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Displaying results 1 to 15 of 15.

  1. The invisibilities of political torture
    visual evidence in US and Chilean cinema and television
    Author: Jung, Berenike
    Published: [2020]; © 2020
    Publisher:  Edinburgh University Press, Edinburgh

    Location:
    Universität Bonn, Institut für Klassische und Romanische Philologie, Abteilung für Romanische Philologie, Bibliothek
    Signature:
    AP 50300 F671
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781474436991
    Subjects: Folter <Motiv>; Film; Politik <Motiv>; Fernsehen
    Scope: vii, 240 Seiten, Illustrationen, 24 cm
  2. Narrating violence in post-9/11 action cinema
    terrorist narratives, cinematic narration and referentiality ; [in "V for Vedetta", "Munich", and "Children of Men"]
    Author: Jung, Berenike
    Published: 2010
    Publisher:  VS, Verl. für Sozialwiss., Wiesbaden

    Location:
    Universität Marburg, Universitätsbibliothek
    Signature:
    001 AP 50300 V795 J9
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    Location:
    Hochschul- und Landesbibliothek RheinMain, Rheinstraße
    Signature:
    60 10 A 5325
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9783531175102; 3531175106
    Other identifier:
    9783531175102
    RVK Categories: AP 50300
    DDC Categories: 791; 300
    Edition: 1. Aufl.
    Series: VS Research
    Subjects: Elfter September; Terrorismus <Motiv>; Film; Erzähltechnik; Gewaltdarstellung; Filmästhetik; Interpretation
    Scope: 130 S., 210 mm x 148 mm
    Notes:

    Zugl.: Wiesbaden, Mag.-Arb.
  3. Beyond the rhetoric of pain
    Contributor: Jung, Berenike (Publisher); Bruzzi, Stella (Publisher)
    Published: 2019
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    Location:
    Universitätsbibliothek der LMU München
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    Source: Union catalogues
    Contributor: Jung, Berenike (Publisher); Bruzzi, Stella (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781138366541
    Series: Warwick series in the humanities
    Subjects: Kunst; Schmerz <Motiv>; Film; Literatur
    Other subjects: Pain; Pain in literature; Pain in motion pictures; Pain in mass media; Pain in art; Pain / Philosophy
    Scope: xii, 234 Seiten, Illustrationen, 23 cm
  4. The invisibilities of political torture
    visual evidence in US and Chilean cinema and television
    Author: Jung, Berenike
    Published: [2020]; © 2020
    Publisher:  Edinburgh University Press, Edinburgh

  5. Beyond the rhetoric of pain
    Contributor: Jung, Berenike (Publisher); Bruzzi, Stella (Publisher)
    Published: 2019; © 2019
    Publisher:  Routledge, New York, NY

    Beyond the Rhetoric of Pain presents a fresh, interdisciplinary approach to the current research on pain from a variety of scholarly angles within Literature, Film and Media, Game Studies, Art History, Hispanic Studies, Memory Studies, Anthropology,... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

     

    Beyond the Rhetoric of Pain presents a fresh, interdisciplinary approach to the current research on pain from a variety of scholarly angles within Literature, Film and Media, Game Studies, Art History, Hispanic Studies, Memory Studies, Anthropology, Sociology, Philosophy, and Law. Through the combination of these perspectives, this volume goes beyond the existing structures within and across these disciplines framing new concepts of pain in attitude, practice, language, and ethics of response to pain. Comprised of fourteen unique essays, Beyond the Rhetoric of Pain maintains a common thread of analysis using a historical and cultural lens to explore the rhetoric of pain. Considering various methodologies, this volume questions the ethical, social and political demands pain makes upon those who feel, watch or speak it. Arranged to move from historical cases and relevance of pain in history towards the contemporary movement, topics include pain as a social figure, rhetorical tool, artistic metaphor, and political representation in jurisprudence

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Jung, Berenike (Publisher); Bruzzi, Stella (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780429397851
    Other identifier:
    Series: Warwick series in the humanities
    Subjects: Pain; Pain / Philosophy; Pain in literature; Pain in motion pictures; Pain in mass media; Pain / Social aspects; Literatur; Schmerz <Motiv>; Kunst; Film
    Scope: 1 Online-Ressource (xii, 234 Seiten), Illustrationen
  6. Beyond the rhetoric of pain
    Contributor: Jung, Berenike (HerausgeberIn); Bruzzi, Stella (HerausgeberIn)
    Published: 2019
    Publisher:  Routledge, Taylor & Francis Group, New York$oLondon

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    10 A 68564
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    Source: Staatsbibliothek zu Berlin
    Contributor: Jung, Berenike (HerausgeberIn); Bruzzi, Stella (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1138366544; 9781138366541
    Series: Warwick series in the humanities
    Subjects: Pain; Pain in literature; Pain in motion pictures; Pain in mass media; Pain in art; Pain
    Scope: xii, 234 pages, illustrations, 23 cm
  7. Beyond the rhetoric of pain
    Contributor: Jung, Berenike (HerausgeberIn); Bruzzi, Stella (HerausgeberIn)
    Published: 2019
    Publisher:  Routledge, Taylor & Francis Group, New York$oLondon

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Jung, Berenike (HerausgeberIn); Bruzzi, Stella (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1138366544; 9781138366541
    Series: Warwick series in the humanities
    Subjects: Pain; Pain in literature; Pain in motion pictures; Pain in mass media; Pain in art; Pain
    Scope: xii, 234 pages, illustrations, 23 cm
  8. <<The>> invisibilities of political torture
    visual evidence in US and Chilean cinema and television
    Author: Jung, Berenike
    Published: [2020]; © 2020
    Publisher:  Edinburgh University Press, Edinburgh

    Location:
    Universitäts- und Landesbibliothek Bonn
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781474436991
    Subjects: USA; Chile; Folter <Motiv>; Politik <Motiv>; Film; Fernsehen
    Scope: vii, 240 Seiten, Illustrationen, 24 cm
  9. Agency postdigital
    verteilte Handlungsmächte in medienwissenschaftlichen Forschungsfeldern
    Contributor: Jung, Berenike (HerausgeberIn); Sachs-Hombach, Klaus (HerausgeberIn); Wilde, Lukas R. A. (HerausgeberIn)
    Published: 2021; ©2021
    Publisher:  Herbert von Halem Verlag, Köln

    Intro -- Agency postdigital. Verteilte Handlungsmächte in medienwissenschaftlichen Forschungsfeldern -- Berenike Jung / Klaus Sachs-Hombach / Lukas R.A. Wilde -- Transmedia Character Studies and Agency. From Representation to Assemblage Theory --... more

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    Location:
    Hochschulbibliothek Friedensau
    Signature:
    Online-Ressource
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    Location:
    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
    Signature:
    eBook ProQuest
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    Location:
    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Location:
    Universitätsbibliothek Vechta
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    Intro -- Agency postdigital. Verteilte Handlungsmächte in medienwissenschaftlichen Forschungsfeldern -- Berenike Jung / Klaus Sachs-Hombach / Lukas R.A. Wilde -- Transmedia Character Studies and Agency. From Representation to Assemblage Theory -- Lukas R.A. Wilde -- Agency in Fan Studies. Materialities, Algorithms, and »Tiny Ontologies« -- Nicolle Lamerichs -- Imaginary/Agency. Zur Imagination zukünftiger Interaktionen mit autonomen Waffensystemen -- Christoph Ernst -- On Agency and Interactivity in The Stanley Parable -- Ivan Girina -- Apparate des Sichtbaren. Neomaterialistische Zugänge zur Agentialität der Bilder -- Olga Moskatova -- Elliptical Agencies. Interacting with Online Archives -- Geli Mademli -- Agency postdigital. Queer/feministisch -- Christiane König -- Die Agentur für Medien. Plädoyer für eine Medium-Netzwerk-Wi -- Sven Grampp -- Autorinnen und Autoren.

     
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    Source: Union catalogues
    Contributor: Jung, Berenike (HerausgeberIn); Sachs-Hombach, Klaus (HerausgeberIn); Wilde, Lukas R. A. (HerausgeberIn)
    Language: English; German
    Media type: Ebook
    Format: Online
    ISBN: 9783869625034
    RVK Categories: AP 24000 ; AP 13550
    Series: Medienwissenschaft
    Subjects: Electronic books
    Scope: 1 Online-Ressource (261 Seiten), Illustrationen
    Notes:

    Description based on publisher supplied metadata and other sources
  10. Narrating Violence in Post-9/11 Action Cinema
    Terrorist Narratives, Cinematic Narration, and Referentiality
    Author: Jung, Berenike
    Published: 2010
    Publisher:  VS Verlag für Sozialwissenschaften / GWV Fachverlage GmbH, Wiesbaden, Wiesbaden

    Berenike Jung studied Comparative Literature, Cinema, and North American Studies in Berlin, New York, and Paris. She works as a journalist and author with a focus on film and media. This work discusses the way in which action movies have responded to... more

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    Max-Planck-Institut für ethnologische Forschung, Bibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    eBook Springer
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    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
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    eBook Springer
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    Berenike Jung studied Comparative Literature, Cinema, and North American Studies in Berlin, New York, and Paris. She works as a journalist and author with a focus on film and media. This work discusses the way in which action movies have responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence - and by extension the consumers of these imagers - was considered as complicit behaviour. If terrorism is theatre, who goes to see the show? A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence? How is the audience implicitly positioned? And finally, what is the role and scope of the films- visual short-cuts, iconic real images such as those from the Abu Ghraib prison? The results reaffirm popular movies' power of working through traumatic events as well as their capacity to articulate a valid political critique. Instead of inventing or preceding real acts of violence, cinema can document, witness, and encourage the spectator to explore unorthodox viewing positions and moral dilemma. This interdisciplinary work is addressed to students of Philosophy, the Humanities, Cinema, American, or Cultural Studies as well as to the interested public.

     
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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783531926025
    Other identifier:
    RVK Categories: AP 50300
    Subjects: Social sciences; Sociology
    Scope: Online-Ressource, v.: digital
    Notes:

    Includes bibliographical references (p. [121]-130)

    Electronic reproduction; Available via World Wide Web

    Geleitwort; Deutsche Zusammenfassung; Table of Contents; 1 Introduction; 1.1 Methodology; 1.1.1 Just War Theory; 1.1.2 Narrative Discourse; 2 The Films; 2.1 Narrating Violence in V for Vendetta; 2.1.1 Types of Violence; 2.1.1.1 A Vendetta : Vigilantism; 2.1.1.2 Terrorism: Just Revolution and Tyrannicide; 2.1.1.3 Torture; 2.1.2 Cinematic Narration; 2.1.2.1 Visualizing Violence: The Spectacular; 2.1.2.2 Alterations in Focalization; 2.1.2.3 Heroes and Enemies; 2.1.3 Narrative Challenges; 2.1.3.1 References: Post-9/11 Politics; 2.1.3.2 Responding to 9/11: Charges against Cinema

    2.1.4 Résumé for V for Vendetta2.2 Narrating Violence in Munich; 2.2.1 Types of Violence; 2.2.1.1 Terrorism and the Media; 2.2.1.2 Targeted Killings: The Response; 2.2.2 Cinematic Narration; 2.2.2.1 Flashbacks: Visualizing Violence with Latency; 2.2.2.2 Point of View: Heroes and Enemies; 2.2.2.3 Docudrama; 2.2.3 Narrative Challenges; 2.2.3.1 9/11: Depicting Images of Atrocity; 2.2.3.2 The Media and the Response to 9/11; 2.2.4 Résumé for Munich; 2.3 Narrating Violence in Children of Men; 2.3.1 Types of Violence; 2.3.1.1 Terrorism: The Fishes; 2.3.1.2 War; 2.3.1.3 A Biological Threat

    2.3.2 Cinematic Narration2.3.2.1 Visualizing Violence: The Long Take; 2.3.2.2 The Spectacular vs the Long Take; 2.3.2.3 External Focalization and the Subjective Camera; 2.3.2.4 Disrupting Cinematic Codes; 2.3.2.5 Characters and Character Relations; 2.3.3 Narrative Challenges; 2.3.3.1 References to Post-9/11 Politics; 2.3.3.2 Engaging with 9/11: Iconic Images and The Media; 2.3.4 Résumé for Children of Men; 3 Conclusion; Bibliography
  11. Narrating violence in Post-9/11 action cinema
    terrorist narratives, cinematic narration and referentiality
    Author: Jung, Berenike
    Published: 2010
    Publisher:  VS Verl. für Sozialwiss., Wiesbaden

    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9783531175102
    RVK Categories: AP 50300
    Edition: 1. ed.
    Series: VS Research
    Subjects: Erzähltechnik; Gewaltdarstellung; Elfter September; Film; Interpretation; Filmästhetik; Terrorismus <Motiv>
    Scope: 130 S.
    Notes:

    Mit dt. Vorw. u. Zsfassung
  12. Narrating violence in Post-9/11 action cinema
    terrorist narratives, cinematic narration and referentiality
    Author: Jung, Berenike
    Published: 2010
    Publisher:  VS Verl. für Sozialwiss., Wiesbaden

    Location:
    Universitätsbibliothek Bamberg
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    Location:
    Universitätsbibliothek Regensburg
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    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783531175102; 9783531926025
    Other identifier:
    RVK Categories: AP 50300
    Edition: 1. ed.
    Series: VS Research
    Subjects: Film; Erzähltechnik; Gewaltdarstellung; Filmästhetik; Interpretation; Terrorismus <Motiv>; Elfter September
    Scope: 1 Online-Ressource (130 S.)
    Notes:

    Mit dt. Vorw. u. Zsfassung
  13. Narrating violence in Post-9/11 action cinema
    terrorist narratives, cinematic narration and referentiality
    Author: Jung, Berenike
    Published: 2010
    Publisher:  VS Verl. für Sozialwiss., Wiesbaden

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Filmuniversität Babelsberg KONRAD WOLF, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9783531175102
    RVK Categories: AP 50300
    Edition: 1. ed.
    Series: VS Research
    Subjects: Erzähltechnik; Gewaltdarstellung; Elfter September; Film; Interpretation; Filmästhetik; Terrorismus <Motiv>
    Scope: 130 S.
    Notes:

    Mit dt. Vorw. u. Zsfassung
  14. Narrating Violence in Post-9/11 Action Cinema
    Terrorist Narratives, Cinematic Narration, and Referentiality
    Author: Jung, Berenike
    Published: 2010
    Publisher:  VS Verlag für Sozialwissenschaften / GWV Fachverlage GmbH, Wiesbaden, Wiesbaden

    Berenike Jung studied Comparative Literature, Cinema, and North American Studies in Berlin, New York, and Paris. She works as a journalist and author with a focus on film and media. This work discusses the way in which action movies have responded to... more

    Location:
    Zeppelin Universität gGmbH, Bibliothek
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    Max-Planck-Institut für ethnologische Forschung, Bibliothek
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    Helmut-Schmidt-Universität, Universität der Bundeswehr Hamburg, Universitätsbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek, Medizinische Zentralbibliothek
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    Universitätsbibliothek Mannheim
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    Berenike Jung studied Comparative Literature, Cinema, and North American Studies in Berlin, New York, and Paris. She works as a journalist and author with a focus on film and media. This work discusses the way in which action movies have responded to the visual and narrative challenge of depicting terrorist violence after 9/11, when the spectacular representation of terrorist violence - and by extension the consumers of these imagers - was considered as complicit behaviour. If terrorism is theatre, who goes to see the show? A close-reading of exemplary movies (V for Vendetta, Munich, and Children of Men) concentrates on three key aspects: How is terrorist violence justified, especially in comparison to other forms of violence? How is the audience implicitly positioned? And finally, what is the role and scope of the films- visual short-cuts, iconic real images such as those from the Abu Ghraib prison? The results reaffirm popular movies' power of working through traumatic events as well as their capacity to articulate a valid political critique. Instead of inventing or preceding real acts of violence, cinema can document, witness, and encourage the spectator to explore unorthodox viewing positions and moral dilemma. This interdisciplinary work is addressed to students of Philosophy, the Humanities, Cinema, American, or Cultural Studies as well as to the interested public.

     
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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783531926025
    Other identifier:
    RVK Categories: AP 50300
    Series: Array
    Subjects: Social sciences; Sociology; Social Sciences; Social sciences; Sociology; Social sciences; Sociology
    Scope: Online-Ressource (130p, digital)
    Notes:

    Includes bibliographical references (p. [121]-130)

    Geleitwort; Deutsche Zusammenfassung; Table of Contents; 1 Introduction; 1.1 Methodology; 1.1.1 Just War Theory; 1.1.2 Narrative Discourse; 2 The Films; 2.1 Narrating Violence in V for Vendetta; 2.1.1 Types of Violence; 2.1.1.1 A Vendetta : Vigilantism; 2.1.1.2 Terrorism: Just Revolution and Tyrannicide; 2.1.1.3 Torture; 2.1.2 Cinematic Narration; 2.1.2.1 Visualizing Violence: The Spectacular; 2.1.2.2 Alterations in Focalization; 2.1.2.3 Heroes and Enemies; 2.1.3 Narrative Challenges; 2.1.3.1 References: Post-9/11 Politics; 2.1.3.2 Responding to 9/11: Charges against Cinema

    2.1.4 Résumé for V for Vendetta2.2 Narrating Violence in Munich; 2.2.1 Types of Violence; 2.2.1.1 Terrorism and the Media; 2.2.1.2 Targeted Killings: The Response; 2.2.2 Cinematic Narration; 2.2.2.1 Flashbacks: Visualizing Violence with Latency; 2.2.2.2 Point of View: Heroes and Enemies; 2.2.2.3 Docudrama; 2.2.3 Narrative Challenges; 2.2.3.1 9/11: Depicting Images of Atrocity; 2.2.3.2 The Media and the Response to 9/11; 2.2.4 Résumé for Munich; 2.3 Narrating Violence in Children of Men; 2.3.1 Types of Violence; 2.3.1.1 Terrorism: The Fishes; 2.3.1.2 War; 2.3.1.3 A Biological Threat

    2.3.2 Cinematic Narration2.3.2.1 Visualizing Violence: The Long Take; 2.3.2.2 The Spectacular vs the Long Take; 2.3.2.3 External Focalization and the Subjective Camera; 2.3.2.4 Disrupting Cinematic Codes; 2.3.2.5 Characters and Character Relations; 2.3.3 Narrative Challenges; 2.3.3.1 References to Post-9/11 Politics; 2.3.3.2 Engaging with 9/11: Iconic Images and The Media; 2.3.4 Résumé for Children of Men; 3 Conclusion; Bibliography
  15. Narrating violence in Post-9/11 action cinema
    terrorist narratives, cinematic narration and referentiality
    Author: Jung, Berenike
    Published: 2010
    Publisher:  VS Verl. für Sozialwissenschaften, Wiesbaden

    Location:
    Universitätsbibliothek Braunschweig
    Signature:
    2905-5926
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    Location:
    Universitätsbibliothek Leipzig
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    Location:
    Universitätsbibliothek Mannheim
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    500 AP 50300 G396 J95
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    Content information
    Source: Union catalogues
    Language: English; German
    Media type: Book
    Format: Print
    ISBN: 9783531175102
    Other identifier:
    9783531175102
    RVK Categories: AP 50300
    Edition: 1st ed.
    Series: VS Research
    Subjects: Social sciences; Sociology
    Scope: 130 S., 210 mm x 148 mm