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  1. Sounding Off
    Rhythm, Music, and Identity in West African and Caribbean Francophone Novels
    Published: 2009
    Publisher:  Temple University Press, Philadelphia PA ; ProQuest, Ann Arbor, Michigan

    Intrigued by "texted" sonorities-the rhythms, musics, ordinary noises, and sounds of language in narratives-Julie Huntington examines the soundscapes in contemporary Francophone novels such as Ousmane Sembene's God's Bits of Wood (Senegal), and... more

    Universität Mainz, Zentralbibliothek
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    Intrigued by "texted" sonorities-the rhythms, musics, ordinary noises, and sounds of language in narratives-Julie Huntington examines the soundscapes in contemporary Francophone novels such as Ousmane Sembene's God's Bits of Wood (Senegal), and Patrick Chamoiseau's Solibo Magnificent (Martinique). Through an ethnomusicological perspective, Huntington argues in Sounding Off that the range of sounds -footsteps, heartbeats, drumbeats-represented in West African and Caribbean works provides a rhythmic polyphony that creates spaces for configuring social and cultural identities. Huntington's analysis shows how these writers and others challenge the aesthetic and political conventions that privilege written texts over orality and invite readers-listeners to participate in critical dialogues-to sound off, as it were, in local and global communities.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781439900338
    RVK Categories: IJ 80067
    Edition: 1st ed.
    Series: African Soundscapes Ser.
    Subjects: Literatur; Rhythmus; Musik <Motiv>; Rhythm in literature
    Scope: 1 Online-Ressource (257 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  2. Sounding Off
    Published: 2009
    Publisher:  Temple University Press, [Erscheinungsort nicht ermittelbar] ; OAPEN FOUNDATION, The Hague

    Intrigued by "texted" sonorities-the rhythms, musics, ordinary noises, and sounds of language in narratives-Julie Huntington examines the soundscapes in contemporary Francophone novels such as Ousmane Sembene's God's Bits of Wood (Senegal), and... more

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    Intrigued by "texted" sonorities-the rhythms, musics, ordinary noises, and sounds of language in narratives-Julie Huntington examines the soundscapes in contemporary Francophone novels such as Ousmane Sembene's God's Bits of Wood (Senegal), and Patrick Chamoiseau's Solibo Magnificent (Martinique). Through an ethnomusicological perspective, Huntington argues in Sounding Off that the range of sounds -footsteps, heartbeats, drumbeats-represented in West African and Caribbean works provides a rhythmic polyphony that creates spaces for configuring social and cultural identities. Huntington's analysis shows how these writers and others challenge the aesthetic and political conventions that privilege written texts over orality and invite readers-listeners to participate in critical dialogues-to sound off, as it were, in local and global communities.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781439900338; 9781439900314
    RVK Categories: IJ 80067
    Series: African Soundscapes
    Subjects: Literatur; Rhythmus; Musik <Motiv>; Literature: history & criticism; Theory of music & musicology
    Other subjects: Language & Literature; African Studies; Music
  3. Sounding Off
    Rhythm, Music, and Identity in West African and Caribbean Francophone Novels
    Published: 2009
    Publisher:  Temple University Press, Philadelphia PA

    Intrigued by ""texted"" sonorities-the rhythms, musics, ordinary noises, and sounds of language in narratives-Julie Huntington examines the soundscapes in contemporary Francophone novels such as Ousmane Sembene's God's Bits of Wood (Senegal), and... more

    Universität Potsdam, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan

     

    Intrigued by ""texted"" sonorities-the rhythms, musics, ordinary noises, and sounds of language in narratives-Julie Huntington examines the soundscapes in contemporary Francophone novels such as Ousmane Sembene's God's Bits of Wood (Senegal), and Patrick Chamoiseau's Solibo Magnificent (Martinique). Through an ethnomusicological perspective, Huntington argues in Sounding Off that the range of sounds -footsteps, heartbeats, drumbeats-represented in West African and Caribbean works provides a rhythmic polyphony that creates spaces for configuring social and cultural identities.Hunti

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781439900321
    Series: African Soundscapes
    African Soundscapes Ser
    Subjects: Rhythm in literature; Rhythm in literature; Electronic books
    Scope: Online-Ressource (257 p)
    Notes:

    Description based upon print version of record

    Contents; Acknowledgments; Introduction; 1. Rhythm and Transcultural Poetics; 2. Rhythm and Reappropriation in God's Bits of Wood and The Suns of Independence; 3. Rhythm, Music, and Identity in L'appel des arènes and Ti Jean L'horizon; 4. Music and Mourning in Crossing the Mangrove and Solibo Magnificent; Concluding Remarks; Works Cited; Index

  4. Sounding Off
    Rhythm, Music, and Identity in West African and Caribbean Francophone Novels
    Published: 2009
    Publisher:  Temple University Press, Philadelphia PA

    Intrigued by ""texted"" sonorities-the rhythms, musics, ordinary noises, and sounds of language in narratives-Julie Huntington examines the soundscapes in contemporary Francophone novels such as Ousmane Sembene's God's Bits of Wood (Senegal), and... more

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    Intrigued by ""texted"" sonorities-the rhythms, musics, ordinary noises, and sounds of language in narratives-Julie Huntington examines the soundscapes in contemporary Francophone novels such as Ousmane Sembene's God's Bits of Wood (Senegal), and Patrick Chamoiseau's Solibo Magnificent (Martinique). Through an ethnomusicological perspective, Huntington argues in Sounding Off that the range of sounds -footsteps, heartbeats, drumbeats-represented in West African and Caribbean works provides a rhythmic polyphony that creates spaces for configuring social and cultural identities.Hunti

     

    Export to reference management software   RIS file
      BibTeX file
    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781439900321
    Series: African Soundscapes
    African Soundscapes Ser
    Subjects: Rhythm in literature; Rhythm in literature; Electronic books
    Scope: Online-Ressource (257 p)
    Notes:

    Description based upon print version of record

    Contents; Acknowledgments; Introduction; 1. Rhythm and Transcultural Poetics; 2. Rhythm and Reappropriation in God's Bits of Wood and The Suns of Independence; 3. Rhythm, Music, and Identity in L'appel des arènes and Ti Jean L'horizon; 4. Music and Mourning in Crossing the Mangrove and Solibo Magnificent; Concluding Remarks; Works Cited; Index