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  1. May Sinclair
    re-thinking bodies and minds
    Contributor: Bowler, Rebecca (Herausgeber); Drewery, Claire (Herausgeber)
    Published: 2017
    Publisher:  Edinburgh University Press, Edinburgh ; Cambridge University Press, Cambridge, UK

    Explores the tension between the abstract intellect and material bodies in May Sinclair's writing.<p>May Sinclair was a bestselling author of her day whose versatile literary output, including criticism, philosophy, poetry, psychoanalysis and... more

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    Explores the tension between the abstract intellect and material bodies in May Sinclair's writing.

    May Sinclair was a bestselling author of her day whose versatile literary output, including criticism, philosophy, poetry, psychoanalysis and experimental fiction, now frequently falls between the established categories of literary modernism. In terms of her contribution to dominant modernist paradigms she was, until recently, best remembered for recasting the psychological novel as 'stream of consciousness' narrative in a 1918 review of Dorothy Richardson's Pilgrimage.

    This book brings together the most recent research on Sinclair and re-contextualises her work both within and against dominant Modernist narratives. It explores Sinclair's negotiations between the public and private, the cerebral and the corporeal and the spiritual and the profane in both her fiction and non-fiction.

    Key Features
    • Brings together the most recent research undertaken by foremost Sinclair scholars and early-career researchers
    • Considers Sinclair's contribution to contemporary aesthetic and philosophical debates about the nature and representation of human identity
    • Explores a wide range of Sinclair's work, including fiction, psychology, philosophy and short stories

    ...

     

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    Source: Union catalogues
    Contributor: Bowler, Rebecca (Herausgeber); Drewery, Claire (Herausgeber)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474415767
    Scope: 1 Online-Ressource (vi, 238 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Jun 2017)

  2. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception."-- more

    Universitätsbibliothek der LMU München
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    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception."--

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    RVK Categories: HM 1131 ; HM 1139
    Subjects: English literature / 20th century / History and criticism; Impressionism in literature; Visual perception in literature; Memory in literature; Modernism (Literature); American literature / 20th century / History and criticism; Impressionismus
    Other subjects: Richardson, Dorothy M. / (Dorothy Miller) / 1873-1957 / Criticism and interpretation; Ford, Ford Madox / 1873-1939 / Criticism and interpretation; H. D. / (Hilda Doolittle) / 1886-1961 / Criticism and interpretation; Sinclair, May / Criticism and interpretation; Sinclair, May (1863-1946); H. D. (1886-1961); Ford, Ford Madox (1873-1939); Richardson, Dorothy Miller (1873-1957)
    Scope: 1 Online-Ressource (vi, 247 Seiten)
    Notes:

    Includes bibliographical references and index

    Machine generated contents note: -- 1. Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Ford -- i. 'The Thing Perceived and Herself Perceiving': The Double Impression -- ii. Representing the Unrepresentable I: Ford Madox Ford's Parade's End -- iii. Representing the Unrepresentable II: Dorothy Richardson's 'Golden Light' -- 2. Visual Metaphors: Dorothy Richardson and H.D. -- i. Paintings, Photographs and Sculptural Form in Dorothy Richardson and H.D. -- ii. Weaving Cinematic Form: H.D. and Dorothy Richardson -- 3. Coming to Writing: Dorothy Richardson and May Sinclair -- 4. Memory and Vision -- Bibliography -- Index

  3. May Sinclair
    Re-Thinking Bodies and Minds
    Published: [2022]
    Publisher:  Edinburgh University Press, Edinburgh

    Frontmatter -- Contents -- Acknowledgements -- Introduction: May Sinclair's Interdisciplinarity -- Part I: The Abstract Intellect -- Chapter 1 'Dying to Live': Remembering and Forgetting May Sinclair -- Chapter 2 Learning Greek: The Woman Artist as... more

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    Frontmatter -- Contents -- Acknowledgements -- Introduction: May Sinclair's Interdisciplinarity -- Part I: The Abstract Intellect -- Chapter 1 'Dying to Live': Remembering and Forgetting May Sinclair -- Chapter 2 Learning Greek: The Woman Artist as Autodidact in May Sinclair's Mary Olivier: A Life -- Chapter 3 Portrait of the Female Character as a Psychoanalytical Case: The Ambiguous Influence of Freud on May Sinclair's Novels -- Chapter 4 Feminism, Freedom and the Hierarchy of Happiness in the Psychological Novels of May Sinclair -- Chapter 5 Architecture, Environment and 'Scenic Effect' in May Sinclair's The Divine Fire -- Part II: Abject Bodies -- Chapter 6 Disembodying Desire: Ontological Fantasy, Libidinal Anxiety and the Erotics of Renunciation in May Sinclair -- Chapter 7 May Sinclair and Physical Culture: Fit Greeks and Flabby Victorians -- Chapter 8 Dolls and Dead Babies: Victorian Motherhood in May Sinclair's Life and Death of Harriett Frean -- Chapter 9 Why British Society Had to 'Get a Young Virgin Sacrificed': Sacrificial Destiny in The Tree of Heaven -- Chapter 10 'Odd How the War Changes Us': May Sinclair and Women's War Work -- Chapter 11 Transgressing Boundaries; Transcending Bodies: Sublimation and the Abject Corpus in Uncanny Stories and Tales Told by Simpson -- Notes on Contributors -- Index Explores the tension between the abstract intellect and material bodies in May Sinclair's writingMay Sinclair was a bestselling author of her day whose versatile literary output, including criticism, philosophy, poetry, psychoanalysis and experimental fiction, now frequently falls between the established categories of literary modernism. In terms of her contribution to dominant modernist paradigms she was, until recently, best remembered for recasting the psychological novel as 'stream of consciousness' narrative in a 1918 review of Dorothy Richardson's Pilgrimage.This book brings together the most recent research on Sinclair and re-contextualises her work both within and against dominant Modernist narratives. It explores Sinclair's negotiations between the public and private, the cerebral and the corporeal and the spiritual and the profane in both her fiction and non-fiction.Key FeaturesBrings together the most recent research undertaken by foremost Sinclair scholars and early-career researchersConsiders Sinclair's contribution to contemporary aesthetic and philosophical debates about the nature and representation of human identityExplores a wide range of Sinclair's work, including fiction, psychology, philosophy and short stories

     

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    Source: Union catalogues
    Contributor: Beyer, Charlotte (MitwirkendeR); Bont, Leslie de (MitwirkendeR); Bowler, Rebecca (MitwirkendeR); Drewery, Claire (MitwirkendeR); Liggins, Emma (MitwirkendeR); Mullholland, Terri (MitwirkendeR); Pickrem, Faye (MitwirkendeR); Raitt, Suzanne (MitwirkendeR); Schyllert, Sanna Melin (MitwirkendeR); Thornton, Elise (MitwirkendeR); Truran, Wendy (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474415767
    Other identifier:
    Subjects: LITERARY CRITICISM / Feminist
    Scope: 1 Online-Ressource (256 p)
  4. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair
    Published: 2016
    Publisher:  Bloomsbury Academic, London

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781474269056; 9781350063914; 9781474269070; 9781474269063
    RVK Categories: HM 1131 ; HU 1745
    Series: Historicizing modernism
    Subjects: Richardson, Dorothy Miller; Ford, Ford Madox; Sinclair, May; H. D.; Impressionismus; Vision <Motiv>; Erinnerung <Motiv>;
    Scope: vi, 247 Seiten
    Notes:

    Erscheint auch online

    Hier auch unveränderte Nachdrucke: 2018 (= First paperback edition)

    Literaturverzeichnis Seite [233]-243

  5. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair
    Published: 2016
    Publisher:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception"... more

    Freie Universität Berlin, Universitätsbibliothek
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    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception"...

     

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    Verlag (Inhaltsverzeichnis)
    Verlag (Inhaltsverzeichnis)
    Verlag (Klappentext)
  6. May Sinclair
    re-thinking bodies and minds
    Contributor: Bowler, Rebecca (Publisher); Drewery, Claire (Publisher)
    Published: [2017]; © 2017
    Publisher:  Edinburgh University Press, Edinburgh

    Freie Universität Berlin, Universitätsbibliothek
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    Source: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Contributor: Bowler, Rebecca (Publisher); Drewery, Claire (Publisher)
    Language: English
    Media type: Book
    ISBN: 9781474415750
    RVK Categories: HM 4850
    Subjects: Sinclair, May;
    Other subjects: Sinclair, May (1863-1946)
    Scope: vi, 238 Seiten
  7. May Sinclair
    re-thinking bodies and minds
    Contributor: Bowler, Rebecca (HerausgeberIn); Drewery, Claire (HerausgeberIn)
    Published: [2017]
    Publisher:  Edinburgh University Press, Edinburgh

    May Sinclair was a bestselling author of her day whose versatile literary output, including criticism, philosophy, poetry, psychoanalysis and experimental fiction, now frequently falls between the established categories of literary modernism. In... more

    Anglistisches Seminar der Universität, Bibliothek
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    May Sinclair was a bestselling author of her day whose versatile literary output, including criticism, philosophy, poetry, psychoanalysis and experimental fiction, now frequently falls between the established categories of literary modernism. In terms of her contribution to dominant modernist paradigms she was, until recently, best remembered for recasting the psychological novel as 'stream of consciousness' narrative in a 1918 review of Dorothy Richardson's Pilgrimage. This book brings together the most recent research on Sinclair and re-contextualises her work both within and against dominant Modernist narratives. It explores Sinclair's negotiations between the public and private, the cerebral and the corporeal and the spiritual and the profane in both her fiction and non-fiction.

     

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    Source: Union catalogues
    Contributor: Bowler, Rebecca (HerausgeberIn); Drewery, Claire (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781474415750
    Subjects: Sinclair, May;
    Other subjects: Sinclair, May
    Scope: vi, 238 Seiten, 25 cm
  8. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair
    Published: 2016
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception."-- Machine generated contents note: -- 1. Literary... more

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    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception."-- Machine generated contents note: -- 1. Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Ford -- i. 'The Thing Perceived and Herself Perceiving': The Double Impression -- ii. Representing the Unrepresentable I: Ford Madox Ford's Parade's End -- iii. Representing the Unrepresentable II: Dorothy Richardson's 'Golden Light' -- 2. Visual Metaphors: Dorothy Richardson and H.D. -- i. Paintings, Photographs and Sculptural Form in Dorothy Richardson and H.D. -- ii. Weaving Cinematic Form: H.D. and Dorothy Richardson -- 3. Coming to Writing: Dorothy Richardson and May Sinclair -- 4. Memory and Vision -- Bibliography -- Index

     

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  9. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair
    Published: 2018
    Publisher:  Bloomsbury Academic, London

    Universitätsbibliothek J. C. Senckenberg, Bibliothekszentrum Geisteswissenschaften (BzG)
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781350063914; 9781474269056
    RVK Categories: HM 1131 ; HU 1745
    Edition: Paperback edition
    Series: Historicizing modernism
    Subjects: Literatur; Impressionismus; Vision <Motiv>; Erinnerung <Motiv>
    Other subjects: H. D. (1886-1961); Richardson, Dorothy Miller (1873-1957); Ford, Ford Madox (1873-1939); Sinclair, May (1863-1946)
    Scope: vi, 247 Seiten
    Notes:

    Literaturverzeichnis Seite 233-243

  10. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair
    Published: 2016
    Publisher:  Bloomsbury Academic, London ; Oxford ; New York ; New Delhi ; Sydney

    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception"... more

    Universitätsbibliothek Augsburg
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    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception"...

     

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  11. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception."-- more

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception."--

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    RVK Categories: HM 1131 ; HM 1139
    Subjects: English literature / 20th century / History and criticism; Impressionism in literature; Visual perception in literature; Memory in literature; Modernism (Literature); American literature / 20th century / History and criticism; Impressionismus
    Other subjects: Richardson, Dorothy M. / (Dorothy Miller) / 1873-1957 / Criticism and interpretation; Ford, Ford Madox / 1873-1939 / Criticism and interpretation; H. D. / (Hilda Doolittle) / 1886-1961 / Criticism and interpretation; Sinclair, May / Criticism and interpretation; Sinclair, May (1863-1946); H. D. (1886-1961); Ford, Ford Madox (1873-1939); Richardson, Dorothy Miller (1873-1957)
    Scope: 1 Online-Ressource (vi, 247 Seiten)
    Notes:

    Includes bibliographical references and index

    Machine generated contents note: -- 1. Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Ford -- i. 'The Thing Perceived and Herself Perceiving': The Double Impression -- ii. Representing the Unrepresentable I: Ford Madox Ford's Parade's End -- iii. Representing the Unrepresentable II: Dorothy Richardson's 'Golden Light' -- 2. Visual Metaphors: Dorothy Richardson and H.D. -- i. Paintings, Photographs and Sculptural Form in Dorothy Richardson and H.D. -- ii. Weaving Cinematic Form: H.D. and Dorothy Richardson -- 3. Coming to Writing: Dorothy Richardson and May Sinclair -- 4. Memory and Vision -- Bibliography -- Index

  12. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair
    Published: 2016
    Publisher:  Bloomsbury Academic, London

    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception"-- Machine generated contents note: -- 1. Literary... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 997353
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    Universitätsbibliothek der Eberhard Karls Universität
    57 A 4285
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    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception"-- Machine generated contents note: -- 1. Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Ford -- i. 'The Thing Perceived and Herself Perceiving': The Double Impression -- ii. Representing the Unrepresentable I: Ford Madox Ford's Parade's End -- iii. Representing the Unrepresentable II: Dorothy Richardson's 'Golden Light' -- 2. Visual Metaphors: Dorothy Richardson and H.D. -- i. Paintings, Photographs and Sculptural Form in Dorothy Richardson and H.D. -- ii. Weaving Cinematic Form: H.D. and Dorothy Richardson -- 3. Coming to Writing: Dorothy Richardson and May Sinclair -- 4. Memory and Vision -- Bibliography -- Index

     

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    Verlag (Inhaltsverzeichnis)
    Verlag (Inhaltsverzeichnis)
    Verlag (Klappentext)
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781474269056
    RVK Categories: HM 1139 ; HU 1745 ; HM 1131
    Series: Historicizing modernism
    Subjects: Modernism (Literature); American literature; English literature; Impressionism in literature; Visual perception in literature; Memory in literature
    Other subjects: Richardson, Dorothy M (1873-1957); Ford, Ford Madox (1873-1939); H. D (1886-1961); Sinclair, May
    Scope: vi, 247 Seiten
    Notes:

    Includes bibliographical references and index

  13. May Sinclair
    re-thinking bodies and minds
    Contributor: Drewery, Claire (HerausgeberIn); Bowler, Rebecca (HerausgeberIn)
    Published: [2017]
    Publisher:  Edinburgh University Press, Edinburgh

    May Sinclair was a bestselling author of her day whose versatile literary output, including criticism, philosophy, poetry, psychoanalysis and experimental fiction, now frequently falls between the established categories of literary modernism. In... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 4848
    Unlimited inter-library loan, copies and loan
    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2018 A 11501
    Unlimited inter-library loan, copies and loan

     

    May Sinclair was a bestselling author of her day whose versatile literary output, including criticism, philosophy, poetry, psychoanalysis and experimental fiction, now frequently falls between the established categories of literary modernism. In terms of her contribution to dominant modernist paradigms she was, until recently, best remembered for recasting the psychological novel as 'stream of consciousness' narrative in a 1918 review of Dorothy Richardson's Pilgrimage. This book brings together the most recent research on Sinclair and re-contextualises her work both within and against dominant Modernist narratives. It explores Sinclair's negotiations between the public and private, the cerebral and the corporeal and the spiritual and the profane in both her fiction and non-fiction Introduction: May Sinclair's interdisciplinarity / Rebecca Bowler and Claire Drewery -- Part I: The Abstract Intellect -- 1. 'Dying to live': Remembering and forgetting May Sinclair / Suzanne Raitt -- 2. Learning Greek: The woman artist as autodidact in May Sinclair's Mary Olivier: a life / Elise Thornton -- 3. Portrait of the female character as a psychoanalytical case: the ambiguous influence of Freud on May Sinclair's novels / Leslie de Bont -- 4. Feminism, freedom and the hierarchy of happiness in the psychological novels of May Sinclair / Wendy Truran -- 5. Architecture, environment and 'scenic effect' in May Sinclair's The divine fire / Terri Mullholland -- Part II: Abject bodies -- 6. Disembodying desire: ontological fantasy, libidinal anxiety and the erotics of renunciation in May Sinclair -- 7. May Sinclair and physical culture: fit Greeks and flabby Victorians / Rebecca Bowler -- 8. Dolls and Dead Babies: Victorian motherhood in May Sinclair's Life and death of Harriet Frean / Charlotte Beyer -- 9. Why British society had to 'get a young virgin sacrificed': sacrifical destiny in The tree of heaven / Sanna Melin Schyllert -- 10. 'Odd how the war changes us': May Sinclair and women's war work / Emma Liggins -- 11. Transgressing boundaries; transcending bodies: sublimation and the abject corpus in Uncanny stories and Tales told by Simpson / Claire Drewery

     

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    Source: Staatsbibliothek zu Berlin
    Contributor: Drewery, Claire (HerausgeberIn); Bowler, Rebecca (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781474431521; 9781474415750
    RVK Categories: HM 4850
    Subjects: Sinclair, May;
    Other subjects: Sinclair, May
    Scope: vi, 238 pages
  14. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair
    Published: 2016
    Publisher:  Bloomsbury Academic, New York ; Bloomsbury Publishing, London

    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception."-- Machine generated contents note: -- 1. Literary... more

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    Universität Potsdam, Universitätsbibliothek
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    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception."-- Machine generated contents note: -- 1. Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Ford -- i. 'The Thing Perceived and Herself Perceiving': The Double Impression -- ii. Representing the Unrepresentable I: Ford Madox Ford's Parade's End -- iii. Representing the Unrepresentable II: Dorothy Richardson's 'Golden Light' -- 2. Visual Metaphors: Dorothy Richardson and H.D. -- i. Paintings, Photographs and Sculptural Form in Dorothy Richardson and H.D. -- ii. Weaving Cinematic Form: H.D. and Dorothy Richardson -- 3. Coming to Writing: Dorothy Richardson and May Sinclair -- 4. Memory and Vision -- Bibliography -- Index

     

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  15. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D. and May Sinclair
    Published: 2018
    Publisher:  Bloomsbury Academic, London

    Niedersächsische Staats- und Universitätsbibliothek Göttingen
    2019 A 553
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    2019 A 10880
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    Source: Union catalogues
    Language: English
    Media type: Dissertation
    Format: Print
    ISBN: 9781474269056; 9781350063914
    Other identifier:
    9781350063914
    RVK Categories: HM 1101
    Edition: Paperback edition
    Series: Historicizing modernism
    Subjects: Richardson, Dorothy Miller; Ford, Ford Madox; Sinclair, May; H. D.; Impressionismus; ; Richardson, Dorothy Miller; Ford, Ford Madox; Sinclair, May; H. D.; Impressionismus; Gedächtnis <Motiv>;
    Scope: vi, 247 Seiten
    Notes:

    Dissertation, Keel University, 2016

  16. May Sinclair
    re-thinking bodies and minds
    Contributor: Bowler, Rebecca (Publisher); Drewery, Claire (Publisher)
    Published: 2017
    Publisher:  Edinburgh University Press, Edinburgh

    Explores the tension between the abstract intellect and material bodies in May Sinclair's writing.<p>May Sinclair was a bestselling author of her day whose versatile literary output, including criticism, philosophy, poetry, psychoanalysis and... more

    Bayerische Staatsbibliothek
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    Explores the tension between the abstract intellect and material bodies in May Sinclair's writing.

    May Sinclair was a bestselling author of her day whose versatile literary output, including criticism, philosophy, poetry, psychoanalysis and experimental fiction, now frequently falls between the established categories of literary modernism. In terms of her contribution to dominant modernist paradigms she was, until recently, best remembered for recasting the psychological novel as 'stream of consciousness' narrative in a 1918 review of Dorothy Richardson's Pilgrimage.

    This book brings together the most recent research on Sinclair and re-contextualises her work both within and against dominant Modernist narratives. It explores Sinclair's negotiations between the public and private, the cerebral and the corporeal and the spiritual and the profane in both her fiction and non-fiction.

    Key Features
    • Brings together the most recent research undertaken by foremost Sinclair scholars and early-career researchers
    • Considers Sinclair's contribution to contemporary aesthetic and philosophical debates about the nature and representation of human identity
    • Explores a wide range of Sinclair's work, including fiction, psychology, philosophy and short stories

     

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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Contributor: Bowler, Rebecca (Publisher); Drewery, Claire (Publisher)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474415767
    RVK Categories: HM 4850
    Subjects: Sinclair, May;
    Other subjects: Sinclair, May / Criticism and interpretation; Sinclair, May (1863-1946)
    Scope: 1 online resource (vi, 238 pages)
    Notes:

    Title from publisher's bibliographic system (viewed on 05 Jun 2017)

  17. May Sinclair
    Re-Thinking Bodies and Minds
    Published: [2022]; © 2016
    Publisher:  Edinburgh University Press, Edinburgh

    Explores the tension between the abstract intellect and material bodies in May Sinclair's writingMay Sinclair was a bestselling author of her day whose versatile literary output, including criticism, philosophy, poetry, psychoanalysis and... more

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    Explores the tension between the abstract intellect and material bodies in May Sinclair's writingMay Sinclair was a bestselling author of her day whose versatile literary output, including criticism, philosophy, poetry, psychoanalysis and experimental fiction, now frequently falls between the established categories of literary modernism. In terms of her contribution to dominant modernist paradigms she was, until recently, best remembered for recasting the psychological novel as 'stream of consciousness' narrative in a 1918 review of Dorothy Richardson's Pilgrimage.This book brings together the most recent research on Sinclair and re-contextualises her work both within and against dominant Modernist narratives. It explores Sinclair's negotiations between the public and private, the cerebral and the corporeal and the spiritual and the profane in both her fiction and non-fiction.Key FeaturesBrings together the most recent research undertaken by foremost Sinclair scholars and early-career researchersConsiders Sinclair's contribution to contemporary aesthetic and philosophical debates about the nature and representation of human identityExplores a wide range of Sinclair's work, including fiction, psychology, philosophy and short stories

     

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    Content information
    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474415767
    Other identifier:
    Subjects: Literary Studies; LITERARY CRITICISM / Feminist
    Scope: 1 Online-Ressource (256 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 02. Mrz 2022)

  18. May Sinclair
    re-thinking bodies and minds
    Contributor: Drewery, Claire (HerausgeberIn); Bowler, Rebecca (HerausgeberIn)
    Published: [2017]
    Publisher:  Edinburgh University Press, Edinburgh

    Introduction: May Sinclair's interdisciplinarity / Rebecca Bowler and Claire Drewery -- Part I: The Abstract Intellect -- 1. 'Dying to live': Remembering and forgetting May Sinclair / Suzanne Raitt -- 2. Learning Greek: The woman artist as autodidact... more

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    Introduction: May Sinclair's interdisciplinarity / Rebecca Bowler and Claire Drewery -- Part I: The Abstract Intellect -- 1. 'Dying to live': Remembering and forgetting May Sinclair / Suzanne Raitt -- 2. Learning Greek: The woman artist as autodidact in May Sinclair's Mary Olivier: a life / Elise Thornton -- 3. Portrait of the female character as a psychoanalytical case: the ambiguous influence of Freud on May Sinclair's novels / Leslie de Bont -- 4. Feminism, freedom and the hierarchy of happiness in the psychological novels of May Sinclair / Wendy Truran -- 5. Architecture, environment and 'scenic effect' in May Sinclair's The divine fire / Terri Mullholland -- Part II: Abject bodies -- 6. Disembodying desire: ontological fantasy, libidinal anxiety and the erotics of renunciation in May Sinclair -- 7. May Sinclair and physical culture: fit Greeks and flabby Victorians / Rebecca Bowler -- 8. Dolls and Dead Babies: Victorian motherhood in May Sinclair's Life and death of Harriet Frean / Charlotte Beyer -- 9. Why British society had to 'get a young virgin sacrificed': sacrifical destiny in The tree of heaven / Sanna Melin Schyllert -- 10. 'Odd how the war changes us': May Sinclair and women's war work / Emma Liggins -- 11. Transgressing boundaries; transcending bodies: sublimation and the abject corpus in Uncanny stories and Tales told by Simpson / Claire Drewery. May Sinclair was a bestselling author of her day whose versatile literary output, including criticism, philosophy, poetry, psychoanalysis and experimental fiction, now frequently falls between the established categories of literary modernism. In terms of her contribution to dominant modernist paradigms she was, until recently, best remembered for recasting the psychological novel as ́⁰₈stream of consciousnesś⁰₉ narrative in a 1918 review of Dorothy Richardsoń⁰₉s Pilgrimage. This book brings together the most recent research on Sinclair and re-contextualises her work both within and against dominant Modernist narratives. It explores Sinclaiŕ⁰₉s negotiations between the public and private, the cerebral and the corporeal and the spiritual and the profane in both her fiction and non-fiction

     

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    Source: Union catalogues
    Contributor: Drewery, Claire (HerausgeberIn); Bowler, Rebecca (HerausgeberIn)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1474415768; 9781474415767
    Subjects: LITERARY CRITICISM ; Feminist; Criticism, interpretation, etc
    Other subjects: Sinclair, May; Sinclair, May
    Scope: 1 Online-Ressource (1 online resource)
    Notes:

    Includes bibliographical references and index

  19. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception"-- Cover; Half Title; Series page; Title; Copyright;... more

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    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception"-- Cover; Half Title; Series page; Title; Copyright; Contents; Acknowledgements; Introduction; 1 Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Ford; 'The thing perceived and herself perceiving': The double impression; Realism, impressionism and Henry James; Subjectivity and objectivity; Representing the unrepresentable I: Total experience and the distracted subject in Ford Madox Ford's Parade's End; Representing the unrepresentable II: Masculine blindness and feminine angles of vision in Dorothy Richardson's ... Selection and patterning: The impressionist text as tapestry2 Mystical Visions and Primary Perception: May Sinclair and Dorothy Richardson; Naming the unnameable: Silence, mysticism, philosophy, religion; Silence and Maeterlinck; Mysticism, philosophy and the absolute; 'Breaking through the veil of sense': God and reality; 3 Visual Metaphors: Dorothy Richardson and H.D.; Seeing through representation I: The world as art; Seeing through representation II: The body as art; The composite image: Fidelity through multiplicity; Weaving; Cinematic form. Soporific cinema and the creative collaboration of art and audienceInterlude; 4 Memory, Distance, Perspective; Psychology and the novel-.memoir: May Sinclair and Ford Madox Ford; 'Post-.war Freudianity': Trauma, repression and detachment; 'Disinterested contemplation': Dorothy Richardson's March Moonlight and the 'middles'; Gallery spaces: Memory and metaphor in Richardson and H.D.; Conclusion: 'Proust and Proust and Proust. Forwards, Backwards, Upside Down'; Works Cited; Index.

     

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  20. The Edinburgh Companion to Modernism, Myth and Religion
    Contributor: Anderson, Elizabeth (Mitwirkender); Andrews, Charles (Mitwirkender); Bahun, Sanja (Mitwirkender); Banks, Lisa (Mitwirkender); Bowler, Rebecca (Mitwirkender); Callison, Jamie (Mitwirkender); Erickson, Gregory (Mitwirkender); Ferretter, Luke (Mitwirkender); Freer, Scott (Mitwirkender); Gay, Jane de (Mitwirkender); Grafen, Alex (Mitwirkender); Hadjiyiannis, Christos (Mitwirkender); Hewitt, Seán (Mitwirkender); Hobson, Suzanne (Mitwirkender); Jensen, Graham H. (Mitwirkender); Kilner-Johnson, Allan (Mitwirkender); Lewis, Pericles (Mitwirkender); Mao, Douglas (Mitwirkender); McIntire, Gabrielle (Mitwirkender); Mitchell, Jennifer (Mitwirkender); Mohua, Mafruha (Mitwirkender); Mutter, Matthew (Mitwirkender); Pinkerton, Steve (Mitwirkender); Pryor, Sean (Mitwirkender); Radford, Andrew (Mitwirkender); Robinson, Matte (Mitwirkender); Sherman, David (Mitwirkender); Sim, Lorraine (Mitwirkender); Spitzer, Jennifer (Mitwirkender); Tonning, Erik (Mitwirkender); Vetter, Lara (Mitwirkender); Wilson, Leigh (Mitwirkender); Winick, Mimi (Mitwirkender)
    Published: 2023; ©2023
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    Presents authoritative analyses of the religious terrain of the modernist periodPresents authoritative scholarly analyses of the religious terrain of the modernist periodIncludes 30 + specially commissioned chapters on modernist myth, religion and... more

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    Presents authoritative analyses of the religious terrain of the modernist periodPresents authoritative scholarly analyses of the religious terrain of the modernist periodIncludes 30 + specially commissioned chapters on modernist myth, religion and alternative spirituality representing the breadth and freshness of research in this areaForegrounds early-career scholars as well as internationally recognized researchers who have illuminated the field of modernist discourse around religion and mythResponds to and builds upon a renewed scholarly fascination with modernist experiment, religious history, and theology - a field of interest which has energized the humanities, especially in literary and cultural studiesHighlights the interconnections between spirituality, aesthetics, and politics in this periodUntil fairly recently, the 'Authorised Version' of cultural modernism stated that the secularising trends of liberal modernity - and the resultant emphasis on irony, parody and dissolution in modernist artforms - had pushed religion to the edges of early twentieth-century culture. This Companion complicates this understanding by furnishing students and academic researchers with more nuanced and probing assessments of the intersections and tensions between religion, myth and creativity during this half century of geopolitical ferment. It addresses the variety and specificity of modernist spiritualities as well as the intricately textured and shifting standpoints that modernist figures have occupied in relation to theological traditions, practices, creeds and institutions. What emerges is a multi-textured account of modernism's deep-rooted concern with the historical and established forms of religion, as well as new engagements with 'occulture' and indigenous traditions. In short, the Companion supplies a lively and original exploration of the aesthetic, publishing, technological and philosophical trends that shape debates about spirituality, community and self from the 1890s to the 1940s and beyond.

     

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    Source: Union catalogues
    Contributor: Anderson, Elizabeth (Mitwirkender); Andrews, Charles (Mitwirkender); Bahun, Sanja (Mitwirkender); Banks, Lisa (Mitwirkender); Bowler, Rebecca (Mitwirkender); Callison, Jamie (Mitwirkender); Erickson, Gregory (Mitwirkender); Ferretter, Luke (Mitwirkender); Freer, Scott (Mitwirkender); Gay, Jane de (Mitwirkender); Grafen, Alex (Mitwirkender); Hadjiyiannis, Christos (Mitwirkender); Hewitt, Seán (Mitwirkender); Hobson, Suzanne (Mitwirkender); Jensen, Graham H. (Mitwirkender); Kilner-Johnson, Allan (Mitwirkender); Lewis, Pericles (Mitwirkender); Mao, Douglas (Mitwirkender); McIntire, Gabrielle (Mitwirkender); Mitchell, Jennifer (Mitwirkender); Mohua, Mafruha (Mitwirkender); Mutter, Matthew (Mitwirkender); Pinkerton, Steve (Mitwirkender); Pryor, Sean (Mitwirkender); Radford, Andrew (Mitwirkender); Robinson, Matte (Mitwirkender); Sherman, David (Mitwirkender); Sim, Lorraine (Mitwirkender); Spitzer, Jennifer (Mitwirkender); Tonning, Erik (Mitwirkender); Vetter, Lara (Mitwirkender); Wilson, Leigh (Mitwirkender); Winick, Mimi (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474494793
    Other identifier:
    Series: Edinburgh Companions to Literature and the Humanities
    Subjects: Moderne; Literatur; Säkularismus; Spiritualität; Religion; Mythos
    Scope: 1 Online-Ressource (552 p.), 13 colour illustrations 13 colour illustrations
  21. British Women Short Story Writers
    The New Woman to Now
    Published: [2015]; ©2015
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    Essays tracing the evolving relationship between British women writers and the short story genre from the late Nineteenth Century to the present day.What is the relationship between the British woman writer and the short story? Considering the effect... more

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    Essays tracing the evolving relationship between British women writers and the short story genre from the late Nineteenth Century to the present day.What is the relationship between the British woman writer and the short story? Considering the effect of literary inheritances, societal and cultural change, and shifting publishing demands, this collection traces the evolution of the genre through to its continued appeal to women writing today; from the New Woman to contemporary feminisms, women's anthologies to micro fiction, and modernist writers to the contemporary works.Key Features A foreword by Ali Smith and 12 chapters discuss a range of gender and genre issues since the fin-de-siècle to the present day.A comprehensive account of the genre's development provides a unique insight into a largely neglected aspect of women's writing.Sets out a clear trajectory to map both the historical and literary connections and divergences between British women short story writers. Offers a comprehensive account of the genre's development to provide scholars with a unique insight into a largely neglected aspect of women's writing.Includes new readings of canonical authors alongside more recent theoretical approaches, innovations and lesser-discussed writers.

     

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    Source: Union catalogues
    Contributor: Bowler, Rebecca (Mitwirkender); Cox, Ailsa (Mitwirkender); Davies, Ben (Mitwirkender); Dunst, Maura (Mitwirkender); Hanson, Clare (Mitwirkender); Howitt-Dring, Holly (Mitwirkender); Liggins, Emma (Mitwirkender); Piette, Adam (Mitwirkender); Ryan-Sautour, Michelle (Mitwirkender); Smith, Ali (Mitwirkender); Vice, Sue (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474401395
    Other identifier:
    RVK Categories: HN 1360 ; HM 1360
    Subjects: Englisch; Frauenliteratur; Kurzgeschichte
    Scope: 1 Online-Ressource (216 p.)
  22. May Sinclair
    Re-Thinking Bodies and Minds
    Published: [2016]; ©2016
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    Explores the tension between the abstract intellect and material bodies in May Sinclair's writingMay Sinclair was a bestselling author of her day whose versatile literary output, including criticism, philosophy, poetry, psychoanalysis and... more

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    Explores the tension between the abstract intellect and material bodies in May Sinclair's writingMay Sinclair was a bestselling author of her day whose versatile literary output, including criticism, philosophy, poetry, psychoanalysis and experimental fiction, now frequently falls between the established categories of literary modernism. In terms of her contribution to dominant modernist paradigms she was, until recently, best remembered for recasting the psychological novel as 'stream of consciousness' narrative in a 1918 review of Dorothy Richardson's Pilgrimage.This book brings together the most recent research on Sinclair and re-contextualises her work both within and against dominant Modernist narratives. It explores Sinclair's negotiations between the public and private, the cerebral and the corporeal and the spiritual and the profane in both her fiction and non-fiction.Key FeaturesBrings together the most recent research undertaken by foremost Sinclair scholars and early-career researchersConsiders Sinclair's contribution to contemporary aesthetic and philosophical debates about the nature and representation of human identityExplores a wide range of Sinclair's work, including fiction, psychology, philosophy and short stories...

     

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    Source: Union catalogues
    Contributor: Beyer, Charlotte (Mitwirkender); Bont, Leslie de (Mitwirkender); Liggins, Emma (Mitwirkender); Mullholland, Terri (Mitwirkender); Pickrem, Faye (Mitwirkender); Raitt, Suzanne (Mitwirkender); Schyllert, Sanna Melin (Mitwirkender); Thornton, Elise (Mitwirkender); Truran, Wendy (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474415767
    Other identifier:
    Scope: 1 Online-Ressource (256 p.)
  23. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

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  24. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception"-- Machine generated contents note: -- 1. Literary... more

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    "Explores how literary impressionists such as H.D., Dorothy Richardson, Ford Madox Ford and May Sinclair responded to new developments in visual arts and the sciences of memory and perception"-- Machine generated contents note: -- 1. Literary Impressionism: Subjective and Objective Visions in Dorothy Richardson and Ford Madox Ford -- i. 'The Thing Perceived and Herself Perceiving': The Double Impression -- ii. Representing the Unrepresentable I: Ford Madox Ford's Parade's End -- iii. Representing the Unrepresentable II: Dorothy Richardson's 'Golden Light' -- 2. Visual Metaphors: Dorothy Richardson and H.D. -- i. Paintings, Photographs and Sculptural Form in Dorothy Richardson and H.D. -- ii. Weaving Cinematic Form: H.D. and Dorothy Richardson -- 3. Coming to Writing: Dorothy Richardson and May Sinclair -- 4. Memory and Vision -- Bibliography -- Index

     

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    Content information
    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781474269070
    Series: Historicizing modernism
    Historicizing Modernism Ser.
    Subjects: Impressionism in literature; Visual perception in literature; Memory in literature; Modernism (Literature); American literature; English literature; Electronic books
    Other subjects: H. D (1886-1961); Sinclair, May; Ford, Ford Madox (1873-1939); Richardson, Dorothy M (1873-1957)
    Scope: 1 Online-Ressource
    Notes:

    Includes bibliographical references and index

  25. Literary impressionism
    vision and memory in Dorothy Richardson, Ford Madox Ford, H.D., and May Sinclair
    Published: 2016
    Publisher:  Bloomsbury Academic, New York

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