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Displaying results 1 to 25 of 191.

  1. A heritage of holy wood
    the legend of the true cross in text and image
    Author: Baert, Barbara
    Published: 2004
    Publisher:  Brill, Leiden [u.a.]

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Source: Staatsbibliothek zu Berlin
    Contributor: Baert, Barbara
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9004139443
    RVK Categories: LH 83300 ; LH 83600
    Series: Cultures, beliefs, and traditions ; 22
    Subjects: Holy Cross; Art, Byzantine; Art, Medieval
    Scope: XXIX, 527 S., [16] Bl., zahlr. Ill.
    Notes:

    Includes bibliographical references and indexes
  2. Interruptions and transitions
    essays on the senses in medieval and early modern visual culture
    Author: Baert, Barbara
    Published: (2019); © 2019
    Publisher:  Brill, Leiden

    Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture' is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early... more

    Location:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    10 A 61576
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    DBA-He 100
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    Herzog August Bibliothek Wolfenbüttel
    Signature:
    70.1244
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    Interruptions and Transitions: Essays on the Senses in Medieval and Early Modern Visual Culture' is an anthology of the most recent works by Barbara Baert, discussing the connection between the experiences of the senses in the medieval and early modern visual culture, the hermeneutics of imagery, and the limits and possibilities of contemporary Art Sciences.0The six chapters include Pentecost, Noli me tangere, the woman with an issue of blood, the Johannesschussel, the dancing Salome, and the role of the wind.0The reader is shown a medieval and early modern visual culture as a history of artistic solutions, as the fascinating approach between biblical texts, plastic imagination, and the art-scientific metier. This makes him a privileged guest in a unique in-between space where humans and their artistic expression can meet existentially Pentecost and the senses : a hermeneutical contribution to the visual medium and the sensorium in early medieval manuscript tradition -- An odour, a taste, a touch : impossible to describe : Noli me tangere and the senses -- "Who touched me and my clothes?" The healing of the woman with the haemorrhage in early medieval visual culture -- The Johannesschussel as Andachtsbild : the gaze, the medium, and the senses -- "When the daughter came in and danced :" revisiting Salome's dance in medieval and early modern iconology -- Wild is the wind : pathosformel and iconology of a quintessence

     
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    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789004390140; 9004390146
    RVK Categories: CP 2000
    Series: Art and material culture in medieval and Renaissance Europe ; volume 14
    Subjects: Christian art and symbolism; Christian art and symbolism; Senses and sensation in art; Art and society
    Scope: XV, 316 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturverzeichnis Seite [265]-306

    Mit Register
  3. The woman with the blood flow
    (Mark 5:24 - 34) ; narrative, iconic, and anthropological spaces
    Contributor: Baert, Barbara (Hrsg.)
    Published: 2014
    Publisher:  Peeters, Leuven [u.a.]

    Location:
    Erzbischöfliche Diözesan- und Dombibliothek
    Signature:
    Fc 6810
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    Location:
    Bibliothek des Bischöflichen Priesterseminars Trier
    Signature:
    FC 581
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    Source: Union catalogues
    Contributor: Baert, Barbara (Hrsg.)
    Language: English; German; French
    Media type: Book
    ISBN: 9789042929647
    Other identifier:
    9789042929647
    Series: Art & religion ; 2
    Subjects: Christusdarstellung; Blutung; Wunderheilung <Motiv>; Heilung <Motiv>; Künste
    Scope: VI, 444 S., zahlr. Ill.
  4. Decapitation and sacrifice
    Saint John's head in interdisciplinary perspectives: text, object, medium
    Contributor: Baert, Barbara (Herausgeber, Verfasser); Rochmes, Sophia (Herausgeber)
    Published: 2017
    Publisher:  Peeters, Leuven ; Paris ; Bristol, CT

    This anthology is the result of an interdisciplinary project on the phenomenon of the decapitated head of Saint John the Baptist in its exegetical context, in the material culture of the Middle Ages and the Renaissance, and finally in more recent... more

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    Erzbischöfliche Diözesan- und Dombibliothek
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    This anthology is the result of an interdisciplinary project on the phenomenon of the decapitated head of Saint John the Baptist in its exegetical context, in the material culture of the Middle Ages and the Renaissance, and finally in more recent approaches regarding medium studies. Several specialists and scholars from these fields were invited to share their most recent conclusions, thus contributing to our understanding of one of the most peculiar events, artifacts and phenomena in West: the rise and fall of a male head as subject of martyrdom, devotion and artistic expression. What emerges from these collected essays is a nuanced understanding of the beheading and presentation of Saint John

     
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    Source: Union catalogues
    Contributor: Baert, Barbara (Herausgeber, Verfasser); Rochmes, Sophia (Herausgeber)
    Language: English; French
    Media type: Book
    ISBN: 9789042934634; 9042934638
    Series: Art & religion ; 6
    Subjects: Christliche Literatur; Kopf <Motiv>; Christliche Kunst
    Other subjects: Johannes der Täufer
    Scope: VI, 244 Seiten, Illustrationen
    Notes:

    Beiträge teilweise englisch, teilweise französisch
  5. Utopia's doom
    the "Graal" as paradise of lust, the sect of the free spirit and Jheronimus Bosch's so-called "Garden of delights"
    Author: Vandenbroeck, Paul
    Published: 2017
    Publisher:  Peeters, Leuven ; Paris ; Bristol, CT

    The so-called 'Garden of delights' by Jheronimus Bosch (c. 1450-1516) remains an absolutely iconic work in European art history. The highly complex and enigmatic image has frequently been interpreted as a paradisiacal utopia, in which people indulge... more

    Location:
    Kunst- und Museumsbibliothek der Stadt Köln
    Signature:
    KMB/K BOSCH,.01 6 2017
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    The so-called 'Garden of delights' by Jheronimus Bosch (c. 1450-1516) remains an absolutely iconic work in European art history. The highly complex and enigmatic image has frequently been interpreted as a paradisiacal utopia, in which people indulge playfully in erotic pleasure in harmony with nature. It is a visual utopia framed before Thomas More had actually coined the word in a book whose entirely unfrivolous blueprint for society could hardly differ more from Bosch's phantasm. More traditional art historians have identified Bosch's masterpiece as a painted warning against the sins of the body, more specifically that of 'lust,' citing the image of Hell in the right wing in support. Vandenbroeck argues that these two interpretations need not preclude one another: Bosch painted a phantasmagorical false paradise that leads inexorably to ruin. He drew his inspiration from folk ideas about a semi-earthly, semi-supernatural erotic paradise or grail, in which those who entered could live in a dream-world of unbridled pleasure. But only until Judgement Day, upon which they would all wind up in Hell

     
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    Source: Union catalogues
    Contributor: Baert, Barbara (Herausgeber)
    Language: English
    Media type: Book
    ISBN: 9789042934689
    Series: Art & religion ; 8
    Subjects: Utopie; Jenseitsglaube; Gral; Kunst
    Other subjects: Bosch, Hieronymus (1450-1516): Garten der Lüste
    Scope: VII, 343 Seiten, Illustrationen, 26 cm
  6. Late medieval enclosed gardens of the Low Countries
    contributions to gender and artistic expression
    Author: Baert, Barbara
    Published: 2016
    Publisher:  Peeters, Leuven ; Paris ; Bristol, CT

    Location:
    Universitäts- und Landesbibliothek Düsseldorf
    Signature:
    kunr085.b142
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    Location:
    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
    Signature:
    17B9574
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9789042932333; 9042932333
    Series: Studies in iconology ; 2
    Subjects: Hortus conclusus; Hortus conclusus <Motiv>; Frauenkloster; Paradiesgärtlein; Schöne Arbeit
    Scope: 110 Seiten, Illustrationen
  7. Revisiting Salome's dance in medieval and early modern iconology
    Author: Baert, Barbara
    Published: 2016
    Publisher:  Peeters, Leuven ; Paris ; Bristol, CT

    Location:
    Erzbischöfliche Diözesan- und Dombibliothek
    Signature:
    Fbg 0631
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9789042934283
    Series: Studies in iconology ; 7
    Subjects: Kunst; Tanz; Tanz <Motiv>
    Other subjects: Salome Kleinarmenien, Königin (14-62)
    Scope: 90 Seiten, Illustrationen
  8. Interruptions and transitions
    essays on the senses in medieval and early modern visual culture
    Author: Baert, Barbara
    Published: [2019]; © 2019
    Publisher:  Brill, Leiden ; Boston

    Location:
    Universitätsbibliothek Bielefeld
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    Universitäts- und Stadtbibliothek Köln, Hauptabteilung
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    Source: Union catalogues
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004390522
    Other identifier:
    Series: Art and material culture in medieval and Renaissance Europe ; volume 14
    Subjects: Wahrnehmung; Pathosformel; Sinne <Motiv>; Christliche Kunst; Ikonographie; Sinne; Ikonologie; Kunst
    Other subjects: Christian art and symbolism / Europe / Medieval, 500-1500; Christian art and symbolism / Europe / Modern period, 1500-; Senses and sensation in art; Art and society / Europe
    Scope: 1 Online-Ressource (XV, 316 Seiten), Illustrationen
  9. Een erfenis van heilig hout
    de neerslag van het teruggevonden kruis in tekst en beeld tijdens de Middeleeuwen
    Author: Baert, Barbara
    Published: 2001
    Publisher:  Univ. Pers, Leuven

    Location:
    Universitätsbibliothek J. C. Senckenberg, Bibliothek Sprach- und Kulturwissenschaften (BSKW)
    Signature:
    03/LH 82251 B142
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    Source: Union catalogues
    Language: Dutch
    Media type: Book
    Format: Print
    ISBN: 9058671127
    RVK Categories: LH 82251
    Series: Symbolae Facultatis Litterarum et Philosophiae Lovaniensis. Series B ; 22
    Subjects: Kreuzauffindung; Rezeption; Literatur; Kunst
    Scope: 474 S.
  10. The woman with the blood flow (Mark 5:24-34)
    narrative, iconic, and anthropological spaces
    Contributor: Baert, Barbara (Herausgeber); Schalley, Niels (Herausgeber)
    Published: 2014
    Publisher:  Peeters, Leuven

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    Q 91.214.85
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    Source: Union catalogues
    Contributor: Baert, Barbara (Herausgeber); Schalley, Niels (Herausgeber)
    Language: English; German; French
    Media type: Book
    Format: Print
    ISBN: 9789042929647
    Other identifier:
    9789042929647
    Series: Art & religion ; 2
    Subjects: Blutung; Heilung <Motiv>; Künste
    Scope: VI, 444 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite 429-431
  11. Fluid flesh
    the body, religion and the visual arts
    Contributor: Baert, Barbara (Herausgeber)
    Published: 2009; © 2009
    Publisher:  Leuven University Press, Leuven

    Location:
    Universitätsbibliothek Gießen
    Signature:
    000 LH 83400 B142
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    Universität Mainz, Bereichsbibliothek Georg Forster-Gebäude / Kunstgeschichte
    Signature:
    B6 b/31
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    Location:
    Bibliothek Religionswissenschaft
    Signature:
    253 37
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    Source: Union catalogues
    Contributor: Baert, Barbara (Herausgeber)
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9058677168; 9789058677167
    Series: Lieven Gevaert series ; 8
    Subjects: Kunst; Religion; Körperbild; Christliche Kunst; Körper <Motiv>; Rezeption
    Scope: XVI, 125 Seiten, Illustrationen, 23 cm
    Notes:

    Proceedings of a conference held at the Lieven Gevaert Research Centre for Photography and Visual Studies. - Literaturverzeichnis Seite 119 - 122
  12. A contribution to the study of Aby Warburg (1866 - 1929)
    Author: Baert, Barbara
    Published: 2014
    Publisher:  Peeters, Leuven [u.a.]

    Location:
    Universitätsbibliothek J. C. Senckenberg, Zentralbibliothek (ZB)
    Signature:
    90.333.80 Bd. 1
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9042930659; 9789042930650
    RVK Categories: LH 63635
    Series: Nymph / Barbara Baert ; [1]
    Studies in iconology ; 1
    Subjects: Nymphe
    Other subjects: Warburg, Aby (1866-1929)
    Scope: 132 S., zahlr. Ill.
  13. Revisiting Salome's dance in medieval and early modern iconology
    Author: Baert, Barbara
    Published: 2016
    Publisher:  Peeters, Leuven

    Location:
    Städel Museum, Bibliothek
    Signature:
    I/73C133/2016
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789042934283
    Series: Studies in iconology ; 7
    Subjects: Tanz; Tanz <Motiv>; Kunst
    Other subjects: Salome Kleinarmenien, Königin (14-62)
    Scope: 90 Seiten, Illustrationen
    Notes:

    Literaturverzeichnis Seite 80-86
  14. Disembodied Heads in Medieval and Early Modern Culture
    Author: Santing, Catrien
    Published: 2013
    Publisher:  BRILL, Leiden ; ProQuest, Ann Arbor, Michigan

    Discussing medieval and early modern 'disembodied heads' this collection questions the why and how of the primacy of the head in the bodily hierarchy during the premodern period. On the basis of beliefs, mythologies and traditions concerning the... more

    Location:
    Universität Frankfurt, Elektronische Ressourcen
    Signature:
    /
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    Location:
    Universitätsbibliothek Gießen
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    Discussing medieval and early modern 'disembodied heads' this collection questions the why and how of the primacy of the head in the bodily hierarchy during the premodern period. On the basis of beliefs, mythologies and traditions concerning the head, they come to an 'cultural anatomy' of the head.

     
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    Source: Union catalogues
    Contributor: Baert, Barbara; Traninger, Anita
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9789004253551
    Edition: 1st edition
    Series: Intersections ; v.28
    Subjects: Kopf; Enthauptung; Enthauptung <Motiv>; Kultur; Head -- Social aspects -- Congresses; Human body -- Social aspects -- Congresses
    Scope: 1 Online-Ressource (331 Seiten)
    Notes:

    Description based on publisher supplied metadata and other sources
  15. About stains or the image as residue
    Author: Baert, Barbara
    Published: 2017
    Publisher:  Peeters, Leuven

    Location:
    Städel Museum, Bibliothek
    Signature:
    GA/2017
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9042935413; 9789042935419
    Other identifier:
    9789042935419
    Series: Studies in iconology ; 10
    Subjects: Malerei; Fleck <Motiv>; Ikonographie; Ästhetik
    Scope: 116 Seiten, Illustrationen, 24 cm
    Notes:

    Includes bibliographical references and index
  16. Late medieval enclosed gardens of the Low Countries
    contributions to gender and artistic expression
    Author: Baert, Barbara
    Published: 2016
    Publisher:  Peeters, Leuven

    Location:
    Universitätsbibliothek Gießen
    Signature:
    000 EC 1876 B142
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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Print
    ISBN: 9789042932333
    RVK Categories: EC 1876
    Series: Studies in Iconology ; 2
    Subjects: Paradiesgärtlein; Retabel; Textilien
    Scope: 110 Seiten, Illustrationen, 24 cm
    Notes:

    Literaturverzeichnis: Seite 93-95
  17. Looking into the rain
    magic, moisture, medium
    Author: Baert, Barbara
    Published: [2022]
    Publisher:  De Gruyter, Berlin

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  18. Looking Into the Rain
    Magic - Moisture - Medium
    Author: Baert, Barbara
    Published: 2022
    Publisher:  De Gruyter, Berlin/Boston

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  19. Looking Into the Rain
    Magic - Moisture - Medium
    Author: Baert, Barbara
    Published: [2022]
    Publisher:  De Gruyter, Berlin

    Frontmatter -- Content -- 1. Prologue. Why Rain? -- 2. Graphemes. Cave and Clay -- 3. Towards a Hermeneutic of Cave Spaces -- 4. Rain-Therapies and Aby Warburg -- 5. From Zettelkast 6 to Mithras -- 6. Environment and the Participation Model -- 7. Old... more

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Universität Potsdam, Universitätsbibliothek
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    Frontmatter -- Content -- 1. Prologue. Why Rain? -- 2. Graphemes. Cave and Clay -- 3. Towards a Hermeneutic of Cave Spaces -- 4. Rain-Therapies and Aby Warburg -- 5. From Zettelkast 6 to Mithras -- 6. Environment and the Participation Model -- 7. Old and New Abstractions -- 8. Bilderatlas. Rain-Saints and Folk-Art - By Julia van Rosmalen -- 9. Drawing -- 10. Canvassing -- 11. Oculi. Danaë and the Uncanny Space -- 12. One cannot escape the wetscape. Rain and Woody Allen -- 13. Epilogue. A life of the 'it' in it rains -- Bibliography -- Index nominum -- Image Credits Der Mensch hat seit Langem eine besondere Beziehung zu den atmosphärischen Eigenschaften seiner Umwelt, besonders wenn es um Regen geht. Anhand einzigartiger und aussagekräftiger Fälle - von prähistorischen Höhlenmalereien bis hin zu Fotografie und Kino - wirft dieses Buch ein neues Licht auf ein Thema, das sowohl ökologisch als auch ikonologisch und sowohl natur- als auch kulturgeschichtlich ist. Reichen unsere derzeitigen Paradigmen in der Bildwissenschaft aus, um die Kunst und Kultur des Regens nuanciert zu beschreiben? Und wie können wir uns diesem Phänomen auch jenseits des Visuellen nähern, wenn man bedenkt, dass man ja nicht einfach nur auf den Regen blickt, sondern im Grunde in ihn hineinschaut? Barbara Baert beleuchtet in ihrer beeindruckenden Abhandlung die menschliche Fähigkeit, Bilderwelten und Faszination miteinander verschmelzen zu können. Ihre einzigartige Prosa macht dies zu einem tiefgründigen, mutigen und in manchen Momenten leidenschaftlichen Essay. Barbara Baert ist Professorin für Kunstgeschichte an der KU Löwen. Sie lehrt Ikonologie, Kunsttheorie und Analyse sowie Kunst des Mittelalters. Ihre Arbeit vereint Wissen und Fragen aus der Ideengeschichte, Kulturanthropologie und Philosophie und zeugt von einem tiefen Verständnis für kulturelle Archetypen und ihre Symptome in den Bildkünsten Humankind has traditionally had a special relationship with the atmospheric characteristics of their environment, especially when it comes to rain. Using unique and expertly developed cases - from prehistoric cave paintings up to the meaning of rain in photography and cinema - this book casts new light on a theme that is both ecological and iconological, both natural and cultural-historical. Are our current paradigms in the visual studies enough to be able to describe the art and culture surrounding rain in a nuanced way, even to reach Beyond? Considering one does not simply look at the rain, one looks into the rain? Its effect on the audience is contaminating, it seeps through, elusive and dynamic. In the book, important cultural thinkers from both the past as well as the present are invited to carefully consider these questions with the author. Barbara Baert's touching essay reveals the capability of humans to combine imagery and fascination into one. Baert's unique prose makes Looking Beyond the Rain. Magic-Moisture-Medium a profound, bold, and sometimes fervent essay. Barbara Baert is Professor of Art History at KU Leuven. She teaches in the field of Iconology, Art Theory & Analysis, and Medieval Art. Her work links knowledge and questions from the history of ideas, cultural anthropology and philosophy, and shows great sensitivity to cultural archetypes and their symptoms in the visual arts

     
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    Content information
    Source: Staatsbibliothek zu Berlin
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9783110760620
    Other identifier:
    RVK Categories: LH 84956
    Subjects: ART / Subjects & Themes / General
    Scope: 1 Online-Ressource (235 p), Illustrationen
  20. La Fille Dansante au prisme de l'interdisciplinarité
    (avec un détour par la Capella Marciana à Venise)
    Author: Baert, Barbara
    Published: 2016

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
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    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: French
    Media type: Article (edited volume)
    Parent title:
    La pensée du regard / editées par Pascale Charron, Marc Gil, Ambre Vilain; Turnhout, [2016]; Seite 25-36
    Subjects: Kunst; Tänzerin <Motiv>; Mittelalter
  21. The pact between space and gaze
    the narrative and the iconic in Noli me tangere
    Author: Baert, Barbara
    Published: 2016

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Parent title:
    "Noli me tangere" in interdisciplinary perspective / edited by Reimund Bieringer, Barbara Baert, Karlijn Demasure; Leuven ; Paris ; Bristol, CT, 2016; Seite [191]-216
    Subjects: Nolimetangere; Ikonographie; Raum <Motiv>; Text; Malerei; Blick <Motiv>; Beziehung
  22. Vox clamantis in deserto
    John's head on the silent platter
    Author: Baert, Barbara
    Published: 2017

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
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    Source: Union catalogues
    Language: English
    Media type: Article (edited volume)
    Parent title:
    Decapitation and sacrifice / edited by Barbara Baert and Sophia Rochmes; Leuven ; Paris ; Bristol, CT, 2017; Seite [63]-92
    Subjects: Kopf; Beispiel; Andachtsbild; Motiv; Bedeutung
    Other subjects: Johannes der Täufer
    Scope: Illustrationen
  23. Decapitation and sacrifice
    Saint John's head in interdisciplinary perspectives: text, object, medium
    Contributor: Baert, Barbara (Publisher); Rochmes, Sophia (Publisher)
    Published: 2017
    Publisher:  Peeters, Leuven ; Paris ; Bristol, CT

    This anthology is the result of an interdisciplinary project on the phenomenon of the decapitated head of Saint John the Baptist in its exegetical context, in the material culture of the Middle Ages and the Renaissance, and finally in more recent... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
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    Location:
    Universitätsbibliothek Regensburg
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    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    This anthology is the result of an interdisciplinary project on the phenomenon of the decapitated head of Saint John the Baptist in its exegetical context, in the material culture of the Middle Ages and the Renaissance, and finally in more recent approaches regarding medium studies. Several specialists and scholars from these fields were invited to share their most recent conclusions, thus contributing to our understanding of one of the most peculiar events, artifacts and phenomena in West: the rise and fall of a male head as subject of martyrdom, devotion and artistic expression. What emerges from these collected essays is a nuanced understanding of the beheading and presentation of Saint John

     
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    Content information
    Source: Union catalogues
    Contributor: Baert, Barbara (Publisher); Rochmes, Sophia (Publisher)
    Language: English; French
    Media type: Book
    ISBN: 9789042934634; 9042934638
    RVK Categories: LH 82900
    Series: Art & religion ; 6
    Subjects: Christliche Kunst; Kopf <Motiv>; Christliche Literatur
    Other subjects: Johannes der Täufer
    Scope: VI, 244 Seiten, Illustrationen
    Notes:

    Beiträge teilweise englisch, teilweise französisch
  24. About stains or the image as residue
    Author: Baert, Barbara
    Published: 2017
    Publisher:  Peeters, Leuven ; Paris ; Bristol, CT

    A stain is the evidence of something that was. It's a trace. A stain may be something quite ordinary: the ink stain on my index finger; the mark of your fingers on this book. A stain may also be embarrassing: lipstick on a cheek; sweat rings under... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    A stain is the evidence of something that was. It's a trace. A stain may be something quite ordinary: the ink stain on my index finger; the mark of your fingers on this book. A stain may also be embarrassing: lipstick on a cheek; sweat rings under the arms; a bloody discharge. A stain may be forensically incriminating. A stain may be kept for sentimental reasons. Moreover, every stain has its own particular texture. Texture denotes the consistency of a surface and the sensory, often tactile imprint that is left on it. The stain may be absorbed in the thing that supports it; then again, it may stay on the surface, something separate. Every stain is unique. In this essay the author deals with seven factors that make the stain into a powerful model for rethinking the visual: the stain as prototype and prefiguration, the stain as relic, the stain of Veronica, the stain as a psycho-energetic symptom, the stain as pars pro toto for the womb, the stain and le désir mimétique and finally the stain as an image paradigm of the residue.

     
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    Source: Union catalogues
    Language: English
    Media type: Book
    ISBN: 9789042935419
    Other identifier:
    9789042935419
    Series: Studies in iconology ; 10
    Subjects: Ästhetik; Fleck <Motiv>; Ikonographie; Malerei
    Scope: 116 Seiten, 24 cm
    Notes:

    Includes bibliographical references and index
  25. Utopia's doom
    the "Graal" as paradise of lust, the sect of the free spirit and Jheronimus Bosch's so-called "Garden of delights"
    Author: Vandenbroeck, Paul
    Published: 2017
    Publisher:  Peeters, Leuven ; Paris ; Bristol, CT

    The so-called 'Garden of delights' by Jheronimus Bosch (c. 1450-1516) remains an absolutely iconic work in European art history. The highly complex and enigmatic image has frequently been interpreted as a paradisiacal utopia, in which people indulge... more

    Location:
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek

    Location:
    Bayerische Staatsbibliothek
    Inter-library loan:
    Unlimited inter-library loan, copies and loan

    Location:
    Zentralinstitut für Kunstgeschichte, Bibliothek
    Inter-library loan:
    No loan of volumes, only paper copies will be sent

    Location:
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte

     

    The so-called 'Garden of delights' by Jheronimus Bosch (c. 1450-1516) remains an absolutely iconic work in European art history. The highly complex and enigmatic image has frequently been interpreted as a paradisiacal utopia, in which people indulge playfully in erotic pleasure in harmony with nature. It is a visual utopia framed before Thomas More had actually coined the word in a book whose entirely unfrivolous blueprint for society could hardly differ more from Bosch's phantasm. More traditional art historians have identified Bosch's masterpiece as a painted warning against the sins of the body, more specifically that of 'lust,' citing the image of Hell in the right wing in support. Vandenbroeck argues that these two interpretations need not preclude one another: Bosch painted a phantasmagorical false paradise that leads inexorably to ruin. He drew his inspiration from folk ideas about a semi-earthly, semi-supernatural erotic paradise or grail, in which those who entered could live in a dream-world of unbridled pleasure. But only until Judgement Day, upon which they would all wind up in Hell

     
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    Content information
    Source: Union catalogues
    Contributor: Baert, Barbara (Publisher)
    Language: English
    Media type: Book
    ISBN: 9789042934689
    Series: Art & religion ; 8
    Subjects: Jenseitsglaube; Utopie; Gral; Kunst
    Other subjects: Bosch, Hieronymus (1450-1516): Garten der Lüste; Bosch, Hieronymus / -1516 / Garden of delights; Lust in art; Utopias in art; Hell in art
    Scope: VII, 343 Seiten, Illustrationen, 26 cm