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  1. The Objectivist Nexus
    Essays in Cultural Poetics
    Author: DuPlessis, Rachel Blau
    Published: 2015
    Publisher:  University of Alabama Press, Tuscaloosa

    ""Objectivist"" writers, conjoined through a variety of personal, ideological, and literary-historical links, have, from the late 1920s to the present, attracted emulation and suspicion. Representing a nonsymbolist, postimagist poetics and... more

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    Universität Mainz, Zentralbibliothek
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    ""Objectivist"" writers, conjoined through a variety of personal, ideological, and literary-historical links, have, from the late 1920s to the present, attracted emulation and suspicion. Representing a nonsymbolist, postimagist poetics and characterized by a historical, realist, antimythological worldview, Objectivists have retained their outsider status. Despite such status, however, the formal, intellectual, ideological, and ethical concerns of the Objectivist nexus have increasingly influenced poetry and poetics in the United States.Thus, argue editors Rachel Blau DuPlessis and Peter Quarte...

     
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    Source: Union catalogues
    Contributor: Quartermain, Peter; Homberger, Eric; Middleton, Peter; Hatlen, Burton; Golding, Alan; Altieri, Charles; di Manno, Yves; Bernstein, Charles; Seed, John; Heller, Michael
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780817309749; 9780817389222 (Sekundärausgabe)
    RVK Categories: HU 1769
    Series: Modern & Contemporary Poetics
    Subjects: Amerikanisches Englisch; Lyrik; Soziale Probleme; Objektivismus
    Scope: 393 p.
    Notes:

    Description based upon print version of record

    Online-Ausg.:
  2. Writing into the future
    new American poetries from "The dial" to the digital
    Author: Golding, Alan
    Published: [2022]
    Publisher:  The University of Alabama Press, Tuscaloosa

    The dial, The little review, and the dialogics of the modernist "new" -- The new American poetry revisisted again -- New, newer, and the newest American poetries -- Poetry anthologies and the idea of the "mainstream" -- Serial form in George Oppen... more

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    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    The dial, The little review, and the dialogics of the modernist "new" -- The new American poetry revisisted again -- New, newer, and the newest American poetries -- Poetry anthologies and the idea of the "mainstream" -- Serial form in George Oppen and Robert Creeley -- Place, space, and "new syntax" in Oppen's Seascape: needle's eye -- Macro, micro, material : Rachel Blau DuPlessis's Drafts and the post-objectivist serial poem -- Drafts and fragments : Rachel Blau DuPlessis's (counter-)Poudian project -- "Drawings with words" : Susan Howe's visual feminist poetics -- Authority, marginality, England, and Ireland in the work of Susan Howe -- Bruce Andrews, writing, and "poetry" -- "What about all this writing?" : Williams and alternative poetics -- Language writing, digital poetics, and transitional materialities. "A career-spanning collection of essays from a leading scholar of avant-garde poetry, this work collects Alan Golding's essays on the futures (past and present) of poetry and poetics. Throughout the 13 essays gathered in this collection, Golding skillfully joins literary critique with a concern for history and a sociological inquiry into the creation of poetry. In Golding's view, these are not disparate or even entirely distinct critical tasks. He is able to fruitfully interrogate canons and traditions, both on the page and in the politics of text, culture, and institution. A central thread running through the chapters is a longstanding interest in how various versions of the "new" have been constructed, received, extended, recycled, resisted, and reanimated in American poetry since modernism. To chart the new, Golding contends with both the production and the reception of poetry, in addition to analyzing the poems themselves. In a generally chronological order, Golding reconsiders the meaning for contemporary poets of high modernists like Ezra Pound and William Carlos Williams, as well as the influential poetry venues The Dial and The Little Review, where less prominent but still vital poets contested what should come "next." Subsequent essays track that contestation through The New American Poetry and later anthologies. Mid-century major figures like Robert Creeley and George Oppen are discussed in their shared concern for the serial poem. Golding's essays bring us all the way back to the present of the poetic future, with writing on active poets like Rachel Blau DuPlessis, Susan Howe, and Bruce Andrews and on the anticipation of digital poetics in the material texts of Language writing. Golding charts the work of defining poetry's future and how we rewrite the past for an unfolding present"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780817360498
    Series: Modern and contemporary poetics
    Subjects: Lyrik
    Other subjects: American poetry / 20th century / History and criticism; American poetry / 21st century / History and criticism; Poetics; LITERARY CRITICISM / Poetry; LITERARY CRITICISM / American / General
    Scope: xvi, 335 Seiten, Illustrationen
    Notes:

    Includes bibliographical references and index
  3. Writing into the future
    new American poetries from the dial to the digital
    Author: Golding, Alan
    Published: 2022; ©2022
    Publisher:  The University of Alabama Press, Tuscaloosa

    The dial, The little review, and the dialogics of the modernist "new" -- The new American poetry revisisted again -- New, newer, and the newest American poetries -- Poetry anthologies and the idea of the "mainstream" -- Serial form in George Oppen... more

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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    A 2022/4370
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    Universitätsbibliothek Mannheim
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    500 HV 17690 G619
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    The dial, The little review, and the dialogics of the modernist "new" -- The new American poetry revisisted again -- New, newer, and the newest American poetries -- Poetry anthologies and the idea of the "mainstream" -- Serial form in George Oppen and Robert Creeley -- Place, space, and "new syntax" in Oppen's Seascape: needle's eye -- Macro, micro, material : Rachel Blau DuPlessis's Drafts and the post-objectivist serial poem -- Drafts and fragments : Rachel Blau DuPlessis's (counter-)Poudian project -- "Drawings with words" : Susan Howe's visual feminist poetics -- Authority, marginality, England, and Ireland in the work of Susan Howe -- Bruce Andrews, writing, and "poetry" -- "What about all this writing?" : Williams and alternative poetics -- Language writing, digital poetics, and transitional materialities. "A career-spanning collection of essays from a leading scholar of avant-garde poetry, this work collects Alan Golding's essays on the futures (past and present) of poetry and poetics. Throughout the 13 essays gathered in this collection, Golding skillfully joins literary critique with a concern for history and a sociological inquiry into the creation of poetry. In Golding's view, these are not disparate or even entirely distinct critical tasks. He is able to fruitfully interrogate canons and traditions, both on the page and in the politics of text, culture, and institution. A central thread running through the chapters is a longstanding interest in how various versions of the "new" have been constructed, received, extended, recycled, resisted, and reanimated in American poetry since modernism. To chart the new, Golding contends with both the production and the reception of poetry, in addition to analyzing the poems themselves. In a generally chronological order, Golding reconsiders the meaning for contemporary poets of high modernists like Ezra Pound and William Carlos Williams, as well as the influential poetry venues The Dial and The Little Review, where less prominent but still vital poets contested what should come "next." Subsequent essays track that contestation through The New American Poetry and later anthologies. Mid-century major figures like Robert Creeley and George Oppen are discussed in their shared concern for the serial poem. Golding's essays bring us all the way back to the present of the poetic future, with writing on active poets like Rachel Blau DuPlessis, Susan Howe, and Bruce Andrews and on the anticipation of digital poetics in the material texts of Language writing. Golding charts the work of defining poetry's future and how we rewrite the past for an unfolding present"--

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780817360498
    RVK Categories: HV 17690
    Series: Modern and contemporary poetics
    Subjects: American poetry; American poetry; Poetics; LITERARY CRITICISM / Poetry; LITERARY CRITICISM / American / General
    Scope: xvi, 335 Seiten, Illustrationen
    Notes:

    Enthält zitierte Werke Seite 297-320, Index Seite 321-335
  4. From outlaw to classic
    canons in American poetry
    Author: Golding, Alan
    Published: 1995
    Publisher:  Univ. of Wisconsin Press, Madison, Wis.[u.a.]

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    85.915.75
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    Universität Mainz, Zentralbibliothek
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    185.750
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0299146049; 0299146006
    RVK Categories: HR 1769
    Edition: 1. [Dr.]
    Series: Wisconsin project on American writers
    Subjects: Kanon; Literatur
    Scope: XVII, 243 S.
    Notes:

    Literaturverz. S. 211 - 234
  5. Writing into the Future
    New American Poetries from the Dial to the Digital
    Author: Golding, Alan
    Published: 2022
    Publisher:  University of Alabama Press, Tuscaloosa ; ProQuest, Ann Arbor, Michigan

    Location:
    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780817394110
    Edition: 1st ed.
    Series: Modern and Contemporary Poetics Ser.
    Scope: 1 Online-Ressource (354 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  6. From outlaw to classic
    canons in American poetry
    Author: Golding, Alan
    Published: 1995
    Publisher:  University of Wisconsin Press, Madison ; [ProQuest], [Ann Arbor, Michigan]

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    Universität Frankfurt, Elektronische Ressourcen
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Series: Wisconsin project on American writers
    Scope: xvii, 243 p.
    Notes:

    Includes bibliographical references (p. 211-234) and index
  7. From outlaw to classic
    canons in American poetry
    Author: Golding, Alan
    Published: 1995
    Publisher:  Univ. of Wisconsin Press, Madison, Wis. [u.a.]

    From Outlaw to Classic presents a sweeping history of the forces that have shaped, and continue to shape, the American poetry canon. Students, scholars, critics, and poets will welcome this enlightening and impressively documented book. Recent... more

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    Universitätsbibliothek Bamberg
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    From Outlaw to Classic presents a sweeping history of the forces that have shaped, and continue to shape, the American poetry canon. Students, scholars, critics, and poets will welcome this enlightening and impressively documented book. Recent writings by critics and theorists on literary canons have dealt almost exclusively with prose; Alan Golding shows that, like all canons, those of American poetry are characterized by conflict. Choosing a series of varied but representative instances, he analyzes battles and contentions among poets, anthologists, poetry magazine editors, and schools of thought in university English departments. The chapters present a history of American poetry anthologies; compare competing models of canon-formation, the aesthetic (poet-centered) and the institutional (critic-centered); discuss the influence of the New Critics, emphasizing their status as practicing poets, their anti-nationalist reading of American poetry, and the landmark textbook, Understanding Poetry by Cleanth Brooks and Robert Penn Warren; examine the canonizing effects of an experimental "little magazine," Origin; and trace how the Language poets address, in both their theory and their method, the canonizing institutions and canonical assumptions of the age.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0299146006; 0299146049
    RVK Categories: HR 1769
    Series: The Wisconsin project on American writers
    Subjects: Amerikaans; Canon; Gedichten; Lyrik; American poetry; Canon (Literature); Lyrik; Kanon
    Scope: XVII, 243 S.
  8. From outlaw to classic
    canons in American poetry
    Author: Golding, Alan
    Published: c1995
    Publisher:  University of Wisconsin Press, Madison

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0299146006; 9780299146047
    RVK Categories: HR 1769
    Series: Wisconsin project on American writers
    Subjects: Canon (Literature); American poetry; Kanon; Lyrik
    Scope: xvii, 243 p
    Notes:

    Includes bibliographical references (p. 211-234) and index
  9. Poetry And Contemporary Culture
    The Question of Value
    Author: Roberts, A.M.; Allison, Jonathan
    Published: [2002]; ©2002
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    The cultural value of poetry is critically examined in this book, from anthologies and academia to film and the internet. Attention is also given to the role of political ideologies and local, national and ethnic identities in the formation of poetic... more

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    The cultural value of poetry is critically examined in this book, from anthologies and academia to film and the internet. Attention is also given to the role of political ideologies and local, national and ethnic identities in the formation of poetic values.With chapters by distinguished critics from both sides of the Atlantic, the book ranges widely over contemporary poetry in America and the British Isles and explores transatlantic connections. Informed by current theoretical debates around ideas of value, the chapters focus these through clear discussion of texts in various media, including the work of a wide variety of poets and movements. The book carries forward the debate on the value of contemporary poetry amongst critics, scholars and practitioners while offering rich material for students and teachers of contemporary poetry and culture.Contributors: Jonathan Allison, Vicki Bertram, Paul Breslin, Cairns Craig, Robert Crawford, Lilias Fraser, Alan Golding, Romana Huk, Marjorie Perloff, Andrew Michael Roberts.Key FeaturesFocuses on the relationship between poetry and cultural practicesInformed by current theoretical debates about valueWide range of British and American poetry discussed by leading critics from both sides of the Atlantic...

     
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    Source: Union catalogues
    Contributor: Bertram, Vicki (Mitwirkender); Breslin, Paul (Mitwirkender); Craig, Cairns (Mitwirkender); Crawford, Robert (Mitwirkender); Fraser, Lilias (Mitwirkender); Golding, Alan (Mitwirkender); Huk, Romana (Mitwirkender); Perloff, Marjorie (Mitwirkender); Roberts, Andrew Michael (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474472074
    Other identifier:
    RVK Categories: EC 4360
    Subjects: Englisch; Lyrik
    Scope: 1 Online-Ressource (240 p.)
  10. From outlaw to classic
    canons in American poetry
    Author: Golding, Alan
    Published: 1995
    Publisher:  University of Wisconsin Press, Madison, Wis.

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    Universitätsbibliothek Freiburg
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    GE 95/11840
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    95 A 11721
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    F SB 1511
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    ame 572/g65
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    Universitätsbibliothek Mannheim
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    500 HR 1769 G619
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    Saarländische Universitäts- und Landesbibliothek
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    96-2646
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    Universität des Saarlandes, Fachrichtung Anglistik, Amerikanistik und Anglophone Kulturen, Bibliothek
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    Brechtbau-Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0299146049; 0299146006; 9780299146047
    RVK Categories: HR 1769
    Series: Wisconsin project on American writers
    Subjects: Literature
    Scope: XVII, 243 S.
  11. From outlaw to classic
    canons in American poetry
    Author: Golding, Alan
    Published: 1995
    Publisher:  Univ. of Wisconsin Press, Madison, Wis. [u.a.]

    From Outlaw to Classic presents a sweeping history of the forces that have shaped, and continue to shape, the American poetry canon. Students, scholars, critics, and poets will welcome this enlightening and impressively documented book. Recent... more

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    Freie Universität Berlin, Universitätsbibliothek
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    From Outlaw to Classic presents a sweeping history of the forces that have shaped, and continue to shape, the American poetry canon. Students, scholars, critics, and poets will welcome this enlightening and impressively documented book. Recent writings by critics and theorists on literary canons have dealt almost exclusively with prose; Alan Golding shows that, like all canons, those of American poetry are characterized by conflict. Choosing a series of varied but representative instances, he analyzes battles and contentions among poets, anthologists, poetry magazine editors, and schools of thought in university English departments. The chapters present a history of American poetry anthologies; compare competing models of canon-formation, the aesthetic (poet-centered) and the institutional (critic-centered); discuss the influence of the New Critics, emphasizing their status as practicing poets, their anti-nationalist reading of American poetry, and the landmark textbook, Understanding Poetry by Cleanth Brooks and Robert Penn Warren; examine the canonizing effects of an experimental "little magazine," Origin; and trace how the Language poets address, in both their theory and their method, the canonizing institutions and canonical assumptions of the age.

     
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 0299146006; 0299146049
    RVK Categories: HR 1769
    Series: The Wisconsin project on American writers
    Subjects: Amerikaans; Canon; Gedichten; Lyrik; American poetry; Canon (Literature); Lyrik; Kanon
    Scope: XVII, 243 S.
  12. From outlaw to classic
    canons in American poetry
    Author: Golding, Alan
    Published: 1995
    Publisher:  Univ. of Wisconsin Press, Madison, Wis.

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0299146006; 0299146049
    RVK Categories: HR 1769
    Series: <<The>> Wisconsin project on American writers
    WIS edition original paperback
    Subjects: Array; Canon (Literature)
    Scope: XVII, 243 S.
    Notes:

    Literaturverz. S. 211 - 234
  13. The New American Poetry Revisited, Again
    Author: Golding, Alan
    Published: 1998

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    Source: Online Contents Comparative Literature
    Media type: Article (journal)
    Format: Print
    Parent title: Contemporary literature; Madison, Wis. : Univ. Press, 1968-; Band 39, Heft 2 (1998), Seite 180-211; 24 cm

  14. From Outlaw to Classic: Canons in American Poetry
    Author: Golding, Alan
    Published: 1998

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    Source: Online Contents Comparative Literature
    Contributor: Hammer, Langdon
    Media type: Article (journal)
    Format: Print
    Parent title: Modern philology; Chicago, Ill. : Univ. of Chicago Press, 1903-; Band 95, Heft 3 (1998), Seite 433

  15. Perloff, Marjorie: Unoriginal genius [Rezension]
    Author: Golding, Alan
    Published: 2013

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    Source: Online Contents Comparative Literature
    Language: English
    Media type: Article (journal); Review
    Format: Print
    Parent title: In: Comparative literature studies; University Park, PA : Pennsylvania State Univ. Press, 1963-; Band 50, Heft 4 (2013), Seite 710-714

  16. Avant-Gardes and American Poetry
    Author: Golding, Alan
    Published: 1994

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    Source: Online Contents Comparative Literature
    Media type: Article (journal)
    Format: Print
    Parent title: Contemporary literature; Madison, Wis. : Univ. Press, 1968-; Band 35, Heft 1 (1994), Seite 156-170; 24 cm

  17. Learning to Be Modern: Pound, Eliot, and the American University
    Author: McDonald, Gail
    Published: 1996

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    Source: Online Contents Comparative Literature
    Contributor: Golding, Alan
    Media type: Article (journal)
    Format: Print
    Parent title: Modern philology; Chicago, Ill. : Univ. of Chicago Press, 1903-; Band 94, Heft 1 (1996), Seite 124-128

  18. BOOK REVIEWS - Review Essay - From Outlaw to Classic: Canons in American Poetry
    Author: Shaw, Lytle
    Published: 1999

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    Source: Online Contents Comparative Literature
    Contributor: Golding, Alan
    Media type: Article (journal)
    Format: Print
    Parent title: Criticism; Detroit, Mich. : Wayne State Univ. Press, 1959-; Band 41, Heft 3 (1999), Seite 403

  19. From Outlaw to Classic
    Canons in American Poetry
    Author: Golding, Alan
    Published: 2010
    Publisher:  University of Wisconsin Press, Madison

    Intro -- Contents -- Acknowledgments -- Introduction -- 1. A History of American Poetry Anthologies -- 2. Poets Canonizing Poets: John Berryman's "Homage to Mistress Bradtreet" -- 3. The New Criticism and American Poetry in the Academy -- 4. Little... more

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    Duale Hochschule Baden-Württemberg Heidenheim, Bibliothek
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    e-Book Academic Complete
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    Bibliothek LIV HN Sontheim
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    Bibliothek LIV HN Sontheim
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    Duale Hochschule Baden-Württemberg Stuttgart, Campus Horb, Bibliothek
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    Duale Hochschule Baden-Württemberg Lörrach, Zentralbibliothek
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    Duale Hochschule Baden-Württemberg Mannheim, Bibliothek
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    Duale Hochschule Baden-Württemberg Mosbach, Bibliothek
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    Hochschulbibliothek Friedensau
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    Duale Hochschule Baden-Württemberg Ravensburg, Bibliothek
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    Duale Hochschule Baden-Württemberg Stuttgart, Bibliothek
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    Kommunikations-, Informations- und Medienzentrum der Universität Hohenheim
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    Duale Hochschule Baden-Württemberg Villingen-Schwenningen, Bibliothek
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    Intro -- Contents -- Acknowledgments -- Introduction -- 1. A History of American Poetry Anthologies -- 2. Poets Canonizing Poets: John Berryman's "Homage to Mistress Bradtreet" -- 3. The New Criticism and American Poetry in the Academy -- 4. Little Magazines and Alternative Canons: The Example of Origin -- 5. "Provisionally complicit resistance": Language Writing and the Institution(s) of Poetry -- Notes -- Works Cited -- Index.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780299146047
    Series: Wisconsin Project on American Writers
    Wisconsin Project on American Writers Ser.
    Subjects: American poetry ; History and criticism; Canon (Literature); Electronic books
    Scope: Online-Ressource (266 p)
    Notes:

    Description based upon print version of record

    ""Contents""; ""Acknowledgments""; ""Introduction""; ""1. A History of American Poetry Anthologies ""; ""2. Poets Canonizing Poets: John Berryman's ""Homage to Mistress Bradtreet"" ""; ""3. The New Criticism and American Poetry in the Academy""; ""4. Little Magazines and Alternative Canons: The Example of Origin""; ""5. ""Provisionally complicit resistance"": Language Writing and the Institution(s) of Poetry""; ""Notes ""; ""Works Cited ""; ""Index""
  20. Radical Vernacular
    Lorine Niedecker and the Poetics of Place
    Author: Willis, Elizabeth
    Published: 2008; ©2008.
    Publisher:  University of Iowa Press, Iowa City

    In Radical Vernacular, Elizabeth Willis collects essays by leading poets and scholars that make a major contribution to the study of an important but long overlooked American poet. This pathbreaking volume contains essays by seventeen leading... more

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    In Radical Vernacular, Elizabeth Willis collects essays by leading poets and scholars that make a major contribution to the study of an important but long overlooked American poet. This pathbreaking volume contains essays by seventeen leading scholars: Rae Armantrout, Glenna Breslin, Michael Davidson, Rachel Blau DuPlessis, Ruth Jennison, Peter Middleton, Jenny Penberthy, Mary Pinard, Patrick Pritchett, Peter Quartermain, Lisa Robertson, Elizabeth Robinson, Eleni Sikelianos, Jonathan Skinner, Anne Waldman, Eliot Weinberger, and Elizabeth Willis. Intro -- Contents -- Acknowledgments -- Abbreviations -- Introduction -- Natural and Political Histories -- Life by Water: Lorine Niedecker and Critical Regionalism -- Niedecker's Grammar of Flooding -- Life Pops from a Music Box Shaped Like a Gun: Dismemberments and Mendingsin Niedecker's Figures -- Particular Attention: Lorine Niedecker's Natural Histories -- Writing Lake Superior -- Sounding Process -- In Phonographic Deep Song: Sounding Niedecker -- How to Do Things with Nothing: Lorine Niedecker Sings the Blues -- Darkinfested -- Music Becomes Story: Lyric and Narrative Patterning in the Work of Lorine Niedecker -- Waking into Ideology: Lorine Niedecker's Experiments in the Syntax of Consciousness -- Lorine Niedecker's "Paean to Place" and Its Reflective Fusions -- Niedecker and Company -- Niedecker/Reznikoff -- Lorine Niedecker: The Poet in Her Homeplace -- Who Is Sounding? Awakened View, Gaps, Silence, Cage, Niedecker -- The Poetics of Affinity: Niedecker, Morris, and the Art of Work -- The British Niedecker -- Take Oil / and Hum: Niedecker / Bunting -- Selected Bibliography -- Contributors -- Index -- Contemporary North American Poetry Series.

     
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    Source: Union catalogues
    Contributor: Golding, Alan (MitwirkendeR); Keller, Lynn (MitwirkendeR); Morris, Adalaide Kirby (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781587297762; 1587296985; 9781587296987
    Series: Contemp North American Poetry
    Subjects: Niedecker, Lorine ; Criticism and interpretation; Electronic books
    Other subjects: Niedecker, Lorine
    Scope: 1 online resource (335 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

    Contents; Acknowledgments; Abbreviations; Introduction; Natural and Political Histories; Life by Water: Lorine Niedecker and Critical Regionalism; Niedecker's Grammar of Flooding; Life Pops from a Music Box Shaped Like a Gun: Dismemberments and Mendingsin Niedecker's Figures; Particular Attention: Lorine Niedecker's Natural Histories; Writing Lake Superior; Sounding Process; In Phonographic Deep Song: Sounding Niedecker; How to Do Things with Nothing: Lorine Niedecker Sings the Blues; Darkinfested; Music Becomes Story: Lyric and Narrative Patterning in the Work of Lorine Niedecker

    Waking into Ideology: Lorine Niedecker's Experiments in the Syntax of ConsciousnessLorine Niedecker's "Paean to Place" and Its Reflective Fusions; Niedecker and Company; Niedecker/Reznikoff; Lorine Niedecker: The Poet in Her Homeplace; Who Is Sounding? Awakened View, Gaps, Silence, Cage, Niedecker; The Poetics of Affinity: Niedecker, Morris, and the Art of Work; The British Niedecker; Take Oil / and Hum: Niedecker / Bunting; Selected Bibliography; Contributors; Index; Contemporary North American Poetry Series
  21. Behind the Lines
    War Resistance Poetry on the American Home Front since 1941
    Author: Metres, Philip
    Published: 2007; ©2007.
    Publisher:  University of Iowa Press, Iowa City

    Behind the Lines investigates American war resistance poetry from the Second World War through the Iraq wars. Rather than simply chronicling the genre, Philip Metres argues that this poetry gets to the heart of who is authorized to speak about war... more

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    Behind the Lines investigates American war resistance poetry from the Second World War through the Iraq wars. Rather than simply chronicling the genre, Philip Metres argues that this poetry gets to the heart of who is authorized to speak about war and how it can be represented. As such, he explores a largely neglected area of scholarship: the poet's relationship to dissenting political movements and the nation. Intro -- Contents -- Preface -- Acknowledgments -- Introduction -- Part I: World War II -- Robert Lowell's Refusals -- William Stafford's Lost Landmarks -- William Everson and the Fine Arts Camp -- Part II: Vietnam -- Bringing It All Back Home -- Denise Levertov's Distant Witness -- Part III: The Persian Gulf War -- The Gump War -- June Jordan's Righteous Certainty -- Barrett Watten's Bad History -- Part IV: Coda -- Proliferations -- Notes -- Works Cited -- Index.

     
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    Source: Union catalogues
    Contributor: Golding, Alan (MitwirkendeR); Keller, Lynn (MitwirkendeR); Morris, Adalaide Kirby (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781587297380; 0877459983; 9780877459989
    RVK Categories: HU 1761
    Series: Contemp North American Poetry
    Subjects: War in literature; Anti-war poetry, American; Protest poetry, American; American poetry; American poetry; American poetry ; 20th century ; History and criticism; American poetry ; 21st century ; History and criticism; Anti-war poetry, American ; History and criticism; Protest poetry, American ; History and criticism; War in literature; Electronic books
    Scope: 1 online resource (297 pages)
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    Contents; Preface; Acknowledgments; Introduction; Part I: World War II; Robert Lowell's Refusals; William Stafford's Lost Landmarks; William Everson and the Fine Arts Camp; Part II: Vietnam; Bringing It All Back Home; Denise Levertov's Distant Witness; Part III: The Persian Gulf War; The Gump War; June Jordan's Righteous Certainty; Barrett Watten's Bad History; Part IV: Coda; Proliferations; Notes; Works Cited; Index
  22. History, Memory, and the Literary Left
    Modern American Poetry, 1935-1968
    Author: Lowney, John
    Published: 2006; ©2006.
    Publisher:  University of Iowa Press, Iowa City

    In this nuanced revisionist history of modern American poetry, John Lowney investigates the Depression era's impact on late modernist American poetry from the socioeconomic crisis of the 1930s through the emergence of the new social movements of the... more

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    In this nuanced revisionist history of modern American poetry, John Lowney investigates the Depression era's impact on late modernist American poetry from the socioeconomic crisis of the 1930s through the emergence of the new social movements of the 1960s. Informed by an ongoing scholarly reconsideration of 1930s American culture and concentrating on Left writers whose historical consciousness was profoundly shaped by the Depression, World War II, and the Cold War, Lowney articulates the Left's challenges to national collective memory and redefines the importance of late modernism in American literary history. The late modernist writers Lowney studies most closely---Muriel Rukeyser, Elizabeth Bishop, Langston Hughes, Gwendolyn Brooks, Thomas McGrath, and George Oppen---are not all customarily associated with the 1930s, nor are they commonly seen as literary peers. By examining these late modernist writers comparatively, Lowney foregrounds differences of gender and sexuality, race and ethnicity, and social class and region while emphasizing how each writer developed poetic forms that responded to the cultural politics and socioaesthetic debates of the 1930s. In so doing he calls into question the boundaries that have limited the scholarly dialogue about modern poetry. No other study of American poetry has considered the particular gathering of careers that Lowney considers. As poets whose collective historical consciousness was profoundly shaped by the turmoil of the Depression and war years and the Cold War's repression or rewriting of history, their diverse talents represent a distinct generational impact on U.S. and international literary history. Intro -- Contents -- Acknowledgments and Permissions -- 1. The Janitor's Poems of Every Day: American Poetry and the 1930s -- 2. Buried History: The Popular Front Poetics of Muriel Rukeyser's The Book of the Dead -- 3. Allegories of Salvage: The Peripheral Vision of Elizabeth Bishop's North & South -- 4. Harlem Disc-tortions: The Jazz Memory of Langston Hughes's Montage of a Dream Deferred -- 5. A Reportage and Redemption: The Poetics of African American Countermemory in Gwendolyn Brooks's In the Mecca -- 6. A Metamorphic Palimpsest: The Underground Memory of Thomas McGrath's Letter to an Imaginary Friend -- 7. The Spectre of the 1930s: George Oppen's Of Being Numerous and Historical Amnesia -- Notes -- Bibliography -- Index.

     
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    Source: Union catalogues
    Contributor: Golding, Alan (MitwirkendeR); Keller, Lynn (MitwirkendeR); Morris, Adalaide Kirby (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781587297335; 1587295083; 9781587295089
    Series: Contemp North American Poetry
    Subjects: American poetry; Right and left (Political science) in literature; Poets, American; Depressions; Politics and literature; American poetry -- 20th century -- History and criticism; American poetry ; 20th century ; History and criticism; Depressions ; 1929 ; United States; Poets, American ; 20th century ; Political and social views; Politics and literature ; United States ; History ; 20th century; Right and left (Political science) in literature; Electronic books
    Scope: 1 online resource (304 pages)
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    Contents; Acknowledgments and Permissions; 1. The Janitor's Poems of Every Day: American Poetry and the 1930s; 2. Buried History: The Popular Front Poetics of Muriel Rukeyser's The Book of the Dead; 3. Allegories of Salvage: The Peripheral Vision of Elizabeth Bishop's North & South; 4. Harlem Disc-tortions: The Jazz Memory of Langston Hughes's Montage of a Dream Deferred; 5. A Reportage and Redemption: The Poetics of African American Countermemory in Gwendolyn Brooks's In the Mecca; 6. A Metamorphic Palimpsest: The Underground Memory of Thomas McGrath's Letter to an Imaginary Friend

    7. The Spectre of the 1930s: George Oppen's Of Being Numerous and Historical AmnesiaNotes; Bibliography; Index
  23. From outlaw to classic
    canons in American poetry
    Author: Golding, Alan
    Published: 1995
    Publisher:  Univ. of Wisconsin Press, Madison [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0299146006; 0299146049
    Other identifier:
    94024157
    Series: The Wisconsin project on American writers
    Subjects: American poetry; Canon (Literature); Literatur
    Scope: XVII, 243 S, 24 cm
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    Literaturverz. S. 211 - 234

    Literaturverz. S. 211 - 234