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  1. The New War Plays
    From Kane to Harris
    Author: Boll, Julia
    Published: 2013
    Publisher:  Palgrave Macmillan Limited, London

    How can war be represented on stage? How does the theatre examine the structures leading to violence and war and explore their transformation of societies? Springing from the discussion about 'New Wars' in the age of globalisation, this... more

    Universitätsbibliothek Würzburg
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    How can war be represented on stage? How does the theatre examine the structures leading to violence and war and explore their transformation of societies? Springing from the discussion about 'New Wars' in the age of globalisation, this interdisciplinary study demonstrates how these 'New Wars' bring forth new plays about war

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781137330024
    RVK Categories: AP 67000 ; AP 67200 ; HN 1261
    Subjects: Performing arts; Englisch; Krieg <Motiv>; Drama
    Scope: 1 online resource (190 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  2. The new war plays
    from Kane to Harris
    Author: Boll, Julia
    Published: 2013
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    Universitätsbibliothek Augsburg
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    Deutsches Theatermuseum, früher Clara-Ziegler-Stiftung, Theaterbibliothek
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 1137330015; 9781137330017
    RVK Categories: AP 67000 ; AP 67200 ; HN 1261
    Edition: 1. publ.
    Subjects: Krieg <Motiv>; Drama; Englisch
    Scope: VII, 183 S.
  3. Gad Guterman: Performance, Identity, and Immigration Law
    A Theatre of Undocumentedness
    Author: Boll, Julia
    Published: 2018
    Publisher:  KOPS Universität Konstanz, Konstanz

    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Scope: 1 Online-Ressource
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    In: Journal of Contemporary Drama in English ; 6 (2018), 2. - S. 407-413. - De Gruyter. - ISSN 2195-0156. - eISSN 2195-0164

  4. The new war plays
    from Kane to Harris
    Author: Boll, Julia
    Published: 2013
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    ISBN: 1137330015; 9781137330017
    RVK Categories: AP 67000 ; AP 67200 ; HN 1261
    Edition: 1. publ.
    Subjects: Krieg <Motiv>; Drama; Englisch
    Scope: VII, 183 S.
  5. The sum of our parts
    the voices of the Human Genre Project
    Author: Boll, Julia
    Published: 2018
    Publisher:  Bibliothek der Universität Konstanz, Konstanz

    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Scope: 1 Online-Ressource
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    Aus: European Journal of English Studies ; 22 (2018), 3. - S. 317-330. - ISSN 1382-5577. - eISSN 1744-4233

  6. Last Girl Standing
    on Zinnie Harris's War Plays
    Author: Boll, Julia
    Published: 2013
    Publisher:  Bibliothek der Universität Konstanz, Konstanz

    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Language: English
    Media type: Book
    Format: Online
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    Scope: Online-Ressource
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    Aus: International Journal of Scottish Theatre and Screen ; 6 (2013), 1. - S. 37-53

  7. Is Knowledge Performative?
    Author: Boll, Julia
    Published: 2017
    Publisher:  Bibliothek der Universität Konstanz, Konstanz

    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Aus: Interdisciplinary Science Reviews ; 42 (2017), 3. - S. 282-295. - ISSN 0308-0188. - eISSN 1743-2790

  8. Between Homeland and Exile
    Witnessing the Homo Sacer at the Heart of Hotel Medea
    Author: Boll, Julia
    Published: 2014
    Publisher:  Bibliothek der Universität Konstanz, Konstanz

    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Scope: 1 Online-Ressource
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    Aus: Journal of Contemporary Drama in English ; 2 (2014), 1. - S. 26-37. - ISSN 2195-0156. - eISSN 2195-0164

  9. The sacred guest and the ungrievable sacrifice
    communitas at the theatre
    Author: Boll, Julia
    Published: 2017
    Publisher:  Bibliothek der Universität Konstanz, Konstanz

    Universität Konstanz, Kommunikations-, Informations-, Medienzentrum (KIM)
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    Scope: 1 Online-Ressource
    Notes:

    Aus: Journal of Contemporary Drama in English ; 5 (2017), 1. - S. 126-139. - ISSN 2195-0156. - eISSN 2195-0164

  10. The sum of our parts : the voices of the Human Genre Project
    Author: Boll, Julia
    Published: 2018
    Publisher:  KOPS Universität Konstanz, Konstanz

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    Language: English
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    Format: Online
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    Parent title: In: European Journal of English Studies ; 22 (2018), 3. - S. 317-330. - ISSN 1382-5577. - eISSN 1744-4233
    Other subjects: Contemporary poetry; genetics research; public outreach; responsibility; two cultures
    Scope: Online-Ressource
  11. Between Homeland and Exile
    Witnessing the Homo Sacer at the Heart of Hotel Medea
    Author: Boll, Julia
    Published: 2015
    Publisher:  Bibliothek der Universität Konstanz, Konstanz

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    Language: English
    Media type: Book
    Format: Online
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    Parent title: In: Journal of Contemporary Drama in English ; 2 (2014), 1. - S. 26-37. - ISSN 2195-0156. - eISSN 2195-0164
    Scope: Online-Ressource
  12. The Sacred Dragon in the Woods
    on Jez Butterworth’s Jerusalem
    Author: Boll, Julia
    Published: 2013
    Publisher:  Bibliothek der Universität Konstanz, Konstanz

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    Language: English
    Media type: Book
    Format: Online
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    Parent title: In: Forum ; 2012, 14. - S. Boll1-Boll13
    Other subjects: contemporary British theatre; Agamben; Jerusalem (play)
    Scope: Online-Ressource
  13. Last Girl Standing : on Zinnie Harris's War Plays
    Author: Boll, Julia
    Published: 2013
    Publisher:  Bibliothek der Universität Konstanz, Konstanz

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    Language: English
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    Parent title: In: International Journal of Scottish Theatre and Screen ; 6 (2013), 1. - S. 37-53. - eISSN 2046-5602
    Scope: Online-Ressource
  14. The new war plays
    from Kane to Harris
    Author: Boll, Julia
    Published: 2013
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

    "How can war be represented on stage? How does the theatre examine the structures leading to violence and war and explore their transformation of societies? Springing from the discussion about 'New Wars' in the age of globalisation, this study... more

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Staats- und Universitätsbibliothek Bremen
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    2014 A 1469
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    Universitätsbibliothek Mannheim
    500 HN 1223 B691
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    "How can war be represented on stage? How does the theatre examine the structures leading to violence and war and explore their transformation of societies? Springing from the discussion about 'New Wars' in the age of globalisation, this study demonstrates how these 'New Wars' bring forth new plays about war. These plays examine the state of war in the late twentieth and early twenty-first century by introducing the traits of the New Wars and the state of exception as crucial frames of reference. Exposing the homo sacer as one of the remaining taboos of our stages and the political taboo of our society, they attempt to find the truth about war in testimonies that nurse western society's vicarious and actual traumas, and reveal the 'war palimpsest' on stage by demonstrating how the New Wars are underwritten by the Thirty-Years War and ancient warfare. Looking at well-known plays such as Sarah Kane's Blasted, Caryl Churchill's Far Away and Gregory Burke's Black Watch, Boll also discusses works such as Zinnie Harris's war trilogy Midwinter, Solstice and Fall, David Greig's Dunsinane and Elfriede Jelinek's Bambiland"--

     

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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 1137330015; 9781137330017
    Other identifier:
    9781137330017
    RVK Categories: HN 1261 ; HN 1223
    Subjects: English drama; English drama; War in literature; War and literature
    Scope: VII, 183 S.
    Notes:

    Machine generated contents note:Acknowledgements INTRODUCTION 1. War 2. Taboo 3. Testimony 4. Palimpsest CONCLUSION Appendix: Summaries of Plays Bibliography Index.

  15. The new war plays
    from Kane to Harris
    Author: Boll, Julia
    Published: 2013
    Publisher:  New York, NY, Houndmills, Basingstoke

    How can war be represented on stage? How does the theatre examine the structures leading to violence and war and explore their transformation of societies? Springing from the discussion about 'New Wars' in the age of globalisation, this... more

    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschulbibliothek Friedensau
    Online-Ressource
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    Hochschule für Wirtschaft und Umwelt Nürtingen-Geislingen, Bibliothek Nürtingen
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    How can war be represented on stage? How does the theatre examine the structures leading to violence and war and explore their transformation of societies? Springing from the discussion about 'New Wars' in the age of globalisation, this interdisciplinary study demonstrates how these 'New Wars' bring forth new plays about war. "How can war be represented on stage? How does the theatre examine the structures leading to violence and war and explore their transformation of societies? Springing from the discussion about 'New Wars' in the age of globalisation, this study demonstrates how these 'New Wars' bring forth new plays about war. These plays examine the state of war in the late twentieth and early twenty-first century by introducing the traits of the New Wars and the state of exception as crucial frames of reference. Exposing the homo sacer as one of the remaining taboos of our stages and the political taboo of our society, they attempt to find the truth about war in testimonies that nurse western society's vicarious and actual traumas, and reveal the 'war palimpsest' on stage by demonstrating how the New Wars are underwritten by the Thirty-Years War and ancient warfare. Looking at well-known plays such as Sarah Kane's Blasted, Caryl Churchill's Far Away and Gregory Burke's Black Watch, Boll also discusses works such as Zinnie Harris's war trilogy Midwinter, Solstice and Fall, David Greig's Dunsinane and Elfriede Jelinek's Bambiland"--

     

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    Volltext (lizenzpflichtig)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 1137330023; 9781137330024
    Subjects: War and literature; War in literature; English drama; English drama; Performing arts; Electronic books
    Scope: 1 Online-Ressource (vi, 183 Seiten)
    Notes:

    Includes bibliographical references and index

    Machine generated contents note:Acknowledgements INTRODUCTION 1. War 2. Taboo 3. Testimony 4. Palimpsest CONCLUSION Appendix: Summaries of Plays Bibliography Index.

  16. Last Girl Standing : on Zinnie Harris's War Plays
    Author: Boll, Julia
    Published: 2013

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  17. The Sacred Dragon in the Woods
    Author: Boll, Julia
    Published: 2013

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    Language: English
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    DDC Categories: 820
    Subjects: contemporary British theatre; Agamben; Jerusalem
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  18. The sum of our parts : the voices of the Human Genre Project
    Author: Boll, Julia
    Published: 2018

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    DDC Categories: 890
    Subjects: Contemporary poetry; genetics research; public outreach; responsibility; two cultures
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  19. Between Homeland and Exile
    Author: Boll, Julia
    Published: 2015

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  20. The Edinburgh Companion to Twentieth-Century British and American War Literature
    Published: [2022]
    Publisher:  Edinburgh University Press, Edinburgh

    Frontmatter -- CONTENTS -- Illustrations -- Illustrations acknowledgements -- Introduction: The Wars of the Twentieth Century -- Part I: Wars and their Literatures -- 1. Occasioning Peace: Three Poems of the Anglo-Boer War -- 2. 'The essentially... more

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    Frontmatter -- CONTENTS -- Illustrations -- Illustrations acknowledgements -- Introduction: The Wars of the Twentieth Century -- Part I: Wars and their Literatures -- 1. Occasioning Peace: Three Poems of the Anglo-Boer War -- 2. 'The essentially modern attitude toward war': English Poetry of the Great War -- 3. Debatable Ground: Freedom and Constraint in British First World War Prose Fiction -- 4. One of Ours in Context: The American World War I Novel -- 5. The 'moaning of the world' and the 'words that bring me peace': Modernism and the First World War -- 6. The Great War and the Moving Image: Cinema and Memory -- 7. Irish Writing of Insurrection and Civil War, 1916-39 -- 8. The Poetry of the Spanish Civil War -- 9. 'Lucid Song': The Poetry of the Second World War -- 10. American Poets of World War II -- 11. Writing after Nuremberg: The Judicial Imagination in the Age of the Trauma Trial -- 12. The Second World War in American Fiction -- 13. The Second World War in British Drama since 1968 -- 14. Holocaust Testimony: Understanding and Criticism -- 15. Holocaust Film -- 16. O, Do Not Dream of Peace: American Poetry of the Korean War -- 17. The Fictions of Nuclear War, from Hiroshima to Vietnam -- 18. Cold War Films -- 19. Britain's Small Wars: Domesticating 'Emergency' -- 20. The Disappeared and the Damned: Duplicity, Complicity and Reality in the Literature of the Pax Americana -- 21. Vietnam Fictions -- 22. 'Will there be peace again?': American and Vietnamese Poetry on the Vietnam/American War -- 23. Poetry and the Northern Ireland 'Troubles' -- 24. The Literature of the Falklands/Malvinas War -- 25. 'An Uneven Killing Field': British Literature and the Former Yugoslavia -- 26. Sacrifice and the Sublime since 11 September 2001 -- Part II: Bodies, Behaviour, Cultures -- Introduction: Bodies, Behaviour, Cultures -- 27. War Memorials -- 28. Unsettled Memory: A Meditation on Contested Ground -- 29. War, Policing and Surveillance: Pat Barker and the Secret State -- 30. American Psychiatry, World War II and the Korean War -- 31. Pacifists and Conscientious Objectors -- 32. The Representation of Refugees in Arthur Koestler's Arrival and Departure and Caryl Phillips's A Distant Shore -- 33. 'These rooms / run into each other like tunnels / leading to the underworld': Race in War Literature -- 34. A Spy Under Every Bed: Espionage and Popular Literature from the First World War -- 35. Reflections on the Enemy: From Evil Nazis to Good Germans -- Part III: Technology -- Introduction: Technology -- 36. Camouflage and the Re-enchantment of Warfare -- 37. Warplane -- 38. Monsarrat's Corvettes and the Battle of the Atlantic -- 39. Submarine Novels 'After History' -- 40. 'An ecstasy of fumbling': Gas Warfare, 1914-18 and the Uses of Affect -- 41. Paul Virilio as Twentieth-Century Military Strategist: War, Cinema and the Logistics of Perception -- 42. Word Electric, So Finite: Radio, Poetry and the Séance in World War I -- Part IV: Spaces -- Introduction: Spaces -- 43. The Trenches -- 44. Literature of the Camps in the Second World War -- 45. 'That fi ghting was a long way off ': Desert and Jungle War Poems -- 46. Cityscape: The Bombed City in the Second World War -- 47. The Eight-week College of the Age of Extremes: The Barracks and the Training Ground -- Part V: Genres -- Introduction: Genres -- 48. Contemporary War Drama: Caryl Churchill -- 49. Nuclear War in Science Fiction -- 50. The Children's War -- 51. The Troubles with the Thriller: Northern Ireland, Political Violence and the Peace Process -- 52. Fantasies of Complicity in the Second World War -- 53. Visualising the Transformations of War: War and Art in the Twentieth Century -- 54. Twentieth-Century Spy Fiction -- 55. 'Play Up and Play the Game!': The Narrative of War Games -- 56. War Correspondence -- 57. Thinking War -- Notes on contributors -- Index The first reference to literary and cultural representations of war in 20th-century English & US literature and filmCoving the two World Wars, the Spanish Civil War, the Cold War, the Vietnam War, the Troubles in Northern Ireland and the War on Terror, this Companion reveals the influence of modern wars on the imagination.These newly researched and innovative essays connect 'high' literary studies to the engagement of film and theatre with warfare, extensively cover the literary and cultural evaluation of the technologies of war and open the literary field to genre fiction. Divided into 5 sections: 20th-Century Wars and Their LiteraturesBodies, Behaviours, CulturesThe Cultural Impact of the Technologies of Modern WarThe Spaces of Modern WarGenres of War CultureKey FeaturesAll-new original essays commissioned from major critics and cultural historiansReflects the way war studies are currently being taught and researched: in the volume's approach, structure and breadth of coverageFor scholars: core arguments and detailed research topicsFor students: Historically grounded topic- and genre-based essays, useful forstudying the modern period and war modules

     

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    Source: Union catalogues
    Contributor: Anderson, Kris (MitwirkendeR); Armitage, John (MitwirkendeR); Auerbach, Jonathan (MitwirkendeR); Begley, Jon (MitwirkendeR); Boll, Julia (MitwirkendeR); Bolton, Jonathan (MitwirkendeR); Booth, Allyson (MitwirkendeR); Brearton, Fran (MitwirkendeR); Campbell, Matthew (MitwirkendeR); Chattarji, Subarno (MitwirkendeR); Creighton, Jane (MitwirkendeR); Das, Santanu (MitwirkendeR); Eaglestone, Bob (MitwirkendeR); Ehrhart, William D (MitwirkendeR); Erwin, Lee (MitwirkendeR); Fountain, James (MitwirkendeR); Goethals, Helen (MitwirkendeR); Goldie, David (MitwirkendeR); Halliwell, Martin (MitwirkendeR); Hammond, Andrew (MitwirkendeR); Haslam, Sara (MitwirkendeR); Haytock, Jennifer (MitwirkendeR); Heberle, Mark A (MitwirkendeR); Helff, Sissy (MitwirkendeR); Houen, Alex (MitwirkendeR); Kelly, Aaron (MitwirkendeR); Kingsbury, Celia M (MitwirkendeR); Langford, Barry (MitwirkendeR); Lewty, Jane (MitwirkendeR); Limon, John (MitwirkendeR); MacCallum-Stewart, Esther (MitwirkendeR); Mansfield, Nick (MitwirkendeR); Maslen, R. W (MitwirkendeR); Mathison, Hamish (MitwirkendeR); McLoughlin, Kate (MitwirkendeR); Meacham, Jessica (MitwirkendeR); Mellor, Leo (MitwirkendeR); Norris, Margot (MitwirkendeR); Ouditt, Sharon (MitwirkendeR); Paris, Michael (MitwirkendeR); Pascoe, David (MitwirkendeR); Patterson, Ian (MitwirkendeR); Piette, Adam (MitwirkendeR); Potter, Jane (MitwirkendeR); Purdon, James (MitwirkendeR); Rau, Petra (MitwirkendeR); Rawlinson, Mark (MitwirkendeR); Rayner, Jonathan (MitwirkendeR); Robinson, Peter (MitwirkendeR); Salton-Cox, Glyn (MitwirkendeR); Seed, David (MitwirkendeR); Stewart, Victoria (MitwirkendeR); Stonebridge, Lyndsey (MitwirkendeR); Tolson, Roger (MitwirkendeR); Trumpener, Katie (MitwirkendeR); Vice, Sue (MitwirkendeR); Wienen, Mark W. Van (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748653911
    Other identifier:
    Series: Edinburgh Companions to Literature and the Humanities
    Subjects: American literature; English literature; War in literature; LITERARY CRITICISM / Reference
    Scope: 1 Online-Ressource (600 p), 17 B/W illustrations
  21. The Edinburgh Companion to Twentieth-Century British and American War Literature
    Published: [2012]; ©2012
    Publisher:  Edinburgh University Press, Edinburgh ; Walter de Gruyter GmbH, Berlin

    The first reference to literary and cultural representations of war in 20th-century English & US literature and filmCoving the two World Wars, the Spanish Civil War, the Cold War, the Vietnam War, the Troubles in Northern Ireland and the War on... more

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    The first reference to literary and cultural representations of war in 20th-century English & US literature and filmCoving the two World Wars, the Spanish Civil War, the Cold War, the Vietnam War, the Troubles in Northern Ireland and the War on Terror, this Companion reveals the influence of modern wars on the imagination.These newly researched and innovative essays connect 'high' literary studies to the engagement of film and theatre with warfare, extensively cover the literary and cultural evaluation of the technologies of war and open the literary field to genre fiction. Divided into 5 sections: 20th-Century Wars and Their LiteraturesBodies, Behaviours, CulturesThe Cultural Impact of the Technologies of Modern WarThe Spaces of Modern WarGenres of War CultureKey FeaturesAll-new original essays commissioned from major critics and cultural historiansReflects the way war studies are currently being taught and researched: in the volume's approach, structure and breadth of coverageFor scholars: core arguments and detailed research topicsFor students: Historically grounded topic- and genre-based essays, useful forstudying the modern period and war modules...

     

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    Content information
    Source: Union catalogues
    Contributor: Anderson, Kris (Mitwirkender); Armitage, John (Mitwirkender); Auerbach, Jonathan (Mitwirkender); Begley, Jon (Mitwirkender); Boll, Julia (Mitwirkender); Bolton, Jonathan (Mitwirkender); Booth, Allyson (Mitwirkender); Brearton, Fran (Mitwirkender); Campbell, Matthew (Mitwirkender); Chattarji, Subarno (Mitwirkender); Creighton, Jane (Mitwirkender); Das, Santanu (Mitwirkender); Eaglestone, Bob (Mitwirkender); Ehrhart, William D. (Mitwirkender); Erwin, Lee (Mitwirkender); Fountain, James (Mitwirkender); Goethals, Helen (Mitwirkender); Goldie, David (Mitwirkender); Halliwell, Martin (Mitwirkender); Hammond, Andrew (Mitwirkender); Haslam, Sara (Mitwirkender); Haytock, Jennifer (Mitwirkender); Heberle, Mark A. (Mitwirkender); Helff, Sissy (Mitwirkender); Houen, Alex (Mitwirkender); Kelly, Aaron (Mitwirkender); Kingsbury, Celia M. (Mitwirkender); Langford, Barry (Mitwirkender); Lewty, Jane (Mitwirkender); Limon, John (Mitwirkender); MacCallum-Stewart, Esther (Mitwirkender); Mansfield, Nick (Mitwirkender); Maslen, R. W. (Mitwirkender); Mathison, Hamish (Mitwirkender); McLoughlin, Kate (Mitwirkender); Meacham, Jessica (Mitwirkender); Mellor, Leo (Mitwirkender); Norris, Margot (Mitwirkender); Ouditt, Sharon (Mitwirkender); Paris, Michael (Mitwirkender); Pascoe, David (Mitwirkender); Patterson, Ian (Mitwirkender); Potter, Jane (Mitwirkender); Purdon, James (Mitwirkender); Rau, Petra (Mitwirkender); Rayner, Jonathan (Mitwirkender); Robinson, Peter (Mitwirkender); Salton-Cox, Glyn (Mitwirkender); Seed, David (Mitwirkender); Stewart, Victoria (Mitwirkender); Stonebridge, Lyndsey (Mitwirkender); Tolson, Roger (Mitwirkender); Trumpener, Katie (Mitwirkender); Vice, Sue (Mitwirkender); Wienen, Mark W. Van (Mitwirkender)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780748653911
    Other identifier:
    Series: Edinburgh Companions to Literature and the Humanities
    Scope: 1 Online-Ressource (600 p.), 17 B/W illustrations
  22. <<The>> new war plays
    from Kane to Harris
    Author: Boll, Julia
    Published: 2013
    Publisher:  Palgrave Macmillan, Basingstoke [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781137330017
    Edition: 1. publ.
    Subjects: Englisch; Drama; Krieg <Motiv>; Geschichte 1995-2010;
    Scope: VII, 183 S.
    Notes:

    Literaturverz. S. 167 - 178

  23. Last Girl Standing : on Zinnie Harris's War Plays
    Author: Boll, Julia
    Published: 2013

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    Parent title: International Journal of Scottish Theatre and Screen. 2013, 6(1), pp. 37-53. eISSN 2046-5602
    DDC Categories: 800
    Rights:

    rightsstatements.org/page/InC/1.0/

  24. Between Homeland and Exile : Witnessing the Homo Sacer at the Heart of Hotel Medea
    Author: Boll, Julia
    Published: 2014

    Based on the Medea-myth, Zecora Ura Theatre’s and Para Active’s Brazilian-British co-production Hotel Medea (2010–2012) is an overnight promenade performance which actively involves the audience. It turns them into, alternatively, party guests,... more

     

    Based on the Medea-myth, Zecora Ura Theatre’s and Para Active’s Brazilian-British co-production Hotel Medea (2010–2012) is an overnight promenade performance which actively involves the audience. It turns them into, alternatively, party guests, Medea’s children, her closest friends, soldiers, and the focus group of Jason’s political campaign. Medea herself, the archetypal refugee, represents the figure of the homo sacer, whom Giorgio Agamben describes as the one whose life is sacred, defined purely by her exclusion from the polis and stripped of all civil and human rights and of social and legal status. What is left is the bare life, the contact with which is taboo. The figure presents itself as an important parallel to the function of the scapegoat in tragedy and appears in contemporary theatre as a victim of war and conflict or as a person or group of people that have been legally ostracised from or have never been part of the community (such as asylum seekers, refugees, illegal immigrants, unlawful combatants, and displaced and stateless persons), by official decree turned into homines sacri. Agamben points out that Western politics is based on this simultaneous exclusion and inclusion of bare life into its legislation. Mostly, the bare life has remained invisible – the taboo status of the homo sacer demanding a shielding from the public eye. As the central political taboo on which, according to Agamben, Western society is founded, it has also remained the last taboo to be brought to the theatre. Drawing from Kelly Oliver’s theory of an ethics based on witnessing, on enabling the other to form a subject’s identity by not only allowing for a voice, but also by witnessing the other’s act of speech, the theatre might be seen as the art form best suited to enable “witnessing beyond recognition.” This essay discusses how Hotel Medea’s unique inclusion and physical engagement of the audience allows for both the witnessing of and responding to the homo sacer, for an experience that goes far beyond spectatorship and ...

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    Parent title: Journal of Contemporary Drama in English. 2014, 2(1), pp. 26-37. ISSN 2195-0156. eISSN 2195-0164. Available under: doi:10.1515/jcde-2014-0003
    DDC Categories: 800
    Rights:

    rightsstatements.org/page/InC/1.0/

  25. The Sacred Guest and the Ungrievable Sacrifice : communitas at the Theatre
    Author: Boll, Julia
    Published: 2017

    Based on Vazha-Pshavela’s narrative poem of the same name, Roland Reed’s and Synetic Theatre’s play Host and Guest premiered in Arlington/VA in 2002 and was remounted to high critical acclaim in 2008. In the wake of the terror attacks of 2001, it... more

     

    Based on Vazha-Pshavela’s narrative poem of the same name, Roland Reed’s and Synetic Theatre’s play Host and Guest premiered in Arlington/VA in 2002 and was remounted to high critical acclaim in 2008. In the wake of the terror attacks of 2001, it explores themes of hospitality, ritualistic scapegoating, and of grieving that which Judith Butler has called an “ungrievable life.” Reed’s play invites a discussion of how contemporary theatre in what is generally called ‘the global North’ investigates the culture of hospitality in the light of simultaneous border consolidation and a decline in national sovereignty in a globalised world. Drawing on Roberto Esposito’s discussion of the foundation of community as a relationship of mutual obligation and on Butler’s suggestion to redefine kinship as a relation of choice, the focus of this paper is on theatre’s sounding of the extent and the limits of hospitality in the face of migration that is often regarded as a threat, and on the theatre’s potential for creating hope. ; published

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Online
    Parent title: Journal of Contemporary Drama in English. 2017, 5(1), pp. 126-139. ISSN 2195-0156. eISSN 2195-0164. Available under: doi:10.1515/jcde-2017-0010
    DDC Categories: 800
    Rights:

    rightsstatements.org/page/InC/1.0/