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  1. S.O.S.
    dnevnik (1914 - 1919), pis'ma (1917 - 1919), stat'i i interv'ju (1919), vospominanija sovremennikov (1918 - 1919)
    Author: Andreev, Leonid
    Published: 1994
    Publisher:  Atheneum, Moskva [u.a.]

    Location:
    Universität Potsdam, Universitätsbibliothek
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    Source: Union catalogues
    Language: Russian
    Media type: Book
    Format: Print
    ISBN: 5850420428
    Subjects: Andreev, Leonid N.;
    Other subjects: Array; Array; Array; Array; Array
    Scope: 598 S
    Notes:

    Includes indexes
  2. S.O.S.
    dnevnik (1914 - 1919), pis'ma (1917 - 1919), stat'i i interv'ju (1919), vospominanija sovremennikov (1918 - 1919)
    Author: Andreev, Leonid
    Published: 1994
    Publisher:  Atheneum, Moskva [u.a.]

    Location:
    Forschungsstelle Osteuropa an der Universität Bremen - Bibliothek
    Signature:
    08 LIT 99 ANDR L 018
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    Location:
    Universität Potsdam, Universitätsbibliothek
    Signature:
    KI 2793 SOS
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    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: Russian
    Media type: Book
    Format: Print
    ISBN: 5850420428
    Subjects: Andreev, Leonid N.;
    Other subjects: Array; Array; Array; Array; Array
    Scope: 598 S
    Notes:

    Includes indexes
  3. Russian Dramatic Theory from Pushkin to the Symbolists
    An Anthology
    Contributor: Andreev, Leonid (MitwirkendeR); Annensky, Innokenty (MitwirkendeR); Belinsky, Vissarion (MitwirkendeR); Bely, Andrey (MitwirkendeR); Blok, Aleksandr (MitwirkendeR); Bryusov, Valery (MitwirkendeR); Chekhov, Anton (MitwirkendeR); Evreinov, Nikolay (MitwirkendeR); Gogol, Nikolay (MitwirkendeR); Ivanov, Vyacheslav (MitwirkendeR); Meyerhold, Vsevolod (MitwirkendeR); Pushkin, Aleksandr (MitwirkendeR); Senelick, Laurence P (HerausgeberIn); Sleptsov, Vasily (MitwirkendeR); Sologub, Fyodor (MitwirkendeR)
    Published: [2021]
    Publisher:  University of Texas Press, Austin

    Frontmatter -- Contents -- Foreword -- Introduction -- Russian Dramatic Theory from Pushkin to the Symbolists -- My Remarks on the Russian Theater -- On National-Popular Drama and the Play Martha the Seneschal's Wife -- Petersburg Notes for 1836 -- A... more

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    Resolving-System (lizenzpflichtig)
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    Location:
    Hochschule für Gesundheit, Hochschulbibliothek
    Signature:
    Initiative E-Books.NRW
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    Universitätsbibliothek Braunschweig
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    Staats- und Universitätsbibliothek Bremen
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    Zentrale Hochschulbibliothek Flensburg
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    Universitätsbibliothek Greifswald
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    HafenCity Universität Hamburg, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Hochschule für Angewandte Wissenschaften Hamburg, Hochschulinformations- und Bibliotheksservice (HIBS), Fachbibliothek Technik, Wirtschaft, Informatik
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    Technische Universität Hamburg, Universitätsbibliothek
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    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
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    Universitätsbibliothek Hildesheim
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    Thüringer Universitäts- und Landesbibliothek
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    Universitätsbibliothek Kiel, Zentralbibliothek
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
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    Otto-von-Guericke-Universität, Universitätsbibliothek
    Signature:
    ebook deGruyter
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    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Oldenburg, Bibliothek
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Elsfleth, Bibliothek
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    Universitätsbibliothek Osnabrück
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    Hochschulbibliothek Pforzheim, Bereichsbibliothek Technik und Wirtschaft
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    eBook de Gruyter
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    Universitätsbibliothek der Eberhard Karls Universität
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    Jade Hochschule Wilhelmshaven/Oldenburg/Elsfleth, Campus Wilhelmshaven, Bibliothek
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    Frontmatter -- Contents -- Foreword -- Introduction -- Russian Dramatic Theory from Pushkin to the Symbolists -- My Remarks on the Russian Theater -- On National-Popular Drama and the Play Martha the Seneschal's Wife -- Petersburg Notes for 1836 -- A Theater Lets Out after the Performance of a New Comedy -- Dramatic Poesy -- A Type of the Current Drama -- More about Sarah Bernhardt -- The Cherry Orchard -- Drama at the Lower Depths -- On Drama -- The Theater of a Single Will -- Theater and Modern Drama -- Realism and Convention on the Stage -- Introduction to Monodrama -- Russian Dramatists -- The Essence of Tragedy -- Letters on the Theater -- Notes -- Selected Bibliography -- Index Although younger than most European theatrical traditions, the Russian professional theater has generated an exciting body of criticism and theory which until recently has remained unknown or nearly inaccessible in the West. This anthology presents a selection of important Russian writing on the aesthetics of drama and the theater from 1828 to 1914. The focus of these essays, most published here for the first time in English, is on the so-called Crisis in the Theater of 1904 to 1914, a lively debate between the symbolists and the naturalists that evoked brilliant polemic writing from Meyerhold, Bely, Bryusov, and others. Along with Chekhov's amusing critique of Sarah Bernhardt ("monstrously facile!") and Ivanov's abstruse analysis of the essence of tragedy, the essays form a running commentary on the development of the Russian theater: Pushkin on his predecessors, Gogol on his own work, Belinsky on Gogol, Sleptsov on Ostrovsky and Leskov, Bely on Chekhov's The Cherry Orchard ("enervated people, trying to forget the terror of life"), the symbolists on one another. Each selection is printed in its entirety, with extensive notes, and a lengthy introduction places all the pieces within their historical and cultural contexts to comprise a brief history of Russian dramatic theory before the revolution. This volume is essential reading for all who wish to extend their knowledge of the Russian contribution to theatrical history, theory, and criticism

     
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    Content information
    Source: Union catalogues
    Contributor: Andreev, Leonid (MitwirkendeR); Annensky, Innokenty (MitwirkendeR); Belinsky, Vissarion (MitwirkendeR); Bely, Andrey (MitwirkendeR); Blok, Aleksandr (MitwirkendeR); Bryusov, Valery (MitwirkendeR); Chekhov, Anton (MitwirkendeR); Evreinov, Nikolay (MitwirkendeR); Gogol, Nikolay (MitwirkendeR); Ivanov, Vyacheslav (MitwirkendeR); Meyerhold, Vsevolod (MitwirkendeR); Pushkin, Aleksandr (MitwirkendeR); Senelick, Laurence P (HerausgeberIn); Sleptsov, Vasily (MitwirkendeR); Sologub, Fyodor (MitwirkendeR)
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781477302972
    Other identifier:
    Subjects: Dramatic criticism; Theater; LITERARY CRITICISM / Drama
    Scope: 1 Online-Ressource (1 online resource)
  4. Russian Dramatic Theory from Pushkin to the Symbolists
    An Anthology
    Contributor: Andreev, Leonid; Annensky, Innokenty; Belinsky, Vissarion; Bely, Andrey; Blok, Aleksandr; Bryusov, Valery; Chekhov, Anton; Evreinov, Nikolay; Gogol, Nikolay; Ivanov, Vyacheslav; Meyerhold, Vsevolod; Pushkin, Aleksandr; Senelick, Laurence P.; Sleptsov, Vasily; Sologub, Fyodor
    Published: [1981]; ©1981
    Publisher:  University of Texas Press, Austin ; Walter de Gruyter GmbH, Berlin

    Although younger than most European theatrical traditions, the Russian professional theater has generated an exciting body of criticism and theory which until recently has remained unknown or nearly inaccessible in the West. This anthology presents a... more

    Access:

    Location:
    Universitätsbibliothek Gießen
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    No inter-library loan

    Location:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Location:
    Universität Marburg, Universitätsbibliothek
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    Although younger than most European theatrical traditions, the Russian professional theater has generated an exciting body of criticism and theory which until recently has remained unknown or nearly inaccessible in the West. This anthology presents a selection of important Russian writing on the aesthetics of drama and the theater from 1828 to 1914. The focus of these essays, most published here for the first time in English, is on the so-called Crisis in the Theater of 1904 to 1914, a lively debate between the symbolists and the naturalists that evoked brilliant polemic writing from Meyerhold, Bely, Bryusov, and others. Along with Chekhov's amusing critique of Sarah Bernhardt ("monstrously facile!") and Ivanov's abstruse analysis of the essence of tragedy, the essays form a running commentary on the development of the Russian theater: Pushkin on his predecessors, Gogol on his own work, Belinsky on Gogol, Sleptsov on Ostrovsky and Leskov, Bely on Chekhov's The Cherry Orchard ("enervated people, trying to forget the terror of life"), the symbolists on one another. Each selection is printed in its entirety, with extensive notes, and a lengthy introduction places all the pieces within their historical and cultural contexts to comprise a brief history of Russian dramatic theory before the revolution. This volume is essential reading for all who wish to extend their knowledge of the Russian contribution to theatrical history, theory, and criticism.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information
    Source: Union catalogues
    Contributor: Andreev, Leonid; Annensky, Innokenty; Belinsky, Vissarion; Bely, Andrey; Blok, Aleksandr; Bryusov, Valery; Chekhov, Anton; Evreinov, Nikolay; Gogol, Nikolay; Ivanov, Vyacheslav; Meyerhold, Vsevolod; Pushkin, Aleksandr; Senelick, Laurence P.; Sleptsov, Vasily; Sologub, Fyodor
    Language: English
    Media type: Ebook
    Format: Online
    ISBN: 9781477302972
    Other identifier:
    Subjects: Dramatic criticism; Theater; LITERARY CRITICISM / Drama
    Scope: 1 Online-Ressource
    Notes:

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Nov 2021)