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Displaying results 1 to 6 of 6.

  1. Music in German politics - politics in German music
    Contributor: Donovan, Siobhán (Herausgeber); Euchner, Maria (Herausgeber)
    Published: 2022
    Publisher:  Camden House, Rochester

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    91.339.13
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Herder-Institut für historische Ostmitteleuropaforschung, Bibliothek / Bibliographieportal
    Inter-library loan:
    No inter-library loan
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    Content information
    Source: Union catalogues
    Contributor: Donovan, Siobhán (Herausgeber); Euchner, Maria (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781640140608
    RVK Categories: LR 57720
    DDC Categories: 780
    Series: Edinburgh German yearbook ; Volume 13
    Subjects: Musik; Politik; Literatur; Musikpolitik
    Scope: vi, 189 Seiten, Notenbeispiele
  2. Music in German politics, politics in German music
    Contributor: Donovan, Siobhán (Herausgeber); Euchner, Maria (Herausgeber)
    Published: 2022
    Publisher:  Camden House, Rochester, New York ; Cambridge University Press, Cambridge, UK

    Access:

    Location:
    TU Darmstadt, Universitäts- und Landesbibliothek - Stadtmitte
    Inter-library loan:
    No inter-library loan

    Location:
    Universität Frankfurt, Elektronische Ressourcen
    Signature:
    /
    Inter-library loan:
    No inter-library loan

    Location:
    Universitätsbibliothek Gießen
    Inter-library loan:
    No inter-library loan
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    Source: Union catalogues
    Contributor: Donovan, Siobhán (Herausgeber); Euchner, Maria (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781787445956
    RVK Categories: LR 57720
    DDC Categories: 780
    Series: Edinburgh German yearbook ; volume 13
    Subjects: Musik; Politik; Literatur; Musikpolitik; Music; Music
    Scope: 1 Online-Ressource (vi, 189 pages)
  3. Of words, bloody deeds, and bestial oblivion : Hamlet and Elektra
    Author: Euchner, Maria

    On July 17, 1904, Hugo von Hofmannsthal wrote in his notebook: "'Elektra' […] Die Verwandtschaft und der Gegensatz zu Hamlet waren mir auffallend". He reiterated the parallels in two letters to two different addressees, Christiane Thun-Salm (October... more

     

    On July 17, 1904, Hugo von Hofmannsthal wrote in his notebook: "'Elektra' […] Die Verwandtschaft und der Gegensatz zu Hamlet waren mir auffallend". He reiterated the parallels in two letters to two different addressees, Christiane Thun-Salm (October 12, 1903) and Ernst Hladny (ca. 1909-1911), and in 1912 he wrote to Richard Strauss, whose opera based on the play had premiered in 1909, about the similarity between the two royal children: "[D]a sind alle Grundmotive identisch, und doch, wer denkt bei Elektra an Hamlet!" Indeed, comparing William Shakespeare’s "Hamlet" (ca. 1600) and Hugo von Hofmannsthal's "Elektra" (1903) may not seem to be the most obvious task to undertake. At first glance, the English Renaissance humanism of "Hamlet" may appear utterly incompatible with the Viennese fin-de-siècle modernism of "Elektra", but the parallels and similarities of the two plays far exceed the mere fact that both protagonists are children of murdered kings whose mothers pick their new lovers from among their relatives. In fact, I should like to suggest that "Elektra" is a direct response to "Hamlet", and should be read as the modernist continuation of the humanist Prince of Denmark and his "antic disposition".

     
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    Content information: free
    Source: CompaRe
    Language: English
    Media type: Article
    Format: Online
    ISBN: 978-3-7930-9826-3
    DDC Categories: 830
    Collection: Rombach Verlag; Hugo von Hofmannsthal-Gesellschaft
    Subjects: Hofmannsthal, Hugo von; Elektra; Shakespeare, William; Hamlet
    Rights:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  4. "Ich bin kein Vieh, ich kann nicht vergessen"
    discourses of forgetting in Hugo von Hofmannsthal's and Richard Strauss' "Elektra"
    Author: Euchner, Maria
    Published: 2006

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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    Subjects: Hofmannsthal, Hugo <<von>>; Vergessen <Motiv>; ; Strauss, Richard; Vergessen <Motiv>;
    Scope: IX, 256 S., Ill.
    Notes:

    Toronto, Ca., Univ. of Toronto, Diss., 2006
  5. Of words, bloody deeds, and bestial oblivion : Hamlet and Elektra
    Author: Euchner, Maria

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Parent title:
    Enthalten in: Hofmannsthal; Baden-Baden : Rombach Wissenschaft, 1993-; 23.2015, S. 265-289
    Subjects: Hofmannsthal, Hugo von; Elektra; Shakespeare, William; Hamlet
    Scope: Online-Ressource
  6. Of words, bloody deeds, and bestial oblivion : Hamlet and Elektra
    Author: Euchner, Maria
    Published: 2015

    On July 17, 1904, Hugo von Hofmannsthal wrote in his notebook: "'Elektra' […] Die Verwandtschaft und der Gegensatz zu Hamlet waren mir auffallend". He reiterated the parallels in two letters to two different addressees, Christiane Thun-Salm (October... more

     

    On July 17, 1904, Hugo von Hofmannsthal wrote in his notebook: "'Elektra' […] Die Verwandtschaft und der Gegensatz zu Hamlet waren mir auffallend". He reiterated the parallels in two letters to two different addressees, Christiane Thun-Salm (October 12, 1903) and Ernst Hladny (ca. 1909-1911), and in 1912 he wrote to Richard Strauss, whose opera based on the play had premiered in 1909, about the similarity between the two royal children: "[D]a sind alle Grundmotive identisch, und doch, wer denkt bei Elektra an Hamlet!" Indeed, comparing William Shakespeare’s "Hamlet" (ca. 1600) and Hugo von Hofmannsthal's "Elektra" (1903) may not seem to be the most obvious task to undertake. At first glance, the English Renaissance humanism of "Hamlet" may appear utterly incompatible with the Viennese fin-de-siècle modernism of "Elektra", but the parallels and similarities of the two plays far exceed the mere fact that both protagonists are children of murdered kings whose mothers pick their new lovers from among their relatives. In fact, I should like to suggest that "Elektra" is a direct response to "Hamlet", and should be read as the modernist continuation of the humanist Prince of Denmark and his "antic disposition".

     
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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    DDC Categories: 830
    Subjects: Hofmannsthal; Hugo von; Elektra; Shakespeare; William; Hamlet
    Rights:

    publikationen.ub.uni-frankfurt.de/home/index/help ; info:eu-repo/semantics/openAccess