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Displaying results 1 to 8 of 8.

  1. Moralizing cinema
    film, Catholicism and power
    Contributor: Biltereyst, Daniël (Hrsg.); Treveri Gennari, Daniela (Hrsg.)
    Published: 2015
    Publisher:  Routledge, Taylor & Francis Group, New York

    Catholics, cinema and power: an introduction -- Policies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928) / Guido Convents -- The Roman Catholic... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 941955
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KMW:KB:8000:Bilt::2015
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Catholics, cinema and power: an introduction -- Policies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928) / Guido Convents -- The Roman Catholic Church, cinema and the "culture of dialogue": Italian Catholics and the movies after the Second World War / Dario Edoardo Vigan -- The rise and fall of Catholic Hollywood, or from the production code to the Da Vinci code / Thomas Doherty -- Catholicism and Mexican cinema: a secular state, a deeply conservative society and a powerful Catholic hierarchy / Francisco Peredo Castro -- Leaders. Jean Bernard's fight for 'good' cinema in Luxembourg / Paul Lesch -- An alternative way of moralizing cinema: Father Flipo's remedy for the Catholic Church's propaganda failure in France (1945-1962) / Milisande Leventopoulos -- A triple alliance for a Catholic neorealism. Roberto Rossellini according to Felix Morlion, Giulio Andreotti and Gian Luigi Rondi / Elena Dagrada -- Technology and production. A Catholic voice in talking pictures: the international Eidophon Company (1930-1934) / Karel Dibbetts -- Pius XII as actor and subject: on the representation of the pope in cinema during the 1940s and 1950s / Federico Ruozzi -- The failed project of a Catholic neorealism: on Giulio Andreotti, Felix Morlion and Roberto Rossellini / Tomaso Subini -- Censorship and control. Protectionism and Catholic film policy in twentieth-century Ireland / Kevin Rockett -- A case of entente cordiale between state and church: Catholics and film control in Argentina (1954-1984) / Maria Elena de las Carrera -- The "ideal film". on the transformation of the Italian Catholic film and media policy in the 1950s and the 1960s / Mariagrazia Fanchi -- Exhibition and cinema-going experiences. Separating the sheep from the goats: gendering space in the cinema auditorium in Rucphen (1929) / Thunnis Van Oort -- "I think Catholics didn't go to the cinema": Catholic film exhibition strategies and cinema-going experiences in Belgium, 1930s-1960s / Daniel Biltereyst -- Moralizing cinema while attracting audiences: Catholic film exhibition in post-war Rome / Daniela Treveri Gennari

     
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    Source: Staatsbibliothek zu Berlin
    Contributor: Biltereyst, Daniël (Hrsg.); Treveri Gennari, Daniela (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415712644
    RVK Categories: AP 47100
    Series: Routledge advances in film studies ; 37
    Subjects: Catholics in motion pictures
    Scope: xvi, 296 pages, illustrations, map, 24 cm
    Notes:

    Includes bibliographical references and index

    Guido Convents: Catholics, cinema and power: an introductionPolicies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928)

    Dario Edoardo Vigan: The Roman Catholic Church, cinema and the "culture of dialogue": Italian Catholics and the movies after the Second World War

    Thomas Doherty: The rise and fall of Catholic Hollywood, or from the production code to the Da Vinci code

    Francisco Peredo Castro: Catholicism and Mexican cinema: a secular state, a deeply conservative society and a powerful Catholic hierarchy

    Paul Lesch: Leaders. Jean Bernard's fight for 'good' cinema in Luxembourg

    Milisande Leventopoulos: An alternative way of moralizing cinema: Father Flipo's remedy for the Catholic Church's propaganda failure in France (1945-1962)

    Elena Dagrada: A triple alliance for a Catholic neorealism. Roberto Rossellini according to Felix Morlion, Giulio Andreotti and Gian Luigi Rondi

    Karel Dibbetts: Technology and production. A Catholic voice in talking pictures: the international Eidophon Company (1930-1934)

    Federico Ruozzi: Pius XII as actor and subject: on the representation of the pope in cinema during the 1940s and 1950s

    Tomaso Subini: The failed project of a Catholic neorealism: on Giulio Andreotti, Felix Morlion and Roberto Rossellini

    Kevin Rockett: Censorship and control. Protectionism and Catholic film policy in twentieth-century Ireland

    Maria Elena de las Carrera: A case of entente cordiale between state and church: Catholics and film control in Argentina (1954-1984)

    Mariagrazia Fanchi: The "ideal film". on the transformation of the Italian Catholic film and media policy in the 1950s and the 1960s

    Thunnis Van Oort: Exhibition and cinema-going experiences. Separating the sheep from the goats: gendering space in the cinema auditorium in Rucphen (1929)

    Daniel Biltereyst: "I think Catholics didn't go to the cinema": Catholic film exhibition strategies and cinema-going experiences in Belgium, 1930s-1960s

    Daniela Treveri Gennari.: Moralizing cinema while attracting audiences: Catholic film exhibition in post-war Rome
  2. Mapping movie magazines
    digitization, periodicals and cinema history
    Contributor: Biltereyst, Daniël (Publisher); Van de Vijver, Lies (Publisher)
    Published: 2021
    Publisher:  palgrave macmillan, Cham, Switzerland

    Location:
    Universitätsbibliothek Regensburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Source: Union catalogues
    Contributor: Biltereyst, Daniël (Publisher); Van de Vijver, Lies (Publisher)
    Language: English
    Media type: Conference proceedings
    ISBN: 9783030332792
    Corporations / Congresses: Turning The Page: Digitalization, movie magazines and historical audience studies (Veranstaltung) (2015, Gent)
    Series: Global cinema
    Subjects: Film History; Media and Communication; Cultural History; Journalism; International Political Economy; Motion pictures—History; Communication; Civilization—History; Journalism; Political economy; Publikum <Motiv>; Dänisch; Filmstar <Motiv>; Französisch; Verbreitung; Spanisch; Cineastik; Filmzeitschrift; Digitalisierung; Englisch; Filmschaffender <Motiv>
    Scope: xxix, 324 Seiten, Illustrationen
  3. Moralizing cinema
    film, Catholicism and power
    Contributor: Biltereyst, Daniël (Hrsg.); Treveri Gennari, Daniela (Hrsg.)
    Published: 2015
    Publisher:  Routledge, Taylor & Francis Group, New York

    Catholics, cinema and power: an introduction -- Policies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928) / Guido Convents -- The Roman Catholic... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Catholics, cinema and power: an introduction -- Policies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928) / Guido Convents -- The Roman Catholic Church, cinema and the "culture of dialogue": Italian Catholics and the movies after the Second World War / Dario Edoardo Vigan -- The rise and fall of Catholic Hollywood, or from the production code to the Da Vinci code / Thomas Doherty -- Catholicism and Mexican cinema: a secular state, a deeply conservative society and a powerful Catholic hierarchy / Francisco Peredo Castro -- Leaders. Jean Bernard's fight for 'good' cinema in Luxembourg / Paul Lesch -- An alternative way of moralizing cinema: Father Flipo's remedy for the Catholic Church's propaganda failure in France (1945-1962) / Milisande Leventopoulos -- A triple alliance for a Catholic neorealism. Roberto Rossellini according to Felix Morlion, Giulio Andreotti and Gian Luigi Rondi / Elena Dagrada -- Technology and production. A Catholic voice in talking pictures: the international Eidophon Company (1930-1934) / Karel Dibbetts -- Pius XII as actor and subject: on the representation of the pope in cinema during the 1940s and 1950s / Federico Ruozzi -- The failed project of a Catholic neorealism: on Giulio Andreotti, Felix Morlion and Roberto Rossellini / Tomaso Subini -- Censorship and control. Protectionism and Catholic film policy in twentieth-century Ireland / Kevin Rockett -- A case of entente cordiale between state and church: Catholics and film control in Argentina (1954-1984) / Maria Elena de las Carrera -- The "ideal film". on the transformation of the Italian Catholic film and media policy in the 1950s and the 1960s / Mariagrazia Fanchi -- Exhibition and cinema-going experiences. Separating the sheep from the goats: gendering space in the cinema auditorium in Rucphen (1929) / Thunnis Van Oort -- "I think Catholics didn't go to the cinema": Catholic film exhibition strategies and cinema-going experiences in Belgium, 1930s-1960s / Daniel Biltereyst -- Moralizing cinema while attracting audiences: Catholic film exhibition in post-war Rome / Daniela Treveri Gennari

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Contributor: Biltereyst, Daniël (Hrsg.); Treveri Gennari, Daniela (Hrsg.)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780415712644
    RVK Categories: AP 47100
    Series: Routledge advances in film studies ; 37
    Subjects: Catholics in motion pictures
    Scope: xvi, 296 pages, illustrations, map, 24 cm
    Notes:

    Includes bibliographical references and index

    Guido Convents: Catholics, cinema and power: an introductionPolicies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928)

    Dario Edoardo Vigan: The Roman Catholic Church, cinema and the "culture of dialogue": Italian Catholics and the movies after the Second World War

    Thomas Doherty: The rise and fall of Catholic Hollywood, or from the production code to the Da Vinci code

    Francisco Peredo Castro: Catholicism and Mexican cinema: a secular state, a deeply conservative society and a powerful Catholic hierarchy

    Paul Lesch: Leaders. Jean Bernard's fight for 'good' cinema in Luxembourg

    Milisande Leventopoulos: An alternative way of moralizing cinema: Father Flipo's remedy for the Catholic Church's propaganda failure in France (1945-1962)

    Elena Dagrada: A triple alliance for a Catholic neorealism. Roberto Rossellini according to Felix Morlion, Giulio Andreotti and Gian Luigi Rondi

    Karel Dibbetts: Technology and production. A Catholic voice in talking pictures: the international Eidophon Company (1930-1934)

    Federico Ruozzi: Pius XII as actor and subject: on the representation of the pope in cinema during the 1940s and 1950s

    Tomaso Subini: The failed project of a Catholic neorealism: on Giulio Andreotti, Felix Morlion and Roberto Rossellini

    Kevin Rockett: Censorship and control. Protectionism and Catholic film policy in twentieth-century Ireland

    Maria Elena de las Carrera: A case of entente cordiale between state and church: Catholics and film control in Argentina (1954-1984)

    Mariagrazia Fanchi: The "ideal film". on the transformation of the Italian Catholic film and media policy in the 1950s and the 1960s

    Thunnis Van Oort: Exhibition and cinema-going experiences. Separating the sheep from the goats: gendering space in the cinema auditorium in Rucphen (1929)

    Daniel Biltereyst: "I think Catholics didn't go to the cinema": Catholic film exhibition strategies and cinema-going experiences in Belgium, 1930s-1960s

    Daniela Treveri Gennari.: Moralizing cinema while attracting audiences: Catholic film exhibition in post-war Rome
  4. Mapping movie magazines
    digitization, periodicals and cinema history
    Contributor: Biltereyst, Daniël (Publisher); Vijver, Lies van de (Publisher)
    Published: 2020
    Publisher:  Palgrave Macmillan, Cham

    Location:
    Universitätsbibliothek Bayreuth
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Passau
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
  5. Mapping movie magazines
    digitization, periodicals and cinema history
    Contributor: Biltereyst, Daniël (Publisher); Vijver, Lies van de (Publisher)
    Published: [2020]; © 2020
    Publisher:  palgrave macmillan, Cham, Switzerland

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universitätsbibliothek Regensburg
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Source: Union catalogues
    Contributor: Biltereyst, Daniël (Publisher); Vijver, Lies van de (Publisher)
    Language: English
    Media type: Conference proceedings
    ISBN: 9783030332792; 9783030332761
    RVK Categories: AP 57700
    Corporations / Congresses: Turning The Page: Digitalization, movie magazines and historical audience studies (Veranstaltung) (2015, Gent)
    Series: Global cinema
    Subjects: Film History; Media and Communication; Cultural History; Journalism; International Political Economy; Motion pictures—History; Communication; Civilization—History; Journalism; Political economy; Verbreitung; Spanisch; Filmstar <Motiv>; Publikum <Motiv>; Cineastik; Filmzeitschrift; Französisch; Englisch; Dänisch; Digitalisierung; Filmschaffender <Motiv>
    Scope: xxix, 324 Seiten, Illustrationen
  6. Mapping movie magazines
    digitization, periodicals and cinema history
    Contributor: Biltereyst, Daniël (Publisher); Vijver, Lies van de (Publisher)
    Published: 2020
    Publisher:  Palgrave Macmillan, Cham

    Location:
    Freie Universität Berlin, Universitätsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
    Inter-library loan:
    Unlimited inter-library loan, copies and loan
    Export to reference management software   RIS file
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    Content information
    Volltext (URL des Erstveröffentlichers)
  7. Moralizing cinema
    film, Catholicism and power
    Contributor: Biltereyst, Daniël (HerausgeberIn); Treveri Gennari, Daniela (HerausgeberIn)
    Published: 2015
    Publisher:  Routledge, Taylor & Francis Group, New York, NY

    Catholics, cinema and power: an introduction -- Policies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928) / Guido Convents -- The Roman Catholic... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signature:
    1 A 941955
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Thüringer Universitäts- und Landesbibliothek
    Signature:
    KMW:KB:8000:Bilt::2015
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Universität des Saarlandes, Fachrichtung Geschichte, Bibliothek
    Signature:
    Q12 l 139
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

     

    Catholics, cinema and power: an introduction -- Policies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928) / Guido Convents -- The Roman Catholic Church, cinema and the "culture of dialogue": Italian Catholics and the movies after the Second World War / Dario Edoardo Vigan -- The rise and fall of Catholic Hollywood, or from the production code to the Da Vinci code / Thomas Doherty -- Catholicism and Mexican cinema: a secular state, a deeply conservative society and a powerful Catholic hierarchy / Francisco Peredo Castro -- Leaders. Jean Bernard's fight for 'good' cinema in Luxembourg / Paul Lesch -- An alternative way of moralizing cinema: Father Flipo's remedy for the Catholic Church's propaganda failure in France (1945-1962) / Milisande Leventopoulos -- A triple alliance for a Catholic neorealism. Roberto Rossellini according to Felix Morlion, Giulio Andreotti and Gian Luigi Rondi / Elena Dagrada -- Technology and production. A Catholic voice in talking pictures: the international Eidophon Company (1930-1934) / Karel Dibbetts -- Pius XII as actor and subject: on the representation of the pope in cinema during the 1940s and 1950s / Federico Ruozzi -- The failed project of a Catholic neorealism: on Giulio Andreotti, Felix Morlion and Roberto Rossellini / Tomaso Subini -- Censorship and control. Protectionism and Catholic film policy in twentieth-century Ireland / Kevin Rockett -- A case of entente cordiale between state and church: Catholics and film control in Argentina (1954-1984) / Maria Elena de las Carrera -- The "ideal film". on the transformation of the Italian Catholic film and media policy in the 1950s and the 1960s / Mariagrazia Fanchi -- Exhibition and cinema-going experiences. Separating the sheep from the goats: gendering space in the cinema auditorium in Rucphen (1929) / Thunnis Van Oort -- "I think Catholics didn't go to the cinema": Catholic film exhibition strategies and cinema-going experiences in Belgium, 1930s-1960s / Daniel Biltereyst -- Moralizing cinema while attracting audiences: Catholic film exhibition in post-war Rome / Daniela Treveri Gennari

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Contributor: Biltereyst, Daniël (HerausgeberIn); Treveri Gennari, Daniela (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415712645; 9780415712644
    Other identifier:
    9780415712644
    RVK Categories: AP 47100
    Edition: First published
    Series: Routledge advances in film studies ; 37
    Subjects: Catholics in motion pictures
    Scope: xvi, 296 Seiten, Illustrationen, Graphen, Karten
    Notes:

    Includes bibliographical references and index

    Guido Convents: Catholics, cinema and power: an introductionPolicies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928)

    Dario Edoardo Vigan: The Roman Catholic Church, cinema and the "culture of dialogue": Italian Catholics and the movies after the Second World War

    Thomas Doherty: The rise and fall of Catholic Hollywood, or from the production code to the Da Vinci code

    Francisco Peredo Castro: Catholicism and Mexican cinema: a secular state, a deeply conservative society and a powerful Catholic hierarchy

    Paul Lesch: Leaders. Jean Bernard's fight for 'good' cinema in Luxembourg

    Milisande Leventopoulos: An alternative way of moralizing cinema: Father Flipo's remedy for the Catholic Church's propaganda failure in France (1945-1962)

    Elena Dagrada: A triple alliance for a Catholic neorealism. Roberto Rossellini according to Felix Morlion, Giulio Andreotti and Gian Luigi Rondi

    Karel Dibbetts: Technology and production. A Catholic voice in talking pictures: the international Eidophon Company (1930-1934)

    Federico Ruozzi: Pius XII as actor and subject: on the representation of the pope in cinema during the 1940s and 1950s

    Tomaso Subini: The failed project of a Catholic neorealism: on Giulio Andreotti, Felix Morlion and Roberto Rossellini

    Kevin Rockett: Censorship and control. Protectionism and Catholic film policy in twentieth-century Ireland

    Maria Elena de las Carrera: A case of entente cordiale between state and church: Catholics and film control in Argentina (1954-1984)

    Mariagrazia Fanchi: The "ideal film". on the transformation of the Italian Catholic film and media policy in the 1950s and the 1960s

    Thunnis Van Oort: Exhibition and cinema-going experiences. Separating the sheep from the goats: gendering space in the cinema auditorium in Rucphen (1929)

    Daniel Biltereyst: "I think Catholics didn't go to the cinema": Catholic film exhibition strategies and cinema-going experiences in Belgium, 1930s-1960s

    Daniela Treveri Gennari.: Moralizing cinema while attracting audiences: Catholic film exhibition in post-war Rome
  8. Moralizing cinema
    film, Catholicism and power
    Contributor: Biltereyst, Daniël (HerausgeberIn); Treveri Gennari, Daniela (HerausgeberIn)
    Published: 2015
    Publisher:  Routledge, Taylor & Francis Group, New York, NY

    Catholics, cinema and power: an introduction -- Policies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928) / Guido Convents -- The Roman Catholic... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

     

    Catholics, cinema and power: an introduction -- Policies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928) / Guido Convents -- The Roman Catholic Church, cinema and the "culture of dialogue": Italian Catholics and the movies after the Second World War / Dario Edoardo Vigan -- The rise and fall of Catholic Hollywood, or from the production code to the Da Vinci code / Thomas Doherty -- Catholicism and Mexican cinema: a secular state, a deeply conservative society and a powerful Catholic hierarchy / Francisco Peredo Castro -- Leaders. Jean Bernard's fight for 'good' cinema in Luxembourg / Paul Lesch -- An alternative way of moralizing cinema: Father Flipo's remedy for the Catholic Church's propaganda failure in France (1945-1962) / Milisande Leventopoulos -- A triple alliance for a Catholic neorealism. Roberto Rossellini according to Felix Morlion, Giulio Andreotti and Gian Luigi Rondi / Elena Dagrada -- Technology and production. A Catholic voice in talking pictures: the international Eidophon Company (1930-1934) / Karel Dibbetts -- Pius XII as actor and subject: on the representation of the pope in cinema during the 1940s and 1950s / Federico Ruozzi -- The failed project of a Catholic neorealism: on Giulio Andreotti, Felix Morlion and Roberto Rossellini / Tomaso Subini -- Censorship and control. Protectionism and Catholic film policy in twentieth-century Ireland / Kevin Rockett -- A case of entente cordiale between state and church: Catholics and film control in Argentina (1954-1984) / Maria Elena de las Carrera -- The "ideal film". on the transformation of the Italian Catholic film and media policy in the 1950s and the 1960s / Mariagrazia Fanchi -- Exhibition and cinema-going experiences. Separating the sheep from the goats: gendering space in the cinema auditorium in Rucphen (1929) / Thunnis Van Oort -- "I think Catholics didn't go to the cinema": Catholic film exhibition strategies and cinema-going experiences in Belgium, 1930s-1960s / Daniel Biltereyst -- Moralizing cinema while attracting audiences: Catholic film exhibition in post-war Rome / Daniela Treveri Gennari

     
    Export to reference management software   RIS file
      BibTeX file
    Source: Staatsbibliothek zu Berlin
    Contributor: Biltereyst, Daniël (HerausgeberIn); Treveri Gennari, Daniela (HerausgeberIn)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0415712645; 9780415712644
    Other identifier:
    9780415712644
    RVK Categories: AP 47100
    Edition: First published
    Series: Routledge advances in film studies ; 37
    Subjects: Catholics in motion pictures
    Scope: xvi, 296 Seiten, Illustrationen, Graphen, Karten
    Notes:

    Includes bibliographical references and index

    Guido Convents: Catholics, cinema and power: an introductionPolicies. Resisting the lure of the modern: Catholics, international politics, and the establishment of the International Catholic Office for Cinema (1918-1928)

    Dario Edoardo Vigan: The Roman Catholic Church, cinema and the "culture of dialogue": Italian Catholics and the movies after the Second World War

    Thomas Doherty: The rise and fall of Catholic Hollywood, or from the production code to the Da Vinci code

    Francisco Peredo Castro: Catholicism and Mexican cinema: a secular state, a deeply conservative society and a powerful Catholic hierarchy

    Paul Lesch: Leaders. Jean Bernard's fight for 'good' cinema in Luxembourg

    Milisande Leventopoulos: An alternative way of moralizing cinema: Father Flipo's remedy for the Catholic Church's propaganda failure in France (1945-1962)

    Elena Dagrada: A triple alliance for a Catholic neorealism. Roberto Rossellini according to Felix Morlion, Giulio Andreotti and Gian Luigi Rondi

    Karel Dibbetts: Technology and production. A Catholic voice in talking pictures: the international Eidophon Company (1930-1934)

    Federico Ruozzi: Pius XII as actor and subject: on the representation of the pope in cinema during the 1940s and 1950s

    Tomaso Subini: The failed project of a Catholic neorealism: on Giulio Andreotti, Felix Morlion and Roberto Rossellini

    Kevin Rockett: Censorship and control. Protectionism and Catholic film policy in twentieth-century Ireland

    Maria Elena de las Carrera: A case of entente cordiale between state and church: Catholics and film control in Argentina (1954-1984)

    Mariagrazia Fanchi: The "ideal film". on the transformation of the Italian Catholic film and media policy in the 1950s and the 1960s

    Thunnis Van Oort: Exhibition and cinema-going experiences. Separating the sheep from the goats: gendering space in the cinema auditorium in Rucphen (1929)

    Daniel Biltereyst: "I think Catholics didn't go to the cinema": Catholic film exhibition strategies and cinema-going experiences in Belgium, 1930s-1960s

    Daniela Treveri Gennari.: Moralizing cinema while attracting audiences: Catholic film exhibition in post-war Rome