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  1. Writing the character centered screenplay
    Author: Horton, Andrew
    Published: 1994
    Publisher:  Univ. of California Press, Berkeley [u.a.]

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    12.639.71
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    Location:
    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude
    Signature:
    G 08 Dreh 14
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0520084551; 0520084578
    RVK Categories: AP 50600
    Subjects: Drehbuch; Charakterisierung
    Scope: X, 218 S.
    Notes:

    Literaturangaben
  2. Modern European filmmakers and the art of adaptation
    Contributor: Horton, Andrew (Hrsg.)
    Published: 1981
    Publisher:  Ungar, New York

    Location:
    Universitätsbibliothek Gießen
    Signature:
    000 AP 50800 H823
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    Location:
    Universität Mainz, Bereichsbibliothek Philosophicum, Standort Anglistik/ Amerikanistik
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    R/Q M 28 1
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    Source: Union catalogues
    Contributor: Horton, Andrew (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0804462771; 0804424039
    RVK Categories: AP 50800
    Subjects: Filmregisseur; Literatur
    Scope: 383 S.
  3. Writing the character-centered screenplay
    Author: Horton, Andrew
    Published: 1999
    Publisher:  Univ. of Calif. Press, Berkeley [u.a.]

    Location:
    Bibliothek der Hochschule Darmstadt, Teilbibliothek Dieburg
    Signature:
    40/AP 50600 H823
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    Bibliothek der Hochschule Darmstadt, Teilbibliothek Dieburg
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    40/AP 50600 H823 +2
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    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    86.842.71
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0520221656
    RVK Categories: AP 50600
    Edition: Updated and expanded ed., 2. paperback ed.
    Subjects: Drehbuch; Charakterisierung
    Scope: XII, 237 S.
  4. Laughing out loud
    writing the comedy-centered screenplay
    Author: Horton, Andrew
    Published: 2000
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.]

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    13.014.55
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    Location:
    Universität Marburg, Universitätsbibliothek
    Signature:
    001 AP 52400 H823
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0520220153; 0520220145
    RVK Categories: AP 50600 ; AP 52400
    Subjects: Filmkomödie; Drehbuch
    Scope: XII, 218 S.
    Notes:

    Literaturverz. S. 205 - 210
  5. Screenwriting for a Global Market
    Selling Your Scripts from Hollywood to Hong Kong
    Author: Horton, Andrew
    Published: 2004
    Publisher:  University of California Press, Berkeley ; ProQuest, Ann Arbor, Michigan

    Cinema is a truly global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book, loaded with information on every page, provides the practical know-how for breaking into the global... more

    Location:
    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Universitätsbibliothek Gießen
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    Location:
    Universität Mainz, Zentralbibliothek
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    Cinema is a truly global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book, loaded with information on every page, provides the practical know-how for breaking into the global marketplace. It is the first book to offer specific advice on writing for screens large and small, around the world from Hollywood to New Zealand, from Europe to Russia, and for alternative American markets including Native American, regional, and experimental. The book provides valuable insider information, such as * Twenty-five percent of German television is written by Hollywood writers. Screenwriters just need to know how to reach that market. * Many countries, including those in the European Union, have script development money available-to both foreign and local talent--from government-sponsored film funds. * The Web's influence on the film industry has been profound, and here you can find out how to network through the Web. The book also lists the key Web addresses for writers. Andrew Horton, author of two acclaimed books on screenwriting, includes personal essays by accomplished screenwriters from around the world and offers insightful case studies of several films and television scripts, among them My Big Fat Greek Wedding; Crouching Tiger, Hidden Dragon; and The Sopranos. Full of endless enthusiasm for great films and great scripts, this book will be an essential resource for both aspiring writers and accomplished writers hoping to expand their horizons, improve their skills, and increase their chances for success. Includes an interview with Terry Gilliam and contributions from Bernard Gordon, writer for The Day of the Triffids and The Thin Red Line; Lew Hunter, Chair of Screenwriting at UCLA; Karen Hall, writer/producer for Judging Amy and M*A*S*H; and other screenwriters.

     
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    Source: Union catalogues
    Contributor: Gordon, Bernard
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520937529
    Edition: 1st ed.
    Subjects: Drehbuch; Vermarktung
    Scope: 1 Online-Ressource (229 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  6. Screenwriting for a Global Market
    Selling Your Scripts from Hollywood to Hong Kong
    Author: Horton, Andrew
    Published: 2004
    Publisher:  University of California Press, CA ; EBSCO Industries, Inc., Birmingham, AL, USA

    Cinema is a truly global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book, loaded with information on every page, provides the practical know-how for breaking into the global... more

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
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    Cinema is a truly global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book, loaded with information on every page, provides the practical know-how for breaking into the global marketplace. It is the first book to offer specific advice on writing for screens large and small, around the world from Hollywood to New Zealand, from Europe to Russia, and for alternative American markets including Native American, regional, and experimental. The book provides valuable insider information, such as * Twenty-five percent of German televi.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520937529; 052093752X
    Subjects: Drehbuch; Vermarktung
    Scope: 1 Online-Ressource (229 pages)
    Notes:

    Includes bibliographical references (pages 193-196) and index
  7. Writing the character-centered screenplay
    Author: Horton, Andrew
    Published: 1994
    Publisher:  University of California Press, Berkeley ; EBSCO Industries, Inc., Birmingham, AL, USA

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520924178; 0520924177; 0585350221; 9780585350226
    RVK Categories: AP 50600
    Subjects: Drehbuch; Charakterisierung
    Scope: 1 Online-Ressource (x, 218 pages)
    Notes:

    Includes bibliographical references (pages 200-203) and index
  8. Laughing out loud
    writing the comedy-centered screenplay
    Author: Horton, Andrew
    Published: 2000
    Publisher:  University of California Press, Berkeley ; EBSCO Industries, Inc., Birmingham, AL, USA

    Location:
    Bibliothek der Hochschule Mainz, Untergeschoss
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520923546; 0520923545; 0585276374; 9780585276373; 9780520220140; 0520220145; 9780520220157; 0520220153
    RVK Categories: AP 50600 ; AP 52400
    Subjects: Filmkomödie; Drehbuch
    Scope: 1 Online-Ressource (xii, 218 pages)
    Notes:

    Includes bibliographical references (pages 205-210) and index
  9. Screenwriting
    Contributor: Horton, Andrew (Publisher); Hoxter, Julian (Publisher)
    Published: 2014
    Publisher:  I.B. Tauris, London ; New York

    "Reaching back to the early days of Hollywood, when moonlighting novelists, playwrights, and journalists were first hired to write scenarios and photoplays, Screenwriting illuminates the profound ways that screenwriters have contributed to the films... more

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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    "Reaching back to the early days of Hollywood, when moonlighting novelists, playwrights, and journalists were first hired to write scenarios and photoplays, Screenwriting illuminates the profound ways that screenwriters have contributed to the films we love. This book explores the social, political, and economic implications of the changing craft of American screenwriting from the silent screen through the classical Hollywood years, the rise of independent cinema, and on to the contemporary global multi-media marketplace. From The Birth of a Nation (1915), Gone With the Wind (1939), and Gentleman's Agreement (1947) to Chinatown (1974), American Beauty (1999), and Lost in Translation (2003), each project began as writers with pen and ink, typewriters, or computers captured the hopes and dreams, the nightmares and concerns of the periods in which they were writing. As the contributors take us behind the silver screen to chronicle the history of screenwriting, they spotlight a range of key screenplays that changed the game in Hollywood and beyond. With original essays from both distinguished film scholars and accomplished screenwriters, Screenwriting is sure to fascinate anyone with an interest in Hollywood, from movie buffs to industry professionals. "..

     
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    Content information
    Source: Union catalogues
    Contributor: Horton, Andrew (Publisher); Hoxter, Julian (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781784530204; 9781784530211; 9780857735355
    RVK Categories: AP 44400 ; AP 50000
    Series: Behind the silver screen ; Array
    Subjects: PERFORMING ARTS / Film & Video / Screenwriting; Geschichte; Motion picture authorship; Motion picture industry; PERFORMING ARTS / Film & Video / Screenwriting; Filmproduktion; Drehbuch
    Scope: 212 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  10. Screenwriting
    Contributor: Horton, Andrew (Publisher); Hoxter, Julian (Publisher); Boon, Kevin A. (Publisher)
    Published: 2014; © 2014
    Publisher:  Rutgers University Press, New Brunswick, New Jersey

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Contributor: Horton, Andrew (Publisher); Hoxter, Julian (Publisher); Boon, Kevin A. (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813563411; 9780813563404; 9780813563428
    Series: Behind the Silver Screen
    Subjects: Geschichte; Motion picture authorship; Motion picture industry
    Scope: 1 online resource (222 pages), illustrations, photographs
    Notes:

    Description based on print version record
  11. Modern European filmmakers and the art of adaptation
    Contributor: Horton, Andrew (Publisher)
    Published: 1981
    Publisher:  Ungar, New York

    Location:
    Universitätsbibliothek Bayreuth
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    Location:
    Universitätsbibliothek Eichstätt-Ingolstadt
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    Location:
    Bayerische Staatsbibliothek
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    Location:
    Hochschule für Fernsehen und Film, Bibliothek
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    Location:
    Universitätsbibliothek Würzburg
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    Source: Union catalogues
    Contributor: Horton, Andrew (Publisher)
    Language: English
    Media type: Book
    ISBN: 0804424039; 0804462771
    RVK Categories: AP 50800 ; EC 2440
    Series: Ungar film library
    Subjects: Adaptations cinématographiques; Littérature européenne - Adaptations cinématographiques et télévisées; European literature; Film adaptations; Film; Literatur; Filmregisseur
    Scope: XIV, 383 S., Ill. - Ill.
  12. Screenwriting
    Contributor: Boon, Kevin A.; Charney, Mark J.; Davis, J. Madison.; Eaton, Mark; Horton, Andrew; Hoxter, Julian; Lewis, Jon
    Published: [2014]
    Publisher:  Rutgers University Press, New Brunswick, NJ ; Walter de Gruyter GmbH, Berlin

    Screenwriters often joke that “no one ever paid a dollar at a movie theater to watch a screenplay.” Yet the screenplay is where a movie begins, determining whether a production gets the “green light” from its financial backers and wins approval from... more

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    Location:
    Universitätsbibliothek Gießen
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    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Location:
    Universität Mainz, Zentralbibliothek
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    Screenwriters often joke that “no one ever paid a dollar at a movie theater to watch a screenplay.” Yet the screenplay is where a movie begins, determining whether a production gets the “green light” from its financial backers and wins approval from its audience. This innovative volume gives readers a comprehensive portrait of the art and business of screenwriting, while showing how the role of the screenwriter has evolved over the years. Reaching back to the early days of Hollywood, when moonlighting novelists, playwrights, and journalists were first hired to write scenarios and photoplays, Screenwriting illuminates the profound ways that screenwriters have contributed to the films we love. This book explores the social, political, and economic implications of the changing craft of American screenwriting from the silent screen through the classical Hollywood years, the rise of independent cinema, and on to the contemporary global multi-media marketplace. From The Birth of a Nation (1915), Gone With the Wind (1939), and Gentleman’s Agreement (1947) to Chinatown (1974), American Beauty (1999), and Lost in Translation (2003), each project began as writers with pen and ink, typewriters, or computers captured the hopes and dreams, the nightmares and concerns of the periods in which they were writing. As the contributors take us behind the silver screen to chronicle the history of screenwriting, they spotlight a range of key screenplays that changed the game in Hollywood and beyond. With original essays from both distinguished film scholars and accomplished screenwriters, Screenwriting is sure to fascinate anyone with an interest in Hollywood, from movie buffs to industry professionals.

     
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    Content information
    Source: Union catalogues
    Contributor: Boon, Kevin A.; Charney, Mark J.; Davis, J. Madison.; Eaton, Mark; Horton, Andrew; Hoxter, Julian; Lewis, Jon
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813563428
    Other identifier:
    Series: Behind the Silver Screen Series
    Scope: 1 Online-Ressource, 34 photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  13. Screenwriting
    Author: Horton, Andrew
    Published: 2014
    Publisher:  Rutgers University Press, Piscataway ; ProQuest, Ann Arbor, Michigan

    "Six insightful critics turn their collective gaze to Hollywood's least-gratifying field of endeavor and redefine the writer's role in film history. A witty, instructive, and long overdue survey.". more

    Location:
    Universität Frankfurt, Elektronische Ressourcen
    Signature:
    /
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    Location:
    Universitätsbibliothek Gießen
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    "Six insightful critics turn their collective gaze to Hollywood's least-gratifying field of endeavor and redefine the writer's role in film history. A witty, instructive, and long overdue survey.".

     
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    Source: Union catalogues
    Contributor: Hoxter, Julian
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813563428
    Series: Behind the Silver Screen Series
    Scope: 1 Online-Ressource (222 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  14. Screenwriting
    Contributor: Horton, Andrew (Publisher); Hoxter, Julian (Publisher)
    Published: 2014
    Publisher:  I.B. Tauris, London ; New York

    "Reaching back to the early days of Hollywood, when moonlighting novelists, playwrights, and journalists were first hired to write scenarios and photoplays, Screenwriting illuminates the profound ways that screenwriters have contributed to the films... more

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "Reaching back to the early days of Hollywood, when moonlighting novelists, playwrights, and journalists were first hired to write scenarios and photoplays, Screenwriting illuminates the profound ways that screenwriters have contributed to the films we love. This book explores the social, political, and economic implications of the changing craft of American screenwriting from the silent screen through the classical Hollywood years, the rise of independent cinema, and on to the contemporary global multi-media marketplace. From The Birth of a Nation (1915), Gone With the Wind (1939), and Gentleman's Agreement (1947) to Chinatown (1974), American Beauty (1999), and Lost in Translation (2003), each project began as writers with pen and ink, typewriters, or computers captured the hopes and dreams, the nightmares and concerns of the periods in which they were writing. As the contributors take us behind the silver screen to chronicle the history of screenwriting, they spotlight a range of key screenplays that changed the game in Hollywood and beyond. With original essays from both distinguished film scholars and accomplished screenwriters, Screenwriting is sure to fascinate anyone with an interest in Hollywood, from movie buffs to industry professionals. "..

     
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    Content information
    Source: Union catalogues
    Contributor: Horton, Andrew (Publisher); Hoxter, Julian (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781784530204; 9781784530211; 9780857735355
    RVK Categories: AP 44400 ; AP 50000
    Series: Behind the silver screen ; Array
    Subjects: PERFORMING ARTS / Film & Video / Screenwriting; Geschichte; Motion picture authorship; Motion picture industry; PERFORMING ARTS / Film & Video / Screenwriting; Filmproduktion; Drehbuch
    Scope: 212 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  15. Laughing out loud
    writing the comedy-centered screenplay
    Author: Horton, Andrew
    Published: 2000
    Publisher:  Univ. of California Press, Berkeley, Calif. [u.a.]

    Location:
    Universitätsbibliothek Leipzig
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    Unlimited inter-library loan, copies and loan

    Location:
    Universität Stuttgart, Bibliothek der Institute für Linguistik und Literaturwissenschaft
    Signature:
    U4--HOR80
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0520220153; 0520220145
    RVK Categories: AP 50600
    Subjects: Comedy films; Motion picture authorship
    Scope: XII, 218 S.
    Notes:

    Includes bibliographical references and index
  16. Writing the character-centered screenplay
    Author: Horton, Andrew
    Published: 1994
    Publisher:  University of California Press, Berkeley [u.a.]

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Signature:
    4.3.HOR
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    Location:
    Technische Universität Chemnitz, Universitätsbibliothek
    Signature:
    HU 1774 hor
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    Location:
    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    Signature:
    95 8 92028
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    Location:
    Universitätsbibliothek Freiburg
    Signature:
    GE 95/4411
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    Location:
    Universitätsbibliothek Hildesheim
    Signature:
    10 : 52822
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    Location:
    Universitätsbibliothek Leipzig
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    Location:
    Brechtbau-Bibliothek
    Signature:
    HE 853.072
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0520084551; 0520084578
    Other identifier:
    93037307
    RVK Categories: AP 50600
    Subjects: Motion picture authorship; Motion picture plays; Characters and characteristics in motion pictures; Creative writing; Motion picture authorship; Motion picture plays; Characters and characteristics in motion pictures
    Scope: X, 218 S., 23 cm
    Notes:

    Includes bibliographical references (p. 200-203) and index
  17. Screenwriting for a Global Market
    Selling Your Scripts from Hollywood to Hong Kong
    Author: Horton, Andrew
    Published: 2004
    Publisher:  University of California Press, Berkeley

    Cinema is a truly global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book, loaded with information on every page, provides the practical know-how for breaking into the global... more

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Cinema is a truly global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book, loaded with information on every page, provides the practical know-how for breaking into the global marketplace. It is the first book to offer specific advice on writing for screens large and small, around the world from Hollywood to New Zealand, from Europe to Russia, and for alternative American markets including Native American, regional, and experimental. The book provides valuable insider information, such as * Twenty-five percent of German televi

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520937529
    Scope: Online-Ressource (227 p.)
    Notes:

    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    Contents; Foreword; Acknowledgments; Introduction: Drink Locally, Write Globally; PART ONE. AROUND THE WORLD IN EIGHTY WAYS; Chapter 1. Have Laptop and Passport, Will Travel Personal Takes on Worldwide Screenwriting; Chapter 2. The Hollywood Influence on Worldwide Screenwriting and International/Independent Influences on Hollywood; Chapter 3. Eight Worldwide Projects Up Close; PART TWO. A CARNIVAL OF WORLDWIDE SCREENWRITERS; Chapter 4. New Zealand: Moving Beyond a National Cinema ; Chapter 5. After Naked Men and Wedding Bells Screenwriting in the United Kingdom in a New Century

    Chapter 6. Through a Mythic Lens Chapter 7. Screenwriting (and Filmmaking) in the Balkans ; Chapter 8. American TV Writing Musings of a Global Storyteller ; Chapter 9. Lew Hunter's Worldwide Screenwriting 434; Chapter 10. Building a Screenplay: A Five-Act Paradigm, or, What Syd Field Didn't Tell You ; Chapter 11. "I Want Movies to Surprise, Stimulate, and Shock Audiences": An Interview with Terry Gilliam ; Fade Out: Conclusions, New Beginnings; APPENDIXES; Appendix 1. Print Resources; Appendix 2. The Internet and Screenwriting: FADEIN.com; Appendix 3. Americans Reaching Out

    Appendix 4. Hooking into Hollywood and Beyond from OverseasAppendix 5. Finding an Agent, Producer, or Guardian Angel; Appendix 6. A Recipe for Worldwide Salmon Out of Water; Bibliography; List of Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z
  18. Screenwriting
    Contributor: Horton, Andrew (HerausgeberIn); Hoxter, Julian (HerausgeberIn)
    Published: 2014
    Publisher:  I. B. Tauris, London

    Location:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Source: Union catalogues
    Contributor: Horton, Andrew (HerausgeberIn); Hoxter, Julian (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781784530204; 9781784530211
    Other identifier:
    9781784530211
    Series: Behind the silver screen ; 8
    Subjects: Motion picture authorship
    Scope: 212 Seiten, Illustrationen
  19. Modern European filmmakers and the art of adaption
    Contributor: Horton, Andrew (Publisher)
    Published: 1981
    Publisher:  Ungar, New York, NY

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    Source: Union catalogues
    Contributor: Horton, Andrew (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0804424039
    RVK Categories: AP 47600 ; AP 50800 ; AP 53000 ; EC 7970
    Subjects: Europa; Literatur; Verfilmung; Aufsatzsammlung;
    Scope: XIV, 383 S., Ill.
    Notes:

    Literaturanagben
  20. Modern European filmmakers and the art of adaptation
    Contributor: Horton, Andrew (Publisher)
    Published: 1981
    Publisher:  Ungar, New York

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Contributor: Horton, Andrew (Publisher)
    Language: English
    Media type: Book
    ISBN: 0804424039; 0804462771
    RVK Categories: AP 50800 ; EC 2440
    Series: Ungar film library
    Subjects: Adaptations cinématographiques; Littérature européenne - Adaptations cinématographiques et télévisées; European literature; Film adaptations; Film; Literatur; Filmregisseur
    Scope: XIV, 383 S., Ill. - Ill.
  21. Screenwriting
    Contributor: Horton, Andrew (Publisher); Hoxter, Julian (Publisher)
    Published: 2014
    Publisher:  I.B. Tauris, London

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    Source: Union catalogues
    Contributor: Horton, Andrew (Publisher); Hoxter, Julian (Publisher)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781784530211
    RVK Categories: AP 44983 ; AP 50600 ; AP 50700 ; AP 59783 ; EC 7970
    Series: Behind the silver screen ; 8
    Subjects: USA; Drehbuch; Drehbuchautor; Geschichte; Aufsatzsammlung;
    Scope: 212 S., Ill.
    Notes:

    1. Machine to screen: the evolution toware story, 1895-1928 / J. Madison Davis -- Classical Hollywood, 1928-1946 / Mark Eaton -- Postwar Hollywood, 1947-1967 / Jon Lewis -- The auteur renaissance, 1968-1980 / Kevin Alexander Boon -- The New Hollywood, 1981-1999 / Julian Hoxter -- The modern entertainment marketplace, 2000-present / Mark J. Charney
  22. Screenwriting for a Global Market
    Selling Your Scripts from Hollywood to Hong Kong
    Author: Horton, Andrew
    Published: 2004
    Publisher:  University of California Press, Berkeley

    Cinema is a truly global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book, loaded with information on every page, provides the practical know-how for breaking into the global... more

    Location:
    Universität Potsdam, Universitätsbibliothek
    Inter-library loan:
    No inter-library loan

     

    Cinema is a truly global phenomenon and screenwriters who limit their ambitions to Hollywood can unnecessarily limit their careers. This book, loaded with information on every page, provides the practical know-how for breaking into the global marketplace. It is the first book to offer specific advice on writing for screens large and small, around the world from Hollywood to New Zealand, from Europe to Russia, and for alternative American markets including Native American, regional, and experimental. The book provides valuable insider information, such as * Twenty-five percent of German televi

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780520937529
    Scope: Online-Ressource (227 p.)
    Notes:

    Description based upon print version of record

    Electronic reproduction; Available via World Wide Web

    Contents; Foreword; Acknowledgments; Introduction: Drink Locally, Write Globally; PART ONE. AROUND THE WORLD IN EIGHTY WAYS; Chapter 1. Have Laptop and Passport, Will Travel Personal Takes on Worldwide Screenwriting; Chapter 2. The Hollywood Influence on Worldwide Screenwriting and International/Independent Influences on Hollywood; Chapter 3. Eight Worldwide Projects Up Close; PART TWO. A CARNIVAL OF WORLDWIDE SCREENWRITERS; Chapter 4. New Zealand: Moving Beyond a National Cinema ; Chapter 5. After Naked Men and Wedding Bells Screenwriting in the United Kingdom in a New Century

    Chapter 6. Through a Mythic Lens Chapter 7. Screenwriting (and Filmmaking) in the Balkans ; Chapter 8. American TV Writing Musings of a Global Storyteller ; Chapter 9. Lew Hunter's Worldwide Screenwriting 434; Chapter 10. Building a Screenplay: A Five-Act Paradigm, or, What Syd Field Didn't Tell You ; Chapter 11. "I Want Movies to Surprise, Stimulate, and Shock Audiences": An Interview with Terry Gilliam ; Fade Out: Conclusions, New Beginnings; APPENDIXES; Appendix 1. Print Resources; Appendix 2. The Internet and Screenwriting: FADEIN.com; Appendix 3. Americans Reaching Out

    Appendix 4. Hooking into Hollywood and Beyond from OverseasAppendix 5. Finding an Agent, Producer, or Guardian Angel; Appendix 6. A Recipe for Worldwide Salmon Out of Water; Bibliography; List of Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z
  23. Modern European filmmakers and the art of adaptation
    Contributor: Horton, Andrew (Hrsg.)
    Published: 1981
    Publisher:  Ungar, New York

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Signature:
    4.11.MOD
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
    Signature:
    tff 682/h67
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek der Eberhard Karls Universität
    Signature:
    21 A 18213
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Location:
    Brechtbau-Bibliothek
    Signature:
    HA 706.084
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Contributor: Horton, Andrew (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0804424039; 0804462771
    RVK Categories: AP 50800
    Series: Ungar film library
    Subjects: Literatur; Filmregisseur;
    Scope: 383 S.
  24. Screenwriting
    Contributor: Horton, Andrew (Publisher); Hoxter, Julian (Publisher)
    Published: [2014]; © 2014
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Screenwriters often joke that "no one ever paid a dollar at a movie theater to watch a screenplay." Yet the screenplay is where a movie begins, determining whether a production gets the "green light" from its financial backers and wins approval from... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Screenwriters often joke that "no one ever paid a dollar at a movie theater to watch a screenplay." Yet the screenplay is where a movie begins, determining whether a production gets the "green light" from its financial backers and wins approval from its audience. This innovative volume gives readers a comprehensive portrait of the art and business of screenwriting, while showing how the role of the screenwriter has evolved over the years. Reaching back to the early days of Hollywood, when moonlighting novelists, playwrights, and journalists were first hired to write scenarios and photoplays, Screenwriting illuminates the profound ways that screenwriters have contributed to the films we love. This book explores the social, political, and economic implications of the changing craft of American screenwriting from the silent screen through the classical Hollywood years, the rise of independent cinema, and on to the contemporary global multi-media marketplace. From The Birth of a Nation (1915), Gone With the Wind (1939), and Gentleman’s Agreement (1947) to Chinatown (1974), American Beauty (1999), and Lost in Translation (2003), each project began as writers with pen and ink, typewriters, or computers captured the hopes and dreams, the nightmares and concerns of the periods in which they were writing. As the contributors take us behind the silver screen to chronicle the history of screenwriting, they spotlight a range of key screenplays that changed the game in Hollywood and beyond. With original essays from both distinguished film scholars and accomplished screenwriters, Screenwriting is sure to fascinate anyone with an interest in Hollywood, from movie buffs to industry professionals

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Horton, Andrew (Publisher); Hoxter, Julian (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813563428
    Other identifier:
    Series: Behind the Silver Screen Series
    Subjects: PERFORMING ARTS / General; Motion picture authorship; Motion picture industry
    Scope: 1 online resource, 34 photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)
  25. Screenwriting
    Contributor: Horton, Andrew (Publisher); Hoxter, Julian (Publisher)
    Published: [2014]; © 2014
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Screenwriters often joke that "no one ever paid a dollar at a movie theater to watch a screenplay." Yet the screenplay is where a movie begins, determining whether a production gets the "green light" from its financial backers and wins approval from... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Technische Hochschule Augsburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Bamberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Coburg, Zentralbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Kempten, Hochschulbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Screenwriters often joke that "no one ever paid a dollar at a movie theater to watch a screenplay." Yet the screenplay is where a movie begins, determining whether a production gets the "green light" from its financial backers and wins approval from its audience. This innovative volume gives readers a comprehensive portrait of the art and business of screenwriting, while showing how the role of the screenwriter has evolved over the years. Reaching back to the early days of Hollywood, when moonlighting novelists, playwrights, and journalists were first hired to write scenarios and photoplays, Screenwriting illuminates the profound ways that screenwriters have contributed to the films we love. This book explores the social, political, and economic implications of the changing craft of American screenwriting from the silent screen through the classical Hollywood years, the rise of independent cinema, and on to the contemporary global multi-media marketplace. From The Birth of a Nation (1915), Gone With the Wind (1939), and Gentleman’s Agreement (1947) to Chinatown (1974), American Beauty (1999), and Lost in Translation (2003), each project began as writers with pen and ink, typewriters, or computers captured the hopes and dreams, the nightmares and concerns of the periods in which they were writing. As the contributors take us behind the silver screen to chronicle the history of screenwriting, they spotlight a range of key screenplays that changed the game in Hollywood and beyond. With original essays from both distinguished film scholars and accomplished screenwriters, Screenwriting is sure to fascinate anyone with an interest in Hollywood, from movie buffs to industry professionals

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Horton, Andrew (Publisher); Hoxter, Julian (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813563428
    Other identifier:
    Series: Behind the Silver Screen Series
    Subjects: PERFORMING ARTS / General; Motion picture authorship; Motion picture industry
    Scope: 1 online resource, 34 photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Sep 2019)