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  1. Deleuze and cinema
    the film concepts
    Published: 2011
    Publisher:  Berg, Oxford

    Bayerische Staatsbibliothek
    Unlimited inter-library loan, copies and loan
    Hochschule für Fernsehen und Film, Bibliothek
    No loan of volumes, only paper copies will be sent
    Universitätsbibliothek Regensburg
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    Content information
    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9781847880376; 9781847880536
    RVK Categories: CI 5599
    Edition: Engl. ed., 1. publ.
    Subjects: Film; Philosophie; Ästhetik; Motion pictures; PERFORMING ARTS / Film & Video / History & Criticism; PERFORMING ARTS / Film & Video / General; PHILOSOPHY / Aesthetics; Film
    Other subjects: Deleuze, Gilles (1925-1995); Deleuze, Gilles (1925-1995)
    Scope: VI, 280 S., Ill.
    Notes:

    "Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze's writings treat film as a new form of philosophy. This ciné-philosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema. Deleuze and Cinema provides the first introductory guide to Deleuze's radical methodology for screen analysis. It will be invaluable for students and teachers of film theory, film history and film forms"-- Provided by publisher.

    Includes bibliographical references and index

  2. Deleuze and cinema
    the film concepts
    Published: 2011
    Publisher:  Berg, Oxford

    Freie Universität Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Unlimited inter-library loan, copies and loan
    Universität der Künste Berlin, Universitätsbibliothek
    Unlimited inter-library loan, copies and loan
    Universität Potsdam, Universitätsbibliothek
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    Content information
    Source: Philologische Bibliothek, FU Berlin; Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 9781847880376; 9781847880536
    RVK Categories: CI 5599
    Edition: Engl. ed., 1. publ.
    Subjects: Film; Philosophie; Ästhetik; Motion pictures; PERFORMING ARTS / Film & Video / History & Criticism; PERFORMING ARTS / Film & Video / General; PHILOSOPHY / Aesthetics; Film
    Other subjects: Deleuze, Gilles (1925-1995); Deleuze, Gilles (1925-1995)
    Scope: VI, 280 S., Ill.
    Notes:

    "Gilles Deleuze published two radical books on film: Cinema 1: The Movement-Image and Cinema 2: The Time-Image. Engaging with a wide range of film styles, histories and theories, Deleuze's writings treat film as a new form of philosophy. This ciné-philosophy offers a startling new way of understanding the complexities of the moving image, its technical concerns and constraints as well as its psychological and political outcomes. Deleuze and Cinema presents a step-by-step guide to the key concepts behind Deleuze's revolutionary theory of the cinema. Exploring ideas through key directors and genres, Deleuze's method is illustrated with examples drawn from American, British, continental European, Russian and Asian cinema. Deleuze and Cinema provides the first introductory guide to Deleuze's radical methodology for screen analysis. It will be invaluable for students and teachers of film theory, film history and film forms"-- Provided by publisher.

    Includes bibliographical references and index

  3. Film, theory and philosophy
    the key thinkers
    Contributor: Colman, Felicity (Hrsg.)
    Published: 2009
    Publisher:  Acumen, Durham

    Zeppelin Universität gGmbH, Bibliothek
    Unlimited inter-library loan, copies and loan
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    AP 45100 C716
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    Universitätsbibliothek Heidelberg
    2009 A 12238
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    Universitätsbibliothek Hildesheim
    TFF 570 : F32B
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    Deutsches Literaturarchiv Marbach, Bibliothek
    No loan of volumes, only paper copies will be sent
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    tea 750 CY 6418,2012
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der Eberhard Karls Universität
    50 A 8186
    Unlimited inter-library loan, copies and loan
    UB Weimar
    242 180
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    Content information
    Source: Union catalogues
    Contributor: Colman, Felicity (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781844651856; 9781844651849
    RVK Categories: AP 43450 ; AP 45100
    Edition: 1. publ.
    Subjects: Filmtheorie; ; Film; Philosophie; ; Theorie;
    Other subjects: Array
    Scope: XI, 404 S.
    Notes:

    Literaturverz. S. 365 - 389

  4. James Benning's Environments
    Politics, Ecology, Duration
    Published: [2022]; ©2017
    Publisher:  Edinburgh University Press, Edinburgh

    A critical exploration of James Benning’s films, the material environments they explore and the perceptual environments they createFor more than forty years, the experimental filmmaker James Benning has been engaged in a systematic investigation of... more

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    Staats- und Universitätsbibliothek Bremen
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    A critical exploration of James Benning’s films, the material environments they explore and the perceptual environments they createFor more than forty years, the experimental filmmaker James Benning has been engaged in a systematic investigation of the relations between man, landscape, and the filmic medium, and during the last decade it has become increasingly clear how much these investigations have to offer to contemporary debates about ecology, the age of the anthropocene and the potentialities of new digital technologies. In James Benning’s Environments a range of international scholars highlight the thematic and formal coherence of Benning’s practice, whilst providing readers with an artistic and historical context to understand his experimental film work. The volume offers a number of interpretative frameworks drawing on film theory, environmental humanities, visual culture and philosophy, explaining why Benning has emerged as one of today’s essential filmmakers.Key FeaturesContextualises Benning’s work in relation to the most important artistic and socio-historical influences on his filmmakingAnalyses Benning as an eco-filmmaker with perspectives from environmental studies and eco-cinemaOffers philosophical approaches to Benning’s films in view of their aesthetic, political and epistemological import

     

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    Content information
    Source: Union catalogues
    Contributor: Beck, John (MitwirkendeR); Biagioli, Kriss (MitwirkendeR); Colman, Felicity (MitwirkendeR); Conley, Tom (MitwirkendeR); Gardner, Colin (MitwirkendeR); Lübecker, Nikolaj (MitwirkendeR); MacDonald, Scott (MitwirkendeR); Panse, Silke (MitwirkendeR); Rugo, Daniele (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474470346
    Other identifier:
    Subjects: Ecocriticism; Ecology in motion pictures; Environmentalism in motion pictures; Film, Media & Cultural Studies; PERFORMING ARTS / Film & Video / Direction & Production
    Scope: 1 Online-Ressource (192 p.), 20 colour illustrations