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  1. Lyric Wonder
    Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search... more

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    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
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    Kooperativer Bibliotheksverbund Berlin-Brandenburg (KOBV)

     

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period.By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres.Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501741272
    Other identifier:
    Series: Rhetoric and Society
    Subjects: Poetry & Criticism; POETRY / Medieval; English language; English poetry; English wit and humor; Renaissance; Rhetoric, Renaissance; Poetik; Concetto; Lyrik; Renaissance; Metaphysical poets; Englisch; Rhetorik
    Scope: 1 online resource (240 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  2. Lyric wonder
    rhetoric and wit in Renaissance English poetry
    Author: Biester, James
    Published: 1997
    Publisher:  Cornell Univ. Press, Ithaca [u.a.]

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    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
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    Universität Mainz, Zentralbibliothek
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    197.315
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801433134
    RVK Categories: HI 1249
    Series: Rhetoric & society
    Subjects: Englisch; Lyrik; Renaissance; Rhetorik; Humor
    Scope: X, 226 S.
    Notes:

    Literaturverz. S. [201] - 220
  3. Lyric Wonder
    Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: [1997]
    Publisher:  Cornell University Press, Ithaca, NY ; Walter de Gruyter GmbH, Berlin

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search... more

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    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period.By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres.Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501741272
    Other identifier:
    Series: Rhetoric and Society
    Scope: 1 Online-Ressource (240 p.)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  4. Lyric Wonder
    Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: [2019]
    Publisher:  Cornell University Press, Ithaca, NY

    Frontmatter -- Contents -- Foreword -- Acknowledgments -- Note on Transcriptions and Citations -- Introduction -- 1. Strange and Admirable Methods -- 2. The Most Dangerous Game: Wonder, Melancholy, 6y and Satire -- 3. Suspicious Boldness -- 4.... more

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    Frontmatter -- Contents -- Foreword -- Acknowledgments -- Note on Transcriptions and Citations -- Introduction -- 1. Strange and Admirable Methods -- 2. The Most Dangerous Game: Wonder, Melancholy, 6y and Satire -- 3. Suspicious Boldness -- 4. Powerful Insinuations: Obscurity as Catalyst and Veil -- 5. Passing Wonder or Wonder Passing? -- Bibliography -- Index James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period.By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres.Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501741272
    Other identifier:
    Series: Rhetoric and Society
    Subjects: Rhetoric, Renaissance; English language; English poetry; English wit and humor; Renaissance; POETRY / Medieval
    Scope: 1 Online-Ressource (240 p)
    Notes:

    restricted access online access with authorization star
  5. Lyric wonder
    rhetoric and wit in Renaissance English poetry
    Author: Biester, James
    Published: 1997
    Publisher:  Cornell Univ. Pr., Ithaca [u.a.]

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style - metaphysical wit and strong lines - as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the... more

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    Universitätsbibliothek Augsburg
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    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style - metaphysical wit and strong lines - as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wondercabinets of the period. By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the "admirable" style, as Biester shows in his close readings of the First and Fourth Satyres. Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event.

     
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  6. Lyric Wonder
    Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: [2019]; © 1997
    Publisher:  Cornell University Press, Ithaca, NY

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search... more

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    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
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    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period.By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres.Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event

     
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    Volltext (URL des Erstveröffentlichers)
    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501741272
    Other identifier:
    Series: Rhetoric and Society
    Subjects: Poetry & Criticism; POETRY / Medieval; English language; English poetry; English wit and humor; Renaissance; Rhetoric, Renaissance; Poetik; Concetto; Lyrik; Renaissance; Metaphysical poets; Englisch; Rhetorik
    Scope: 1 online resource (240 pages)
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 26. Nov 2019)
  7. Lyric wonder
    rhetoric and wit in Renaissance English poetry
    Author: Biester, James
    Published: 1997
    Publisher:  Cornell Univ. Press, Ithaca, NY [u.a.]

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    Universitätsbibliothek Greifswald
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801433134
    Series: Rhetoric & society
    Subjects: Metaphysical poets; ; Donne, John; Lyrik; Geschichte 1590-1650;
    Other subjects: Array; Array; Array; Rhetoric, Renaissance; Array
    Scope: X, 226 S, 24 cm
    Notes:

    Includes bibliographical references (p. [201]-220) and index
  8. Lyric Wonder
    Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: [2019]
    Publisher:  Cornell University Press, Ithaca, NY

    Frontmatter -- Contents -- Foreword -- Acknowledgments -- Note on Transcriptions and Citations -- Introduction -- 1. Strange and Admirable Methods -- 2. The Most Dangerous Game: Wonder, Melancholy, 6y and Satire -- 3. Suspicious Boldness -- 4.... more

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    Frontmatter -- Contents -- Foreword -- Acknowledgments -- Note on Transcriptions and Citations -- Introduction -- 1. Strange and Admirable Methods -- 2. The Most Dangerous Game: Wonder, Melancholy, 6y and Satire -- 3. Suspicious Boldness -- 4. Powerful Insinuations: Obscurity as Catalyst and Veil -- 5. Passing Wonder or Wonder Passing? -- Bibliography -- Index James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style-metaphysical wit and strong lines-as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wonder-cabinets of the period.By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the'admirable'style, as Biester shows in his close readings of the First and Fourth Satyres.Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501741272
    Other identifier:
    Series: Rhetoric and Society
    Subjects: Rhetoric, Renaissance; English language; English poetry; English wit and humor; Renaissance; POETRY / Medieval
    Scope: 1 Online-Ressource (240 p)
    Notes:

    restricted access online access with authorization star
  9. Lyric wonder
    rhetoric and wit in Renaissance English poetry
    Author: Biester, James
    Published: 1997
    Publisher:  Cornell Univ. Press, Ithaca, NY [u.a.]

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    Universitätsbibliothek Duisburg-Essen
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  10. Lyric wonder
    rhetoric and wit in Renaissance English poetry
    Author: Biester, James
    Published: 1997
    Publisher:  Cornell Univ. Press, Ithaca, NY [u.a.]

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    Universitätsbibliothek Duisburg-Essen
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    Source: Union catalogues
    Language: Undetermined
    Media type: Book
    ISBN: 0801433134
    RVK Categories: HI 1249
    Series: Rhetoric & society
    Subjects: Lyrik; Englisch; Concetto; Rhetorik; Metaphysical poets; Poetik; Renaissance
    Scope: X, 226 S.
  11. Lyric wonder
    rhetoric and wit in Renaissance English poetry
    Author: Biester, James
    Published: 1997
    Publisher:  Cornell Univ. Pr., Ithaca [u.a.]

    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style - metaphysical wit and strong lines - as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the... more

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    Freie Universität Berlin, Universitätsbibliothek
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    James Biester sees the shift in late Elizabethan England toward a witty, rough, and obscure lyric style - metaphysical wit and strong lines - as a response to the heightened cultural prestige of wonder. That same prestige was demonstrated in the search for strange artifacts and animals to display in the wondercabinets of the period. By embracing the genres of satire and epigram, poets of the Elizabethan court risked their chances for political advancement, exposing themselves to the danger of being classified either as malcontents or as jesters who lacked the gravitas required of those in power. John Donne himself recognized both the risks and benefits of adopting the "admirable" style, as Biester shows in his close readings of the First and Fourth Satyres. Why did courtier-poets adopt such a dangerous form of self-representation? The answer, Biester maintains, lies in an extraordinary confluence of developments in both poetics and the interpenetrating spheres of the culture at large, which made the pursuit of wonder through style unusually attractive, even necessary. In a postfeudal but still aristocratic culture, he says, the ability to astound through language performed the validating function that was once supplied by the ability to fight. Combining the insights of the new historicism with traditional literary scholarship, Biester perceives the rise of metaphysical style as a social as well as aesthetic event.

     
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  12. Lyric Wonder
    Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: 2019; ©2019
    Publisher:  Cornell University Press, Ithaca

    Cover -- Lyric Wonder -- Title -- Copyright -- Dedication -- Contents -- Foreword -- Acknowledgments -- Note on Transcriptions and Citations -- Introduction -- 1 Strange and Admirable Methods -- 2 The Most Dangerous Game: Wonder, Melancholy, and... more

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    Cover -- Lyric Wonder -- Title -- Copyright -- Dedication -- Contents -- Foreword -- Acknowledgments -- Note on Transcriptions and Citations -- Introduction -- 1 Strange and Admirable Methods -- 2 The Most Dangerous Game: Wonder, Melancholy, and Satire -- 3 Suspicious Boldness -- 4 Powerful Insinuations: Obscurity as Catalyst and Veil -- 5 Passing Wonder or Wonder Passing? -- Bibliography -- Index.

     
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781501741272
    Series: Rhetoric and Society
    Subjects: Electronic books
    Scope: 1 online resource (241 pages)
    Notes:

    Description based on publisher supplied metadata and other sources
  13. Lyric wonder
    rhetoric and wit in Renaissance English poetry
    Author: Biester, James
    Published: 1997
    Publisher:  Cornell Univ. Press, Ithaca, NY [u.a.]

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801433134
    RVK Categories: HI 1249
    Edition: 1. publ.
    Series: Rhetoric & society
    Subjects: Array; Array; Array; Rhetoric, Renaissance; Array
    Scope: X, 226 S.
    Notes:

    Literaturverz. S. [201] - 220
  14. Lyric wonder
    rhetoric and wit in renaissance english poetry
    Author: Biester, James
    Published: 1997
    Publisher:  Cornell Univ. Press, Ithaca, NY [u.a.]

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    Niedersächsische Staats- und Universitätsbibliothek Göttingen
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    97 A 13050
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Jf 65 e
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    Anglistisches Seminar der Universität, Bibliothek
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    F KP 1551
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    Universität Potsdam, Universitätsbibliothek
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    HI 1249 BIE
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    Saarländische Universitäts- und Landesbibliothek
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    98-7021
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    Universitätsbibliothek der Eberhard Karls Universität
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    38 A 10254
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 0801433134
    RVK Categories: HI 1249
    Edition: 1. publ
    Series: Rhetoric and society
    Subjects: Englisch; Lyrik; Geschichte 1500-1650; ; Metaphysical poets; ; Donne, John; Lyrik; Geschichte 1590-1650;
    Other subjects: Array; Array; Array; Rhetoric, Renaissance; Array
    Scope: X, 226 S.
    Notes:

    Includes bibliographical references (p. [201]-220) and index
  15. A Pleasant and Terrible Reverence": Maintenance of Majesty in Sidney's New Arcadia
    Author: Biester, James
    Published: 1993

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    Source: Online Contents Comparative Literature
    Media type: Article (journal)
    Format: Print
    Parent title: Philological quarterly; Iowa City, Iowa : University of Iowa, 1922-; Band 72, Heft 4 (1993), Seite 419-442

  16. Admirable Wit: Deinotes and the Rise and Fall of Lyric Wonder
    Author: Biester, James
    Published: 1996

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    Source: Online Contents Comparative Literature
    Media type: Article (journal)
    Format: Print
    Parent title: Rhetorica; Baltimore, MD : Johns Hopkins University Press, 1984-; Band 14, Heft 3 (1996), Seite 289-332

  17. Samuel Johnson on letters
    Author: Biester, James
    Published: 1988

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    Source: Online Contents Comparative Literature
    Language: English
    Media type: Article (journal)
    Format: Print
    Parent title: In: Rhetorica; Baltimore, MD : Johns Hopkins University Press, 1984-; Band 6, Heft 2 (1988), Seite 145-166

    Notes:

    57 Literaturangaben
  18. Lyric Wonder: Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: 1999

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    Source: Online Contents Comparative Literature
    Contributor: Moisan, Thomas
    Media type: Article (journal)
    Format: Print
    Parent title: Seventeenth century news; College Station, Tex. : Univ., 1942-2006; Band 57, Heft 3-4 (1999), Seite 218-223

  19. Reviews - Lyric Wonder: Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: 1999

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    Source: Online Contents Comparative Literature
    Contributor: Taylor, Mark
    Media type: Article (journal)
    Format: Print
    Parent title: Renaissance quarterly; New York, NY : Cambridge University Press, 1967-; Band 52, Heft 3 (1999), Seite 913-914

  20. BOOK REVIEWS - Lyric Wonder: Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: 1999

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    Source: Online Contents Comparative Literature
    Contributor: Manley, Lawrence
    Media type: Article (journal)
    Format: Print
    Parent title: Modern philology; Chicago, Ill. : Univ. of Chicago Press, 1903-; Band 97, Heft 2 (1999), Seite 248-251

  21. REVIEWS - Texts and Cultural Change in Early Modern England
    Author: Brown, Cedric C.
    Published: 1999

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    Source: Online Contents Comparative Literature
    Contributor: Marotti, Arthur F.; Biester, James; Hadfield, Andrew
    Media type: Article (journal)
    Format: Print
    Parent title: The modern language review; London : MHRA, 1905-; Band 94, Heft 4 (1999), Seite 1074

  22. REVIEWS - Lyric Wonder: Rhetoric and Wit in Renaissance English Poetry
    Author: Biester, James
    Published: 1999

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    Source: Online Contents Comparative Literature
    Contributor: Masselink, Noralyn
    Media type: Article (journal)
    Format: Print
    Parent title: Journal of English and Germanic philology; Champaign, Ill. : Univ. of Ill. Press, 1903-; Band 98, Heft 1 (1999), Seite 86-88