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  1. Canonising Shakespeare
    stationers and the book trade, 1640-1740
    Contributor: Depledge, Emma (Herausgeber, Verfasser); Kirwan, Peter (Herausgeber, Verfasser)
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    Location:
    Universitätsbibliothek Bielefeld
    Signature:
    WE793 C2S5
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    Universitäts- und Landesbibliothek Münster
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    3K 74440
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    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek
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    Source: Union catalogues
    Contributor: Depledge, Emma (Herausgeber, Verfasser); Kirwan, Peter (Herausgeber, Verfasser)
    Language: English
    Media type: Book
    ISBN: 9781107154599
    Subjects: Literatur; Kanon
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: x, 272 Seiten, Illustrationen, 23 cm
  2. Making Milton
    print, authorship, afterlives
    Contributor: Depledge, Emma (Herausgeber); Garrison, John S. (Herausgeber); Nicosia, Marissa (Herausgeber)
    Published: 2021
    Publisher:  Oxford University Press, Oxford

    Location:
    Universität Marburg, Universitätsbibliothek
    Signature:
    001 HK 2575 D421
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    Contributor: Depledge, Emma (Herausgeber); Garrison, John S. (Herausgeber); Nicosia, Marissa (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198821892
    RVK Categories: HK 2575
    Subjects: Autorschaft; Rezeption
    Other subjects: Milton, John (1608-1674)
    Scope: xiv, 250 Seiten, Illustrationen
  3. Making Milton
    print, authorship, afterlives
    Contributor: Depledge, Emma; Garrison, John S.; Nicosia, Marissa
    Published: 2021
    Publisher:  Oxford University Press, Oxford

    'Making Milton' contains a collection of essays exploring John Milton's rise to popularity and his status as a canonical author. The volume considers Milton's 'authorial persona' in the context of his relationships with his contemporary writers,... more

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    'Making Milton' contains a collection of essays exploring John Milton's rise to popularity and his status as a canonical author. The volume considers Milton's 'authorial persona' in the context of his relationships with his contemporary writers, stationers, and readers.

     
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    Source: Union catalogues
    Contributor: Depledge, Emma; Garrison, John S.; Nicosia, Marissa
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191861024
    Other identifier:
    RVK Categories: HK 2575
    Edition: First edition.
    Series: Oxford scholarship online
    Subjects: Autorschaft; Rezeption
    Other subjects: Milton, John (1608-1674); Milton, John (1608-1674)
    Scope: 1 Online-Ressource (256 pages), Illustrations (black and white, and colour)
    Notes:

    This edition also issued in print: 2021

    Includes bibliographical references and index
  4. Shakespeare's rise to cultural prominence
    politics, print and alteration, 1642-1700
    Author: Depledge, Emma
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    Location:
    Universität Mainz, Zentralbibliothek
    Signature:
    297.262
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781108427104
    RVK Categories: HI 3330 ; HI 3331
    Subjects: Rezeption
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 251 Seiten
  5. Canonising Shakespeare
    stationers and the book trade, 1640-1740
    Contributor: Depledge, Emma (Herausgeber); Kirwan, Peter (Herausgeber)
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which... more

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    Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare for Restoration and eighteenth-century consumers. A team of international contributors highlight the impact of individual booksellers, printers, publishers and editors on the Shakespearean text, the books in which it was presented, and the ways in which it was promoted. From radical adaptations of the Sonnets to new characters in plays, and from elegant subscription volumes to cheap editions churned out by feuding publishers, this period was marked by eclecticism, contradiction and innovation as stationers looked to the past and the future to create a Shakespeare for their own times.

     
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    Source: Union catalogues
    Contributor: Depledge, Emma (Herausgeber); Kirwan, Peter (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781316650752
    Scope: 1 Online-Ressource (x, 272 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 29 Sep 2017)
  6. Canonising Shakespeare
    stationers and the book trade, 1640-1740
    Contributor: Depledge, Emma (Publisher); Kirwan, Peter (Publisher)
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which... more

    Location:
    Universitätsbibliothek Bamberg
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    Unlimited inter-library loan, copies and loan

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    Bayerische Staatsbibliothek
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    Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare for Restoration and eighteenth-century consumers. A team of international contributors highlight the impact of individual booksellers, printers, publishers and editors on the Shakespearean text, the books in which it was presented, and the ways in which it was promoted. From radical adaptations of the Sonnets to new characters in plays, and from elegant subscription volumes to cheap editions churned out by feuding publishers, this period was marked by eclecticism, contradiction and innovation as stationers looked to the past and the future to create a Shakespeare for their own times

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Depledge, Emma (Publisher); Kirwan, Peter (Publisher)
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    RVK Categories: HI 3330 ; HI 3331
    Subjects: Book industries and trade / England / History / 17th century; Book industries and trade / England / History / 18th century; Literature publishing / England / History / 17th century; Literature publishing / England / History / 18th century; Drama / Editing; Druck; Rezeption; Kanon; Buchhandel
    Other subjects: Shakespeare, William / 1564-1616 / Criticism, Textual; Shakespeare, William / 1564-1616 / Influence; Shakespeare, William (1564-1616)
    Scope: 1 online resource (x, 272 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 29 Sep 2017)

    Machine generated contents note: 1. Introduction Emma Depledge and Peter Kirwan; Part I. Selling Shakespeare: 2. Shakespeare for sale, 1640-1740 Emma Depledge; 3. Royalist Shakespeare: publishers, politics and the appropriation of The Rape of Lucrece (1655) Adam G. Hooks; 4. Henry Herringman, Richard Bentley and Shakespeare's Fourth Folio (1685) Francis X. Connor; 5. Shakespeare without rules: the fifth Shakespeare folio and market demand in the early 1700s Lara Hansen and Eric Rasmussen; 6. The 1734-5 price wars, Antony and Cleopatra and the theatrical imagination Anthony Brano. Part II. Consolidating the Shakespeare Canon: 7. Consolidating the Shakespeare canon, 1640-1740 Peter Kirwan; 8. John Benson's 1640 poems and its literary precedents Faith Acker; 9. Cupids Cabinet Unlock't (1662), ostensibly 'by W. Shakespeare', in fact partly by John Milton Lukas Erne; 10. Discovering Shakespeare's personal style: editing and connoisseurship in the eighteenth century Edmund G. C. King; Part III. Editing Shakespeare: 11. Editing Shakespeare, 1640-1740 Emma Depledge and Peter Kirwan; 12. Dramatic typography and the restoration quartos of Hamlet Claire M. L. Bourne; 13. The 1709/11 editions of Shakespeare's poems Paul D. Cannan; 14. Alexander Pope, interventionist editing and The Taming of the Shrew (1725) Jonathan H. Holmes; 15. Editorial annotations in Shakespeare editions after 1733 Adam Rounce; 16. Afterword Patrick Cheney
  7. Shakespeare's rise to cultural prominence
    politics, print and alteration, 1642-1700
    Author: Depledge, Emma
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    Shakespeare's rise to prominence was by no means inevitable. While he was popular in his lifetime, the number of new editions and revivals of his plays declined over the following decades. Emma Depledge uses the methodologies of book and theatre... more

    Location:
    Universitätsbibliothek Bamberg
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    Unlimited inter-library loan, copies and loan

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    Bayerische Staatsbibliothek
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    Universitätsbibliothek Passau
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    Shakespeare's rise to prominence was by no means inevitable. While he was popular in his lifetime, the number of new editions and revivals of his plays declined over the following decades. Emma Depledge uses the methodologies of book and theatre history to provide a re-assessment of the reputation and dissemination of Shakespeare during the Interregnum and Restoration. She demonstrates the crucial role of the Exclusion Crisis (1678-1682), a political crisis over the royal succession, as a foundational moment in Shakespeare's canonisation. The period saw a sudden surge of theatrical alterations and a significantly increased rate of new editions and stage revivals. In the wake of the Exclusion Crisis, Shakespeare's plays were made available on a scale not witnessed since the early seventeenth century, thus reversing what might otherwise have been a permanent disappearance of his drama from canonical familiarity and firmly establishing Shakespeare's work in the national cultural imagination

     
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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    RVK Categories: HI 3330 ; HI 3331
    Subjects: Drama / Publishing / England / History / 17th century; Authors and theater / England / History / 17th century; Rezeption
    Other subjects: Shakespeare, William / 1564-1616 / Criticism and interpretation; Shakespeare, William / 1564-1616 / Adaptations / History and criticism; Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xiii, 251 Seiten)
    Notes:

    Title from publisher's bibliographic system (viewed on 25 Jul 2018)

    Introduction -- Shakespeare in the Civil Wwar and Interregnum years, 1642-1659 -- Shakespeare on the early Restoration stage and page, 1660-1677 -- Shakespeare and the Exclusion Crisis, 1678-82: the decision to alter his plays -- The politics of Shakespeare alterations of the Exclusion Crisis -- Selling Shakespeare on the Exclusion Crisis stage and page -- Shakespeare in the wake of the Exclusion Crisis, 1683-1700
  8. Shakespeare's rise to cultural prominence
    politics, print and alteration, 1642-1700
    Author: Depledge, Emma
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    Shakespeare's rise to prominence was by no means inevitable. While he was popular in his lifetime, the number of new editions and revivals of his plays declined over the following decades. Emma Depledge uses the methodologies of book and theatre... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
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    eBook Cambridge
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Shakespeare's rise to prominence was by no means inevitable. While he was popular in his lifetime, the number of new editions and revivals of his plays declined over the following decades. Emma Depledge uses the methodologies of book and theatre history to provide a re-assessment of the reputation and dissemination of Shakespeare during the Interregnum and Restoration. She demonstrates the crucial role of the Exclusion Crisis (1678-1682), a political crisis over the royal succession, as a foundational moment in Shakespeare's canonisation. The period saw a sudden surge of theatrical alterations and a significantly increased rate of new editions and stage revivals. In the wake of the Exclusion Crisis, Shakespeare's plays were made available on a scale not witnessed since the early seventeenth century, thus reversing what might otherwise have been a permanent disappearance of his drama from canonical familiarity and firmly establishing Shakespeare's work in the national cultural imagination Introduction -- Shakespeare in the Civil Wwar and Interregnum years, 1642-1659 -- Shakespeare on the early Restoration stage and page, 1660-1677 -- Shakespeare and the Exclusion Crisis, 1678-82: the decision to alter his plays -- The politics of Shakespeare alterations of the Exclusion Crisis -- Selling Shakespeare on the Exclusion Crisis stage and page -- Shakespeare in the wake of the Exclusion Crisis, 1683-1700

     
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    Volltext (lizenzpflichtig)
  9. Canonising Shakespeare
    stationers and the book trade, 1640-1740
    Contributor: Depledge, Emma (Verfasser, Herausgeber); Kirwan, Peter (Verfasser, Herausgeber)
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    Location:
    Universitätsbibliothek Bielefeld
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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Landesbibliothekszentrum Rheinland-Pfalz / Pfälzische Landesbibliothek
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    Source: Union catalogues
    Contributor: Depledge, Emma (Verfasser, Herausgeber); Kirwan, Peter (Verfasser, Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781107154599
    Subjects: Shakespeare, William; Kanon; Literatur; Geschichte 1640-1740
    Other subjects: Shakespeare, William (1564-1616); Shakespeare, William (1564-1616)
    Scope: x, 272 Seiten, Illustrationen, 23 cm
  10. Making Milton
    print, authorship, afterlives
    Contributor: Depledge, Emma (Herausgeber); Garrison, John S. (Herausgeber); Nicosia, Marissa (Herausgeber)
    Published: 2021
    Publisher:  Oxford University Press, Oxford, United Kingdom ; ProQuest, [Ann Arbor]

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    Universitätsbibliothek Gießen
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    Source: Union catalogues
    Contributor: Depledge, Emma (Herausgeber); Garrison, John S. (Herausgeber); Nicosia, Marissa (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780192555021
    Other identifier:
    9780192555021
    RVK Categories: HK 2575
    Edition: First edition
    Subjects: Autorschaft; Rezeption
    Other subjects: Milton, John (1608-1674)
    Scope: 1 Online-Ressource (xiv, 250 Seiten), Illustrationen
    Notes:

    Literaturverzeichnis: Seite 221-245
  11. Shakespeare's rise to cultural prominence
    politics, print and alteration, 1642-1700
    Author: Depledge, Emma
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    Shakespeare's rise to prominence was by no means inevitable. While he was popular in his lifetime, the number of new editions and revivals of his plays declined over the following decades. Emma Depledge uses the methodologies of book and theatre... more

    Access:

    Location:
    Universität Frankfurt, Elektronische Ressourcen
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    Location:
    Universitätsbibliothek Gießen
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    Shakespeare's rise to prominence was by no means inevitable. While he was popular in his lifetime, the number of new editions and revivals of his plays declined over the following decades. Emma Depledge uses the methodologies of book and theatre history to provide a re-assessment of the reputation and dissemination of Shakespeare during the Interregnum and Restoration. She demonstrates the crucial role of the Exclusion Crisis (1678-1682), a political crisis over the royal succession, as a foundational moment in Shakespeare's canonisation. The period saw a sudden surge of theatrical alterations and a significantly increased rate of new editions and stage revivals. In the wake of the Exclusion Crisis, Shakespeare's plays were made available on a scale not witnessed since the early seventeenth century, thus reversing what might otherwise have been a permanent disappearance of his drama from canonical familiarity and firmly establishing Shakespeare's work in the national cultural imagination.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781108648974
    RVK Categories: HI 3330 ; HI 3331
    Subjects: Rezeption
    Other subjects: Shakespeare, William (1564-1616)
    Scope: 1 Online-Ressource (xiii, 251 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 25 Jul 2018)
  12. Shakespeare's rise to cultural prominence
    politics, print and alteration, 1642-1700
    Author: Depledge, Emma
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge, United Kingdom

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    Freie Universität Berlin, Universitätsbibliothek
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    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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  13. Canonising Shakespeare
    stationers and the book trade, 1640-1740
    Contributor: Depledge, Emma (HerausgeberIn); Kirwan, Peter (HerausgeberIn)
    Published: 2017
    Publisher:  Cambridge University Press, New York

    Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which... more

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    E-Book CUP HSFK
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    Technische Universität Chemnitz, Universitätsbibliothek
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    Peace Research Institute Frankfurt, Bibliothek
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    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare for Restoration and eighteenth-century consumers. A team of international contributors highlight the impact of individual booksellers, printers, publishers and editors on the Shakespearean text, the books in which it was presented, and the ways in which it was promoted. From radical adaptations of the Sonnets to new characters in plays, and from elegant subscription volumes to cheap editions churned out by feuding publishers, this period was marked by eclecticism, contradiction and innovation as stationers looked to the past and the future to create a Shakespeare for their own times Machine generated contents note: 1. Introduction Emma Depledge and Peter Kirwan; Part I. Selling Shakespeare: 2. Shakespeare for sale, 1640-1740 Emma Depledge; 3. Royalist Shakespeare: publishers, politics and the appropriation of The Rape of Lucrece (1655) Adam G. Hooks; 4. Henry Herringman, Richard Bentley and Shakespeare's Fourth Folio (1685) Francis X. Connor; 5. Shakespeare without rules: the fifth Shakespeare folio and market demand in the early 1700s Lara Hansen and Eric Rasmussen; 6. The 1734-5 price wars, Antony and Cleopatra and the theatrical imagination Anthony Brano. Part II. Consolidating the Shakespeare Canon: 7. Consolidating the Shakespeare canon, 1640-1740 Peter Kirwan; 8. John Benson's 1640 poems and its literary precedents Faith Acker; 9. Cupids Cabinet Unlock't (1662), ostensibly 'by W. Shakespeare', in fact partly by John Milton Lukas Erne; 10. Discovering Shakespeare's personal style: editing and connoisseurship in the eighteenth century Edmund G. C. King; Part III. Editing Shakespeare: 11. Editing Shakespeare, 1640-1740 Emma Depledge and Peter Kirwan; 12. Dramatic typography and the restoration quartos of Hamlet Claire M. L. Bourne; 13. The 1709/11 editions of Shakespeare's poems Paul D. Cannan; 14. Alexander Pope, interventionist editing and The Taming of the Shrew (1725) Jonathan H. Holmes; 15. Editorial annotations in Shakespeare editions after 1733 Adam Rounce; 16. Afterword Patrick Cheney

     
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  14. Making Milton
    print, authorship, afterlives
    Contributor: Depledge, Emma (Herausgeber); Garrison, John S. (Herausgeber); Nicosia, Marissa (Herausgeber)
    Published: 2021
    Publisher:  Oxford University Press, Oxford

    Location:
    Universitätsbibliothek Bielefeld
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    WF775.05 M2M6
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    Universitäts- und Landesbibliothek Bonn
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    Universitäts- und Landesbibliothek Düsseldorf
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    Source: Union catalogues
    Contributor: Depledge, Emma (Herausgeber); Garrison, John S. (Herausgeber); Nicosia, Marissa (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9780198821892
    Edition: First edition
    Subjects: Milton, John;
    Other subjects: Milton, John (1608-1674); Milton, John (1608-1674); Milton, John (1608-1674)
    Scope: xiv, 250 Seiten, Illustrationen, 24 cm
  15. Making Milton
    print, authorship, afterlives
    Contributor: Depledge, Emma (HerausgeberIn); Garrison, John S. (HerausgeberIn); Nicosia, Marissa (HerausgeberIn)
    Published: 2021
    Publisher:  Oxford University Press, Oxford

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Depledge, Emma (HerausgeberIn); Garrison, John S. (HerausgeberIn); Nicosia, Marissa (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198821892
    Other identifier:
    9780198821892
    RVK Categories: HK 2575
    Edition: First edition
    Subjects: Milton, John; Einfluss; Rezeption;
    Other subjects: Milton, John (1608-1674); Milton, John (1608-1674)
    Scope: xiv, 250 Seiten, Illustrationen, 24 cm
  16. Canonising Shakespeare
    stationers and the book trade, 1640-1740
    Contributor: Depledge, Emma (HerausgeberIn); Kirwan, Peter (HerausgeberIn)
    Published: 2017
    Publisher:  Cambridge University Press, New York

    Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. 1640–1740 was the period in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare for Restoration and eighteenth-century consumers. A team of international contributors highlight the impact of individual booksellers, printers, publishers and editors on the Shakespearean text, the books in which it was presented, and the ways in which it was promoted. From radical adaptations of the Sonnets to new characters in plays, and from elegant subscription volumes to cheap editions churned out by feuding publishers, this period was marked by eclecticism, contradiction and innovation as stationers looked to the past and the future to create a Shakespeare for their own times Machine generated contents note: 1. Introduction Emma Depledge and Peter Kirwan; Part I. Selling Shakespeare: 2. Shakespeare for sale, 1640-1740 Emma Depledge; 3. Royalist Shakespeare: publishers, politics and the appropriation of The Rape of Lucrece (1655) Adam G. Hooks; 4. Henry Herringman, Richard Bentley and Shakespeare's Fourth Folio (1685) Francis X. Connor; 5. Shakespeare without rules: the fifth Shakespeare folio and market demand in the early 1700s Lara Hansen and Eric Rasmussen; 6. The 1734-5 price wars, Antony and Cleopatra and the theatrical imagination Anthony Brano. Part II. Consolidating the Shakespeare Canon: 7. Consolidating the Shakespeare canon, 1640-1740 Peter Kirwan; 8. John Benson's 1640 poems and its literary precedents Faith Acker; 9. Cupids Cabinet Unlock't (1662), ostensibly 'by W. Shakespeare', in fact partly by John Milton Lukas Erne; 10. Discovering Shakespeare's personal style: editing and connoisseurship in the eighteenth century Edmund G. C. King; Part III. Editing Shakespeare: 11. Editing Shakespeare, 1640-1740 Emma Depledge and Peter Kirwan; 12. Dramatic typography and the restoration quartos of Hamlet Claire M. L. Bourne; 13. The 1709/11 editions of Shakespeare's poems Paul D. Cannan; 14. Alexander Pope, interventionist editing and The Taming of the Shrew (1725) Jonathan H. Holmes; 15. Editorial annotations in Shakespeare editions after 1733 Adam Rounce; 16. Afterword Patrick Cheney

     
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  17. Shakespeare's rise to cultural prominence
    politics, print and alteration, 1642-1700
    Author: Depledge, Emma
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    Shakespeare's rise to prominence was by no means inevitable. While he was popular in his lifetime, the number of new editions and revivals of his plays declined over the following decades. Emma Depledge uses the methodologies of book and theatre... more

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    Shakespeare's rise to prominence was by no means inevitable. While he was popular in his lifetime, the number of new editions and revivals of his plays declined over the following decades. Emma Depledge uses the methodologies of book and theatre history to provide a re-assessment of the reputation and dissemination of Shakespeare during the Interregnum and Restoration. She demonstrates the crucial role of the Exclusion Crisis (1678-1682), a political crisis over the royal succession, as a foundational moment in Shakespeare's canonisation. The period saw a sudden surge of theatrical alterations and a significantly increased rate of new editions and stage revivals. In the wake of the Exclusion Crisis, Shakespeare's plays were made available on a scale not witnessed since the early seventeenth century, thus reversing what might otherwise have been a permanent disappearance of his drama from canonical familiarity and firmly establishing Shakespeare's work in the national cultural imagination Introduction -- Shakespeare in the Civil Wwar and Interregnum years, 1642-1659 -- Shakespeare on the early Restoration stage and page, 1660-1677 -- Shakespeare and the Exclusion Crisis, 1678-82: the decision to alter his plays -- The politics of Shakespeare alterations of the Exclusion Crisis -- Selling Shakespeare on the Exclusion Crisis stage and page -- Shakespeare in the wake of the Exclusion Crisis, 1683-1700

     
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  18. Making Milton
    print, authorship, afterlives
    Contributor: Depledge, Emma (Herausgeber); Garrison, John S (Herausgeber); Nicosia, Marissa (Herausgeber)
    Published: 2021
    Publisher:  Oxford University Press, Oxford

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    Source: Union catalogues
    Contributor: Depledge, Emma (Herausgeber); Garrison, John S (Herausgeber); Nicosia, Marissa (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198821892
    Edition: First edition
    Subjects: Milton, John
    Other subjects: Milton, John (1608-1674); Milton, John (1608-1674)
    Scope: xiv, 250 Seiten, Illustrationen, 24 cm
  19. Canonising Shakespeare
    stationers and the book trade 1640-1740
    Contributor: Depledge, Emma (Publisher); Kirwan, Peter (Publisher)
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

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  20. Canonising Shakespeare
    stationers and the book trade 1640-1740
    Contributor: Depledge, Emma (Herausgeber); Kirwan, Peter (Herausgeber)
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

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  21. Canonising Shakespeare
    stationers and the book trade 1640-1740
    Contributor: Depledge, Emma (HerausgeberIn); Kirwan, Peter (HerausgeberIn)
    Published: 2017
    Publisher:  Cambridge University Press, Cambridge

    Machine generated contents note: 1. Introduction Emma Depledge and Peter Kirwan; Part I. Selling Shakespeare: 2. Shakespeare for sale, 1640-1740 Emma Depledge; 3. Royalist Shakespeare: publishers, politics and the appropriation of The Rape of Lucrece... more

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    Machine generated contents note: 1. Introduction Emma Depledge and Peter Kirwan; Part I. Selling Shakespeare: 2. Shakespeare for sale, 1640-1740 Emma Depledge; 3. Royalist Shakespeare: publishers, politics and the appropriation of The Rape of Lucrece (1655) Adam G. Hooks; 4. Henry Herringman, Richard Bentley and Shakespeare's Fourth Folio (1685) Francis X. Connor; 5. Shakespeare without rules: the fifth Shakespeare folio and market demand in the early 1700s Lara Hansen and Eric Rasmussen; 6. The 1734-5 price wars, Antony and Cleopatra and the theatrical imagination Anthony Brano. Part II. Consolidating the Shakespeare Canon: 7. Consolidating the Shakespeare canon, 1640-1740 Peter Kirwan; 8. John Benson's 1640 poems and its literary precedents Faith Acker; 9. Cupids Cabinet Unlock't (1662), ostensibly 'by W. Shakespeare', in fact partly by John Milton Lukas Erne; 10. Discovering Shakespeare's personal style: editing and connoisseurship in the eighteenth century Edmund G. C. King; Part III. Editing Shakespeare: 11. Editing Shakespeare, 1640-1740 Emma Depledge and Peter Kirwan; 12. Dramatic typography and the restoration quartos of Hamlet Claire M. L. Bourne; 13. The 1709/11 editions of Shakespeare's poems Paul D. Cannan; 14. Alexander Pope, interventionist editing and The Taming of the Shrew (1725) Jonathan H. Holmes; 15. Editorial annotations in Shakespeare editions after 1733 Adam Rounce; 16. Afterword Patrick Cheney "Canonising Shakespeare offers the first comprehensive reassessment of Shakespeare's afterlife as a print phenomenon, demonstrating the crucial role that the book trade played in his rise to cultural pre-eminence. The period 1640-1740 was the period inthe time in which Shakespeare's canon was determined, in which the poems resumed their place alongside the plays in print, and in which artisans and named editors crafted a new, contemporary Shakespeare for Restoration and eighteenth-century consumers. A team of international contributors highlight the impact of individual booksellers, printers, publishers and editors on the Shakespearean text, the books in which it was presented, and the ways in which it was promoted. From radical adaptations of the Sonnets to new characters in plays, and from elegant subscription volumes to cheap editions churned out by feuding publishers, this period was marked by eclecticism, contradiction and innovation as stationers looked to the past and the future to create a Shakespeare for their own times"--

     
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  22. Shakespeare's rise to cultural prominence
    politics, print and alteration, 1642-1700
    Author: Depledge, Emma
    Published: 2018
    Publisher:  Cambridge University Press, Cambridge

    Introduction -- Shakespeare in the Civil Wwar and Interregnum years, 1642-1659 -- Shakespeare on the early Restoration stage and page, 1660-1677 -- Shakespeare and the Exclusion Crisis, 1678-82: the decision to alter his plays -- The politics of... more

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    Introduction -- Shakespeare in the Civil Wwar and Interregnum years, 1642-1659 -- Shakespeare on the early Restoration stage and page, 1660-1677 -- Shakespeare and the Exclusion Crisis, 1678-82: the decision to alter his plays -- The politics of Shakespeare alterations of the Exclusion Crisis -- Selling Shakespeare on the Exclusion Crisis stage and page -- Shakespeare in the wake of the Exclusion Crisis, 1683-1700

     
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  23. Making Milton
    print, authorship, afterlives
    Contributor: Depledge, Emma (HerausgeberIn); Garrison, John S. (HerausgeberIn); Nicosia, Marissa (HerausgeberIn)
    Published: 2021
    Publisher:  Oxford University Press, Oxford

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 118388
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    Source: Staatsbibliothek zu Berlin
    Contributor: Depledge, Emma (HerausgeberIn); Garrison, John S. (HerausgeberIn); Nicosia, Marissa (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780198821892
    Other identifier:
    9780198821892
    RVK Categories: HK 2575
    Edition: First edition
    Subjects: Milton, John; Einfluss; Rezeption;
    Other subjects: Milton, John (1608-1674); Milton, John (1608-1674)
    Scope: xiv, 250 Seiten, Illustrationen, 24 cm
  24. Making Milton
    print, authorship, afterlives
    Contributor: Depledge, Emma (HerausgeberIn); Garrison, John S. (HerausgeberIn); Nicosia, Marissa (HerausgeberIn)
    Published: 2021
    Publisher:  Oxford University Press, Oxford

    'Making Milton' contains a collection of essays exploring John Milton's rise to popularity and his status as a canonical author. The volume considers Milton's 'authorial persona' in the context of his relationships with his contemporary writers,... more

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    'Making Milton' contains a collection of essays exploring John Milton's rise to popularity and his status as a canonical author. The volume considers Milton's 'authorial persona' in the context of his relationships with his contemporary writers, stationers, and readers.

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Depledge, Emma (HerausgeberIn); Garrison, John S. (HerausgeberIn); Nicosia, Marissa (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780191861024
    Other identifier:
    Edition: First edition.
    Series: Oxford scholarship online
    Other subjects: Milton, John (1608-1674)
    Scope: 1 online resource (256 pages), illustrations (black and white, and colour).
    Notes:

    This edition also issued in print: 2021. - Includes bibliographical references and index. - Description based on online resource; title from home page (viewed on February 10, 2021)
  25. Making Milton
    Print, Authorship, Afterlives
    Author: Depledge, Emma
    Published: 2021; ©2021
    Publisher:  Oxford University Press USA - OSO, Oxford

    A collection of essays exploring John Milton's rise to popularity and his status as a canonical author. The volume considers Milton's 'authorial persona' in the context of his relationships with his contemporary writers, stationers, and readers.... more

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    Technische Universität Chemnitz, Universitätsbibliothek
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    A collection of essays exploring John Milton's rise to popularity and his status as a canonical author. The volume considers Milton's 'authorial persona' in the context of his relationships with his contemporary writers, stationers, and readers. Cover -- Making Milton: Print, Authorship, Afterlives -- Copyright -- Acknowledgements -- Contents -- List of Illustrations -- Notes on Contributors -- Editors -- Contributors -- Chapter 1: What Made Milton? -- Making Milton -- Part I: Milton and the Book Trade -- Chapter 2: Milton and Transcendent Authorship -- Chapter 3: Making Connections with Milton's Epitaphium Damonis -- Chapter 4: Repackaging Milton for the Late Seventeenth-Century Book Trade: Jacob Tonson, Paradise Lost, and John Dryden's The State of Innocence -- Early Editions of Paradise Lost -- Milton, Tonson, and the 1688 Paradise Lost -- Conclusion: the Influence of Dryden's The State of Innocence -- Chapter 5: Joseph Addison and the Domestication of Paradise Lost -- Part II: Milton's Construction of an Authorial Identity -- Chapter 6: Young Milton's Pauline Temper -- Chapter 7: Milton's Ludlow Maske and Remaking English Nationhood -- Introduction: Reformed Nationhood and the Young Milton -- The Spectacle of Caroline Nationhood: Coelum Britannicum -- A Maske and the Threat of National Servility -- Milton's Sabrina and the Poetics of Nationhood -- Conclusion: on National Representation and National Exceptionalism -- Chapter 8: Inscribing Textuality: Milton, Davenant, Authorship, and the Performance of Print -- Apologizing for Actors, Attacking the Archaic -- Antitheatricalism, Authorship, and Reception -- Chapter 9: 'Londini sum natus': the Latin Voice of Milton's Life Accountin Defensio Secunda -- Contexts -- The Life Account in Defensio Secunda -- Other Life Accounts -- Purposeful Sentence Length -- Over- and Understatement -- Camaraderie -- Verbs of Cognition and Volition -- Cognition and Volition in Defending the Polemical Writings -- A Calculated Indecorum or the Compulsion of Sincerity? -- Persona and Voice in the Final Appeal -- Chapter 10: Milton among the Iconoclasts.

     
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    Source: Union catalogues
    Contributor: Garrison, John S. (MitwirkendeR); Nicosia, Marissa (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780192555021
    Subjects: Milton, John,-1608-1674-Criticism and interpretation; Milton, John,-1608-1674-Influence; Influence; Electronic books
    Scope: 1 online resource (265 pages)
    Notes:

    Description based on publisher supplied metadata and other sources