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  1. First films of the Holocaust
    Soviet cinema and the genocide of the Jews, 1938 - 1946
    Author: Hicks, Jeremy
    Published: [2012]; © 2012
    Publisher:  University of Pittsburgh Press, Pittsburgh, Pa.

    Most early Western perceptions of the Holocaust were based on newsreels filmed during the Allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers, who were in fact the first to... more

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    Most early Western perceptions of the Holocaust were based on newsreels filmed during the Allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers, who were in fact the first to document these horrors. In First Films of the Holocaust, Jeremy Hicks presents a pioneering study of Soviet contributions to the growing public awareness of the horrors of Nazi rule. Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda. Ironically, in the brief 1939–1941 period of Nazi and Soviet alliance, such films were also banned in the Soviet Union, only to be reclaimed after the Nazi attack on the Soviet Union in 1941, and suppressed yet again during the Cold War. Jeremy Hicks recovers much of the major film work in Soviet depictions of the Holocaust and views them within their political context, both locally and internationally. Overwhelmingly, wartime films were skewed to depict Soviet resistance, “Red funerals,” and calls for vengeance, rather than the singling out of Jewish victims by the Nazis. Almost no personal testimony of victims or synchronous sound was recorded, furthering the disconnection of the viewer to the victims. Hicks examines correspondence, scripts, reviews, and compares edited with unedited film to unearth the deliberately hidden Jewish aspects of Soviet depictions of the German invasion and occupation. To Hicks, it’s in the silences, gaps, and ellipses that the films speak most clearly. Additionally, he details the reasons why Soviet Holocaust films have been subsequently erased from collective memory in the West and the Soviet Union: their graphic horror, their use as propaganda tools, and the postwar rise of the Red Scare in the United States and anti-Semitic campaigns in the Soviet Union.

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0822962241; 9780822962243
    Other identifier:
    9780822962243
    RVK Categories: AP 50300 ; AP 44950 ; NQ 2360 ; KK 1035
    Series: Pitt series in Russian and East European studies
    Subjects: Holocaust, Jewish (1939-1945), in motion pictures; Antisemitism in motion pictures; Jews in motion pictures; Motion pictures
    Scope: IX, 300 Seiten, Illustrationen, Karten, 23 cm
    Notes:

    Literaturverzeichnis: Seite 267-283

    Filmografie: Seite 285-288

    "Right off the top of the news" : Professor Mamlock and Soviet Antifascist film -- "The beasts have taken aim at us" : Soviet newsreels screen the War and the Holocaust -- Imagining occupation : partisans and spectral Jews -- Dovzhenko : moving the boundaries of the acceptable -- Mark Donskoi's Reconstruction of Babyi Iar : The unvanquished -- Liberation of the camps -- "The dead never lie" : Soviet film, the Nuremberg Tribunal, and the Holocaust.
  2. First films of the Holocaust
    Soviet cinema and the genocide of the Jews, 1938 - 1946
    Author: Hicks, Jeremy
    Published: 2012
    Publisher:  Univ. of Pittsburgh Press, Pittsburgh, Pa.

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780822962243; 0822962241
    RVK Categories: AP 44950 ; AP 50300 ; KK 1035 ; NQ 2360
    DDC Categories: 791
    Series: Pitt series in Russian and East European studies
    Subjects: Film; Judenvernichtung <Motiv>
    Scope: IX, 300 S., Ill., Kt.
    Notes:

    Literaturverz. u. Filmogr. S. 267 - 288
  3. Mikhail Zoshchenko and the poetics of skaz
    Author: Hicks, Jeremy
    Published: 2000
    Publisher:  Astra Press, Nottingham

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 0946134618
    RVK Categories: KK 8435
    Subjects: Skaz
    Other subjects: Zoshchenko, Mikhail <1895-1958>
    Scope: VII, 202 S
    Notes:

    Zugl.: London, Univ., Diss., 2000
  4. Mikhail Zoshchenko and the poetics of Skaz
    Author: Hicks, Jeremy
    Published: 2000
    Publisher:  Astra Press, Nottingham

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    Universitätsbibliothek Bamberg
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0946134618
    RVK Categories: KK 8435
    Subjects: Literature, mass media and performing arts; Skaz; Kurzgeschichte
    Other subjects: Zoshchenko, Mikhail <1895-1958>; Zoščenko, Michail Michajlovič (1894-1958)
    Scope: 202 S.
    Notes:

    Teilw. zugl.: London, Univ., Diss.
  5. The victory banner over the Reichstag
    film, document, and ritual in Russia's contested memory of World War II
    Author: Hicks, Jeremy
    Published: [2020]
    Publisher:  University of Pittsburgh Press, Pittsburgh, Pa.

    "In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and... more

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    "In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow's Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness"--

     
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  6. First films of the Holocaust
    Soviet cinema and the genocide of the Jews, 1938 - 1946
    Author: Hicks, Jeremy
    Published: 2012
    Publisher:  Univ. of Pittsburgh Press, Pittsburgh

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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780822962243
    RVK Categories: AP 44950 ; AP 50300 ; KK 1035 ; NQ 2360
    Series: Pitt series in Russian and East European studies
    Subjects: Film; Geschichte; Holocaust, Jewish (1939-1945), in motion pictures; Antisemitism in motion pictures; Jews in motion pictures; Motion pictures; Judenvernichtung <Motiv>; Film
    Scope: IX, 300 S., zahlr. Ill., Kt.
    Notes:

    Includes filmography
  7. First films of the Holocaust
    soviet cinema and the genocide of the Jews, 1938-1946
    Author: Hicks, Jeremy
    Published: [2012]
    Publisher:  University of Pittsburgh Press, Pittsburgh

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822978084
    RVK Categories: AP 44950 ; AP 50300 ; KK 1035 ; NQ 2360
    Series: Pitt series in Russian and East European studies
    Subjects: Film; Judenvernichtung <Motiv>
    Scope: 1 Online-Ressource (IX, 300 Seiten)
  8. First films of the Holocaust
    Soviet cinema and the genocide of the Jews, 1938 - 1946
    Author: Hicks, Jeremy
    Published: 2012
    Publisher:  Univ. of Pittsburgh Press, Pittsburgh

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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9780822962243
    RVK Categories: AP 44950 ; AP 50300 ; KK 1035 ; NQ 2360
    Series: Pitt series in Russian and East European studies
    Subjects: Film; Geschichte; Holocaust, Jewish (1939-1945), in motion pictures; Antisemitism in motion pictures; Jews in motion pictures; Motion pictures; Judenvernichtung <Motiv>; Film
    Scope: IX, 300 S., zahlr. Ill., Kt.
    Notes:

    Includes filmography
  9. The Victory Banner over the Reichstag
    film, document, and ritual in Russia's contested memory of World War II
    Author: Hicks, Jeremy
    Published: [2020]; © 2020
    Publisher:  University of Pittsburgh Press, Pittsburgh, Pa.

    "In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and... more

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    "In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow's Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness"--

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822987963
    RVK Categories: NQ 2700
    Series: Russian and East European studies
    Subjects: Geschichtspolitik; Kollektives Gedächtnis; Schlacht um Berlin <Motiv>; Russlandfeldzug <1941-1945, Motiv>
    Other subjects: Berlin, Battle of, Berlin, Germany, 1945 / Motion pictures and the war; World War, 1939-1945 / Soviet Union / Flags; Soviet Union / Raboche-Krestʹi͡anskai͡a Krasnai͡a Armii͡a / Flags; Flags / Soviet Union; Emblems, State / Soviet Union; Collective memory / Russia / History / 20th century; National characteristics, Russian; War and society / History / 20th century; Soviet Union / Raboche-Krestʹi͡anskai͡a Krasnai͡a Armii͡a; Armed Forces / Flags; Collective memory; Emblems, State; Flags; National characteristics, Russian; War and motion pictures; War and society; Germany / Berlin; Russia; Soviet Union; 1900-1999; History
    Scope: 1 Online-Ressource (ix, 285 Seiten), Illustrationen
    Notes:

    The Raising of the Victory Banner -- Victory and the Postwar Stalin Cult -- The Death of Stalin and Birth of the Victory Cult -- The Victory Cult in the Age of Television -- Iconoclasm, Resanctification, and the Post-Soviet Victory Cult
  10. Mikhail Zoshchenko and the poetics of skaz
    Author: Hicks, Jeremy
    Published: 2000
    Publisher:  Astra Press, Nottingham

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 459397
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 0946134618
    RVK Categories: KK 8435
    Subjects: Skaz
    Other subjects: Zoshchenko, Mikhail <1895-1958>
    Scope: 202 S.
    Notes:

    Zugl.: London, Univ., Diss., 2000
  11. Mikhail Zoshchenko and the poetics of skaz
    Author: Hicks, Jeremy
    Published: 2000
    Publisher:  Astra Press, Nottingham

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 459397
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 0946134618
    RVK Categories: KK 8435
    Subjects: Skaz
    Other subjects: Zoshchenko, Mikhail <1895-1958>
    Scope: VII, 202 S
    Notes:

    Zugl.: London, Univ., Diss., 2000
  12. The victory banner over the Reichstag
    film, document, and ritual in Russia's contested memory of World War II
    Author: Hicks, Jeremy
    Published: [2020]
    Publisher:  University of Pittsburgh Press, Pittsburgh, Pa.

    "In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and... more

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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
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    "In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow's Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness"--

     
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  13. First films of the Holocaust
    Soviet cinema and the genocide of the Jews, 1938 - 1946
    Author: Hicks, Jeremy
    Published: [2012]; © 2012
    Publisher:  University of Pittsburgh Press, Pittsburgh, Pa.

    Most early Western perceptions of the Holocaust were based on newsreels filmed during the Allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers, who were in fact the first to... more

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    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Württembergische Landesbibliothek
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    63/18634
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    Universitätsbibliothek der Eberhard Karls Universität
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    UB Weimar
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    Most early Western perceptions of the Holocaust were based on newsreels filmed during the Allied liberation of Germany in 1945. Little, however, was reported of the initial wave of material from Soviet filmmakers, who were in fact the first to document these horrors. In First Films of the Holocaust, Jeremy Hicks presents a pioneering study of Soviet contributions to the growing public awareness of the horrors of Nazi rule. Even before the war, the Soviet film Professor Mamlock, which premiered in the United States in 1938 and coincided with the Kristallnacht pogrom, helped reinforce anti-Nazi sentiment. Yet, Soviet films were often dismissed or even banned in the West as Communist propaganda. Ironically, in the brief 1939–1941 period of Nazi and Soviet alliance, such films were also banned in the Soviet Union, only to be reclaimed after the Nazi attack on the Soviet Union in 1941, and suppressed yet again during the Cold War. Jeremy Hicks recovers much of the major film work in Soviet depictions of the Holocaust and views them within their political context, both locally and internationally. Overwhelmingly, wartime films were skewed to depict Soviet resistance, “Red funerals,” and calls for vengeance, rather than the singling out of Jewish victims by the Nazis. Almost no personal testimony of victims or synchronous sound was recorded, furthering the disconnection of the viewer to the victims. Hicks examines correspondence, scripts, reviews, and compares edited with unedited film to unearth the deliberately hidden Jewish aspects of Soviet depictions of the German invasion and occupation. To Hicks, it’s in the silences, gaps, and ellipses that the films speak most clearly. Additionally, he details the reasons why Soviet Holocaust films have been subsequently erased from collective memory in the West and the Soviet Union: their graphic horror, their use as propaganda tools, and the postwar rise of the Red Scare in the United States and anti-Semitic campaigns in the Soviet Union.

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0822962241; 9780822962243
    Other identifier:
    9780822962243
    RVK Categories: AP 50300 ; AP 44950 ; NQ 2360 ; KK 1035
    Series: Pitt series in Russian and East European studies
    Subjects: Holocaust, Jewish (1939-1945), in motion pictures; Antisemitism in motion pictures; Jews in motion pictures; Motion pictures
    Scope: IX, 300 Seiten, Illustrationen, Karten, 23 cm
    Notes:

    Literaturverzeichnis: Seite 267-283

    Filmografie: Seite 285-288

    "Right off the top of the news" : Professor Mamlock and Soviet Antifascist film -- "The beasts have taken aim at us" : Soviet newsreels screen the War and the Holocaust -- Imagining occupation : partisans and spectral Jews -- Dovzhenko : moving the boundaries of the acceptable -- Mark Donskoi's Reconstruction of Babyi Iar : The unvanquished -- Liberation of the camps -- "The dead never lie" : Soviet film, the Nuremberg Tribunal, and the Holocaust.
  14. Victory banner over the Reichstag
    film, document and ritual in Russia's contested memory of World War II
    Author: Hicks, Jeremy
    Published: [2020]; © 2020
    Publisher:  University of Pittsburgh Press, Pittsburgh, Pa.

    Intro -- Contents -- Acknowledgments -- A Note on Transliteration and Document Citation -- Introduction -- 1. The Raising of the Victory Banner -- 2. Victory and the Postwar Stalin Cult -- 3. The Death of Stalin and Birth of the Victory Cult -- 4.... more

     

    Intro -- Contents -- Acknowledgments -- A Note on Transliteration and Document Citation -- Introduction -- 1. The Raising of the Victory Banner -- 2. Victory and the Postwar Stalin Cult -- 3. The Death of Stalin and Birth of the Victory Cult -- 4. The Victory Cult in the Age of Television -- 5. Iconoclasm, Resanctification, and the Post-Soviet Victory Cult -- Conclusion -- Notes -- Bibliography -- Index

     
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822987963
    Series: Russian and East European studies
    Subjects: World War, 1939-1945; Berlin, Battle of, Berlin, Germany, 1945; Flags; Emblems, State; Collective memory; National characteristics, Russian; War and society; Electronic books
    Scope: 1 Online-Ressource (ix, 285 Seiten)
  15. The Victory Banner over the Reichstag
    film, document, and ritual in Russia's contested memory of World War II
    Author: Hicks, Jeremy
    Published: [2020]; © 2020
    Publisher:  University of Pittsburgh Press, Pittsburgh, Pa.

    "In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and... more

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    Institut für Zeitgeschichte München-Berlin, Bibliothek
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    "In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow's Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness"--

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822987963
    RVK Categories: NQ 2700
    Series: Russian and East European studies
    Subjects: Geschichtspolitik; Kollektives Gedächtnis; Schlacht um Berlin <Motiv>; Russlandfeldzug <1941-1945, Motiv>
    Other subjects: Berlin, Battle of, Berlin, Germany, 1945 / Motion pictures and the war; World War, 1939-1945 / Soviet Union / Flags; Soviet Union / Raboche-Krestʹi͡anskai͡a Krasnai͡a Armii͡a / Flags; Flags / Soviet Union; Emblems, State / Soviet Union; Collective memory / Russia / History / 20th century; National characteristics, Russian; War and society / History / 20th century; Soviet Union / Raboche-Krestʹi͡anskai͡a Krasnai͡a Armii͡a; Armed Forces / Flags; Collective memory; Emblems, State; Flags; National characteristics, Russian; War and motion pictures; War and society; Germany / Berlin; Russia; Soviet Union; 1900-1999; History
    Scope: 1 Online-Ressource (ix, 285 Seiten), Illustrationen
    Notes:

    The Raising of the Victory Banner -- Victory and the Postwar Stalin Cult -- The Death of Stalin and Birth of the Victory Cult -- The Victory Cult in the Age of Television -- Iconoclasm, Resanctification, and the Post-Soviet Victory Cult
  16. Mikhail Zoshchenko and the poetics of skaz
    Author: Hicks, Jeremy
    Published: 2000
    Publisher:  Astra Press, Nottingham

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 0946134618
    RVK Categories: KK 8435
    Subjects: Skaz
    Other subjects: Zoshchenko, Mikhail <1895-1958>
    Scope: 202 S.
    Notes:

    Zugl.: London, Univ., Diss., 2000
  17. The victory banner over the Reichstag
    film, document, and ritual in Russia's contested memory of World War II
    Author: Hicks, Jeremy
    Published: [2020]; © 2020
    Publisher:  University of Pittsburgh Press, Pittsburgh, Pa.

    In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and... more

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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    Signature:
    NQ 2700 122
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signature:
    2024/1114
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    Universitätsbibliothek Heidelberg
    Signature:
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Leibniz-Zentrum für Zeithistorische Forschung Potsdam, Bibliothek
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    ZZF 39035
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    Württembergische Landesbibliothek
    Signature:
    72/1839
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    In one of the most iconic images from World War II, a Russian soldier raises a red flag atop the ruins of the German Reichstag on April 30, 1945. Known as the Victory Banner, this piece of fabric has come to symbolize Russian triumph, glory, and patriotism. Facsimiles are used in public celebrations all over the country, and an exact replica is the centerpiece in the annual Victory Parade in Moscow’s Red Square. The Victory Banner Over the Reichstag examines how and why this symbol was created, the changing media of its expression, and the contested evolution of its message. From association with Stalinism and communism to its acquisition of Russian nationalist meaning, Jeremy Hicks demonstrates how this symbol was used to construct a collective Russian memory of the war. He traces how the Soviets, and then Vladimir Putin, have used this image and the banner itself to build a remarkably powerful mythology of Russian greatness.

     
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    Content information
    Rezension (H-Soz-Kult)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780822946502
    Other identifier:
    9780822946502
    RVK Categories: NQ 2700 ; NQ 8294
    Series: Russian and East European studies
    Subjects: World War, 1939-1945; Berlin, Battle of, Berlin, Germany, 1945; Flags; Emblems, State; Collective memory; National characteristics, Russian; War and society
    Scope: ix, 285 Seiten, Illustrationen
    Notes:

    Quellen- und Literaturverzeichnis: Seite 261-276

    Enthält ein Register
  18. Bewegte und unbewegte Blicke der Toten
    aus dem Warschauer Ghetto und Charkiv
    Author: Hicks, Jeremy

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Media type: Part of a book
    Parent title: In: Bildformeln : visuelle Erinnerungskulturen in Osteuropa.(2018); 2018; S. 213 - 228
  19. First films of the Holocaust
    Soviet cinema and the genocide of the Jews, 1938 - 1946
    Author: Hicks, Jeremy
    Published: 2012
    Publisher:  Univ. of Pittsburgh Press, Pittsburgh, Pa.

    Location:
    Ruhr-Universität Bochum, Fakultät für Geschichtswissenschaft, Historische Bibliothek
    Signature:
    Po 10/92
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    Ruhr-Universität Bochum, Fakultät für Philologie, Institut für Medienwissenschaft, Bibliothek
    Signature:
    Ci II/3/RU 11
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    Universitäts- und Landesbibliothek Bonn
    Signature:
    2013/3544
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    Universitäts- und Landesbibliothek Düsseldorf
    Signature:
    hise986.h631
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    Historisches Institut, Abteilung für Osteuropäische Geschichte, Bibliothek
    Signature:
    425/144.194a
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    Universitätsbibliothek Wuppertal
    Signature:
    LHM2071
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780822962243; 0822962241
    Series: Pitt series in Russian and East European studies
    Subjects: Holocaust, Jewish (1939-1945), in motion pictures; Antisemitism in motion pictures; Jews in motion pictures; Motion pictures; Film; Judenvernichtung <Motiv>
    Scope: IX, 300 S., Ill., Kt.
  20. The victory banner over the Reichstag
    film, document, and ritual in Russia's contested memory of World War II
    Author: Hicks, Jeremy
    Published: [2020]; ©2020
    Publisher:  University of Pittsburgh Press, Pittsburgh, Pennsylvania

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780822987963
    RVK Categories: NQ 2700
    Subjects: Flags; War and society; World War, 1939-1945; Collective memory; Kollektives Gedächtnis; Russlandfeldzug <1941-1945, Motiv>; Geschichtspolitik; Schlacht um Berlin <Motiv>
    Scope: 1 Online-Ressource (296 pages), illustrations
    Notes:

    Description based on print version record
  21. First films of the Holocaust
    Soviet cinema and the genocide of the Jews, 1938 - 1946
    Author: Hicks, Jeremy
    Published: 2012
    Publisher:  Univ. of Pittsburgh Press, Pittsburgh, Pa.

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Universitäts- und Landesbibliothek Bonn
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    Universitäts- und Landesbibliothek Düsseldorf
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Universitätsbibliothek Wuppertal
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780822962243; 0822962241
    Series: Pitt series in Russian and East European studies
    Subjects: Holocaust, Jewish (1939-1945), in motion pictures; Antisemitism in motion pictures; Jews in motion pictures; Motion pictures
    Scope: IX, 300 S. : Ill., Kt.
  22. First films of the Holocaust
    Soviet cinema and the genocide of the Jews, 1938-1946
    Author: Hicks, Jeremy
    Published: [2012]
    Publisher:  University of Pittsburgh Press, Pittsburgh, Pa.

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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780822962243; 0822962241
    Other identifier:
    40021651355
    Series: Pitt series in Russian and East European studies
    Subjects: Film; Judenvernichtung <Motiv>
    Other subjects: (fast)Holocaust, Jewish (1939-1945); (fast)1939 - 1945; (lcsh)Holocaust, Jewish (1939-1945), in motion pictures.; (lcsh)Antisemitism in motion pictures.; (lcsh)Jews in motion pictures.; (lcsh)Motion pictures--Soviet Union--History.; (fast)Antisemitism.; (fast)Jews.; (fast)Motion pictures.; (fast)Soviet Union.; (fast)History.
    Scope: IX, 300 Seiten, Illustrationen, 23 cm
  23. REVIEWS - Mikhail Zoschenko and the Poetics of Skaz
    Author: Hicks, Jeremy
    Published: 2002

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    Source: Online Contents Comparative Literature
    Contributor: Pursglove, Michael
    Media type: Article (journal)
    Format: Print
    Parent title: The modern language review; London : MHRA, 1905-; Band 97, Heft 3 (2002), Seite 779

  24. REVIEWS - The Garnett Book of Russian Verse: A Treasury of Russian Poets from 1730 to 1996
    Author: Rayfield, Donald
    Published: 2003

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    Source: Online Contents Comparative Literature
    Contributor: Hicks, Jeremy; Makarova, Olga; Pilkington, Anna; Pursglove, Michael
    Media type: Article (journal)
    Format: Print
    Parent title: The modern language review; London : MHRA, 1905-; Band 98, Heft 2 (2003), Seite 537

  25. REVIEWS - Vsevolod Pudovkin: Classic Films of the Soviet Avant-Garde
    Author: Sargeant, Amy
    Published: 2003

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    Source: Online Contents Comparative Literature
    Contributor: Hicks, Jeremy
    Media type: Article (journal)
    Format: Print
    Parent title: The modern language review; London : MHRA, 1905-; Band 98, Heft 4 (2003), Seite 1070