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  1. Fragments and assemblages
    forming compilations of medieval London
    Author: Bahr, Arthur
    Published: 2013
    Publisher:  Univ. of Chicago Press, Chicago, Ill. [u.a.]

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
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    Bayerische Staatsbibliothek
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    Monumenta Germaniae Historica, Deutsches Institut für Erforschung des Mittelalters, Bibliothek
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    Universitätsbibliothek der LMU München
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  2. Fragments and assemblages
    forming compilations of medieval London
    Author: Bahr, Arthur
    Published: 2015
    Publisher:  University of Chicago Press, Chicago

    Universitäts- und Landesbibliothek Bonn
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  3. Fragments and assemblages
    forming compilations of medieval London
    Author: Bahr, Arthur
    Published: 2013
    Publisher:  Univ. of Chicago Press, Chicago, Ill. [u.a.]

    Humboldt-Universität zu Berlin, Universitätsbibliothek, Jacob-und-Wilhelm-Grimm-Zentrum
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  4. Fragments and assemblages
    forming compilations of medieval London
    Author: Bahr, Arthur
    Published: 2015
    Publisher:  University of Chicago Press, Chicago ; London

    Universität Bonn, Institut für Anglistik, Amerikanistik und Keltologie, Bibliothek
    HH 4003 B151
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  5. Fragments and assemblages
    forming compilations of medieval London
    Author: Bahr, Arthur
    Published: 2013
    Publisher:  Univ of Chicago Press, Chicago, Ill. [u.a.]

    Universitätsbibliothek Bielefeld
    WC503 B151
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    Universitäts- und Landesbibliothek Düsseldorf
    angd870.b151
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  6. Fragments and assemblages
    forming compilations of medieval London
    Author: Bahr, Arthur
    Published: 2013
    Publisher:  Univ of Chicago Press, Chicago, Ill. [u.a.]

    Universitätsbibliothek Bielefeld
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    Universitäts- und Landesbibliothek Düsseldorf
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  7. Fragments and assemblages
    forming compilations of medieval London
    Author: Bahr, Arthur
    Published: c2013
    Publisher:  University of Chicago Press, Chicago

    In Fragments and Assemblages, Arthur Bahr expands the ways in which we interpret medieval manuscripts, examining the formal characteristics of both physical manuscripts and literary works. Specifically, Bahr argues that manuscript compilations from... more

     

    In Fragments and Assemblages, Arthur Bahr expands the ways in which we interpret medieval manuscripts, examining the formal characteristics of both physical manuscripts and literary works. Specifically, Bahr argues that manuscript compilations from fourteenth-century London reward interpretation as both assemblages and fragments: as meaningfully constructed objects whose forms and textual contents shed light on the city's literary, social, and political cultures, but also as artifacts whose physical fragmentation invites forms of literary criticism that were unintended by th

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 0226924912; 9780226924915
    Subjects: English literature; English literature; Manuscripts, Medieval
    Other subjects: Horne, Andrew (-1328); Gower, John (1325?-1408); Chaucer, Geoffrey (d. 1400): Canterbury tales
    Scope: Online-Ressource (x, 285 p), ill
    Notes:

    Includes bibliographical references and index

    Electronic reproduction; Available via World Wide Web

    Contents; List of Figures; Acknowledgments; Introduction. Compilation, Assemblage, Fragment; Chapter One. Civic Counterfactualism and the Assemblage of London: The Corpus of Andrew Horn; Chapter Two. Fragmentary Forms of Imitative Fantasy: Booklet 3 of the Auchinleck Manuscript; Chapter Three. Constructing Compilations of Chaucer's Canterbury Tales; Chapter Four. Rewriting the Past, Reassembling the Realm: The Trentham Manuscript of John Gower; Afterword; Bibliography; Index

  8. Fragments and Assemblages
    Forming Compilations of Medieval London
    Author: Bahr, Arthur
    Published: 2013; ©2013
    Publisher:  University of Chicago Press, Chicago

    Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction. Compilation, Assemblage, Fragment -- Chapter One. Civic Counterfactualism and the Assemblage of London: The Corpus of Andrew Horn -- Chapter Two. Fragmentary Forms of Imitative... more

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    Intro -- Contents -- List of Figures -- Acknowledgments -- Introduction. Compilation, Assemblage, Fragment -- Chapter One. Civic Counterfactualism and the Assemblage of London: The Corpus of Andrew Horn -- Chapter Two. Fragmentary Forms of Imitative Fantasy: Booklet 3 of the Auchinleck Manuscript -- Chapter Three. Constructing Compilations of Chaucer's Canterbury Tales -- Chapter Four. Rewriting the Past, Reassembling the Realm: The Trentham Manuscript of John Gower -- Afterword -- Bibliography -- Index.

     

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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9780226924922
    Edition: 1st ed.
    Subjects: Chaucer, Geoffrey, -- d. 1400. -- Canterbury tales
    Scope: 1 online resource (296 pages)
    Notes:

    Description based on publisher supplied metadata and other sources

  9. Chasing the Pearl-manuscript
    speculation, shapes, delight
    Author: Bahr, Arthur
    Published: 2024
    Publisher:  The University of Chicago Press, Chicago

    "In this book, Arthur Bahr takes a fresh look at a much-studied, unique object in English literature: the four poems and many illustrations contained in the so-called "Pearl-Manuscript" (British Library MS Cotton Nero A.x/2). These poems have been... more

    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    MK bestellt
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    "In this book, Arthur Bahr takes a fresh look at a much-studied, unique object in English literature: the four poems and many illustrations contained in the so-called "Pearl-Manuscript" (British Library MS Cotton Nero A.x/2). These poems have been the subject of much scholarship, especially Pearl and Sir Gawain and the Green Knight, two of the most well-known and -read poems from the English Middle Ages. Here Bahr attempts the first analysis of the poems and material object together. He explores how the physical manuscript itself--its composition and compilation, its intersecting aesthetic effects across linguistic and visual lines--enhances our perception of the poetry. Bahr reads Pearl, Cleanness, Patience, and Sir Gawain and the Green Knight through the lens of their unique, material incarnation in this singular object, taking advantage of recent technological advances (e.g., spectroscopic analysis and digital facsimiles) to show the Pearl-Manuscript to be a more complex piece of material, visual, and textual art than previous scholarship has allowed. Combining technology, literary close reading, and visual analysis, he connects the manuscript's material construction to the intricately wrought shapes, themes, and textual beauties evoked in the poetry to suggest new ways to understand what the poems are and do"--

     

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9780226835358
    Subjects: English poetry; Manuscripts, English (Middle)
    Scope: pages cm
    Notes:

    Includes bibliographical references and index

    Introduction -- The expanding singularity of Pearl -- Layers of time -- Shaping delight in Cleanness -- (Mid)points of interest -- Touching Patience -- Speculative geometry -- Chasing Sir Gawain's endless knot -- Final reflections : the Pearl-manuscript as broken kaleidoscope.

  10. Finding the Forms of Cleanness
    Author: Bahr, Arthur
    Published: 2013

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    Source: Online Contents Comparative Literature
    Media type: Article (journal)
    Format: Print
    Parent title: Studies in philology; Chapel Hill, NC : University of North Carolina Press, 1906-; Band 110, Heft 3 (2013), Seite 459-481