge in ways not anticipated by the conventions of love poetry.'NORMAN KLASSEN'is a Social Sciences and Humanities Research Council of Canada postdoctorial fellow at the Centre for Medieval Studies and the Department of English Language and Literature at the University of Minnesota

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846153075
    Subjects: Knowledge, Theory of, in literature; Philosophy, Medieval, in literature; Vision in literature; Love in literature; Chaucer, Geoffrey ; -1400 ; Philosophy; Knowledge, Theory of, in literature; Philosophy, Medieval, in literature; Vision in literature; Love in literature
    Other subjects: Chaucer, Geoffrey (-1400)
    Scope: 1 Online-Ressource (xi, 225 pages), digital, PDF file(s)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  13. "At the resureccioun of this flour"
    the resurrection, ambiguity and identity in Chaucer's poetry
    Author: Klassen, Norman
    Published: 1999

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    Index theologicus der Universitätsbibliothek Tübingen
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    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Format: Print
    Parent title: In: Resurrection; Sheffield : Sheffield Academic Press, 1999; (1999), Seite 264-274; 376 S.

    Subjects: Auferstehung; Literatur
  14. Chaucer on love, knowledge, and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Boydell & Brewer, Suffolk

    In this study, Norman Klassen shows how Chaucer explores the complexity of the relationship between love and knowledge through recourse to the motif of sight. The convention of love at first sight involves love, knowledge, and sight, but insists that... more

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    Bayerische Staatsbibliothek
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    In this study, Norman Klassen shows how Chaucer explores the complexity of the relationship between love and knowledge through recourse to the motif of sight. The convention of love at first sight involves love, knowledge, and sight, but insists that the claims of love and the realm of the rational are in strict opposition. In the metaphysical tradition, however, the relationship between love, knowledge and sight is more complex, manifesting both qualities of opposition and of symbiosis, similar to that found in late medieval natural philosophy. The author argues that Chaucer is unorthodox in exploiting the possibilities for using sight both to express emotional experience and to accentuate rationality at the same time. The conventional opposition of love and knowledge in the phenomenon of love at first sight gives way in Chaucer's development of love, knowledge, and sight to a symbiosis in his love poetry. The complexity of this relationship draws attention to his own role as artificer, as one who in the process of articulating the effects of love at first sight cannot help but bring together love and knowledge in ways not anticipated by the conventions of love poetry.'NORMAN KLASSEN'is a Social Sciences and Humanities Research Council of Canada postdoctorial fellow at the Centre for Medieval Studies and the Department of English Language and Literature at the University of Minnesota

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846153075
    RVK Categories: HH 5082 ; HH 5092
    Subjects: Philosophie; Knowledge, Theory of, in literature; Philosophy, Medieval, in literature; Vision in literature; Love in literature; Sehen; Liebe <Motiv>; Erkenntnis <Motiv>; Liebe; Sehen <Motiv>; Erkenntnis; Wissen <Motiv>
    Other subjects: Chaucer, Geoffrey / -1400 / Philosophy; Chaucer, Geoffrey (1343-1400)
    Scope: 1 online resource (xi, 225 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  15. Chaucer on love, knowledge, and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Boydell & Brewer, Suffolk

    In this study, Norman Klassen shows how Chaucer explores the complexity of the relationship between love and knowledge through recourse to the motif of sight. The convention of love at first sight involves love, knowledge, and sight, but insists that... more

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    In this study, Norman Klassen shows how Chaucer explores the complexity of the relationship between love and knowledge through recourse to the motif of sight. The convention of love at first sight involves love, knowledge, and sight, but insists that the claims of love and the realm of the rational are in strict opposition. In the metaphysical tradition, however, the relationship between love, knowledge and sight is more complex, manifesting both qualities of opposition and of symbiosis, similar to that found in late medieval natural philosophy. The author argues that Chaucer is unorthodox in exploiting the possibilities for using sight both to express emotional experience and to accentuate rationality at the same time. The conventional opposition of love and knowledge in the phenomenon of love at first sight gives way in Chaucer's development of love, knowledge, and sight to a symbiosis in his love poetry. The complexity of this relationship draws attention to his own role as artificer, as one who in the process of articulating the effects of love at first sight cannot help but bring together love and knowledge in ways not anticipated by the conventions of love poetry.'NORMAN KLASSEN'is a Social Sciences and Humanities Research Council of Canada postdoctorial fellow at the Centre for Medieval Studies and the Department of English Language and Literature at the University of Minnesota

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846153075
    RVK Categories: HH 5082 ; HH 5092
    Subjects: Philosophie; Knowledge, Theory of, in literature; Philosophy, Medieval, in literature; Vision in literature; Love in literature; Liebe; Sehen <Motiv>; Sehen; Erkenntnis; Wissen <Motiv>; Erkenntnis <Motiv>; Liebe <Motiv>
    Other subjects: Chaucer, Geoffrey / -1400 / Philosophy; Chaucer, Geoffrey (1343-1400)
    Scope: 1 online resource (xi, 225 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  16. Chaucer on love, knowledge and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Brewer, Cambridge

    Location:
    Ruhr-Universität Bochum, Universitätsbibliothek
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    Source: Union catalogues
    Media type: Book
    Format: Print
    ISBN: 085991464X
    RVK Categories: HH 5092 ; HH 5082
    Series: Chaucer studies ; 21
    Subjects: Chaucer, Geoffrey; Sehen; Liebe; Erkenntnis; Chaucer, Geoffrey; Sehen <Motiv>; Liebe <Motiv>; Erkenntnis <Motiv>; Chaucer, Geoffrey
    Scope: XI, 225 S.
  17. Chaucer on love, knowledge and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Brewer, Cambridge [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 085991464X
    RVK Categories: HH 5092 ; HH 5082
    Edition: 1. publ.
    Series: Chaucer studies ; 21
    Subjects: Array; Knowledge, Theory of, in literature; Philosophy, Medieval, in literature; Vision in literature; Love in literature
    Scope: XI, 225 S.
    Notes:

    Literaturverz. S. [211] - 218
  18. Chaucer on love, knowledge and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Brewer, Cambridge

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    TU Berlin, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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  19. Chaucer on love, knowledge, and sight
    Author: Klassen, Norman
    Published: c1995
    Publisher:  Boydell & Brewer, Cambridge

    Medieval natural philosophy illuminates Chaucer's use of the motif of sight and the relationship between love and knowledge more

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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Medieval natural philosophy illuminates Chaucer's use of the motif of sight and the relationship between love and knowledge

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 085991464X; 9780859914642
    Series: Chaucer studies ; 21
    Subjects: Vision in literature; Love in literature; Knowledge, Theory of, in literature; Philosophy, Medieval, in literature
    Other subjects: Chaucer, Geoffrey (d. 1400)
    Scope: Online-Ressource (xi, 225 p)
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    Includes bibliographical references (p. [211]-218) and index

    Electronic reproduction; Available via World Wide Web

    CONTENTS; ACKNOWLEDGEMENTS; ABBREVIATIONS; INTRODUCTION; 1. An Eye for Truth and Beauty: A Metaphysical Preface to Middle English Literature of Love and Knowledge; 2. A Two-fold Symbol of Knowledge: Sight in Natural Philosophy; 3. The Hostility of Love and Knowledge: Sight in Medieval Love Poetry; 4. The Hospitality of Love and Knowledge I: The Shared Language and Shared Ideas of Erotic Love and Spiritual Love; 5. The Hospitality of Love and Knowledge II: Erotic Love and Natural Philosophy Revisited

    6. The Interference of Self-reflexiveness: The Poet and the Parasitisme of Love and KnowledgeCONCLUSION; BIBLIOGRAPHY; INDEX
  20. Chaucer on love, knowledge, and sight
    Author: Klassen, Norman
    Published: 1995
    Publisher:  Boydell & Brewer, Suffolk

    In this study, Norman Klassen shows how Chaucer explores the complexity of the relationship between love and knowledge through recourse to the motif of sight. The convention of love at first sight involves love, knowledge, and sight, but insists that... more

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    In this study, Norman Klassen shows how Chaucer explores the complexity of the relationship between love and knowledge through recourse to the motif of sight. The convention of love at first sight involves love, knowledge, and sight, but insists that the claims of love and the realm of the rational are in strict opposition. In the metaphysical tradition, however, the relationship between love, knowledge and sight is more complex, manifesting both qualities of opposition and of symbiosis, similar to that found in late medieval natural philosophy. The author argues that Chaucer is unorthodox in exploiting the possibilities for using sight both to express emotional experience and to accentuate rationality at the same time. The conventional opposition of love and knowledge in the phenomenon of love at first sight gives way in Chaucer's development of love, knowledge, and sight to a symbiosis in his love poetry. The complexity of this relationship draws attention to his own role as artificer, as one who in the process of articulating the effects of love at first sight cannot help but bring together love and knowledge in ways not anticipated by the conventions of love poetry.'NORMAN KLASSEN'is a Social Sciences and Humanities Research Council of Canada postdoctorial fellow at the Centre for Medieval Studies and the Department of English Language and Literature at the University of Minnesota

     
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    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781846153075
    Subjects: Knowledge, Theory of, in literature; Philosophy, Medieval, in literature; Vision in literature; Love in literature; Chaucer, Geoffrey ; -1400 ; Philosophy; Knowledge, Theory of, in literature; Philosophy, Medieval, in literature; Vision in literature; Love in literature
    Other subjects: Chaucer, Geoffrey (-1400)
    Scope: 1 Online-Ressource (xi, 225 pages), digital, PDF file(s)
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    Title from publisher's bibliographic system (viewed on 02 Oct 2015)
  21. Two Chaucers
    Author: Klassen, Norman
    Published: 1999

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    Source: Online Contents Comparative Literature
    Media type: Article (journal)
    Format: Print
    Parent title: Medium aevum; Oxford : Society, 1932-; Band 68, Heft 1 (1999), Seite 96-104

  22. Self-reflexiveness and the Category of the Will in Early Troubadour Poetry of Fin' Amors
    Author: Klassen, Norman
    Published: 1998

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    Source: Online Contents Comparative Literature
    Media type: Article (journal)
    Format: Print
    Parent title: Forum for modern language studies; Oxford : Oxford Univ. Press, 1965-; Band 34, Heft 1 (1998), Seite 29-42; 24 cm

  23. Faith, Ethics and Church: Writing in England, 1360-1409
    Author: Aers, David
    Published: 2002

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    Source: Online Contents Comparative Literature
    Contributor: Klassen, Norman
    Media type: Article (journal)
    Format: Print
    Parent title: Medium aevum; Oxford : Society, 1932-; Band 71, Heft 1 (2002), Seite 138-139

  24. The Common Good in Late Medieval Political Thought
    Author: Kempshall, M.S.
    Published: 2001

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    Source: Online Contents Comparative Literature
    Contributor: Klassen, Norman
    Media type: Article (journal)
    Format: Print
    Parent title: Medium aevum; Oxford : Society, 1932-; Band 70, Heft 2 (2001), Seite 311-312

  25. REVIEWS - Chaucer's Pilgrims: The Allegory
    Author: Cullen, Dolores L.
    Published: 2003

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    Source: Online Contents Comparative Literature
    Contributor: Klassen, Norman
    Media type: Article (journal)
    Format: Print
    Parent title: Medium aevum; Oxford : Society, 1932-; Band 72, Heft 2 (2003), Seite 327-328