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Displaying results 1 to 15 of 15.

  1. Casual Shakespeare
    three centuries of verbal echoes
    Published: 2018
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    Universitätsbibliothek Augsburg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781138710146; 9780367593018
    RVK Categories: HI 3330 ; HI 3370
    Series: Routledge studies in Shakespeare ; 30
    Subjects: Quotations in literature; Zitat; Rezeption; Intertextualität
    Other subjects: Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William (1564-1616)
    Scope: xii, 199 Seiten, Diagramme
    Notes:

    Literaturverzeichnis: Seite [173]-192

    First issued in paperback 2020

  2. Casual Shakespeare
    three centuries of verbal echoes
    Published: 2018
    Publisher:  Routledge, London

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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  3. Casual Shakespeare
    three centuries of verbal echoes
    Published: 2018
    Publisher:  Routledge, London

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  4. Casual Shakespeare
    three centuries of verbal echoes
    Published: 2018
    Publisher:  Routledge, Taylor & Francis Group, New York ; London

    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Content information
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781138710146; 9780367593018
    RVK Categories: HI 3330 ; HI 3370
    Series: Routledge studies in Shakespeare ; 30
    Subjects: Quotations in literature; Zitat; Rezeption; Intertextualität
    Other subjects: Shakespeare, William 1564-1616; Shakespeare, William 1564-1616; Shakespeare, William (1564-1616)
    Scope: xii, 199 Seiten, Diagramme
    Notes:

    Literaturverzeichnis: Seite [173]-192

    First issued in paperback 2020

  5. Casual Shakespeare
    three centuries of verbal echoes
    Published: 2018
    Publisher:  Routledge, New York

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138710146
    Series: Routledge studies in Shakespeare ; 30
    Subjects: Quotations in literature
    Other subjects: Shakespeare, William 1564-1616; Shakespeare, William 1564-1616
    Scope: xii, 199 Seiten, Diagramme, 24 cm
    Notes:

    Literaturverzeichnis: Seite [173]-192

  6. The gaze of the listener
    English representations of domestic music-making
    Published: 2008
    Publisher:  Rodopi, Amsterdam [u.a.]

    Literaturverz. S. [217] -249 more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 578144
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    Universitätsbibliothek Freiburg
    GE 2009/11442
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    Deutsches Historisches Institut in Rom, Bibliothek
    Ld 17
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    Literaturverz. S. [217] -249

     

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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789042024892
    RVK Categories: LR 53590 ; EC 2440
    Series: Word and music studies ; 10
    Subjects: Music in literature; Music in literature; Music in literature; Music
    Scope: VIII, 249 S., Ill
  7. Casual Shakespeare
    three centuries of verbal echoes
    Published: 2018
    Publisher:  Routledge, Taylor & Francis Group, New York

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 30827
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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2018 A 272
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    2018 A 2817
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    68/6826
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    Herzog August Bibliothek Wolfenbüttel
    68.3073
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781138710146
    Other identifier:
    9781138710146
    RVK Categories: HI 3330
    Series: Routledge studies in Shakespeare ; 30
    Subjects: Quotations in literature; Quotations in literature
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William 1564-1616; Shakespeare, William 1564-1616
    Scope: xii, 199 Seiten, Diagramme, 23 cm
  8. Moment to Monument
    The Making and Unmaking of Cultural Significance
    Published: 2015
    Publisher:  transcript Verlag, Bielefeld ; UTB GmbH, Stuttgart

    Why do certain works of art make it into the canon while others just enjoy a brief moment of recognition, if at all? How do moments produce monuments, and why are monuments erased from our cultural memory in only a moment? - Taking into account these... more

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Why do certain works of art make it into the canon while others just enjoy a brief moment of recognition, if at all? How do moments produce monuments, and why are monuments erased from our cultural memory in only a moment? - Taking into account these cultural processes of creating, storing, remembering and forgetting that are omnipresent and have an immense influence on how we perceive artefacts and cultural events, the articles in this collection analyze the phenomenon of cultural production, transmission and reception from various angles, drawing on approaches from both literary and cultural studies. With its transdisciplinary approach, this book uniquely responds to an everyday cultural phenomenon that so far has not received such wide-ranging attention.

     

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    Source: Union catalogues
    Contributor: Ochsner, Andrea (Herausgeber); Hohl Trillini, Regula; Jermann, Jennifer; Marti, Markus
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783839409626
    RVK Categories: LH 67140 ; LH 69325 ; MR 7100
    DDC Categories: 700; 300; 800
    Edition: 1st ed.
    Series: Cultural Studies ; 32
    Subjects: Kollektives Gedächtnis; Kanon; Literatur; Rezeption; Kunstwerk
    Scope: 1 Online-Ressource (228 p.)
  9. The gaze of the listener
    English representations of domestic music-making
    Published: 2008
    Publisher:  Rodopi, Amsterdam ; EBSCO Industries, Inc., Birmingham, AL, USA

    This study analyzes representations of music in fiction, drama and poetry as well as normative texts in order to contribute to a gendered cultural history of domestic performance. From the Tudors to the First World War, playing the harpsichord or... more

    Bibliothek der Hochschule Mainz, Untergeschoss
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    This study analyzes representations of music in fiction, drama and poetry as well as normative texts in order to contribute to a gendered cultural history of domestic performance. From the Tudors to the First World War, playing the harpsichord or piano was an indispensable asset of any potential bride, and education manuals as well as courtship plots and love poems pay homage to this social function of music. The Gaze of the Listener charts the fundamental tension which determines all these texts: while music is warmly recommended in conduct books and provides standard metaphors like?concord? and?harmony? for virtuous love, a profound anxiety about its sensuous inarticulateness and implicit femininity unsettles all descriptions of actual music-making. Along with repressive plot lines, the privileging of visual perception over musical appreciation is the most telling indicator of this problem. The Gaze of the Listener is the first coherent account of this discourse and its historical continuity from the Elizabethan to the Edwardian period and provides a significant background for more narrowly focused research. Its uniquely wide database contextualizes numerous?minor? works with classics without limiting itself to the fringe phenomenon of?musician novels?. Including a fresh account of the novels of Jane Austen in their contemporary (rather than Victorian) context, the book is of interest to scholars and students in gender studies, English literature, cultural studies and musicology.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781441603432; 1441603433; 9042024895; 9789042024892
    RVK Categories: AP 14900
    Series: Word and music studies ; 10
    Subjects: Hausmusik
    Scope: 1 Online-Ressource (viii, 249 pages)
    Notes:

    Includes bibliographical references

  10. The gaze of the listener
    English representations of domestic music-making
    Published: 2008
    Publisher:  Rodopi, Amsterdam

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1441603433; 9042024895; 9781441603432; 9789042024892
    RVK Categories: LQ 84000 ; LR 53590
    Series: Word and music studies ; 10
    Subjects: TRAVEL / Special Interest / Literary; LITERARY CRITICISM / General; Art; Music and literature; Music in literature; Music / Social aspects; Geschichte; Gesellschaft; Kunst; Musik; Wissen; Music and literature; Music and literature; Music and literature; Music; Music in literature; Hausmusik
    Other subjects: Austen, Jane / 1775-1817 / Music / Knowledge / Music / Knowledge; Shakespeare, William / 1564-1616 / Music / Knowledge / Music / Knowledge; Austen, Jane / 1775-1817; Shakespeare, William / 1564-1616; Austen, Jane (1775-1817); Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (viii, 249 p.)
    Notes:

    Includes bibliographical references

    This study analyzes representations of music in fiction, drama and poetry as well as normative texts in order to contribute to a gendered cultural history of domestic performance. From the Tudors to the First World War, playing the harpsichord or piano was an indispensable asset of any potential bride, and education manuals as well as courtship plots and love poems pay homage to this social function of music. The Gaze of the Listener charts the fundamental tension which determines all these texts: while music is warmly recommended in conduct books and provides standard metaphors like ?concord? and ?harmony? for virtuous love, a profound anxiety about its sensuous inarticulateness and implicit femininity unsettles all descriptions of actual music-making. Along with repressive plot lines, the privileging of visual perception over musical appreciation is the most telling indicator of this problem. The Gaze of the Listener is the first coherent account of this discourse and its historical continuity from the Elizabethan to the Edwardian period and provides a significant background for more narrowly focused research. Its uniquely wide database contextualizes numerous ?minor? works with classics without limiting itself to the fringe phenomenon of ?musician novels?. Including a fresh account of the novels of Jane Austen in their contemporary (rather than Victorian) context, the book is of interest to scholars and students in gender studies, English literature, cultural studies and musicology

  11. The gaze of the listener
    English representations of domestic music-making
    Published: 2008
    Publisher:  Rodopi, Amsterdam

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789042024892; 9042024895
    RVK Categories: LQ 84000 ; LR 53590
    Series: Word and music studies ; 10
    Subjects: Geschichte; Gesellschaft; Musik; Wissen; Music in literature; Music in literature; Music in literature; Music; Hausmusik
    Other subjects: Austen, Jane (1775-1817); Shakespeare, William (1564-1616)
    Scope: viii, 249 p.
    Notes:

    Originally presented as: Thesis (Ph.D.)--Universität Basel, 2004

    Includes bibliographical references (p. [217]-249)

  12. Casual Shakespeare
    three centuries of verbal echoes
    Published: 2018; © 2018
    Publisher:  Routledge, Taylor & Francis Group, New York

    Casual Shakespeare is the first full-length study of the thousands of quotations both in and of Shakespeare's works which represent intertextuality outside of what is conventionally appreciated as literary value. Drawing on the insights gained as a... more

     

    Casual Shakespeare is the first full-length study of the thousands of quotations both in and of Shakespeare's works which represent intertextuality outside of what is conventionally appreciated as literary value. Drawing on the insights gained as a result of a major, ongoing Digital Humanities project, this study posits a historical continuum of casual quotation which informs Shakespeare's own works as well as their afterlives. In this groudbreaking, rigorous analysis, Dr. Regula Trillini offers readers a new approach and understanding of the use and impact quotes like the infamous, 'To be or not to be, ' have had througout literary history

     

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    Content information
    Volltext (URL des Erstveroeffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781351120944; 1351120948; 9781351120920; 1351120921; 9781351120937; 135112093X; 9781351120913; 1351120913
    Series: Routledge studies in Shakespeare
    Routledge studies in Shakespeare ; 30
    Subjects: Quotations in literature / History and criticism
    Other subjects: Shakespeare, William / 1564-1616 / Knowledge / Quotations; Shakespeare, William / 1564-1616 / Quotations
    Scope: 1 online resource (xii, 199 pages), illustrations
  13. <<The>> gaze of the listener
    English representations of domestic music-making
    Published: 2008
    Publisher:  Rodopi, Amsterdam [u.a.]

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789042024892
    RVK Categories: HG 433 ; LQ 84000 ; LR 53590
    Series: Word and music studies ; 10
    Subjects: Music; Music in literature; Music in literature; Music in literature
    Scope: VIII, 249 S.
    Notes:

    Literaturverz. S. [217] - 249

  14. The gaze of the listener
    English representations of domestic music-making
    Published: 2008
    Publisher:  Rodopi, Amsterdam

    This study analyzes representations of music in fiction, drama and poetry as well as normative texts in order to contribute to a gendered cultural history of domestic performance. From the Tudors to the First World War, playing the harpsichord or... more

    Universitätsbibliothek Erfurt / Forschungsbibliothek Gotha, Universitätsbibliothek Erfurt
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
    EBS ProQuest
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    This study analyzes representations of music in fiction, drama and poetry as well as normative texts in order to contribute to a gendered cultural history of domestic performance. From the Tudors to the First World War, playing the harpsichord or piano was an indispensable asset of any potential bride, and education manuals as well as courtship plots and love poems pay homage to this social function of music. The Gaze of the Listener charts the fundamental tension which determines all these texts: while music is warmly recommended in conduct books and provides standard metaphors like concord a

     

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9042024895; 9789042024892
    Series: Word and music studies ; 10
    Subjects: Music; Music in literature; Music in literature; Music in literature; Austen, Jane ; 1775-1817 ; Knowledge ; Music; Music ; Social aspects ; England; Music in literature ; History ; 17th century; Music in literature ; History ; 18th century; Music in literature ; History ; 19th century; Shakespeare, William ; 1564-1616 ; Knowledge ; Music; Electronic books
    Other subjects: Austen, Jane (1775-1817); Shakespeare, William (1564-1616)
    Scope: Online-Ressource (viii, 249 p), ill., music
    Notes:

    Originally presented as: Thesis (Ph.D.)--Universität Basel, 2004

    Includes bibliographical references (p. [217]-249)

    Electronic reproduction; Available via World Wide Web

    Acknowledgments; Contents; Introduction; I. Sex and the Virginals; II. "Musick in the House, Musick in the Heart, and Musick also in Heaven": The Harpsichord; III. "Accomplishments, Accomplishments, Accomplishments": The Piano-Forte; IV. "Glorious disability" The Piano and the Mid-Victorians; V. Triumph and Oblivion; Conclusion; References;

  15. Erin Minear. Reverberating Song in Shakespeare and Milton Language, Memory, and Musical Representation
    Published: 2012

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    Source: Online Contents Comparative Literature
    Media type: Article (journal)
    Format: Print
    Parent title: Renaissance quarterly; New York, NY : Cambridge University Press, 1967-; Band 65, Heft 4 (2012), Seite 1356