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  1. A "Jezebel" or a further "madwoman in the attic" in Caroline Lee Hentz's "The Planter's Northern Bride"
    Published: 2024
    Publisher:  Universitätsbibliothek Johann Christian Senckenberg, Frankfurt am Main

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    Source: Union catalogues
    Language: English
    Media type: Book
    Format: Online
    Other identifier:
    Subjects: Hentz, Caroline L.; Brontë, Charlotte; Jane Eyre; USA / Südstaaten <Motiv>; Plantage <Motiv>; Frauenbild; Wahnsinn <Motiv>; Intersektionalität
    Other subjects: Hentz, Caroline L.: The planter's northern bride; Plantation novel; Southern Belle; Jezebel; Intersectionality
    Scope: Online-Ressource
    Notes:

    In: New perspectives on imagology / edited by Katharina Edtstadler, Sandra Folie and Gianna Zocco ; Studia Imagologica ; 30 . Leiden ; Boston : Brill, 2022, ISBN 978-90-04-51315-0, ISSN 0927-4065, S. 312-329

  2. Samhällstjänst
    i samhällets tjänst?
    Published: 2003
    Publisher:  Brottsförebyggande rådet, Stockholm

    Max-Planck-Institut zur Erforschung von Kriminalität, Sicherheit und Recht, Bibliothek
    No loan of volumes, only paper copies will be sent
    ZBW - Leibniz-Informationszentrum Wirtschaft, Standort Kiel
    B 335338
    Unlimited inter-library loan, copies and loan
    Universitätsbibliothek der Eberhard Karls Universität
    KB 8 E 9894
    Unlimited inter-library loan, copies and loan
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    Source: Union catalogues
    Language: Swedish
    Media type: Book
    Format: Print
    ISBN: 9138319942
    Series: Rapport / Brottsförebyggande Rådet ; 2003,3
    Subjects: Sozialer Dienst; Strafe; Kriminalpolitik; Schweden; Community service (Punishment)
    Scope: 64 S, graph. Darst
    Notes:

    Zsfassung in engl. Sprache u.d.T.: Community service - serving the community?

  3. A "Jezebel" or a further "madwoman in the attic" in Caroline Lee Hentz's "The Planter's Northern Bride"
    Published: 2024

    This article examines striking similarities between stereotypical characters in Caroline Lee Hentz's US-American plantation novel "The Planter's Northern Bride" (1854), and Charlotte Brontë's classic "Jane Eyre" (1847). Especially, a connection can... more

     

    This article examines striking similarities between stereotypical characters in Caroline Lee Hentz's US-American plantation novel "The Planter's Northern Bride" (1854), and Charlotte Brontë's classic "Jane Eyre" (1847). Especially, a connection can be made between Hentz's Italian "Madwoman in the attic" Claudia, and Brontë's transatlantic Caribbean counterpart Bertha. An intersectional methodology performed through a close reading will show how both women are literally and metaphorically trapped within spaces and stereotypes. This article transfers imagology into a global setting while extending its scope beyond investigating national characteristics.

     

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    Source: BASE Selection for Comparative Literature
    Language: English
    Media type: Article (edited volume)
    Format: Online
    DDC Categories: 800; 810; 820
    Subjects: Hentz; Caroline L; Brontë; Charlotte; Jane Eyre; USA / Südstaaten; Plantage; Frauenbild; Wahnsinn; Intersektionalität
    Rights:

    creativecommons.org/licenses/by-nc/4.0/deed.de ; info:eu-repo/semantics/openAccess

  4. A "Jezebel" or a further "madwoman in the attic" in Caroline Lee Hentz's "The Planter's Northern Bride"
    Published: 08.04.2024

    This article examines striking similarities between stereotypical characters in Caroline Lee Hentz's US-American plantation novel "The Planter's Northern Bride" (1854), and Charlotte Brontë's classic "Jane Eyre" (1847). Especially, a connection can... more

     

    This article examines striking similarities between stereotypical characters in Caroline Lee Hentz's US-American plantation novel "The Planter's Northern Bride" (1854), and Charlotte Brontë's classic "Jane Eyre" (1847). Especially, a connection can be made between Hentz's Italian "Madwoman in the attic" Claudia, and Brontë's transatlantic Caribbean counterpart Bertha. An intersectional methodology performed through a close reading will show how both women are literally and metaphorically trapped within spaces and stereotypes. This article transfers imagology into a global setting while extending its scope beyond investigating national characteristics.

     

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