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  1. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Author: Kaganovsky, Lilya
    Published: 2008
    Publisher:  Univ. of Pittsburgh Press, Pittsburgh

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Universitätsbibliothek Gießen
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0822959933; 9780822959939; 0822943212; 9780822943211
    RVK Categories: KK 1020 ; KK 1035 ; KK 1060 ; KK 2100 ; MG 85070 ; NQ 5055
    Series: Pitt series in Russian and East European studies
    Subjects: Stalinismus; Literatur; Film; Männlichkeit <Motiv>
    Scope: XI, 226 S.
    Notes:

    Bodies that matter -- How the Soviet man was (un)made -- Visual pleasure in Stalinist cinema -- Heterosexual panic -- What does woman want? -- Female masculinity

    Literaturverz. S. 203 - 216
  2. How the Soviet Man Was Unmade
    Cultural Fantasy and Male Subjectivity under Stalin
    Author: Kaganovsky, Lilya
    Published: 2008
    Publisher:  University of Pittsburgh Press, Pittsburgh PA ; ProQuest, Ann Arbor, Michigan

    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of... more

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    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of social-realist literature and cinema, she examines the recurring theme of the mutilated male body, which appears with startling frequency. Kaganovsky views this representation as a thinly veiled statement about the emasculated male condition during the Stalinist era. Because the communist state was "full of heroes," a man could only truly distinguish himself and attain hero status through bodily sacrifice-yet in his wounding, he was forever reminded that he would be limited in what he could achieve, and was expected to remain in a state of continued subservience to Stalin and the party.Kaganovsky provides an insightful reevaluation of classic works of the period, including the novels of Nikolai Ostrovskii (How Steel Was Tempered) and Boris Polevoi (A Story About a Real Man), and films such as Ivan Pyr'ev's The Party Card, Eduard Pentslin's The Fighter Pilots, and Mikhail Chiaureli's The Fall of Berlin, among others. The symbolism of wounding and dismemberment in these works acts as a fissure in the facade of Stalinist cultural production through which we can view the consequences of historic and political trauma.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822973430
    RVK Categories: KK 1020 ; KK 1035 ; KK 1060 ; KK 2100 ; MG 85070 ; NQ 5055
    Series: Pitt Russian East European
    Subjects: Stalinismus; Literatur; Film; Männlichkeit <Motiv>
    Scope: 1 Online-Ressource (241 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  3. Mad men, mad world
    sex, politics, style, and the 1960s
    Contributor: Goodlad, Lauren M. E. (Publisher); Kaganovsky, Lilya (Publisher); Rushing, Robert A. (Publisher)
    Published: [2013]
    Publisher:  Duke University Press, Durham ; London

    Maddening times : Mad men in its history / Dana Polan -- Mad space / Dianne Harris -- Representing the mad margins of the early sixties : Northern civil rights and the blues idiom / Clarence Lang -- After the sex, what? A feminist reading of... more

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    Maddening times : Mad men in its history / Dana Polan -- Mad space / Dianne Harris -- Representing the mad margins of the early sixties : Northern civil rights and the blues idiom / Clarence Lang -- After the sex, what? A feminist reading of reproductive history in Mad Men / Leslie J. Reagan -- The writer as producer; or, The hip figure after HBO / Michael Szalay -- The shock of the banal : Mad Men's progressive realism / Caroline Levine -- Mod men / Jim Hansen -- Swing skirts and swinging singles : Mad men, fashion, and cultural memory / Mabel Rosenheck -- Against depth : looking at surface through the Kodak carousel / Irene Small -- "It will shock you how much this never happened" : Antonioni and Mad men / Robert A. Rushing -- Media madness : multiple identity (dis)orders in Mad men / Lynne Joyrich -- "Maidenform" : Masculinity as Masquerade / Lilya Kaganovsky -- History gets in your eyes : Mad men, misrecognition, and the masculine mystique / Jeremy Varon -- The homosexual and the single girl / Alexander Doty -- Mad men's postracial figuration of a racial past / Kent Ono -- The mad men in the attic : seriality and identity in the modern Babylon / Lauren M.E. Goodlad -- Change is gonna come, same as it ever was / Michael Bérubé

     
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    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Source: Union catalogues
    Contributor: Goodlad, Lauren M. E. (Publisher); Kaganovsky, Lilya (Publisher); Rushing, Robert A. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822399063; 9781478092100
    RVK Categories: AP 39800
    Subjects: Electronic books ; lcgft; Television programs / Social aspects / United States; Television programs / History and criticism / United States; Geschlechterrolle <Motiv>; Politik <Motiv>; Rassendiskriminierung <Motiv>
    Scope: 1 Online-Ressource (x, 421 pages)
    Notes:

    Includes bibliographical references and index. - Description based on print version record
  4. Mad men, mad world
    sex, politics, style, and the 1960s
    Contributor: Goodlad, Lauren M. E. (HerausgeberIn); Kaganovsky, Lilya (HerausgeberIn); Rushing, Robert A. (HerausgeberIn)
    Published: [2013]
    Publisher:  Duke University Press, Durham

    Maddening times : Mad men in its history / Dana Polan -- Mad space / Dianne Harris -- Representing the mad margins of the early sixties : Northern civil rights and the blues idiom / Clarence Lang -- After the sex, what? A feminist reading of... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Maddening times : Mad men in its history / Dana Polan -- Mad space / Dianne Harris -- Representing the mad margins of the early sixties : Northern civil rights and the blues idiom / Clarence Lang -- After the sex, what? A feminist reading of reproductive history in Mad Men / Leslie J. Reagan -- The writer as producer; or, The hip figure after HBO / Michael Szalay -- The shock of the banal : Mad Men's progressive realism / Caroline Levine -- Mod men / Jim Hansen -- Swing skirts and swinging singles : Mad men, fashion, and cultural memory / Mabel Rosenheck -- Against depth : looking at surface through the Kodak carousel / Irene Small -- "It will shock you how much this never happened" : Antonioni and Mad men / Robert A. Rushing -- Media madness : multiple identity (dis)orders in Mad men / Lynne Joyrich -- "Maidenform" : Masculinity as Masquerade / Lilya Kaganovsky -- History gets in your eyes : Mad men, misrecognition, and the masculine mystique / Jeremy Varon -- The homosexual and the single girl / Alexander Doty -- Mad men's postracial figuration of a racial past / Kent Ono -- The mad men in the attic : seriality and identity in the modern Babylon / Lauren M.E. Goodlad -- Change is gonna come, same as it ever was / Michael Bérubé

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Goodlad, Lauren M. E. (HerausgeberIn); Kaganovsky, Lilya (HerausgeberIn); Rushing, Robert A. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478092100
    RVK Categories: AP 39800
    Subjects: Television programs; Television programs
    Scope: 1 Online-Ressource (x, 421 Seiten)
    Notes:

    Literaturverzeichnis: Seite [385] - 409

    Dana PolanMad space / Dianne Harris: Maddening times : Mad men in its history

    Dana Polan: Maddening times : Mad men in its history

    Clarence Lang: Representing the mad margins of the early sixties : Northern civil rights and the blues idiom

    Leslie J. Reagan: After the sex, what? A feminist reading of reproductive history in Mad Men

    Michael Szalay: The writer as producer; or, The hip figure after HBO

    Caroline Levine: The shock of the banal : Mad Men's progressive realism

    Jim Hansen: Mod men

    Mabel Rosenheck: Swing skirts and swinging singles : Mad men, fashion, and cultural memory

    Irene Small: Against depth : looking at surface through the Kodak carousel

    Robert A. Rushing: "It will shock you how much this never happened" : Antonioni and Mad men

    Lynne Joyrich: Media madness : multiple identity (dis)orders in Mad men

    Lilya Kaganovsky: "Maidenform" : Masculinity as Masquerade

    Jeremy Varon: History gets in your eyes : Mad men, misrecognition, and the masculine mystique

    Alexander Doty: The homosexual and the single girl

    Kent Ono: Mad men's postracial figuration of a racial past

    Lauren M.E. Goodlad: The mad men in the attic : seriality and identity in the modern Babylon

    Michael Bérubé.: Change is gonna come, same as it ever was

    Dianne Harris: Mad space

    Clarence Lang: Representing the mad margins of the early sixties : Northern civil rights and the blues idiom

    Leslie J. Reagan: After the sex, what? A feminist reading of reproductive history in Mad Men

    Michael Szalay: The writer as producer; or, The hip figure after HBO

    Caroline Levine: The shock of the banal : Mad Men's progressive realism

    Jim Hansen: Mod men

    Mabel Rosenheck: Swing skirts and swinging singles : Mad men, fashion, and cultural memory

    Irene Small: Against depth : looking at surface through the Kodak carousel

    Robert A. Rushing: "It will shock you how much this never happened" : Antonioni and Mad men

    Lynne Joyrich: Media madness : multiple identity (dis)orders in Mad men

    Lilya Kaganovsky: "Maidenform" : Masculinity as Masquerade

    Jeremy Varon: History gets in your eyes : Mad men, misrecognition, and the masculine mystique

    Alexander Doty: The homosexual and the single girl

    Kent Ono: Mad men's postracial figuration of a racial past

    Lauren M.E. Goodlad: The mad men in the attic : seriality and identity in the modern Babylon

    Michael Bérubé.: Change is gonna come, same as it ever was
  5. Mad men, mad world
    sex, politics, style, and the 1960s
    Contributor: Goodlad, Lauren M. E. (Publisher); Kaganovsky, Lilya (Publisher); Rushing, Robert A. (Publisher)
    Published: [2013]
    Publisher:  Duke University Press, Durham ; London

    Maddening times : Mad men in its history / Dana Polan -- Mad space / Dianne Harris -- Representing the mad margins of the early sixties : Northern civil rights and the blues idiom / Clarence Lang -- After the sex, what? A feminist reading of... more

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    Maddening times : Mad men in its history / Dana Polan -- Mad space / Dianne Harris -- Representing the mad margins of the early sixties : Northern civil rights and the blues idiom / Clarence Lang -- After the sex, what? A feminist reading of reproductive history in Mad Men / Leslie J. Reagan -- The writer as producer; or, The hip figure after HBO / Michael Szalay -- The shock of the banal : Mad Men's progressive realism / Caroline Levine -- Mod men / Jim Hansen -- Swing skirts and swinging singles : Mad men, fashion, and cultural memory / Mabel Rosenheck -- Against depth : looking at surface through the Kodak carousel / Irene Small -- "It will shock you how much this never happened" : Antonioni and Mad men / Robert A. Rushing -- Media madness : multiple identity (dis)orders in Mad men / Lynne Joyrich -- "Maidenform" : Masculinity as Masquerade / Lilya Kaganovsky -- History gets in your eyes : Mad men, misrecognition, and the masculine mystique / Jeremy Varon -- The homosexual and the single girl / Alexander Doty -- Mad men's postracial figuration of a racial past / Kent Ono -- The mad men in the attic : seriality and identity in the modern Babylon / Lauren M.E. Goodlad -- Change is gonna come, same as it ever was / Michael Bérubé

     
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    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Volltext (lizenzpflichtig)
    Source: Staatsbibliothek zu Berlin
    Contributor: Goodlad, Lauren M. E. (Publisher); Kaganovsky, Lilya (Publisher); Rushing, Robert A. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822399063; 9781478092100
    RVK Categories: AP 39800
    Subjects: Electronic books ; lcgft; Television programs / Social aspects / United States; Television programs / History and criticism / United States; Geschlechterrolle <Motiv>; Politik <Motiv>; Rassendiskriminierung <Motiv>
    Scope: 1 Online-Ressource (x, 421 pages)
    Notes:

    Includes bibliographical references and index. - Description based on print version record
  6. Mad men, mad world
    sex, politics, style, and the 1960s
    Contributor: Goodlad, Lauren M. E. (HerausgeberIn); Kaganovsky, Lilya (HerausgeberIn); Rushing, Robert A. (HerausgeberIn)
    Published: 2013
    Publisher:  Duke University Press, Durham

    In this comprehensive analysis of the TV series Mad Men, scholars explore the groundbreaking drama in relation to fashion, history, architecture, civil rights, feminism, consumerism, art, cinema, and the serial format more

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    In this comprehensive analysis of the TV series Mad Men, scholars explore the groundbreaking drama in relation to fashion, history, architecture, civil rights, feminism, consumerism, art, cinema, and the serial format

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Contributor: Goodlad, Lauren M. E. (HerausgeberIn); Kaganovsky, Lilya (HerausgeberIn); Rushing, Robert A. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1299400922; 9780822399063; 9781299400924; 9780822354024
    RVK Categories: AP 39800
    Series: E-Duke Books Scholarly Collection
    Subjects: Television programs; Television programs; Electronic books
    Scope: 1 Online-Ressource (x, 421 Seiten)
    Notes:

    Description based upon print version of record

    Contents; Acknowledgments; Introduction - Lauren M. E. Goodlad, Lilya Kaganovsky, Robert A. Rushing; Part I. Mad Worlds; One. Maddening Times Mad Men in Its History - Dana Polan; Two. Mad Space - Dianne Harris; Three. Representing the Mad Margins of the Early 1960s Northern Civil Rights and the Blues Idiom - CLarence Lang; Four. After the Sex, What? A Feminist Reading of Reproductive History in Mad Men - LesLie J. Reagan; Five. The Writer as Producer; or, The Hip Figure after HBO - MichaeL Szalay; Part II. Mad Aesthetics

    Six. The Shock of the Banal Mad Men's Progressive Realism - Caroline LevineSeven. Mod Men - Jim Hansen; Eight. Swing Skirts and Swinging Singles Mad Men, Fashion, and Cultural Memory - Mabel Rosenheck; Nine. Against Depth Looking at Surface through the Kodak Carousel - Irene V. Small; Ten. "It Will Shock You How Much This Never Happened" Antonioni and Mad Men - Robert A. Rushing; Part III. Made Men; Eleven. Media Madness Multiple Identity (Dis)Orders in Mad Men - Lynne Joyrich; Twelve. "Maidenform"" Masculinity as Masquerade - Lilya Kaganovsky

    Thirteen. History Gets in Your Eyes Mad Men, Misrecognition, and the Masculine Mystique - Jeremy VaronFourteen. The Homosexual and the Single Girl - Alexander Doty; Fifteen. Mad Men's Postracial Figuration of a Racial Past - Kent Ono; Sixteen. The Mad Men in the Attic Seriality and Identity in the Modern Babylon - Lauren M. E. Goodlad; Afterword. A Change Is Gonna Come, Same as It Ever Was - Michael Bérubé; Appendix A. A Conversation with Phil Abraham, Director and Cinematographer - Lauren M. E. Goodlad, Jeremy Varon, Carl Lehnen; Appendix B. List of Mad Men Episodes; Works Cited

    ContributorsIndex
  7. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Author: Kaganovsky, Lilya
    Published: 2008
    Publisher:  Univ. of Pittsburgh Press, Pittsburgh, Pa.

    Introduction: "Bodies that matter" -- How the Soviet man was (un)made -- Visual pleasure in Stalinist cinema -- Heterosexual panic -- What does woman want? -- Epilogue: "Female masculinity more

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    Introduction: "Bodies that matter" -- How the Soviet man was (un)made -- Visual pleasure in Stalinist cinema -- Heterosexual panic -- What does woman want? -- Epilogue: "Female masculinity

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0822959933; 0822943212; 9780822959939; 9780822943211
    Other identifier:
    9780822959939
    2008015490
    RVK Categories: KK 1060 ; KK 1035 ; KK 1020 ; KK 2100
    Series: Pitt series in Russian and East European studies
    Subjects: Russian literature; Motion pictures; Masculinity in literature; Masculinity in motion pictures; Men in literature; Men in motion pictures; Socialist realism in literature; Socialist realism in motion pictures; Socialist realism
    Scope: XI, 226 S., Ill.
    Notes:

    Includes bibliographical references and index

    Bodies that matter -- How the Soviet man was (un)made -- Visual pleasure in Stalinist cinema -- Heterosexual panic -- What does woman want? -- Female masculinity
  8. Mad men, mad world
    sex, politics, style, and the 1960s
    Contributor: Goodlad, Lauren M. E. (HerausgeberIn); Kaganovsky, Lilya (HerausgeberIn); Rushing, Robert A. (HerausgeberIn)
    Published: [2013]
    Publisher:  Duke University Press, Durham

    Maddening times : Mad men in its history / Dana Polan -- Mad space / Dianne Harris -- Representing the mad margins of the early sixties : Northern civil rights and the blues idiom / Clarence Lang -- After the sex, what? A feminist reading of... more

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    Maddening times : Mad men in its history / Dana Polan -- Mad space / Dianne Harris -- Representing the mad margins of the early sixties : Northern civil rights and the blues idiom / Clarence Lang -- After the sex, what? A feminist reading of reproductive history in Mad Men / Leslie J. Reagan -- The writer as producer; or, The hip figure after HBO / Michael Szalay -- The shock of the banal : Mad Men's progressive realism / Caroline Levine -- Mod men / Jim Hansen -- Swing skirts and swinging singles : Mad men, fashion, and cultural memory / Mabel Rosenheck -- Against depth : looking at surface through the Kodak carousel / Irene Small -- "It will shock you how much this never happened" : Antonioni and Mad men / Robert A. Rushing -- Media madness : multiple identity (dis)orders in Mad men / Lynne Joyrich -- "Maidenform" : Masculinity as Masquerade / Lilya Kaganovsky -- History gets in your eyes : Mad men, misrecognition, and the masculine mystique / Jeremy Varon -- The homosexual and the single girl / Alexander Doty -- Mad men's postracial figuration of a racial past / Kent Ono -- The mad men in the attic : seriality and identity in the modern Babylon / Lauren M.E. Goodlad -- Change is gonna come, same as it ever was / Michael Bérubé

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Goodlad, Lauren M. E. (HerausgeberIn); Kaganovsky, Lilya (HerausgeberIn); Rushing, Robert A. (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781478092100
    RVK Categories: AP 39800
    Subjects: Television programs; Television programs
    Scope: 1 Online-Ressource (x, 421 Seiten)
    Notes:

    Literaturverzeichnis: Seite [385] - 409

    Dana PolanMad space / Dianne Harris: Maddening times : Mad men in its history

    Dana Polan: Maddening times : Mad men in its history

    Clarence Lang: Representing the mad margins of the early sixties : Northern civil rights and the blues idiom

    Leslie J. Reagan: After the sex, what? A feminist reading of reproductive history in Mad Men

    Michael Szalay: The writer as producer; or, The hip figure after HBO

    Caroline Levine: The shock of the banal : Mad Men's progressive realism

    Jim Hansen: Mod men

    Mabel Rosenheck: Swing skirts and swinging singles : Mad men, fashion, and cultural memory

    Irene Small: Against depth : looking at surface through the Kodak carousel

    Robert A. Rushing: "It will shock you how much this never happened" : Antonioni and Mad men

    Lynne Joyrich: Media madness : multiple identity (dis)orders in Mad men

    Lilya Kaganovsky: "Maidenform" : Masculinity as Masquerade

    Jeremy Varon: History gets in your eyes : Mad men, misrecognition, and the masculine mystique

    Alexander Doty: The homosexual and the single girl

    Kent Ono: Mad men's postracial figuration of a racial past

    Lauren M.E. Goodlad: The mad men in the attic : seriality and identity in the modern Babylon

    Michael Bérubé.: Change is gonna come, same as it ever was

    Dianne Harris: Mad space

    Clarence Lang: Representing the mad margins of the early sixties : Northern civil rights and the blues idiom

    Leslie J. Reagan: After the sex, what? A feminist reading of reproductive history in Mad Men

    Michael Szalay: The writer as producer; or, The hip figure after HBO

    Caroline Levine: The shock of the banal : Mad Men's progressive realism

    Jim Hansen: Mod men

    Mabel Rosenheck: Swing skirts and swinging singles : Mad men, fashion, and cultural memory

    Irene Small: Against depth : looking at surface through the Kodak carousel

    Robert A. Rushing: "It will shock you how much this never happened" : Antonioni and Mad men

    Lynne Joyrich: Media madness : multiple identity (dis)orders in Mad men

    Lilya Kaganovsky: "Maidenform" : Masculinity as Masquerade

    Jeremy Varon: History gets in your eyes : Mad men, misrecognition, and the masculine mystique

    Alexander Doty: The homosexual and the single girl

    Kent Ono: Mad men's postracial figuration of a racial past

    Lauren M.E. Goodlad: The mad men in the attic : seriality and identity in the modern Babylon

    Michael Bérubé.: Change is gonna come, same as it ever was
  9. Mad Men, Mad World : Sex, Politics, Style, and the 1960s
    Contributor: Goodlad, Lauren M. E. (Publisher); Kaganovsky, Lilya (Publisher); Rushing, Robert A. (Publisher)
    Published: 2013
    Publisher:  Duke University Press

    Since the show's debut in 2007, Mad Men has invited viewers to immerse themselves in the lush period settings, ruthless Madison Avenue advertising culture, and arresting characters at the center of its 1960s fictional world. Mad Men, Mad World is a... more

     

    Since the show's debut in 2007, Mad Men has invited viewers to immerse themselves in the lush period settings, ruthless Madison Avenue advertising culture, and arresting characters at the center of its 1960s fictional world. Mad Men, Mad World is a comprehensive analysis of this groundbreaking TV series. Scholars from across the humanities consider the AMC drama from a fascinating array of perspectives, including fashion, history, architecture, civil rights, feminism, consumerism, art, cinema, and the serial format, as well as through theoretical frames such as critical race theory, gender, queer theory, global studies, and psychoanalysis.

    In the introduction, the editors explore the show's popularity; its controversial representations of race, class, and gender; its powerful influence on aesthetics and style; and its unique use of period historicism and advertising as a way of speaking to our neoliberal moment. Mad Men, Mad World also includes an interview with Phil Abraham, an award-winning Mad Men director and cinematographer. Taken together, the essays demonstrate that understanding Mad Men means engaging the show not only as a reflection of the 1960s but also as a commentary on the present day.

    Contributors. Michael Bérubé, Alexander Doty, Lauren M. E. Goodlad, Jim Hansen, Dianne Harris, Lynne Joyrich, Lilya Kaganovsky, Clarence Lang, Caroline Levine, Kent Ono, Dana Polan, Leslie Reagan, Mabel Rosenheck, Robert A. Rushing, Irene Small, Michael Szalay, Jeremy Varon

     
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    Source: OAPEN
    Contributor: Goodlad, Lauren M. E. (Publisher); Kaganovsky, Lilya (Publisher); Rushing, Robert A. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    Subjects: Television
    Other subjects: Performing Arts; Television; History & Criticism
  10. Elektrische Sprache
    Dsiga Wertow und die Tontechnologie
    Author: Kaganovsky, Lilya

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Resonanz-Räume : die Stimme und die Medien.(2012); 2012; S. 41 - 54
  11. Between pornography and nostalgia
    Valery Todorovsky's The Thaw (Ottepel')
    Author: Kaganovsky, Lilya

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Russian TV series in the era of transition : genres, technologies, identities.(2021); 2021; S. 114-138
  12. "I open my eyes and I see nothing"
    Sokurov, Nostalgia and the limits of vision
    Author: Kaganovsky, Lilya

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Culture et mémoire : représentations contemporaines de la mémoire dans les espaces mémoriels, les arts du visuel, la littérature et le théatre.(2008); 2008; S. 229 - 238
  13. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Author: Kaganovsky, Lilya
    Published: 2008
    Publisher:  University of Pittsburgh Press, Pittsburgh ; EBSCO Industries, Inc., Birmingham, AL, USA

    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of... more

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    Bibliothek der Hochschule Mainz, Untergeschoss
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    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822973430; 082297343X
    Series: Pitt series in Russian and East European studies
    Scope: 1 Online-Ressource (xi, 226 pages), Illustrations
    Notes:

    Includes bibliographical references (pages 203-216) and index
  14. How the Soviet Man Was Unmade
    Cultural Fantasy and Male Subjectivity under Stalin
    Author: Kaganovsky, Lilya
    Published: 2008; © 2008
    Publisher:  University of Pittsburgh Press, Pittsburgh PA

    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

     

    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man.  In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of social-realist literature and cinema, she examines the recurring theme of the mutilated male body, which appears with startling frequency. Kaganovsky views this representation as a thinly veiled statement about the emasculated male condition during the Stalinist era. Because the communist state was "full of heroes," a man could only truly distinguish himself and attain hero status through bodily sacrifice-yet in his wounding, he was forever reminded that he would be limited in what he could achieve, and was expected to remain in a state of continued subservience to Stalin and the party. Kaganovsky provides an insightful reevaluation of classic works of the period, including the novels of Nikolai Ostrovskii (How Steel Was Tempered) and Boris Polevoi (A Story About a Real Man), and films such as Ivan Pyr'ev's The Party Card, Eduard Pentslin's The Fighter Pilots, and Mikhail Chiaureli's The Fall of Berlin, among others. The symbolism of wounding and dismemberment in these works acts as a fissure in the facade of Stalinist cultural production through which we can view the consequences of historic and political trauma

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822973430; 9780822943211
    Series: Pitt Russian East European
    Subjects: Film; Geschichte; Masculinity in literature; Masculinity in motion pictures; Men in literature; Men in motion pictures; Motion pictures -- Soviet Union -- History; Russian literature -- 20th century -- History and criticism; Socialist realism -- Soviet Union; Socialist realism in literature; Mann <Motiv>; Männerbild
    Scope: 1 online resource (241 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  15. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Author: Kaganovsky, Lilya
    Published: 2008
    Publisher:  Univ. of Pittsburgh Press, Pittsburgh

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  16. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Author: Kaganovsky, Lilya
    Published: 2008
    Publisher:  Univ. of Pittsburgh Press, Pittsburgh, Pa.

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780822943211; 0822943212; 9780822959939; 0822959933
    Series: Pitt series in Russian and East European studies
    Subjects: Sowjetunion; Künste; Mann <Motiv>; Geschichte 1924-1953; Sowjetunion; Männerbild; Geschichte 1924-1953
    Scope: XI, 226 S. : Ill.
  17. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Author: Kaganovsky, Lilya
    Published: 2008
    Publisher:  Univ. of Pittsburgh Press, Pittsburgh, Pa.

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    Content information
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    ISBN: 9780822943211; 0822943212; 9780822959939; 0822959933
    Other identifier:
    2008015490
    Series: Pitt series in Russian and East European studies
    Subjects: Mann <Motiv>; Männerbild; Künste
    Scope: XI, 226 S., Ill.
  18. Mad Men, Mad World
    Sex, Politics, Style, and the 1960s
    Author: Goodlad, Lauren M. E.
    Published: 2013
    Publisher:  Duke University Press, Durham ; ProQuest, Ann Arbor, Michigan

    In this comprehensive analysis of the TV series Mad Men, scholars explore the groundbreaking drama in relation to fashion, history, architecture, civil rights, feminism, consumerism, art, cinema, and the serial format. more

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    In this comprehensive analysis of the TV series Mad Men, scholars explore the groundbreaking drama in relation to fashion, history, architecture, civil rights, feminism, consumerism, art, cinema, and the serial format.

     
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    Source: Union catalogues
    Contributor: Kaganovsky, Lilya; Rushing, Robert A.
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822399063
    RVK Categories: AP 39800 ; HD 475
    Series: e-Duke books scholarly collection.
    Subjects: Politik <Motiv>; Geschlechterrolle <Motiv>; Rassendiskriminierung <Motiv>
    Scope: 1 Online-Ressource (433 pages)
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    Description based on publisher supplied metadata and other sources
  19. Mad Men, Mad World
    Sex, Politics, Style, and the 1960s
    Contributor: Rushing, Robert A. (HerausgeberIn); Kaganovsky, Lilya (HerausgeberIn); Goodlad, Lauren M. E. (HerausgeberIn)
    Published: 2013
    Publisher:  Duke University Press, Durham

    In this comprehensive analysis of the TV series Mad Men, scholars explore the groundbreaking drama in relation to fashion, history, architecture, civil rights, feminism, consumerism, art, cinema, and the serial format. more

    Access:
    Verlag (kostenfrei)

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    In this comprehensive analysis of the TV series Mad Men, scholars explore the groundbreaking drama in relation to fashion, history, architecture, civil rights, feminism, consumerism, art, cinema, and the serial format.

     
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  20. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Author: Kaganovsky, Lilya
    Published: ©2008
    Publisher:  University of Pittsburgh Press, Pittsburgh

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 082297343X; 9780822973430
    RVK Categories: KK 1020 ; KK 1035 ; KK 1060 ; KK 2100 ; MG 85070 ; NQ 5055
    Series: Series in Russian and East European studies
    Subjects: Stalinismus; Literatur; Film; Männlichkeit <Motiv>; Masculinity in literature; Masculinity in motion pictures; Men in literature; Men in motion pictures; Motion pictures; Russian literature; Socialist realism; Socialist realism in literature; Socialist realism in motion pictures; LITERARY CRITICISM / Russian & Former Soviet Union; HISTORY / Europe / Russia & the Former Soviet Union; Masculinity in literature; Masculinity in motion pictures; Men in literature; Men in motion pictures; Motion pictures / Soviet Union / History; Russian literature / 20th century / History and criticism; Socialist realism / Soviet Union; Socialist realism in literature; Socialist realism in motion pictures; Film; Geschichte; Russian literature; Motion pictures; Masculinity in literature; Masculinity in motion pictures; Men in literature; Men in motion pictures; Socialist realism in literature; Socialist realism in motion pictures; Socialist realism; Mann <Motiv>; Männerbild
    Scope: 1 Online-Ressource (xi, 226 pages)
    Notes:

    Includes bibliographical references (p. 203-216) and index

    Introduction: "Bodies that matter" -- How the Soviet man was (un)made -- Visual pleasure in Stalinist cinema -- Heterosexual panic -- What does woman want? -- Epilogue: "Female masculinity."

    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of
  21. Mad men, mad world
    sex, politics, style, and the 1960s
    Contributor: Goodlad, Lauren M. E. (Publisher); Kaganovsky, Lilya (Publisher); Rushing, Robert A. (Publisher)
    Published: 2013
    Publisher:  Duke University Press, Durham and London

    Maddening times : Mad men in its history / Dana Polan -- Mad space / Dianne Harris -- Representing the mad margins of the early sixties : Northern civil rights and the blues idiom / Clarence Lang -- After the sex, what? A feminist reading of... more

     

    Maddening times : Mad men in its history / Dana Polan -- Mad space / Dianne Harris -- Representing the mad margins of the early sixties : Northern civil rights and the blues idiom / Clarence Lang -- After the sex, what? A feminist reading of reproductive history in Mad Men / Leslie J. Reagan -- The writer as producer; or, The hip figure after HBO / Michael Szalay -- The shock of the banal : Mad Men's progressive realism / Caroline Levine -- Mod men / Jim Hansen -- Swing skirts and swinging singles : Mad men, fashion, and cultural memory / Mabel Rosenheck -- Against depth : looking at surface through the Kodak carousel / Irene Small -- "It will shock you how much this never happened" : Antonioni and Mad men / Robert A. Rushing -- Media madness : multiple identity (dis)orders in Mad men / Lynne Joyrich -- "Maidenform" : Masculinity as Masquerade / Lilya Kaganovsky -- History gets in your eyes : Mad men, misrecognition, and the masculine mystique / Jeremy Varon -- The homosexual and the single girl / Alexander Doty -- Mad men's postracial figuration of a racial past / Kent Ono -- The mad men in the attic : seriality and identity in the modern Babylon / Lauren M.E. Goodlad -- Change is gonna come, same as it ever was / Michael Bérubé

     
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Goodlad, Lauren M. E. (Publisher); Kaganovsky, Lilya (Publisher); Rushing, Robert A. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0822399067; 9780822399063
    Other identifier:
    RVK Categories: AP 39800
    Subjects: Electronic books ; lcgft; Television programs / Social aspects / United States; Television programs / History and criticism / United States; Geschlechterrolle <Motiv>; Rassendiskriminierung <Motiv>; Politik <Motiv>
    Scope: 1 Online-Ressource (x, 421 pages), illustrations
    Notes:

    Includes bibliographical references and index. - Description based on print version record
  22. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Author: Kaganovsky, Lilya
    Published: 2008
    Publisher:  Univ. of Pittsburgh Press, Pittsburgh, Pa.

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780822943211; 9780822959939; 0822943212; 0822959933
    RVK Categories: KK 1060 ; NQ 5055 ; KK 2100 ; KK 1035 ; KK 1020 ; MG 85070
    Series: Pitt series in Russian and East European studies
    Subjects: Russian literature; Motion pictures; Masculinity in literature; Masculinity in motion pictures; Men in literature; Men in motion pictures; Socialist realism in literature; Socialist realism in motion pictures; Socialist realism
    Scope: XI, 226 S., Ill., 24 cm
    Notes:

    Literaturverz. S. 203 - 216
  23. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Author: Kaganovsky, Lilya
    Published: 2008
    Publisher:  Univ. of Pittsburgh Press, Pittsburgh

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Europa-Universität Viadrina, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780822943211; 0822943212; 9780822959939; 0822959933
    RVK Categories: KK 1020 ; KK 1035 ; KK 1060 ; KK 2100 ; MG 85070 ; NQ 5055
    Series: Pitt series in Russian and East European studies
    Subjects: Film; Geschichte; Masculinity in literature; Masculinity in motion pictures; Men in literature; Men in motion pictures; Motion pictures; Russian literature; Socialist realism in literature; Socialist realism in motion pictures; Socialist realism; Männerbild; Mann <Motiv>
    Scope: XI, 226 S., Ill.
  24. How the Soviet man was unmade
    cultural fantasy and male subjectivity under Stalin
    Author: Kaganovsky, Lilya
    Published: ©2008
    Publisher:  University of Pittsburgh Press, Pittsburgh

    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of... more

    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
    Inter-library loan:
    No inter-library loan

     

    In Stalinist Russia, the idealized Soviet man projected an image of strength, virility, and unyielding drive in his desire to build a powerful socialist state. In monuments, posters, and other tools of cultural production, he became the demigod of Communist ideology. But beneath the surface of this fantasy, between the lines of texts and in film, lurked another figure: the wounded body of the heroic invalid, the second version of Stalin's New Man. In How the Soviet Man Was Unmade, Lilya Kaganovsky exposes the paradox behind the myth of the indestructible Stalinist-era male. In her analysis of

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Series: Pitt series in Russian and East European studies
    Subjects: Men in literature; Men in motion pictures; Socialist realism in literature; Socialist realism in motion pictures; Socialist realism; Russian literature; Masculinity in motion pictures; Masculinity in literature; Motion pictures
    Scope: Online-Ressource (xi, 226 pages), illustrations
    Notes:

    Includes bibliographical references (p. 203-216) and index

    Introduction: "Bodies that matter"How the Soviet man was (un)made -- Visual pleasure in Stalinist cinema -- Heterosexual panic -- What does woman want? -- Epilogue: "Female masculinity."