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  1. Chaucer to Shakespeare, 1337 - 1580
    Published: 2001
    Publisher:  Palgrave, Basingstoke [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0333721993; 0333721985
    RVK Categories: HH 4030
    Edition: 1. publ.
    Series: Transitions
    Subjects: English literature; English literature
    Scope: XI, 248 S., Ill., 22 cm
    Notes:

    Literaturverz. S. 236 - 246

  2. Visual power and fame in René d'Anjou, Geoffrey Chaucer, and the Black Prince
    Published: 2010
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

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  3. Visual power and fame in René d'Anjou, Geoffrey Chaucer, and the Black Prince
    Published: 2010
    Publisher:  Palgrave Macmillan, New York, NY

    Universitäts- und Landesbibliothek Düsseldorf
    ange26620.g384
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    10 A 1146
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  4. Poetic prologues
    medieval conversations with the literary past
    Published: 1996
    Publisher:  Klostermann, Frankfurt am Main

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  5. Chaucer to Shakespeare
    1337 - 1580
    Published: 2001
    Publisher:  Palgrave, Basingstoke [u.a.]

    Universitätsbibliothek Bamberg
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  6. Visual power and fame in René d'Anjou, Geoffrey Chaucer, and the Black Prince
    Published: 2010
    Publisher:  Palgrave Macmillan, New York

    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781403970534
    RVK Categories: HH 4033 ; HH 5082 ; IE 5341
    Edition: 1. publ.
    Series: The new Middle Ages
    Subjects: Literature, Medieval; Visual perception in literature; Fame in literature; Civilization, Medieval, in literature; Ruhm; Fürstenspiegel; Selbstdarstellung
    Other subjects: René King of Naples and Jerusalem (1409-1480); Chaucer, Geoffrey (d. 1400): House of fame; Edward Prince of Wales (1330-1376); René Anjou, Herzog (1409-1480); Eduard Wales, Prinz (1330-1376); Chaucer, Geoffrey (1343-1400); Chaucer, Geoffrey (1343-1400): The house of fame
    Scope: XX, 227 S.
    Notes:

    "Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d'Anjou (1409-1480), Geoffrey Chaucer's House of Fame (ca. 1375-1380), and Edward the Black Prince (1330-1376) explore fame's visual power. While very different in approach, they all three reject the classical suggestion that fame is bestowed; challenge or nuance the attraction held by the unpredictable goddess; and understand that particularly in positions of leadership, it is necessary to communicate effectively with audiences in order to secure fame. Thus, they shed light on fame's intoxicating but deceptively simple promise of elite glory"--Provided by publisher.

  7. Modern European Criticism and Theory
    A Critical Guide
    Published: [2022]
    Publisher:  Edinburgh University Press, Edinburgh

    Frontmatter -- Contents -- Preface -- 1. René Descartes (1596±1650) and Baruch Spinoza (1632±1677): Beginnings -- 2. Immanuel Kant (1724±1804) and Georg Wilhelm Friedrich Hegel (1770±1831) -- 3. Johann Christian Friedrich Hölderlin (1770±1843) -- 4.... more

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    Frontmatter -- Contents -- Preface -- 1. René Descartes (1596±1650) and Baruch Spinoza (1632±1677): Beginnings -- 2. Immanuel Kant (1724±1804) and Georg Wilhelm Friedrich Hegel (1770±1831) -- 3. Johann Christian Friedrich Hölderlin (1770±1843) -- 4. Karl Marx (1818±1883) -- 5. Charles Baudelaire (1821±1867) and Steéphane Mallarmé (1842-1898) -- 6. Friedrich Nietzsche (1844-1900) -- 7. Sigmund Freud (1856-1939) Through his invention of psychoanalysis Sigmund Freud deeply -- 8. Ferdinand de Saussure (1857-1913) and Structural Linguistics -- 9. Edmund Husserl (1859-1938) -- 10. Phenomenology -- 11. Gaston Bachelard (1884-1962) and Georges Canguilhem (1904-1995): Epistemology in France -- 12. Jean Paulhan (1884-1969) and/versus Francis Ponge (1899-1988) -- 13. György Lukács (1885-1971) -- 14. Russian Formalism, the Moscow Linguistics Circle, and Prague Structuralism: Boris Eichenbaum (1886- 1959), Jan Mukarovsky (1891-1975), Victor Shklovsky (1893-1984), Yuri Tynyanov (1894-1943), Roman Jakobson (1896-1982) -- 15. Ludwig Wittgenstein (1889-1951) -- 16. Martin Heidegger (1889-1976) -- 17. Antonio Gramsci (1891-1937) -- 18. Walter Benjamin (1892-1940) -- 19. Reception Theory: Roman Ingarden (1893-1970), Hans-Georg Gadamer (1900- 2002) and the Geneva School -- 20. The Frankfurt School, the Marxist Tradition, Culture and Critical Thinking: Max Horkheimer (1895-1973), Herbert Marcuse (1898-1979), Theodor Adorno (1903-1969), Jürgen Habermas (1929-) -- 21. Mikhail Bakhtin (1895-1975) -- 22. Georges Bataille (1897-1962) and Maurice Blanchot (1907-) -- 23. Bertolt Brecht (1898-1956) -- 24. Jacques Lacan (1901-1981) -- 25. The Reception of Hegel and Heidegger in France: Alexandre Kojève (1902-1968), Jean Hyppolite (1907-1968), Maurice Merleau-Ponty (1908-1961) -- 26. Jean-Paul Sartre (1905-1980), Albert Camus (1913-1960) and Existentialism -- 27. Emmanuel Levinas (1906-1995) -- 28. Simone de Beauvoir (1908-1986) and French Feminism -- 29. Claude Lévi-Strauss (1908-) -- 30. Jean Genet (1910-1986) -- 31. Paul Ricoeur (1913-2005) -- 32. Roland Barthes (1915-1980) -- 33. French Structuralism: A. J. Greimas (1917-1992), Tzvetan Todorov (1939-) and Gérard Genette (1930-) -- 34. Louis Althusser (1918-1990) and his Circle -- 35. Reception Theory and Reader-Response: Hans-Robert Jauss (1922-1997), Wolfgang Iser (1926-) and the School of Konstanz -- 36. Jean-François Lyotard (1925-1998) and Jean Baudrillard (1929-): The Suspicion of Metanarratives -- 37. The Social and the Cultural: Michel de Certeau (1925-1986), Pierre Bourdieu (1930-2002) and Louis Marin (1931-1992) -- 38. Gilles Deleuze (1925-1995) and Félix Guattari (1930-1992) -- 39. Michel Foucault (1926-1984) -- 40. Jacques Derrida (1930-2004) -- 41. Luce Irigaray (1930-) -- 42. Christian Metz (1931-1993) -- 43. Guy Debord (1931-1994) and the Situationist International -- 44. Umberto Eco (1932-) -- 45. Modernities:Paul Virilio (1932-),Gianni Vattimo (1936-), Giorgio Agamben (1942-) -- 46. Hélène Cixous (1938-) -- 47. Philippe Lacoue-Labarthe (1940-) and Jean-Luc Nancy (1940-) -- 48. Julia Kristeva (1941-) -- 49. Slavoj Žižek (1949-) -- 50. Cahiers du Cinéma(1951-) -- 51. Critical Fictions:Experiments in Writing from Le Nouveau Roman to the Oulipo -- 52. Tel Quel(1960-1982) -- 53. Other French Feminisms: Sarah Kofman (1934-1994), Monique Wittig (1935-), Michèle Le Doeuff (1948-) -- 54. Psychoanalytic Literary Criticism in France -- Contributors -- Index Modern European Criticism and Theory offers the reader a comprehensive critical overview of the widespread and profound contest of ideas within European 'theory'. The book focuses primarily on the thought of major voices in poetics, philosophy, linguistics, and psychoanalysis, as well as in literary and cultural studies from the Enlightenment to the present day. Examining how conceptions of subjectivity, identity and gender have been questioned, the more than 50 essays written by acknowledged experts in their fields critically assess the ways in which we think, see, and act in the world, as well as the ways in which we represent such thought psychologically, politically, and culturally.A further reading list accompanies each chapter.Key Features:Breadth of coverage from Descartes and Spinoza to Derrida, Lyotard and Zizek; from Phenomenology to French Feminisms and Psychoanalytic Literary Criticism.Focus on the history of modern criticism.Accessibly written.Theoretical debates are set in full historical, cultural and philosophical contexts

     

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    Source: Union catalogues
    Contributor: Ahmad, Amir (MitwirkendeR); Baetens, Jan (MitwirkendeR); Baetens, Jean (MitwirkendeR); Brandt, Joan (MitwirkendeR); Brannigan, John (MitwirkendeR); Butzel, Marcia (MitwirkendeR); Chang, Heesok (MitwirkendeR); Colebrook, Claire (MitwirkendeR); Constable, Elizabeth (MitwirkendeR); Currie, Mark (MitwirkendeR); Ferretter, Luke (MitwirkendeR); Flesch, William (MitwirkendeR); Fluhr, Nicole (MitwirkendeR); Fóti, Véronique M (MitwirkendeR); Gertz, SunHee Kim (MitwirkendeR); Green, Karen (MitwirkendeR); Hart, Kevin (MitwirkendeR); Higgins, Lynn A (MitwirkendeR); Holub, Robert C (MitwirkendeR); House, Ullrich Michael (MitwirkendeR); Kershner, R. Brandon (MitwirkendeR); Kruger, Loren (MitwirkendeR); Lane, Jeremy (MitwirkendeR); Leonard, Garry (MitwirkendeR); Lewis, Mitchell R (MitwirkendeR); Lezra, Jacques (MitwirkendeR); MacCannell, Juliet Flower (MitwirkendeR); Mansfield, Nick (MitwirkendeR); McQuillan, Martin (MitwirkendeR); Montag, Warren (MitwirkendeR); Niro, Brian (MitwirkendeR); Plotnitsky, Arkady (MitwirkendeR); Punter, David (MitwirkendeR); Rabaté, Jean-Michel (MitwirkendeR); Rand, Nicholas T (MitwirkendeR); Rocheleau, Alain-Michel (MitwirkendeR); Ross, Alison (MitwirkendeR); Shapiro, Stephen (MitwirkendeR); Surin, Kenneth (MitwirkendeR); Tambling, Jeremy (MitwirkendeR); Turim, Maureen (MitwirkendeR); Walsh, Michael (MitwirkendeR); Wiseman, Boris (MitwirkendeR); Womack, Kenneth (MitwirkendeR); Ziarek, Ewa (MitwirkendeR); de Geest, Dirk (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748626793
    Other identifier:
    Subjects: Criticism; Literature; LITERARY CRITICISM / European / General
    Scope: 1 Online-Ressource (448 p)
  8. Visual power and fame in René d'Anjou, Geoffrey Chaucer, and the Black Prince
    Published: 2010
    Publisher:  Palgrave Macmillan, New York, NY

    Universitäts- und Landesbibliothek Düsseldorf
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  9. Visual power and fame in René d'Anjou, Geoffrey Chaucer, and the Black Prince
    Published: 2010
    Publisher:  Palgrave Macmillan, New York, NY [u.a.]

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  10. Modern European Criticism and Theory
    A Critical Guide
    Published: [2006]; ©2006
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    Modern European Criticism and Theory offers the reader a comprehensive critical overview of the widespread and profound contest of ideas within European 'theory'. The book focuses primarily on the thought of major voices in poetics, philosophy,... more

    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Marburg, Universitätsbibliothek
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    Modern European Criticism and Theory offers the reader a comprehensive critical overview of the widespread and profound contest of ideas within European 'theory'. The book focuses primarily on the thought of major voices in poetics, philosophy, linguistics, and psychoanalysis, as well as in literary and cultural studies from the Enlightenment to the present day. Examining how conceptions of subjectivity, identity and gender have been questioned, the more than 50 essays written by acknowledged experts in their fields critically assess the ways in which we think, see, and act in the world, as well as the ways in which we represent such thought psychologically, politically, and culturally.A further reading list accompanies each chapter.Key Features:Breadth of coverage from Descartes and Spinoza to Derrida, Lyotard and Zizek; from Phenomenology to French Feminisms and Psychoanalytic Literary Criticism.Focus on the history of modern criticism.Accessibly written.Theoretical debates are set in full historical, cultural and philosophical contexts.

     

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    Source: Union catalogues
    Contributor: Ahmad, Amir (Mitwirkender); Baetens, Jan (Mitwirkender); Baetens, Jean (Mitwirkender); Brandt, Joan (Mitwirkender); Brannigan, John (Mitwirkender); Butzel, Marcia (Mitwirkender); Chang, Heesok (Mitwirkender); Colebrook, Claire (Mitwirkender); Constable, Elizabeth (Mitwirkender); Currie, Mark (Mitwirkender); Ferretter, Luke (Mitwirkender); Flesch, William (Mitwirkender); Fluhr, Nicole (Mitwirkender); Fóti, Véronique M. (Mitwirkender); Gertz, SunHee Kim (Mitwirkender); Green, Karen (Mitwirkender); Hart, Kevin (Mitwirkender); Higgins, Lynn A. (Mitwirkender); Holub, Robert C. (Mitwirkender); House, Ullrich Michael (Mitwirkender); Kershner, R. Brandon (Mitwirkender); Kruger, Loren (Mitwirkender); Lane, Jeremy (Mitwirkender); Leonard, Garry (Mitwirkender); Lewis, Mitchell R. (Mitwirkender); Lezra, Jacques (Mitwirkender); MacCannell, Juliet Flower (Mitwirkender); Mansfield, Nick (Mitwirkender); McQuillan, Martin (Mitwirkender); Montag, Warren (Mitwirkender); Niro, Brian (Mitwirkender); Plotnitsky, Arkady (Mitwirkender); Punter, David (Mitwirkender); Rabaté, Jean-Michel (Mitwirkender); Rand, Nicholas T. (Mitwirkender); Rocheleau, Alain-Michel (Mitwirkender); Ross, Alison (Mitwirkender); Shapiro, Stephen (Mitwirkender); Surin, Kenneth (Mitwirkender); Tambling, Jeremy (Mitwirkender); Turim, Maureen (Mitwirkender); Walsh, Michael (Mitwirkender); Wiseman, Boris (Mitwirkender); Womack, Kenneth (Mitwirkender); Ziarek, Ewa (Mitwirkender); de Geest, Dirk (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748626793
    Other identifier:
    Scope: 1 Online-Ressource (448 p.)
  11. Echoes and Reflections
    Memory and Memorials in Ovid and Marie de France
    Published: 2003
    Publisher:  BRILL, Leiden ; Brill, Boston

    This study examines tales from The Metamorphoses by the Roman poet Ovid (43 BC-18 AD) and from The Lais by the French poet Marie de France (fl. mid-to late twelfth century) to explore a paradox: how can a vibrant, complex, and timeless vision be... more

    Universität Mainz, Zentralbibliothek
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    This study examines tales from The Metamorphoses by the Roman poet Ovid (43 BC-18 AD) and from The Lais by the French poet Marie de France (fl. mid-to late twelfth century) to explore a paradox: how can a vibrant, complex, and timeless vision be conveyed in convention-informed and time-bound language? Marie plays against Ovid's tales to probe the dilemma, thereby echoing Ovid who does the same to the canonical literary monuments of his day. Both poets suggest that poetry can avoid the flattening effect of monumental canonizing not only by the creative use of literary echoes, but also by shifting perspectives on the conventional, which in turn, can encourage readers to see reflections of many stories in any given tale. Ovid and Marie suggest and encourage in this manner by presenting literary love's topoi and traditional lovers from a variety of metaliterary perspectives, thereby eliciting active readerly memory as well as providing the opportunity to see the conventional afresh, activity that allows even canonical texts to become living memorials.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004485952; 9789042010635
    Other identifier:
    Series: Faux Titre ; 232
    Brill Book Archive Part 1, ISBN: 9789004472495
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index.

  12. Chaucer to Shakespeare
    1337 - 1580
  13. Visual power and fame in René d'Anjou, Geoffrey Chaucer, and the Black Prince
    Published: 2010
    Publisher:  Palgrave Macmillan, New York

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781403970534
    RVK Categories: HH 4033 ; HH 5082 ; IE 5341
    Edition: 1. publ.
    Series: The new Middle Ages
    Subjects: Literature, Medieval; Visual perception in literature; Fame in literature; Civilization, Medieval, in literature; Ruhm; Fürstenspiegel; Selbstdarstellung
    Other subjects: René King of Naples and Jerusalem (1409-1480); Chaucer, Geoffrey (d. 1400): House of fame; Edward Prince of Wales (1330-1376); René Anjou, Herzog (1409-1480); Eduard Wales, Prinz (1330-1376); Chaucer, Geoffrey (1343-1400); Chaucer, Geoffrey (1343-1400): The house of fame
    Scope: XX, 227 S.
    Notes:

    "Reading semiotically against the backdrop of medieval mirrors of princes, Arthurian narratives, and chronicles, this study examines how René d'Anjou (1409-1480), Geoffrey Chaucer's House of Fame (ca. 1375-1380), and Edward the Black Prince (1330-1376) explore fame's visual power. While very different in approach, they all three reject the classical suggestion that fame is bestowed; challenge or nuance the attraction held by the unpredictable goddess; and understand that particularly in positions of leadership, it is necessary to communicate effectively with audiences in order to secure fame. Thus, they shed light on fame's intoxicating but deceptively simple promise of elite glory"--Provided by publisher.

  14. Poetic prologues
    medieval conversations with the literary past
    Published: 1996
    Publisher:  Klostermann, Frankfurt am Main

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    TU Berlin, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 3465028767
    RVK Categories: IE 4600 ; IE 4762
    Series: Analecta Romanica ; 56
    Subjects: Fictie; Historisch besef; Klassieke oudheid; Letterkunde; Antike; Literatur; Prosa; Civilization, Medieval; Literature, Medieval; Geschichte <Motiv>; Literatur; Prolog; Epos; Tradition; Antike; Epik; Altfranzösisch; Philologie
    Scope: 282 S.
  15. Metarhetorical texturing in medieval prologues
    Published: 1990

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    Source: Online Contents Comparative Literature
    Language: Undetermined
    Media type: Article (journal)
    Format: Print
    Parent title: In: Deutsche Vierteljahrsschrift für Literaturwissenschaft und Geistesgeschichte; Stuttgart : J.B. Metzler Verlag, 1923-; Band 64 (1990), Seite 591/603

  16. Renewing the mythic power of spatial metaphors in word and place through "diasporic" tensions, as exemplified in Dogen and Meister Eckhart
    Published: 2005

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    Source: Online Contents Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Print
    Parent title: In: Yearbook of comparative and general literature; Bloomington, Ind. : Dept. of Comparative Literature, Indiana Univ., 1952-2009; Band 51 (2003/04), Seite 95-116

    Other subjects: Dōgen (1200-1253); Eckhart Meister (1260-1328)
  17. The Deseyiptio in Chaucer's Troilus and Criseyde
    Published: 1999

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    Source: Online Contents Comparative Literature
    Media type: Article (journal)
    Format: Print
    Parent title: Papers on language & literature; Edwardsville, Ill. [u.a.] : Univ., 1966-; Band 35, Heft 2 (1999), Seite 141-166

  18. "Literary Women, Fiction, and Marginalization: Nicolette and Shuangqing"
    Published: 1998

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    Source: Online Contents Comparative Literature
    Contributor: Ropp, Paul S.
    Media type: Article (journal)
    Format: Print
    Parent title: Comparative literature studies; University Park, PA : Pennsylvania State Univ. Press, 1963-; Band 35, Heft 3 (1998), Seite 219-254