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  1. Body double
    the author incarnate in the cinema
    Author: Fischer, Lucy
    Published: 2013
    Publisher:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780813554488; 9780813554495; 9780813554501
    RVK Categories: AP 50300
    Subjects: Film; Schriftsteller <Motiv>;
    Scope: IX, 273 S., Ill.
    Notes:

    Filmogr., Literaturverz. und Linksammlung S. 243 - 265
  2. Cinematernity
    film, motherhood, genre
    Author: Fischer, Lucy
    Published: 1996
    Publisher:  Princeton Univ. Press, Princeton, NJ

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    12.802.02
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    Location:
    Universität Marburg, Universitätsbibliothek
    Signature:
    001 AP 50300 M993 F5
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0691037752; 0691037744
    RVK Categories: AP 50300
    Edition: 1. [Dr.]
    Series: Princeton paperbacks
    Subjects: Film; Filmgenre; Mutterschaft <Motiv>; Mutter <Motiv>
    Scope: XII, 249 S.
    Notes:

    Literaturangaben
  3. Body Double
    The Author Incarnate in the Cinema
    Author: Fischer, Lucy
    Published: 2013
    Publisher:  Rutgers University Press, Piscataway

    Body Double explores the myriad ways that artists and the creative process have been represented on screen. Through the exploration of many distinct forms of cinema, Lucy Fischer examines such topics as the gender, age, and mental or physical health... more

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    Universität Frankfurt, Elektronische Ressourcen
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    /
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    Universitätsbibliothek Gießen
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    Body Double explores the myriad ways that artists and the creative process have been represented on screen. Through the exploration of many distinct forms of cinema, Lucy Fischer examines such topics as the gender, age, and mental or physical health of fictionalized artists; the dramatized interaction between artists, audiences, and critics; and the formal play of written words and nonverbal images. <p style=""margin-bottom...

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813554488; 9780813554501 (Sekundärausgabe)
    Subjects: Film; Schriftsteller <Motiv>; Kreatives Schreiben <Motiv>
    Scope: 288 p.
    Notes:

    Description based upon print version of record

    Online-Ausg.:
  4. Cinematernity
    film, motherhood, genre
    Author: Fischer, Lucy
    Published: 1996
    Publisher:  Princeton Univ. Press, Princeton, NJ [u.a.]

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    Universitätsbibliothek Bamberg
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    Bayerische Staatsbibliothek
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    Hochschule für Fernsehen und Film, Bibliothek
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    Universitätsbibliothek Würzburg
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  5. Body double
    the author incarnate in the cinema
    Author: Fischer, Lucy
    Published: 2013
    Publisher:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

    Location:
    Bayerische Staatsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9780813554495; 9780813554488; 9780813554501
    Subjects: Motion picture authorship; Auteur theory (Motion pictures); Motion pictures and literature; Authors in motion pictures; Film; Schriftsteller <Motiv>
    Scope: IX, 273 S., Ill.
    Notes:

    Includes bibliographical references and index
  6. Body double
    the author incarnate in the cinema
    Author: Fischer, Lucy
    Published: 2013
    Publisher:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

    Location:
    Freie Universität Berlin, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Book
    ISBN: 9780813554495; 9780813554488; 9780813554501
    Subjects: Motion picture authorship; Auteur theory (Motion pictures); Motion pictures and literature; Authors in motion pictures; Film; Schriftsteller <Motiv>
    Scope: IX, 273 S., Ill.
    Notes:

    Includes bibliographical references and index
  7. Cinematernity
    film, motherhood, genre
    Author: Fischer, Lucy
    Published: 1991
    Publisher:  Princeton Univ. Press, Princeton, NJ <<[u.a.]>>

    Location:
    Universität der Künste Berlin, Universitätsbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 0691037744; 0691037752
    RVK Categories: AP 50300 ; MS 3010
    Subjects: Film; Mutterrolle; Mutter <Motiv>
    Scope: XII, 249 S., Ill.
  8. Body double
    the author incarnate in the cinema
    Author: Fischer, Lucy
    Published: 2013
    Publisher:  Rutgers Univ. Press, New Brunswick, NJ [u.a.]

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    89.990.53
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0813554489; 9780813554488; 0813554497; 9780813554495
    Subjects: Film; Schriftsteller <Motiv>; Kreatives Schreiben <Motiv>
    Scope: IX, 273 S.
    Notes:

    Literaturverz. S. 247 - 256
  9. Cinematernity
    film, motherhood, genre
    Author: Fischer, Lucy
    Published: 1996
    Publisher:  Princeton Univ. Press, Princeton, NJ [u.a.]

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
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    Freie Universität Berlin, Universitätsbibliothek
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    Universität Potsdam, Universitätsbibliothek
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    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 0691037752; 0691037744
    RVK Categories: AP 50300 ; MS 3010
    Subjects: Beeldvorming; Femmes au cinéma; Films; Genres cinématographiques; Moederschap; Mères au cinéma; Darstellung; Film; Film genres; Mothers in motion pictures; Women in motion pictures; Mutter <Motiv>; Mutterrolle; Film
    Scope: XII, 249 S., Ill.
  10. Cinematernity
    film, motherhood, genre
    Author: Fischer, Lucy
    Published: [1996]; © 1996
    Publisher:  Princeton University Press, Princeton, New Jersey

    Cover -- Contents -- Acknowledgments more

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    Universitätsbibliothek Leipzig
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    Hochschulbibliothek Friedensau
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    Online-Ressource
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    Cover -- Contents -- Acknowledgments

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780691608594
    RVK Categories: AP 50300
    Series: Princeton legacy library
    Subjects: Film; Mutter <Motiv>;
    Scope: 1 Online-Ressource (xii, 249 Seiten)
  11. Cinematernity
    film, motherhood, genre
    Author: Fischer, Lucy
    Published: 1996
    Publisher:  Princeton University Press, Princeton, NJ

    Location:
    Deutsche Kinemathek - Museum für Film und Fernsehen, Bibliothek
    Signature:
    4.9.6.FIS
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    1 A 308123
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    Hochschule für Bildende Künste Braunschweig, Bibliothek
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    M 4.5 Fis 1
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    Staats- und Universitätsbibliothek Bremen
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    a tea 875.8/238
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    Universitätsbibliothek Freiburg
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    GE 96/12713
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    Thüringer Universitäts- und Landesbibliothek
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    KMW:KB:4000:Fisc::1996
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    Fi 4.3. frau 17
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    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Universitätsbibliothek Mannheim
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0691037744; 0691037752
    RVK Categories: AP 50300
    Subjects: Mothers in motion pictures; Women in motion pictures; Film genres
    Scope: XII, 249 S., Ill.
    Notes:

    Includes bibliographical references and index
  12. Designing women
    cinema, art deco, and the female form
    Author: Fischer, Lucy
    Published: 2003
    Publisher:  Columbia University Press, New York, NY [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0231125003; 0231125011
    RVK Categories: AP 44400 ; AP 45700
    Series: Film and culture
    Subjects: Art and motion pictures; Art deco; Women in motion pictures; Women in art
    Scope: XII, 285 S., Ill.
    Notes:

    Literaturverz. S. [257] - 272
  13. Cinematernity
    Film, Motherhood, Genre
    Author: Fischer, Lucy
    Published: [1996]
    Publisher:  Princeton University Press, Princeton, N.J.

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400851591
    Other identifier:
    Subjects: Öffentliche Darbietungen, Film, Rundfunk; Mothers in motion pictures; Women in motion pictures; Film genres; PERFORMING ARTS / Reference; PERFORMING ARTS / Film & Video / History & Criticism; Mutter <Motiv>; Mutterrolle; Film
    Scope: 1 Online-Ressource (232p.)
    Notes:

    Noting that motherhood is a common metaphor for film production, Lucy Fischer undertakes the first investigation of how the topic of motherhood presents itself throughout a wide range of film genres. Until now discussions of maternity have focused mainly on melodramas, which, along with musicals and screwball comedies, have traditionally been viewed as "women's" cinema. Fischer defies gender-based classifications to show how motherhood has played a fundamental role in the overall cinematic experience. She argues that motherhood is often treated as a site of crisis--for example, the mother being blamed for the ills afflicting her offspring--then shows the tendency of certain genres to specialize in representing a particular social or psychological dimension in the thematics of maternity.Drawing on social history and various cultural theories, Fischer first looks at Rosemary's Baby to show the prevalence of childbirth themes in horror films.

    In crime films (White Heat), she sees the linkage of male deviance and mothering. The Hand That Rocks the Cradle and The Guardian, both occult thrillers, uncover cultural anxieties about working mothers. Her discussion covers burlesques of male mothering, feminist documentaries on the mother-daughter relationship, trick films dealing with procreative metaphors, and postmodern films like High Heels, where fluid sexuality is the theme. These films tend to treat motherhood as a locus of irredeemable conflict, whereas History and Memory and High Tide propose a more sanguine, dynamic, and enabling view.Originally published in 1996.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions.

    The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  14. Body Double
    The Author Incarnate in the Cinema
    Author: Fischer, Lucy
    Published: [2013]; © 2013
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Body Double explores the myriad ways that film artists have represented the creative process. In this highly innovative work, Lucy Fischer draws on a neglected element of auteur studies to show that filmmakers frequently raise questions about the... more

    Location:
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Link to union catalogue:
    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    Body Double explores the myriad ways that film artists have represented the creative process. In this highly innovative work, Lucy Fischer draws on a neglected element of auteur studies to show that filmmakers frequently raise questions about the paradoxes of authorship by portraying the onscreen writer. Dealing with such varied topics as the icon of the typewriter, the case of the writer/director, the authoress, and the omnipresent infirm author, she probes the ways in which films can tell a plausible story while contemplating the conditions and theories of their making. By examining many forms of cinema, from Hollywood and the international art cinema to the avant-garde, Fischer considers the gender, age, and mental or physical health of fictionalized writers; the dramatized interaction between artists and their audiences and critics; and the formal play of written words and nonverbal images. By analyzing such movies as Adaptation,Diary of a Country Priest, Naked Lunch, American Splendor, and Irezumi, Fischer tracks the parallels between film author and character, looking not for the creative figure who stands outside the text, but for the one who stands within it as corporeal presence and alter-ego

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813554501
    Other identifier:
    Subjects: PERFORMING ARTS / General; Auteur theory (Motion pictures); Authors in motion pictures; Motion picture authorship; Motion pictures and literature; Film; Schriftsteller <Motiv>
    Scope: 1 online resource, 41 photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019)
  15. Body double
    the author incarnate in the cinema
    Author: Fischer, Lucy
    Published: 2013
    Publisher:  Rutgers University Press, New Brunswick, N.J.

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813554501
    Subjects: Motion picture authorship; Auteur theory (Motion pictures); Motion pictures and literature; Authors in motion pictures; Film; Schriftsteller <Motiv>
    Scope: ix, p
    Notes:

    Includes bibliographical references and index

    Introduction: the screen author wanted: dead or alive -- Typecasting the author -- Beyond adaptation: the writer as filmmaker -- The author at the dream factory: the screenwriter and the movies -- The authoress: textuality as sexuality -- Writing pain: the infirm author -- Word and image -- Corpus and oeuvre: authorship and the body -- Stealing beauty: the reader, the critic, and the appropriation of the authorial voice -- Afterword: Signs and meaning in the cinema
  16. Cinematernity
    Film, Motherhood, Genre
    Author: Fischer, Lucy
    Published: [1996]
    Publisher:  Princeton University Press, Princeton, N.J.

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781400851591
    Other identifier:
    Subjects: Öffentliche Darbietungen, Film, Rundfunk; Mothers in motion pictures; Women in motion pictures; Film genres; PERFORMING ARTS / Reference; PERFORMING ARTS / Film & Video / History & Criticism; Mutter <Motiv>; Mutterrolle; Film
    Scope: 1 Online-Ressource (232p.)
    Notes:

    Noting that motherhood is a common metaphor for film production, Lucy Fischer undertakes the first investigation of how the topic of motherhood presents itself throughout a wide range of film genres. Until now discussions of maternity have focused mainly on melodramas, which, along with musicals and screwball comedies, have traditionally been viewed as "women's" cinema. Fischer defies gender-based classifications to show how motherhood has played a fundamental role in the overall cinematic experience. She argues that motherhood is often treated as a site of crisis--for example, the mother being blamed for the ills afflicting her offspring--then shows the tendency of certain genres to specialize in representing a particular social or psychological dimension in the thematics of maternity.Drawing on social history and various cultural theories, Fischer first looks at Rosemary's Baby to show the prevalence of childbirth themes in horror films.

    In crime films (White Heat), she sees the linkage of male deviance and mothering. The Hand That Rocks the Cradle and The Guardian, both occult thrillers, uncover cultural anxieties about working mothers. Her discussion covers burlesques of male mothering, feminist documentaries on the mother-daughter relationship, trick films dealing with procreative metaphors, and postmodern films like High Heels, where fluid sexuality is the theme. These films tend to treat motherhood as a locus of irredeemable conflict, whereas History and Memory and High Tide propose a more sanguine, dynamic, and enabling view.Originally published in 1996.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions.

    The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905
  17. Body Double
    The Author Incarnate in the Cinema
    Author: Fischer, Lucy
    Published: [2013]; © 2013
    Publisher:  Rutgers University Press, New Brunswick, NJ

    Body Double explores the myriad ways that film artists have represented the creative process. In this highly innovative work, Lucy Fischer draws on a neglected element of auteur studies to show that filmmakers frequently raise questions about the... more

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    Body Double explores the myriad ways that film artists have represented the creative process. In this highly innovative work, Lucy Fischer draws on a neglected element of auteur studies to show that filmmakers frequently raise questions about the paradoxes of authorship by portraying the onscreen writer. Dealing with such varied topics as the icon of the typewriter, the case of the writer/director, the authoress, and the omnipresent infirm author, she probes the ways in which films can tell a plausible story while contemplating the conditions and theories of their making. By examining many forms of cinema, from Hollywood and the international art cinema to the avant-garde, Fischer considers the gender, age, and mental or physical health of fictionalized writers; the dramatized interaction between artists and their audiences and critics; and the formal play of written words and nonverbal images. By analyzing such movies as Adaptation,Diary of a Country Priest, Naked Lunch, American Splendor, and Irezumi, Fischer tracks the parallels between film author and character, looking not for the creative figure who stands outside the text, but for the one who stands within it as corporeal presence and alter-ego

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780813554501
    Other identifier:
    Subjects: PERFORMING ARTS / General; Auteur theory (Motion pictures); Authors in motion pictures; Motion picture authorship; Motion pictures and literature; Film; Schriftsteller <Motiv>
    Scope: 1 online resource, 41 photographs
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 22. Okt 2019)
  18. Close-Up
    Great Cinematic Performances Volume 1: America
    Author: Pomerance, Murray; Stevens, Kyle
    Published: [2018]; ©2018
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    Analyses what makes an acting performance excellent, through a range of examples from American filmThis two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in... more

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    No inter-library loan

     

    Analyses what makes an acting performance excellent, through a range of examples from American filmThis two-volume set presents detailed interpretations of singular performances by several of the most compelling actors in cinema history, asking in many different and complementary ways what makes performance meaningful, how it reflects a director's style, as well as how it contributes to the development of national cinemas and cultures. Whether noting the precise ways actors shape film narrative, achieve emotional effect, or move toward political subversion, the essays in these books innovate new approaches to studying screen performance as an art form and cultural force.This volume focuses on American cinema, including case studies of key performances from actors like Bette Davis, Irene Dunne, Whoopi Goldberg, Cary Grant, Oscar Isaac, Jack Nicholson, Al Pacino, Sidney Poitier, Gena Rowlands, Peter Sellers, Kristen Stewart, and Ethel Waters, amongst many others.Read the introduction (pdf)ContributorsBrenda Austin-Smith, University of ManitobaRebecca Bell-Metereau, Texas State UniversityCharles Ramírez Berg, University of Texas at AustinJanet Bergstrom, UCLAJohn Bruns College of CharlestonAlex Clayton, University of BristolShonni Enelow, Fordham UniversityAnna Everett, University of California, Santa BarbaraLucy Fischer, University of PittsburghLester D. Friedman, Hobart and William Smith CollegesFrances Gateward, California State University NorthridgeDavid Greven, University of South CarolinaJason Jacobs, University of QueenslandElliott Logan, University of Queensland, BrisbaneDouglas McFarland, Flagler College, Saint AugustineAdrienne L. McLean, University of Texas at DallasR. Barton Palmer, Clemson UniversityHomer B. Pettey, University of ArizonaMurray Pomerance, Ryerson University William Rothman, University of MiamiSteven Rybin, Minnesota State University, MankatoKyle Stevens, Appalachian State UniversityGeorge Toles, University of ManitobaDaniel Varndell, University of WinchesterTimotheus Vermeulen, University of OsloRick Warner, University of North Carolina at Chapel Hill"...

     
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    Source: Union catalogues
    Contributor: Austin-Smith, Brenda (Mitwirkender); Barton Palmer, R. (Mitwirkender); Bell-Metereau, Rebecca (Mitwirkender); Bergstrom, Janet (Mitwirkender); Bruns, John (Mitwirkender); Clayton, Alex (Mitwirkender); Enelow, Shonni (Mitwirkender); Everett, Anna (Mitwirkender); Fischer, Lucy (Mitwirkender); Friedman, Lester D. (Mitwirkender); Gateward, Frances (Mitwirkender); Greven, David (Mitwirkender); Jacobs, Jason (Mitwirkender); Logan, Elliott (Mitwirkender); McFarland, Douglas (Mitwirkender); McLean, Adrienne L. (Mitwirkender); Pettey, Homer B. (Mitwirkender); Ramírez Berg, Charles (Mitwirkender); Rothman, William (Mitwirkender); Rybin, Steven (Mitwirkender); Toles, George (Mitwirkender); Varndell, Daniel (Mitwirkender); Vermeulen, Timotheus (Mitwirkender); Warner, Rick (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474417013
    Other identifier:
    Series: International Film Stars : IFS
    Scope: 1 Online-Ressource (312 p.)
  19. Emotion Pictures
    Movies and Feelings
    Author: Fischer, Lucy
    Published: 2022
    Publisher:  Taylor & Francis Ltd, London

    This book investigates a group of exceptional films that single-mindedly consider one particular emotion - be it pity, lust, grief, or anxiety - to examine cinematic emotion in depth.Drawing on philosophical and psychological approaches, Fischer's... more

     

    This book investigates a group of exceptional films that single-mindedly consider one particular emotion - be it pity, lust, grief, or anxiety - to examine cinematic emotion in depth.Drawing on philosophical and psychological approaches, Fischer's unique analysis offers unparalleled case studies for comprehending emotion in the movies. The book provides the reader with an opportunity to contemplate what notion of a particular emotion is advanced onscreen; to describe how the unique tools and aesthetics of cinema are utilized to do so; to place such representations in dialogue with film theory as well as philosophical and psychological commentary; and to illustrate the important dichotomy between filmic portrayals and audience response.Beyond film and media scholars and students, this book will have resonance for academics and practitioners in several fields of psychology, including social work, psychiatry, and therapy

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781032037806
    Series: Routledge Advances in Film Studies
    Subjects: Film, Kino; Films, cinema; Media studies; Medienwissenschaften; PERFORMING ARTS / Animation; PERFORMING ARTS / Film & Video / General; PERFORMING ARTS / Film & Video / History & Criticism; PERFORMING ARTS / Film & Video / Reference; PERFORMING ARTS / Storytelling; PHILOSOPHY / Aesthetics; PSYCHOLOGY / Emotions; Philosophie des Geistes; Philosophie Ästhetik; Philosophy of mind; Philosophy: aesthetics; Popular culture; Populäre Kultur; Psychologie: Emotionen; Psychology: emotions; SOCIAL SCIENCE / Media Studies
    Scope: 190 Seiten
    Notes:

    Interessenniveau: 05, College/higher education: For universities and colleges of further and higher education. (05)

    Introduction: Film "The Emotion Machine"; 1. Animated Emotions Emblems of Feeling in Inside Out and The Emoji Movie; 2. Grief The Unbearable Heaviness of Being in Pieces of a Woman; 3. Trauma Black Boyhood and Moonlight; 4. Anxiety High Anxiety in Adaptation; 5. Guilt Blame and Culpability in 21 Grams; 6. Jealousy The "Green-Eyed Monster" in Fado; 7. Vengeance "Vengeance is Mine": Red Road; 8. Pity The Refusal of Pathos in Pity; 9. Lust Sex, Greed, and Murder in The Square; 10. Happiness Capturing Joy in Happy-Go-Lucky & Hector and the Search for Happiness; Afterthoughts
  20. Cinematernity
    film, motherhood, genre
    Author: Fischer, Lucy
    Published: [1996]; © 1996
    Publisher:  Princeton University Press, Princeton, New Jersey

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0691037744; 0691037752; 1400851599; 9780691608594; 9781400851591
    Subjects: PERFORMING ARTS / Reference; PERFORMING ARTS / Film & Video / History & Criticism; Film genres; Mothers in motion pictures; Women in motion pictures; Mothers in motion pictures; Women in motion pictures; Film genres; Mutter <Motiv>; Mutterrolle; Film
    Scope: 1 online resource (262 pages), illustrations
    Notes:

    Description based on print version record