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Displaying results 1 to 12 of 12.

  1. Against digital art history
    Author: Bishop, Claire
    Publisher:  arthistoricum.net, Heidelberg

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: International journal for digital art history; München : Graphentis-Verl., 2015-; Online-Ressource
    Subjects: Kunstwissenschaft; Digitalisierung; Digital Humanities; Kritik
    Notes:

    Enthalten in: 3(2018), Seite 122-131
  2. Participation
    Contributor: Bishop, Claire (Herausgeber)
    Published: 2006
    Publisher:  Whitechapel Gallery, London

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    Ruhr-Universität Bochum, Universitätsbibliothek
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    Fachhochschule Dortmund, Hochschulbibliothek
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    Source: Union catalogues
    Contributor: Bishop, Claire (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780854881475; 0854881476; 9780262524643; 0262524643
    Series: Documents of contemporary art
    Art/Visual culture/Art theory
    Subjects: Interactive art
    Scope: 207 Seiten, Illustrationen
  3. Participation
    Contributor: Bishop, Claire (Herausgeber)
    Published: 2006
    Publisher:  Whitechapel Gallery, London ; <<The>> MIT Press, Cambridge, Massachusetts

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    Content information
    Source: Union catalogues
    Contributor: Bishop, Claire (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9780854881475; 0854881476; 9780262524643; 0262524643
    Series: Documents of contemporary art
    Art/Visual culture/Art theory
    Subjects: Interactive art; Kunst <Motiv>; Kunstwerk; Interaktion; Interaktive Kunst; Publikum; Literatur
    Other subjects: Beuys, Joseph (1921-1986)
    Scope: 207 Seiten, Illustrationen
  4. Artificial hells
    participatory art and the politics of spectatorship
    Author: Bishop, Claire
    Published: 2012
    Publisher:  Verso, London [u.a.]

    The social turn: collaboration and its discontents -- Artificial hells: the historic avant-garde -- Je participe, tu participes, il participe -- Social sadism made explicit -- The social under socialism -- Incidental people: APG and community arts --... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    The social turn: collaboration and its discontents -- Artificial hells: the historic avant-garde -- Je participe, tu participes, il participe -- Social sadism made explicit -- The social under socialism -- Incidental people: APG and community arts -- Former West: art as project in the early 1990s -- Delegated performance: outsourcing authenticity -- Pedagogic projects: 'how do you bring a classroom to life as if it were a work of art?' -- Conclusion: spectacle and participation

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781844676903; 1844676900
    Other identifier:
    9781844676903
    RVK Categories: LC 90000 ; MS 8000 ; LH 60230 ; LH 60240 ; LH 61045 ; LH 65820 ; LH 61020
    Edition: 1. ed.
    Subjects: Interactive art
    Other subjects: Interactive art; Art and society
    Scope: 382 S., zahlr. Ill., 24 cm
    Notes:

    Includes bibliographical references and index

    The social turn: collaboration and its discontents -- Artificial hells: the historic avant-garde -- Je participe, tu participes, il participe -- Social sadism made explicit -- The social under socialism -- Incidental people: APG and community arts -- Former West: art as project in the early 1990s -- Delegated performance: outsourcing authenticity -- Pedagogic projects: 'how do you bring a classroom to life as if it were a work of art?' -- Conclusion: spectacle and participation.
  5. Participation
    Contributor: Bishop, Claire (Hrsg.)
    Published: 2006
    Publisher:  MIT Press, Cambridge, Mass. ; Whitechapel Gallery, [London]

    The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to Allan Kaprow's happenings, from minimalist objects to installation art. More recently, this kind of participatory art has gone so far as to encourage and produce new social relationships. Guy Debord's celebrated argument that capitalism fragments the social bond has become the premise for much relational art seeking to challenge and provide alternatives to the discontents of contemporary life. This publication collects texts that place this artistic development in historical and theoretical context. - - Participation begins with writings that provide a theoretical framework for relational art, with essays by Umberto Eco, Bertolt Brecht, Roland Barthes, Peter Bürger, Jen-Luc Nancy, Edoaurd Glissant, and Félix Guattari, as well as the first translation into English of Jacques Rancière's influential "Problems and Transformations in Critical Art." The book also includes central writings by such artists as Lygia Clark and Hélio Oiticica, Joseph Beuys, Augusto Boal, Felix Gonzalez-Torres, Thomas Hirschhorn, and Rirkrit Tiravanija. And it features recent critical and curatorial debates, with discussions by Lars Bang Larsen, Nicolas Bourriaud, Hal Foster, and Hans-Ulrich Obrist.

     
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    Content information
    Source: Union catalogues
    Contributor: Bishop, Claire (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0854881476; 9780854881475; 0262524643; 9780262524643
    RVK Categories: LH 61045
    Series: Documents of contemporary art
    Subjects: Interactive art; Arts audiences; Authorship; Interactive art; Arts audiences; Authorship; Interactive art
    Scope: 207 S., graph. Darst., 21 cm
    Notes:

    Includes bibliographical references and index
  6. Against digital art history
    Author: Bishop, Claire
    Published: 2018

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    Universitätsbibliothek Heidelberg
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    Zentrum für Kunst und Medien Karlsruhe / Staatliche Hochschule für Gestaltung, Bibliothek
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    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title: Enthalten in: International journal for digital art history; München : Graphentis-Verl., 2015; 3(2018), Seite 122-131; Online-Ressource

    Subjects: Kunstwissenschaft; Digitalisierung; Digital Humanities; Kritik; Geschichte 2000-2018;
  7. Against digital art history
    Author: Bishop, Claire
    Published: 2018

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

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    Zentralinstitut für Kunstgeschichte, Bibliothek
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    Deutsches Forum für Kunstgeschichte, Bibliothek

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    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Volltext (kostenfrei)
    Source: Union catalogues
    Language: English
    Media type: Article (journal)
    Format: Online
    Other identifier:
    Parent title:
    International journal for digital art history; München, 2018; 3(2018), Seite 122-131
    Subjects: Kritik; Digital Humanities; Digitalisierung; Kunstwissenschaft
  8. Artificial hells
    participatory art and the politics of spectatorship
    Author: Bishop, Claire
    Published: 2012
    Publisher:  Verso, London

    Export to reference management software   RIS file
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781844676903; 1844676900; 9781844677962
    RVK Categories: LH 60240 ; LH 61045 ; LH 61020
    Edition: 1. ed., 1. publ.
    Subjects: Interactive art.; Art and society.; Interactive art
    Scope: 382 S., Ill., 24 cm
  9. Neue Beziehungsfelder in Kunst und Gesellschaft
    [anlässlich der Tagung "New Relations in Art & Society" (21./22. Januar 2011 im Campusmuseum der Kunstsammlungen der Ruhr-Universität Bochum) und der dort realisierten Ausstellung "Mischa Kuball: New Pott. 100 Lichter/100 Gesichter" (28. Oktober 2010 -10. Juli 2011)] = New relations in art and society
    Contributor: Wappler, Friederike (Herausgeber); Bishop, Claire (Mitwirkender); Gibson, Beatrice (Mitwirkender); Hirschhorn, Thomas (Mitwirkender); Höptner, Sandra (Mitwirkender); Marek, Kristin (Mitwirkender); Möntmann, Nina (Mitwirkender); Schmidt, Eva (Mitwirkender); Schröder, Gerald (Mitwirkender); Söntgen, Beate (Mitwirkender); Sustersic, Apolonija (Mitwirkender)
    Published: 2012
    Publisher:  JRP Ringier, Zürich

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    Content information
    Source: Union catalogues
    Contributor: Wappler, Friederike (Herausgeber); Bishop, Claire (Mitwirkender); Gibson, Beatrice (Mitwirkender); Hirschhorn, Thomas (Mitwirkender); Höptner, Sandra (Mitwirkender); Marek, Kristin (Mitwirkender); Möntmann, Nina (Mitwirkender); Schmidt, Eva (Mitwirkender); Schröder, Gerald (Mitwirkender); Söntgen, Beate (Mitwirkender); Sustersic, Apolonija (Mitwirkender)
    Language: English; German
    Media type: Book
    Format: Print
    ISBN: 9783037641897; 3037641894
    Other identifier:
    9783037641897
    Series: Christoph Keller Editions
    Subjects: Engagierte Kunst; Öffentlichkeit; Partizipation; Engagierte Kunst; Öffentlichkeit; Performativität <Kulturwissenschaften>
    Other subjects: (Produktform)Paperback / softback; zeitgenössische Kunst; (VLB-WN)1953: Hardcover, Softcover / Sachbücher/Kunst, Literatur/Bildende Kunst
    Scope: 331 S., zahlr. Ill., 24 cm
    Notes:

    Beitr. teilw. dt., teilw. engl.
  10. Participation
    Contributor: Bishop, Claire (Hrsg.)
    Published: 2006
    Publisher:  MIT Press, Cambridge, Mass. ; Whitechapel Gallery, [London]

    The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to... more

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    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
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    The desire to move viewers out of the role of passive observers and into the role of producers is one of the hallmarks of twentieth-century art. This tendency can be found in practices and projects ranging from El Lissitzky's exhibition designs to Allan Kaprow's happenings, from minimalist objects to installation art. More recently, this kind of participatory art has gone so far as to encourage and produce new social relationships. Guy Debord's celebrated argument that capitalism fragments the social bond has become the premise for much relational art seeking to challenge and provide alternatives to the discontents of contemporary life. This publication collects texts that place this artistic development in historical and theoretical context. - - Participation begins with writings that provide a theoretical framework for relational art, with essays by Umberto Eco, Bertolt Brecht, Roland Barthes, Peter Bürger, Jen-Luc Nancy, Edoaurd Glissant, and Félix Guattari, as well as the first translation into English of Jacques Rancière's influential "Problems and Transformations in Critical Art." The book also includes central writings by such artists as Lygia Clark and Hélio Oiticica, Joseph Beuys, Augusto Boal, Felix Gonzalez-Torres, Thomas Hirschhorn, and Rirkrit Tiravanija. And it features recent critical and curatorial debates, with discussions by Lars Bang Larsen, Nicolas Bourriaud, Hal Foster, and Hans-Ulrich Obrist.

     
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Contributor: Bishop, Claire (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0854881476; 9780854881475; 0262524643; 9780262524643
    RVK Categories: LH 61045
    Series: Documents of contemporary art
    Subjects: Interactive art; Arts audiences; Authorship; Interactive art; Arts audiences; Authorship; Interactive art
    Scope: 207 S., graph. Darst., 21 cm
    Notes:

    Includes bibliographical references and index
  11. Artificial hells
    participatory art and the politics of spectatorship
    Author: Bishop, Claire
    Published: 2012
    Publisher:  Verso, London [u.a.]

    The social turn: collaboration and its discontents -- Artificial hells: the historic avant-garde -- Je participe, tu participes, il participe -- Social sadism made explicit -- The social under socialism -- Incidental people: APG and community arts --... more

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    Haus der Kulturen der Welt, HKW.Bibliothek
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    The social turn: collaboration and its discontents -- Artificial hells: the historic avant-garde -- Je participe, tu participes, il participe -- Social sadism made explicit -- The social under socialism -- Incidental people: APG and community arts -- Former West: art as project in the early 1990s -- Delegated performance: outsourcing authenticity -- Pedagogic projects: 'how do you bring a classroom to life as if it were a work of art?' -- Conclusion: spectacle and participation

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9781844676903; 1844676900
    Other identifier:
    9781844676903
    RVK Categories: LC 90000 ; MS 8000 ; LH 60230 ; LH 60240 ; LH 61045 ; LH 65820 ; LH 61020
    Edition: 1. ed.
    Subjects: Interactive art
    Other subjects: Interactive art; Art and society
    Scope: 382 S., zahlr. Ill., 24 cm
    Notes:

    Includes bibliographical references and index

    The social turn: collaboration and its discontents -- Artificial hells: the historic avant-garde -- Je participe, tu participes, il participe -- Social sadism made explicit -- The social under socialism -- Incidental people: APG and community arts -- Former West: art as project in the early 1990s -- Delegated performance: outsourcing authenticity -- Pedagogic projects: 'how do you bring a classroom to life as if it were a work of art?' -- Conclusion: spectacle and participation.
  12. Radical museology
    or, What's contemporary in museums of contemporary art?
    Author: Bishop, Claire
    Published: 2013
    Publisher:  König, Köln

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    Source: Leibniz-Zentrum für Literatur- und Kulturforschung
    Contributor: Perjovschi, Dan
    Language: English
    Media type: Book
    ISBN: 978-3-86335-364-3
    Edition: 1. publ.
    Subjects: Museum; Kunst; Moderne; Museumskunde; Moderne; Analyse
    Scope: 79 S. : Ill.