Skip to main navigation Skip to main content
info(at)avldigital.remove-this.de
Deutsch English
Last searches

Results for *

Displaying results 1 to 5 of 9.

  1. [Rezension zu:] Robert F. Wittkamp: Altjapanische Erinnerungsdichtung
    Author: Klawitter, Arne
    Published: 01.06.2017

    Rezension zu Robert F. Wittkamp: Altjapanische Erinnerungsdichtung. Landschaft, Schrift und kulturelles Gedächtnis im Man’yôshû. 2 Bde. Würzburg: Ergon, 2014. 279 S. / 500 S. more

     

    Rezension zu Robert F. Wittkamp: Altjapanische Erinnerungsdichtung. Landschaft, Schrift und kulturelles Gedächtnis im Man’yôshû. 2 Bde. Würzburg: Ergon, 2014. 279 S. / 500 S.

     
    Export to reference management software   RIS file
      BibTeX file
    Content information: free
    Source: CompaRe
    Language: German
    Media type: Review
    Format: Online
    DDC Categories: 890
    Collection: Aisthesis Verlag
    Subjects: Manʹyōshū; Landschaft <Motiv>; Kollektives Gedächtnis <Motiv>; Rezension
    Rights:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  2. Die Poetik des Skythischen im Werk von Vjačeslav Ivanov
    Author: Tétaz, Elena
    Published: 30.08.2018

    Le poète, philosophe et helléniste Vjačeslav Ivanov (1866-1949) est considéré comme l'un des représentants les plus importants du symbolisme russe et comme une des grandes figures intellectuelles et artistiques de la Russie du début du xxe siècle. Il... more

     

    Le poète, philosophe et helléniste Vjačeslav Ivanov (1866-1949) est considéré comme l'un des représentants les plus importants du symbolisme russe et comme une des grandes figures intellectuelles et artistiques de la Russie du début du xxe siècle. Il a été influencé aussi bien par les idées de Nietzsche que par celles des slavophiles. C'est en combinant ces deux traditions qu'il forme sa conception du dionysien. Cette dernière fait partie intégrante de son concept de "'idée russe" et joue un rôle important dans la mise en place de sa doctrine de la sobornost'. Chez Ivanov, le dionysien trouve sa réalisation dans les Scythes. Cette identification reprend la conception classique des "Scythes comme barbares russes", mais assume également l’idée nietzschéenne du dionysien comme moment barbare. On a donc affaire à une réinterprétation créative du Dionysos nietzschéen dans l'esprit de la renaissance slave. Sur la base de trois oeuvres d'Ivanov datant de périodes différentes, l'article met en évidence comment Ivanov construit la figure du Scythe et les raisons pour lesquelles son symbolisme prend la forme d'un discours de la totalité aux ambiguïtés parfois proches du totalitarisme.

     
    Export to reference management software
    Content information: free
    Source: CompaRe
    Language: German
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-8498-1119-8
    DDC Categories: 800; 890; 891
    Collection: Aisthesis Verlag
    Subjects: Ivanov, Vjačeslav I.; Barbar <Motiv>; Skythen <Motiv>; Dionysos; Symbolismus; Slavophilie; Drittes Rom; Russland; Das Dionysische
    Rights:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  3. Barbares/sauvages : Les non-civilisés dans 'Les Barbares' de Maxime Gorki
    Author: Podoroga, Ioulia
    Published: 30.08.2018

    When Gorki wrote his play "The Barbarians" (1906), he probably did not intend to raise such an intricate problem as the relationship between the barbarian, the savage and the civilized. Neither did he envisage talking about this triadic relation in... more

     

    When Gorki wrote his play "The Barbarians" (1906), he probably did not intend to raise such an intricate problem as the relationship between the barbarian, the savage and the civilized. Neither did he envisage talking about this triadic relation in reference to its political, historical and philosophical meaning. He proceeded as a writer and managed to construct a peculiar literary figure of the "barbarian" in its multiple aspects, and as related to other figures, such as the savage, in the first place. In this paper I argue that Gorki's intrinsically literary venture consisted in trying to make collide two categories that never normally enter in a dual relationship, but are always mediated by the category of the "civilized". The objective of this paper is to examine the consequences of this forced dualism, which without imposing any idea of civilization, however, ends up by setting it as a problem for further meditation and, without giving any solution, invites the reader to pursue his reflection.

     
    Export to reference management software
    Content information: free
    Source: CompaRe
    Language: French
    Media type: Part of a book; Part of a book
    Format: Online
    ISBN: 978-3-8498-1119-8
    DDC Categories: 800; 890; 891
    Collection: Aisthesis Verlag
    Subjects: Gorʹkij, Maksim; Barbar <Motiv>; Varvary
    Rights:

    publikationen.ub.uni-frankfurt.de/home/index/help

    ;

    info:eu-repo/semantics/openAccess
  4. Le 'ṭarab' dans la littérature arabe classique et contemporaine
    Author: Ammar, Marco; Langone, Angela Daiana

    Since antiquity, poetry and music in the Near East have been interrelated and were believed to have extraordinary powers. Both the context in which oral poetry is set, and the musically induced state of enchantment or ecstasy it produces, are defined... more

     

    Since antiquity, poetry and music in the Near East have been interrelated and were believed to have extraordinary powers. Both the context in which oral poetry is set, and the musically induced state of enchantment or ecstasy it produces, are defined in Arabic by the word 'ṭarab'. This article aims to provide an exhaustive definition of this concept, as well as a brief introduction to the artistic domain that encompasses extemporary performance of songs/poems, from the pre-Islamic period up until our modern era. Drawing on literary excerpts, the article attempts to highlight how music, literary performance and aesthetic emotion are amalgamated through the holistic experience of 'ṭarab', which has maintained its basic features virtually unchanged from the days of Ǧāhiliyya until the golden age of Umm Kulthum.

     
    Export to reference management software
    Content information: free
    Source: CompaRe
    Language: French
    Media type: Article
    Format: Online
    ISBN: 978-3-8498-1647-6; 978-3-8498-1391-8; 978-3-8498-1392-5
    DDC Categories: 780; 800; 890
    Collection: Aisthesis Verlag
    Subjects: Arabische Musik; Arabisch; Literatur; Umm-Kulṯūm
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess
  5. Verschriftlichte Emotionen in der litauischen Jazzliteratur der Sowjetzeit : Zusammenhänge zwischen Emotionen und Musik in Dramatik, Epik und Lyrik der Jahre 1967-1989
    Author: Užukauskaitė, Lina

    This article analyzes the relationship between emotions and jazz music in Lithuanian literature originating during the Soviet-era, and considers emotions as text phenomena. In the following investigation, a drama by Juozas Grušas, two prose works by... more

     

    This article analyzes the relationship between emotions and jazz music in Lithuanian literature originating during the Soviet-era, and considers emotions as text phenomena. In the following investigation, a drama by Juozas Grušas, two prose works by Romualdas Lankauskas and Ričardas Gavelis, and four poems by Judita Vaičiūnaitė, Janina Degutytė, Antanas Jonynas and Tomas Arūnas Rudokas are analyzed in chronological order. The analysis focuses on two types of verbal configuration of emotion: thematization (explicit emotions; content level) and presentation (implicit configuration of emotions, content, and form level). The following questions come to the fore: What emotions are named in the texts? How are they depicted? What emotions are thematized in conjunction with the music? What effect does the jazz music have, and what emotions arise at its reception in the text? How are those emotions and jazz music related to the historical context, namely the Soviet period?

     
    Export to reference management software
    Content information: free
    Source: CompaRe
    Language: German
    Media type: Article
    Format: Online
    ISBN: 978-3-8498-1647-6; 978-3-8498-1391-8; 978-3-8498-1392-5
    DDC Categories: 800; 890
    Collection: Aisthesis Verlag
    Subjects: Litauisch; Literatur; Jazz; Gefühl; Geschichte 1967-1989
    Rights:

    creativecommons.org/licenses/by-sa/3.0/de/deed.de

    ;

    info:eu-repo/semantics/openAccess