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  1. Aesthetic conflict and contradiction
    the sublime in Kant and Kierkegaard
    Published: [2023]; © 2023
    Publisher:  De Gruyter, Berlin

    Universitätsbibliothek Regensburg
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    ISBN: 9783111169439
    Other identifier:
    9783111169439
    RVK Categories: CC 6900
    Series: Quellen und Studien zur Philosophie ; volume 151
    Subjects: Das Erhabene
    Other subjects: Kant, Immanuel (1724-1804); Kierkegaard, Søren (1813-1855); ästhetische Autonomie; ästhetische Erfahrung; Verklärung; Prototyp; aesthetic autonomy; aesthetic experience; transfiguration; prototype
    Scope: XIV, 231 Seiten
    Notes:

    Titel der Dissertation: Aesthetic conflict and contradiction: the extra-aesthetic value of the sublime in Kant and Kierkegaard

    Dissertation, Monash University, Melbourne, 2021

    Dissertation, Freie Universität Berlin, 2021

  2. Aesthetic conflict and contradiction
    the sublime in Kant and Kierkegaard
    Published: [2023]; © 2023
    Publisher:  De Gruyter, Berlin

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Source: Philologische Bibliothek, FU Berlin
    Language: English
    Media type: Dissertation
    ISBN: 9783111169439
    Other identifier:
    9783111169439
    RVK Categories: CC 6900
    Series: Quellen und Studien zur Philosophie ; volume 151
    Subjects: Das Erhabene
    Other subjects: Kant, Immanuel (1724-1804); Kierkegaard, Søren (1813-1855); ästhetische Autonomie; ästhetische Erfahrung; Verklärung; Prototyp; aesthetic autonomy; aesthetic experience; transfiguration; prototype
    Scope: XIV, 231 Seiten
    Notes:

    Titel der Dissertation: Aesthetic conflict and contradiction: the extra-aesthetic value of the sublime in Kant and Kierkegaard

    Dissertation, Monash University, Melbourne, 2021

    Dissertation, Freie Universität Berlin, 2021

  3. Aesthetic conflict and contradiction
    the sublime in Kant and Kierkegaard
    Published: [2023]
    Publisher:  De Gruyter, Berlin

    Universitätsbibliothek Heidelberg
    2024 A 1256
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    Diözesanbibliothek Münster
    23:2856
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    Württembergische Landesbibliothek
    73/8482
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    Content information
    Unbekannt (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9783111169439
    Other identifier:
    9783111169439
    RVK Categories: CC 6900
    Series: Quellen und Studien zur Philosophie ; volume 151
    Subjects: Kant, Immanuel; Kierkegaard, Søren; Das Erhabene; ; Artistik <Ästhetik>; Philosophie;
    Scope: XIV, 231 Seiten
    Notes:

    Dissertation, Freie Universität Berlin, 2021

    Dissertation, Monash University Melbourne, 2021

  4. Aesthetic Conflict and Contradiction
    The Sublime in Kant and Kierkegaard
    Published: 2023; ©2023
    Publisher:  De Gruyter, Berlin ; Walter de Gruyter GmbH

    The central claim of this comparative study of Kant and Kierkegaard is that the aesthetic experience of the sublime is both autonomous and formative for extra-aesthetic ends. Aesthetic autonomy is thus inseparable from aesthetic heteronomy. In Part... more

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    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    The central claim of this comparative study of Kant and Kierkegaard is that the aesthetic experience of the sublime is both autonomous and formative for extra-aesthetic ends. Aesthetic autonomy is thus inseparable from aesthetic heteronomy. In Part I, through an examination of Kant's Critique of Judgement and his essays on the French Revolution, the Kantian sublime is shown to conflict with our existing cognitive, moral and political frames of meaning, at the same time that the engagement of the aesthetic judge (Chapter 1) or the enthusiastic spectator (Chapter 2) with this conflict furthers our pursuit of cognitive, moral and political ends. The Kantian sublime is built on the autonomy of aesthetic judgement, which nevertheless has non-aesthetic value. Part II argues that certain aesthetic and ethical-religious figures in Kierkegaard's work can be shown to be transfigurations of the Kantian sublime, despite the absence of the term. Antigone and the silhouettes from Either/Or embody what I coin the tragic sublime and sublime grief. The God-man in Practice in Christianity is interpreted as a sublime image of contradiction. The figures are submitted to aesthetic representation, while their contradictory interior lives are unrepresentable. The Kierkegaardian sublime is built on a radical critique of aesthetic autonomy, whose failure serves the end of ethico-religious self-formation.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783111169996
    Other identifier:
    RVK Categories: CC 6900 ; CF 5017 ; CH 8517
    DDC Categories: 100
    Series: Quellen und Studien zur Philosophie , ; 151
    Subjects: Das Erhabene
    Other subjects: Kant, Immanuel (1724-1804); Kierkegaard, Søren (1813-1855)
    Scope: 1 Online-Ressource (XII, 229 p.)
  5. Aesthetic Conflict and Contradiction
    The Sublime in Kant and Kierkegaard
    Published: [2023]; © 2023
    Publisher:  De Gruyter, Berlin ; Boston

    The central claim of this comparative study of Kant and Kierkegaard is that the aesthetic experience of the sublime is both autonomous and formative for extra-aesthetic ends. Aesthetic autonomy is thus inseparable from aesthetic heteronomy. In Part... more

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    Universitätsbibliothek Passau
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    The central claim of this comparative study of Kant and Kierkegaard is that the aesthetic experience of the sublime is both autonomous and formative for extra-aesthetic ends. Aesthetic autonomy is thus inseparable from aesthetic heteronomy. In Part I, through an examination of Kant's Critique of Judgement and his essays on the French Revolution, the Kantian sublime is shown to conflict with our existing cognitive, moral and political frames of meaning, at the same time that the engagement of the aesthetic judge (Chapter 1) or the enthusiastic spectator (Chapter 2) with this conflict furthers our pursuit of cognitive, moral and political ends. The Kantian sublime is built on the autonomy of aesthetic judgement, which nevertheless has non-aesthetic value. Part II argues that certain aesthetic and ethical-religious figures in Kierkegaard's work can be shown to be transfigurations of the Kantian sublime, despite the absence of the term. Antigone and the silhouettes from Either/Or embody what I coin the tragic sublime and sublime grief. The God-man in Practice in Christianity is interpreted as a sublime image of contradiction. The figures are submitted to aesthetic representation, while their contradictory interior lives are unrepresentable. The Kierkegaardian sublime is built on a radical critique of aesthetic autonomy, whose failure serves the end of ethico-religious self-formation

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783111169996
    Other identifier:
    RVK Categories: CC 6900
    Series: Quellen und Studien zur Philosophie ; 151
    Subjects: Prototyp; Verklärung; ästhetische Autonomie; ästhetische Erfahrung; PHILOSOPHY / History & Surveys / General; Sublime, The; Das Erhabene
    Other subjects: Kant, Immanuel (1724-1804); Kierkegaard, Søren (1813-1855)
    Scope: 1 Online-Ressource (XII, 229 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 01. Nov 2023)

  6. Aesthetic conflict and contradiction
    the sublime in Kant and Kierkegaard
    Published: 2023
    Publisher:  de Gruyter, Berlin

    Max-Planck-Institut für empirische Ästhetik, Bibliothek
    CC 6910 cuf 2023
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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    91.447.20
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    Universität Mainz, Zentralbibliothek, RVK-Aufstellung
    200 CF 5017 K47 C965
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9783111169439; 311116943X
    Other identifier:
    9783111169439
    RVK Categories: CC 6900 ; CF 5017 ; CH 8517
    DDC Categories: 100
    Series: Quellen und Studien zur Philosophie ; volume 151
    Subjects: Das Erhabene
    Other subjects: Kant, Immanuel (1724-1804); Kierkegaard, Søren (1813-1855)
    Scope: XIV, 231 Seiten, 23 cm x 15.5 cm
  7. Aesthetic conflict and contradiction
    the sublime in Kant and Kierkegaard
    Published: © 2023; [2023]
    Publisher:  De Gruyter, Berlin

    Universitäts- und Landesbibliothek Bonn
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    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
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    Content information
    Unbekannt (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9783111169439
    Other identifier:
    9783111169439
    Series: Quellen und Studien zur Philosophie ; volume 151
    Subjects: Kant, Immanuel; Kierkegaard, Søren; <<Das>> Erhabene; ; Artistik <Ästhetik>; Philosophie;
    Scope: XIV, 231 Seiten
    Notes:

    Dissertation, Freie Universität Berlin, 2021

    Dissertation, Monash University Melbourne, 2021