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Displaying results 1 to 9 of 9.

  1. Popular film music and masculinity in action
    a different tune
    Author: Howell, Amanda
    Published: 2015
    Publisher:  Routledge, New York ; London

    Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen-or heard-before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an... more

    Location:
    Hochschule für Musik und Tanz Köln, Bibliothek
    Signature:
    Ib 2030
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Signature:
    FILM16/42
    Inter-library loan:
    Loan of volumes, no copies

    Location:
    Universitätsbibliothek Siegen
    Signature:
    21KIG3159
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen-or heard-before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an eclectic mix of film, from Elvis and Travolta star vehicles to Bruckheimer-produced blockbuster action, including the work of musically-innovative directors, Melvin Van Peebles, Martin Scorsese, Gregg Araki, and Quentin Tarantino. Of particular interest is the way these films and their representations of masculinity are shaped by generic exchanges among contemporary music, music cultures, and film, combining American cinema's long-standing investment in violence-as-spectacle with similarly body-focused pleasures of contemporary youth music. Drawing on scholarship of popular music and the pop score as well as feminist film and media studies, Howell addresses an often neglected area of gender representation by considering cinematic masculinity as an audio-visual construction. Through her analyses of music's role in action and other film genres that share its investment in violence, she reveals the mechanisms by which the pop score has helped to reinvent screen gender-and gendered fictions of male empowerment-in contemporary screen entertainment.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780415897204; 9780203382509
    RVK Categories: LR 56600 ; LR 53509 ; AP 51450
    Series: Routledge advances in film studies ; 38
    Subjects: Abenteuerfilm; Filmmusik; Männlichkeit <Motiv>
    Scope: 175 Seiten
  2. Popular film music and masculinity in action
    a different tune
    Author: Howell, Amanda
    Published: 2015
    Publisher:  Routledge, New York ; London

    Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen-or heard-before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an... more

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule für Fernsehen und Film, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Universitätsbibliothek Regensburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen-or heard-before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an eclectic mix of film, from Elvis and Travolta star vehicles to Bruckheimer-produced blockbuster action, including the work of musically-innovative directors, Melvin Van Peebles, Martin Scorsese, Gregg Araki, and Quentin Tarantino. Of particular interest is the way these films and their representations of masculinity are shaped by generic exchanges among contemporary music, music cultures, and film, combining American cinema's long-standing investment in violence-as-spectacle with similarly body-focused pleasures of contemporary youth music. Drawing on scholarship of popular music and the pop score as well as feminist film and media studies, Howell addresses an often neglected area of gender representation by considering cinematic masculinity as an audio-visual construction. Through her analyses of music's role in action and other film genres that share its investment in violence, she reveals the mechanisms by which the pop score has helped to reinvent screen gender-and gendered fictions of male empowerment-in contemporary screen entertainment.

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780415897204
    RVK Categories: AP 51450 ; LR 53509 ; LR 56600
    Series: Routledge advances in film studies ; 38
    Subjects: Action and adventure films / History and criticism; Popular music in motion pictures; Masculinity in motion pictures; Filmmusik; Männlichkeit <Motiv>; Abenteuerfilm
    Scope: 175 Seiten
  3. Popular film music and masculinity in action
    a different tune
    Author: Howell, Amanda
    Published: 2015
    Publisher:  Routledge, New York

    Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen-or heard-before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an... more

    Location:
    Hochschule für Musik und Tanz Köln, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Siegen
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen-or heard-before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an eclectic mix of film, from Elvis and Travolta star vehicles to Bruckheimer-produced blockbuster action, including the work of musically-innovative directors, Melvin Van Peebles, Martin Scorsese, Gregg Araki, and Quentin Tarantino. Of particular interest is the way these films and their representations of masculinity are shaped by generic exchanges among contemporary music, music cultures, and film, combining American cinema's long-standing investment in violence-as-spectacle with similarly body-focused pleasures of contemporary youth music. Drawing on scholarship of popular music and the pop score as well as feminist film and media studies, Howell addresses an often neglected area of gender representation by considering cinematic masculinity as an audio-visual construction. Through her analyses of music's role in action and other film genres that share its investment in violence, she reveals the mechanisms by which the pop score has helped to reinvent screen gender-and gendered fictions of male empowerment-in contemporary screen entertainment

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415897204; 9780203382509
    RVK Categories: LR 56600 ; LR 53509 ; AP 51450
    Series: Routledge advances in film studies ; 38
    Subjects: Filmmusik; Abenteuerfilm; Männlichkeit <Motiv>
    Scope: 175 Seiten
  4. Monstrous possibilities
    the female monster in 21st century screen horror
    Author: Howell, Amanda
    Published: 2022
    Publisher:  Springer International Publishing, Cham ; Palgrave Macmillan

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Regensburg
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    Unlimited inter-library loan, copies and loan
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783031128448
    Other identifier:
    RVK Categories: AP 53900
    Subjects: Film and Television Studies; Gender Studies; Close Readings in Film and TV.; Motion pictures; Television broadcasting; Sex; Fernsehserie; Frau <Motiv>; Horrorfilm; Geschlechterrolle <Motiv>
    Scope: 1 Online-Ressource (xi, 200 Seiten)
  5. Monstrous possibilities
    the female monster in 21st century screen horror
    Author: Howell, Amanda; Baker, Lucy
    Published: [2022]
    Publisher:  Palgrave Macmillan, Cham

    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
    Signature:
    01/HD 300.859 H859
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  6. Popular film music and masculinity in action
    a different tune
    Author: Howell, Amanda
    Published: 2015
    Publisher:  Routledge, New York ; London

    Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen-or heard-before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Amanda Howell offers a new perspective on the contemporary pop score as the means by which masculinities not seen-or heard-before become a part of post-World War II American cinema. Popular Film Music and Masculinity in Action addresses itself to an eclectic mix of film, from Elvis and Travolta star vehicles to Bruckheimer-produced blockbuster action, including the work of musically-innovative directors, Melvin Van Peebles, Martin Scorsese, Gregg Araki, and Quentin Tarantino. Of particular interest is the way these films and their representations of masculinity are shaped by generic exchanges among contemporary music, music cultures, and film, combining American cinema's long-standing investment in violence-as-spectacle with similarly body-focused pleasures of contemporary youth music. Drawing on scholarship of popular music and the pop score as well as feminist film and media studies, Howell addresses an often neglected area of gender representation by considering cinematic masculinity as an audio-visual construction. Through her analyses of music's role in action and other film genres that share its investment in violence, she reveals the mechanisms by which the pop score has helped to reinvent screen gender-and gendered fictions of male empowerment-in contemporary screen entertainment.

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780415897204
    RVK Categories: AP 51450 ; LR 53509 ; LR 56600
    Series: Routledge advances in film studies ; 38
    Subjects: Action and adventure films / History and criticism; Popular music in motion pictures; Masculinity in motion pictures; Filmmusik; Männlichkeit <Motiv>; Abenteuerfilm
    Scope: 175 Seiten
  7. Monstrous possibilities
    the female monster in 21st century screen horror
    Author: Howell, Amanda
    Published: 2022
    Publisher:  Springer International Publishing, Cham ; Palgrave Macmillan

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783031128448
    Other identifier:
    RVK Categories: AP 53900
    Subjects: Film and Television Studies; Gender Studies; Close Readings in Film and TV.; Motion pictures; Television broadcasting; Sex; Fernsehserie; Frau <Motiv>; Horrorfilm; Geschlechterrolle <Motiv>
    Scope: 1 Online-Ressource (xi, 200 Seiten)
  8. Monstrous Possibilities
    The Female Monster in 21st Century Screen Horror
    Author: Howell, Amanda; Baker, Lucy
    Published: 2022
    Publisher:  Springer International Publishing, Cham ; Springer International Publishing AG

    Access:

    Location:
    Universität Marburg, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783031128448; 3031128443
    Other identifier:
    RVK Categories: HD 300
    Edition: 1st ed. 2022
    Subjects: Fernsehsendung; Horrorfilm; Frau <Motiv>; Geschlechterrolle <Motiv>; Film; Motion pictures; Television broadcasting; Sex; Film and Television Studies; Gender Studies; Close Readings in Film and TV
    Scope: 1 Online-Ressource (XI, 200 Seiten)
  9. Monstrous Possibilities
    The Female Monster in 21st Century Screen Horror
    Author: Howell, Amanda
    Published: 2022
    Publisher:  Springer International Publishing AG, Cham ; ProQuest, Ann Arbor, Michigan

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Inter-library loan:
    No inter-library loan
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    Source: Union catalogues
    Contributor: Baker, Lucy
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783031128448
    RVK Categories: HD 300
    Edition: 1st ed.
    Subjects: Fernsehsendung; Horrorfilm; Frau <Motiv>; Geschlechterrolle <Motiv>; Film; Monsters in motion pictures; Sex role in motion pictures; Women in motion pictures
    Scope: 1 Online-Ressource (202 pages)
    Notes:

    Description based on publisher supplied metadata and other sources