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Displaying results 1 to 23 of 23.
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Memories of resistance and the Holocaust on film
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Film, memory and the legacy of the Spanish Civil War
resistance and Guerrilla 1936 - 2010 -
"The stage am I"
raping Lucrece in early modern England -
Film, memory and legacy of the Spanish Civil War
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Memories of resistance and the Holocaust on film
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Memories of Resistance and the Holocaust on Film
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Memories of resistance and the Holocaust on film
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Film, memory, and the legacy of the Spanish Civil War
resistance and guerrilla ; 1936 - 2010 -
Film, memory and the legacy of the Spanish Civil War
resistance and Guerrilla 1936 - 2010 -
Memories of Resistance and the Holocaust on Film
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"The stage am I": raping Lucrece in early modern England
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Memories of resistance and the Holocaust on film
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"<<The>> stage am I"
raping Lucrece in early modern England -
Film, memory, and the legacy of the Spanish Civil War
resistance and guerrilla, 1936-2010 -
Memories of resistance and the Holocaust on film
-
"The stage am I": raping Lucrece in early modern England
-
"The stage am I"
raping Lucrece in early modern England -
"The stage am I"
raping Lucrece in early modern England -
<<"The>> stage am I": raping Lucrece in early modern England
-
"The stage am I": raping Lucrece in early modern England
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Practising places
Saint Teresa, Lazarillo and the early modern city -
Transvestism, Translation and Transgression: Angela de Azevedo's El Muerto Disimulado
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“Madrid me Mata”: Killing the Husband in Alex de la Iglesia's <it>La comunidad<-it> (2000) and Pedro Almodóvar's <it>¿Qué he hecho yo para merecer esto!!<-it> (1984)