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Displaying results 1 to 14 of 14.

  1. Style at the scale of the sentence
    Author: Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Tevel, Amir; Yamboliev, Irena
    Published: 2013
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Series: Stanford Literary Lab: Pamphlets ; 5
    Subjects: Worthäufigkeit; Stilistik; Satzanalyse; Digital Humanities; Englische Literatur
    Scope: Online-Ressource
  2. Canon/archive
    large-scale dynamics in the literary field
    Author: Algee-Hewitt, Mark; Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Walser, Hannah
    Published: 2016
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Series: Stanford Literary Lab: Pamphlets ; 11
    Subjects: Quantitative Literaturwissenschaft; Digital Humanities; Romantheorie
    Scope: Online-Ressource
  3. <<La>> littérature au laboratoire
    Author: Moretti, Franco; Algee-Hewitt, Mark; Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Jockers, Matthew Lee; Katsma, Holst; Pestre, Dominique; Tevel, Amir; Walser, Hanna; Witmore, Michael; Yamboliev, Irena
    Published: [2016]
    Publisher:  Ithaque, Paris

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    Source: Union catalogues
    Language: French
    Media type: Book
    Format: Print
    ISBN: 9782916120591
    Series: Theoria incognita
    Subjects: Literaturtheorie; Formalismus <Literatur>;
    Scope: 278 Seiten, Illustrationen, Diagramme
    Notes:

    Die einzelnen Kapitel erschienen zuerst auf Englisch als "Pamphlets" des Stanford Literary Lab
  4. Literatur im Labor
    Author: Moretti, Franco; Algee-Hewitt, Mark; Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Jockers, Matthew Lee; Pestre, Dominique; Steiner, Erik; Tevel, Amir; Walser, Hannah; Witmore, Michael; Yamboliev, Irena
    Published: [2017]; © 2017
    Publisher:  Konstanz University Press, Paderborn

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    BBF | Bibliothek für Bildungsgeschichtliche Forschung in Berlin
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    Content information
    Source: Staatsbibliothek zu Berlin
    Contributor: Engels, Bettina (ÜbersetzerIn); Adrian, Michael (ÜbersetzerIn)
    Language: German
    Media type: Book
    Format: Print
    ISBN: 9783862530816; 3862530817
    Other identifier:
    9783862530816
    RVK Categories: CC 3800 ; EC 1300 ; EC 5000 ; EC 1820
    DDC Categories: 400
    Subjects: Literaturwissenschaft; Literaturgattung; Algorithmus; Computer
    Scope: 268 Seiten, Illustrationen, Diagramme, Karten, 23.3 cm x 15.7 cm
  5. Canon/archive
    large-scale dynamics in the literary field
    Author: Algee-Hewitt, Mark; Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Walser, Hannah
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    Of the novelties introduced by digitization in the study of literature, the size of the archive is probably the most dramatic: we used to work on a couple of hundred nineteenth-century novels, and now we can analyze thousands of them, tens of... more

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    Verlag (kostenfrei)
    Verlag (kostenfrei)

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Title in the local catalogue:
    https://hds.hebis.de/ubffm/Record/HEB434665258

     

    Of the novelties introduced by digitization in the study of literature, the size of the archive is probably the most dramatic: we used to work on a couple of hundred nineteenth-century novels, and now we can analyze thousands of them, tens of thousands, tomorrow hundreds of thousands. It's a moment of euphoria, for quantitative literary history: like having a telescope that makes you see entirely new galaxies. And it's a moment of truth: so, have the digital skies revealed anything that changes our knowledge of literature? This is not a rhetorical question. In the famous 1958 essay in which he hailed "the advent of a quantitative history" that would "break with the traditional form of nineteenth-century history", Fernand Braudel mentioned as its typical materials "demographic progressions, the movement of wages, the variations in interest rates [...] productivity [...] money supply and demand." These were all quantifiable entities, clearly enough; but they were also completely new objects compared to the study of legislation, military campaigns, political cabinets, diplomacy, and so on. It was this double shift that changed the practice of history; not quantification alone. In our case, though, there is no shift in materials: we may end up studying 200,000 novels instead of 200; but, they're all still novels. Where exactly is the novelty?

     
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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    DDC Categories: 820
    Series: Pamphlets of the Stanford literyry lab ; 11
    Scope: 1 Online-Ressource (13 Seiten), Diagramme
  6. Style at the scale of the sentence
    Author: Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Tevel, Amir; Yamboliev, Irena
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

    We would study not style as such, but style 'at the scale of the sentence': the lowest level, it seemed, at which style as a distinct phenomenon became visible. Implicitly, we were defining style as a combination of smaller linguistic units, which... more

    Access:
    Verlag (kostenfrei)
    Verlag (kostenfrei)

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Inter-library loan:
    No inter-library loan
    Title in the local catalogue:
    https://hds.hebis.de/ubffm/Record/HEB434680222

     

    We would study not style as such, but style 'at the scale of the sentence': the lowest level, it seemed, at which style as a distinct phenomenon became visible. Implicitly, we were defining style as a combination of smaller linguistic units, which made it, in consequence, particularly sensitive to changes in scale—from words to clauses to whole sentences.

     
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    Source: Specialised Catalogue of Comparative Literature
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    DDC Categories: 800
    Series: Pamphlets of the Stanford literary lab ; pamphlet 5
    Scope: 1 Online-Ressource (29 Seiten), Illustrationen
  7. Style at the scale of the sentence
    Author: Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Tevel, Amir; Yamboliev, Irena
    Published: 2013

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 800
    Rights:

    kostenfrei
  8. Canon/archive
    Author: Algee-Hewitt, Mark; Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Walser, Hannah
    Published: 2016

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Undefined
    Format: Online
    DDC Categories: 820
    Rights:

    kostenfrei
  9. Canon / archive
    Author: Algee-Hewitt, Mark; Allison, Sarah; Gemma, Marissa

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Heuser, Ryan (Publisher); Moretti, Franco (Publisher); Walser, Hannah (Publisher)
    Media type: Part of a book
    Parent title: In: Canon/Archive : studies in quantitative formalism from the Stanford Literary Lab.(2017); 2017; S. 253 - 294
  10. Style at the scale of the sentence
    Author: Allison, Sarah; Gemma, Marissa; Heuser, Ryan

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Moretti, Franco (Publisher); Tevel, Amir (Publisher); Yamboliev, Irena (Publisher)
    Media type: Part of a book
    Parent title: In: Canon/Archive : studies in quantitative formalism from the Stanford Literary Lab.(2017); 2017; S. 33 - 63
  11. Style at the scale of the sentence
    Author: Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Tevel, Amir; Yamboliev, Irena
    Published: 2013

    We would study not style as such, but style 'at the scale of the sentence': the lowest level, it seemed, at which style as a distinct phenomenon became visible. Implicitly, we were defining style as a combination of smaller linguistic units, which... more

     

    We would study not style as such, but style 'at the scale of the sentence': the lowest level, it seemed, at which style as a distinct phenomenon became visible. Implicitly, we were defining style as a combination of smaller linguistic units, which made it, in consequence, particularly sensitive to changes in scale—from words to clauses to whole sentences.

     
    Export to reference management software
    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Report
    Format: Online
    DDC Categories: 800
    Subjects: Worthäufigkeit; Stilistik; Satzanalyse; Digital Humanities; Englische Literatur
    Rights:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess
  12. Canon/archive : large-scale dynamics in the literary field
    Author: Algee-Hewitt, Mark; Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Walser, Hannah
    Published: 2016

    Of the novelties introduced by digitization in the study of literature, the size of the archive is probably the most dramatic: we used to work on a couple of hundred nineteenth-century novels, and now we can analyze thousands of them, tens of... more

     

    Of the novelties introduced by digitization in the study of literature, the size of the archive is probably the most dramatic: we used to work on a couple of hundred nineteenth-century novels, and now we can analyze thousands of them, tens of thousands, tomorrow hundreds of thousands. It's a moment of euphoria, for quantitative literary history: like having a telescope that makes you see entirely new galaxies. And it's a moment of truth: so, have the digital skies revealed anything that changes our knowledge of literature? This is not a rhetorical question. In the famous 1958 essay in which he hailed "the advent of a quantitative history" that would "break with the traditional form of nineteenth-century history", Fernand Braudel mentioned as its typical materials "demographic progressions, the movement of wages, the variations in interest rates [.] productivity [.] money supply and demand." These were all quantifiable entities, clearly enough; but they were also completely new objects compared to the study of legislation, military campaigns, political cabinets, diplomacy, and so on. It was this double shift that changed the practice of history; not quantification alone. In our case, though, there is no shift in materials: we may end up studying 200,000 novels instead of 200; but, they're all still novels. Where exactly is the novelty?

     
    Export to reference management software
    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Report
    Format: Online
    DDC Categories: 800
    Subjects: Quantitative Literaturwissenschaft; Digital Humanities; Romantheorie
    Rights:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess
  13. Style at the scale of the sentence
    Author: Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Tevel, Amir; Yamboliev, Irena
    Published: 01.06.2013

    We would study not style as such, but style 'at the scale of the sentence': the lowest level, it seemed, at which style as a distinct phenomenon became visible. Implicitly, we were defining style as a combination of smaller linguistic units, which... more

     

    We would study not style as such, but style 'at the scale of the sentence': the lowest level, it seemed, at which style as a distinct phenomenon became visible. Implicitly, we were defining style as a combination of smaller linguistic units, which made it, in consequence, particularly sensitive to changes in scale—from words to clauses to whole sentences.

     
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    Content information: free
    Source: CompaRe
    Language: English
    Media type: Working paper; Working paper
    Format: Online
    DDC Categories: 800
    Collection: Stanford Literary Lab
    Subjects: Worthäufigkeit; Stilistik; Satzanalyse; Digital Humanities; Englische Literatur
    Rights:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  14. Canon/archive : large-scale dynamics in the literary field
    Author: Algee-Hewitt, Mark; Allison, Sarah; Gemma, Marissa; Heuser, Ryan; Moretti, Franco; Walser, Hannah
    Published: 01.01.2016

    Of the novelties introduced by digitization in the study of literature, the size of the archive is probably the most dramatic: we used to work on a couple of hundred nineteenth-century novels, and now we can analyze thousands of them, tens of... more

     

    Of the novelties introduced by digitization in the study of literature, the size of the archive is probably the most dramatic: we used to work on a couple of hundred nineteenth-century novels, and now we can analyze thousands of them, tens of thousands, tomorrow hundreds of thousands. It's a moment of euphoria, for quantitative literary history: like having a telescope that makes you see entirely new galaxies. And it's a moment of truth: so, have the digital skies revealed anything that changes our knowledge of literature? This is not a rhetorical question. In the famous 1958 essay in which he hailed "the advent of a quantitative history" that would "break with the traditional form of nineteenth-century history", Fernand Braudel mentioned as its typical materials "demographic progressions, the movement of wages, the variations in interest rates [...] productivity [...] money supply and demand." These were all quantifiable entities, clearly enough; but they were also completely new objects compared to the study of legislation, military campaigns, political cabinets, diplomacy, and so on. It was this double shift that changed the practice of history; not quantification alone. In our case, though, there is no shift in materials: we may end up studying 200,000 novels instead of 200; but, they're all still novels. Where exactly is the novelty?

     
    Export to reference management software
    Content information: free
    Source: CompaRe
    Language: English
    Media type: Working paper; Working paper
    Format: Online
    DDC Categories: 800
    Collection: Stanford Literary Lab
    Subjects: Quantitative Literaturwissenschaft; Digital Humanities; Romantheorie
    Rights:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess