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  1. Fatal Autonomy
    Romantic Drama and the Rhetoric of Agency
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language... more

    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language and politics as it is depicted in Romantic drama.'-Julie Carlson, University of California, Santa BarbaraDescribing an enduring moral puzzle and explaining how it helped to shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an individual's actions and failures to act, William Jewett argues; that is why the stubborn belief in such a relationship gives rise to tragedy.Jewett maintains that tragic drama forces its readers and viewers to confront the ways in which the use of language grants agency. The Romantic poets saw a moral challenge in that confrontation and followed its generic implications toward a new kind of poetry. Fatal Autonomy thus looks to Romantic drama to explain how Romantic poetry came to hold a permanent grip on conceptions of moral life. Tracing the source of major strains in British Romanticism to a politically charged body of dramatic poems, Jewett focuses on two historical moments: 1794-97, which he describes as the political turning point in the careers of William Wordsworth and Samuel Taylor Coleridge, and 1819-22, the years in which he believes Percy Bysshe Shelley and Lord Byron wrote their best poetry

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744525
    Other identifier:
    Subjects: Performing Arts & Drama; DRAMA / General; Agent (Philosophy) in literature; Autonomy (Psychology) in literature; English drama (Tragedy); English drama; Moral conditions in literature; Political plays, English; Romanticism; Self in literature; Verse drama, English; Englisch; Politisches Handeln; Drama
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019)

  2. Fatal autonomy
    romantic drama and the rhetoric of agency
    Published: 1997
    Publisher:  Cornell Univ. Press, Ithaca, NY [u.a.]

    Universität Mainz, Zentralbibliothek
    200.405
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801433525
    RVK Categories: HL 1261
    Subjects: Drama; Englisch; Romantik
    Scope: XIV, 262 S.
  3. Fatal Autonomy
    Romantic Drama and the Rhetoric of Agency
    Published: [2019]
    Publisher:  Cornell University Press, Ithaca, NY

    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language and politics as it is depicted in Romantic drama.'-Julie Carlson, University of California, Santa BarbaraDescribing an enduring moral puzzle and explaining how it helped to shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an individual's actions and failures to act, William Jewett argues; that is why the stubborn belief in such a relationship gives rise to tragedy.Jewett maintains that tragic drama forces its readers and viewers to confront the ways in which the use of language grants agency. The Romantic poets saw a moral challenge in that confrontation and followed its generic implications toward a new kind of poetry. Fatal Autonomy thus looks to Romantic drama to explain how Romantic poetry came to hold a permanent grip on conceptions of moral life. Tracing the source of major strains in British Romanticism to a politically charged body of dramatic poems, Jewett focuses on two historical moments: 1794-97, which he describes as the political turning point in the careers of William Wordsworth and Samuel Taylor Coleridge, and 1819-22, the years in which he believes Percy Bysshe Shelley and Lord Byron wrote their best poetry Frontmatter -- Contents -- Preface -- Introduction -- Part One. Tragic Agents And The Origins Of Romanticism, 1794-1797 -- 1. The Sublime Machine Of History: The Fall Of Robespierre And Wat Tyler -- 2. The Claim Of Compulsion: The Borderers -- 3. Fancy And The Spell Of Enlightenment: Osorio -- Part Two. Shelley, Byron, And The Body Politic, 1819-1822 -- 4. Performing Skepticism: The Cenci -- 5. Fatal Autonomy: Marino Faliero -- 6. History's Lethean Song: Charles The First And The Triumph Of Life -- Index

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744525
    Other identifier:
    Subjects: Verse drama, English; Romanticism; Political plays, English; Moral conditions in literature; Agent (Philosophy) in literature; Autonomy (Psychology) in literature; English drama (Tragedy); English drama; Self in literature; DRAMA / General
    Scope: 1 Online-Ressource (1 online resource)
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    restricted access online access with authorization star

  4. Fatal autonomy
    Romantic drama and the rhetoric of agency
    Published: 1997
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

    Describing an enduring moral puzzle and explaining how it helped shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine... more

    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Describing an enduring moral puzzle and explaining how it helped shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an individual's actions and failures to act, William Jewett argues; that is why the stubborn belief in such a relationship gives rise to tragedy. Jewett maintains that tragic drama forces its readers and viewers to confront the ways in which the use of language grants agency. The Romantic poets saw a moral challenge in that confrontation and followed its generic implications toward a new kind of poetry. Fatal Autonomy thus looks to Romantic drama to explain how Romantic poetry came to hold a permanent grip on conceptions of moral life. Tracing the source of major strains in British Romanticism to a politically charged body of dramatic poems, Jewett focuses on two historical moments: 1794-97, which he describes as the political turning point in the careers of William Wordsworth and Samuel Taylor Coleridge, and 1819-22, the years in which he believes Percy Bysshe Shelley and Lord Byron wrote their best poetry.

     

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  5. Fatal Autonomy
    Romantic Drama and the Rhetoric of Agency
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language and politics as it is depicted in Romantic drama.'-Julie Carlson, University of California, Santa BarbaraDescribing an enduring moral puzzle and explaining how it helped to shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an individual's actions and failures to act, William Jewett argues; that is why the stubborn belief in such a relationship gives rise to tragedy.Jewett maintains that tragic drama forces its readers and viewers to confront the ways in which the use of language grants agency. The Romantic poets saw a moral challenge in that confrontation and followed its generic implications toward a new kind of poetry. Fatal Autonomy thus looks to Romantic drama to explain how Romantic poetry came to hold a permanent grip on conceptions of moral life. Tracing the source of major strains in British Romanticism to a politically charged body of dramatic poems, Jewett focuses on two historical moments: 1794-97, which he describes as the political turning point in the careers of William Wordsworth and Samuel Taylor Coleridge, and 1819-22, the years in which he believes Percy Bysshe Shelley and Lord Byron wrote their best poetry

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744525
    Other identifier:
    Subjects: Performing Arts & Drama; DRAMA / General; Agent (Philosophy) in literature; Autonomy (Psychology) in literature; English drama (Tragedy); English drama; Moral conditions in literature; Political plays, English; Romanticism; Self in literature; Verse drama, English; Englisch; Politisches Handeln; Drama
    Scope: 1 online resource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019)

  6. Fatal autonomy
    romantic drama and the rhetoric of agency
    Published: 1997
    Publisher:  Cornell University Press, Ithaca

    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language... more

    Hochschule für Gesundheit, Hochschulbibliothek
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    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language and politics as it is depicted in Romantic drama.'-Julie Carlson, University of California, Santa BarbaraDescribing an enduring moral puzzle and explaining how it helped to shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an individual's actions and failures to act, William Jewett argues; that is why the stubborn belief in such a relationship gives rise to tragedy.Jewett maintains that tragic drama forces its readers and viewers to confront the ways in which the use of language grants agency. The Romantic poets saw a moral challenge in that confrontation and followed its generic implications toward a new kind of poetry. Fatal Autonomy thus looks to Romantic drama to explain how Romantic poetry came to hold a permanent grip on conceptions of moral life. Tracing the source of major strains in British Romanticism to a politically charged body of dramatic poems, Jewett focuses on two historical moments: 1794-97, which he describes as the political turning point in the careers of William Wordsworth and Samuel Taylor Coleridge, and 1819-22, the years in which he believes Percy Bysshe Shelley and Lord Byron wrote their best poetry Frontmatter -- Contents -- Preface -- Introduction -- Part One. Tragic Agents And The Origins Of Romanticism, 1794-1797 -- 1. The Sublime Machine Of History: The Fall Of Robespierre And Wat Tyler -- 2. The Claim Of Compulsion: The Borderers -- 3. Fancy And The Spell Of Enlightenment: Osorio -- Part Two. Shelley, Byron, And The Body Politic, 1819-1822 -- 4. Performing Skepticism: The Cenci -- 5. Fatal Autonomy: Marino Faliero -- 6. History's Lethean Song: Charles The First And The Triumph Of Life -- Index

     

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  7. Fatal autonomy
    romantic drama and the rhetoric of agency
    Published: 1997
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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  8. Fatal autonomy
    romantic drama and the rhetoric of agency
    Published: 1997
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

    Englisches Seminar I, Bibliothek
    411/LD52/971
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    Englisches Seminar der Universität, Bibliothek
    LIT FG 1997:7
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0801433525
    Subjects: Drama; Englisch; Autonomie <Motiv>; Handlung; Romantik; Tragische Person
    Scope: XIV, 262 S.
  9. Fatal autonomy
    Romantic drama and the rhetoric of agency
    Published: 1997
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

    Describing an enduring moral puzzle and explaining how it helped shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine... more

    TU Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Describing an enduring moral puzzle and explaining how it helped shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an individual's actions and failures to act, William Jewett argues; that is why the stubborn belief in such a relationship gives rise to tragedy. Jewett maintains that tragic drama forces its readers and viewers to confront the ways in which the use of language grants agency. The Romantic poets saw a moral challenge in that confrontation and followed its generic implications toward a new kind of poetry. Fatal Autonomy thus looks to Romantic drama to explain how Romantic poetry came to hold a permanent grip on conceptions of moral life. Tracing the source of major strains in British Romanticism to a politically charged body of dramatic poems, Jewett focuses on two historical moments: 1794-97, which he describes as the political turning point in the careers of William Wordsworth and Samuel Taylor Coleridge, and 1819-22, the years in which he believes Percy Bysshe Shelley and Lord Byron wrote their best poetry.

     

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  10. Fatal Autonomy
    Romantic Drama and the Rhetoric of Agency
    Published: 2019; ©1997
    Publisher:  Cornell University Press, Ithaca

    Cover -- Fatal Autonomy -- Title -- Copyright -- Dedication -- Contents -- Preface -- Introduction -- Part One Tragic Agents and the Origins of Romanticism, 1794-1797 -- 1 The Sublime Machine of History: The Fall of Robespierre and Wat Tyler -- 2 The... more

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    Hochschulbibliothek Friedensau
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    Cover -- Fatal Autonomy -- Title -- Copyright -- Dedication -- Contents -- Preface -- Introduction -- Part One Tragic Agents and the Origins of Romanticism, 1794-1797 -- 1 The Sublime Machine of History: The Fall of Robespierre and Wat Tyler -- 2 The Claim of Compulsion: The Borderers -- 3 Fancy and the Spell of Enlightenment: Osorio -- Part Two Shelley, Byron, and the Body Politic, 1819-1822 -- 4 Performing Skepticism: The Cenci -- 5 Fatal Autonomy: Marino Faliero -- 6 History's Lethean Song: Charles the First and The Triumph of Life -- Index.

     

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  11. Fatal Autonomy
    Romantic Drama and the Rhetoric of Agency
    Published: [1997]
    Publisher:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language... more

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    'Fatal Autonomy is a subtle, gracefully written, and politically astute reading of selected plays by the canonical Romantic poets. Jewett offers the most original and carefully circumscribed formulations to date of the interaction between language and politics as it is depicted in Romantic drama.'-Julie Carlson, University of California, Santa BarbaraDescribing an enduring moral puzzle and explaining how it helped to shape a key moment in the history of poetic drama, Fatal Autonomy represents Romanticism as a reckoning with the costs of individual agency. No moral calculus can ever fully determine the relation of events to an individual's actions and failures to act, William Jewett argues; that is why the stubborn belief in such a relationship gives rise to tragedy.Jewett maintains that tragic drama forces its readers and viewers to confront the ways in which the use of language grants agency. The Romantic poets saw a moral challenge in that confrontation and followed its generic implications toward a new kind of poetry. Fatal Autonomy thus looks to Romantic drama to explain how Romantic poetry came to hold a permanent grip on conceptions of moral life. Tracing the source of major strains in British Romanticism to a politically charged body of dramatic poems, Jewett focuses on two historical moments: 1794-97, which he describes as the political turning point in the careers of William Wordsworth and Samuel Taylor Coleridge, and 1819-22, the years in which he believes Percy Bysshe Shelley and Lord Byron wrote their best poetry.

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501744525
    Other identifier:
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 28. Aug 2019)

  12. Fatal autonomy
    romantic drama and the rhetoric of agency
    Published: 1997
    Publisher:  Cornell University Press, Ithaca, NY

    Universitätsbibliothek Freiburg
    GE 98/418
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801433525
    RVK Categories: HL 1261
    Edition: 1. publ.
    Subjects: Englisch; Versdrama; Autonomie; Ethik; Politische Ethik; Romantik; Geschichte 1793-1825;
    Other subjects: Array; Array; Array; Array; Autonomy (Psychology) in literature; Agent (Philosophy) in literature; Moral conditions in literature; Array; Self in literature
    Scope: XIV, 262 S, 24 cm
  13. Jacobs, Carol: Telling time [Rezension]
    Published: 1994

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    Source: Online Contents Comparative Literature
    Language: Undetermined
    Media type: Article (journal); Review
    Format: Print
    Parent title: In: Journal of English and Germanic philology; Champaign, Ill. : Univ. of Ill. Press, 1903-; Band 93, Heft N.4 (1994), Seite 560/563

  14. A Materialist Critique of English Romantic Drama
    Published: 1995

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    Source: Online Contents Comparative Literature
    Contributor: Jewett, William
    Media type: Article (journal)
    Format: Print
    Parent title: Studies in romanticism; Baltimore, Maryland : Johns Hopkins University Press, 1961-; Band 34, Heft 2 (1995), Seite 309

  15. Hawthorne's Romanticism: From Canon to Corpus
    Published: 1996

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    Source: Online Contents Comparative Literature
    Media type: Article (journal)
    Format: Print
    Parent title: Modern language quarterly; Durham, NC : Duke Univ. Press, 1940-; Band 57, Heft 1 (1996), Seite 51-76

  16. Telling Time: Lévi-Strauss, Ford, Lessing, Benjamin, de Man, Wordsworth, Rilke
    Published: 1994

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    Source: Online Contents Comparative Literature
    Contributor: Jewett, William
    Media type: Article (journal)
    Format: Print
    Parent title: Journal of English and Germanic philology; Champaign, Ill. : Univ. of Ill. Press, 1903-; Band 93, Heft 4 (1994), Seite 560-562

  17. REVIEWS - Fatal Autonomy: Romantic Drama and the Rhetoric of Agency
    Published: 2000

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    Source: Online Contents Comparative Literature
    Contributor: Bennett, Andrew
    Media type: Article (journal)
    Format: Print
    Parent title: The modern language review; London : MHRA, 1905-; Band 95, Heft 1 (2000), Seite 188-189

  18. BOOK REVIEWS - Fatal Autonomy: Romantic Drama and the Rhetoric of Agency
    Published: 2000

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    Source: Online Contents Comparative Literature
    Contributor: Cox, Jeffrey N.
    Media type: Article (journal)
    Format: Print
    Parent title: Studies in romanticism; Baltimore, Maryland : Johns Hopkins University Press, 1961-; Band 39, Heft 2 (2000), Seite 337

  19. BOOK REVIEWS - Fatal Autonomy: Romantic Drama and the Rhetoric of Agency
    Published: 2000

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    Source: Online Contents Comparative Literature
    Contributor: Canuel, Mark
    Media type: Article (journal)
    Format: Print
    Parent title: Modern philology; Chicago, Ill. : Univ. of Chicago Press, 1903-; Band 98, Heft 1 (2000), Seite 103-107