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The Narrative Uses of Toponyms in Harðar saga
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Signals
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On, for, and with practitioners : a transdisciplinary approach to text production in real-life settings
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Writing across the lifespan : long-term aspects of text production research
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Changing literacies in a glocalizing world : the case of professional writing and the digital literacy shift
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Investigating linguistic practices : the case of scalability in professional text production
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Teaching, coaching and learning writing in finance : from relaxed text crafting to high-speed mass text production
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The language of numbers across time : from relaxed text crafting to high-speed mass text production
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Little red bard : Shakespeare in the realm of animated documentary
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Online support for academic writing : a review of technologies with special attention to the needs of non-native writers
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Die Antike - das 'nächste Fremde'?
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Form and Function of Some Theban Resonances in Homer’s Iliad and Odyssey
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More than minds. Experience, narrative and plot
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Homeric motivation and modern narratology. The case of Penelope
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Gendering fear
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Ready to board! Appearances, disappearances and the popularity of pirates
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Tracing the Heroic Through Gender
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The drama considered as a dynamic program : an analogous comparison and the development of a metamodel to structurize story lines
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The sum of our parts : the voices of the Human Genre Project
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Teaching perspective taking and coherence generation to improve cross-genre writing skills in secondary grades: A detailed explanation of an intervention
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Wo für Straßburg der Spaß aufhört
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Introduction
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Authorial Guidance
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Dreams and Nightmares in First Nations Fiction
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Ambivalent Ambivalence: Cecilia’s Monological and Dialogical Subjectivity in Ian McEwan’s Atonement