Direkt zur Hauptnavigation springen Direkt zum Inhalt springen
info(at)avldigital.remove-this.de
Deutsch English
Letzte Suchanfragen

Ergebnisse für *

Zeige Ergebnisse 1 bis 25 von 25.

  1. Opera aperta
    Italian electronic literature from the 1960s to the present
    Autor*in: Patti, Emanuela
    Erschienen: [2022]; © 2022
    Verlag:  Peter Lang, Oxford

    "In 1962, Umberto Eco published Opera aperta, setting the ground for a new wave of creative experimentation across the arts and media. The concept of 'open work', arguably informed by systems theory, cybernetics, relativism, pragmatism, and other... mehr

    Standort:
    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
    Signatur:
    A 2023/2334
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Gottfried Wilhelm Leibniz Bibliothek - Niedersächsische Landesbibliothek
    Signatur:
    2022/5260
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Heidelberg
    Signatur:
    2023 A 1540
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Mannheim
    Signatur:
    500 IV 52430 P321
    Fernleihe:
    keine Fernleihe

    Standort:
    Württembergische Landesbibliothek
    Signatur:
    73/4550
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "In 1962, Umberto Eco published Opera aperta, setting the ground for a new wave of creative experimentation across the arts and media. The concept of 'open work', arguably informed by systems theory, cybernetics, relativism, pragmatism, and other influential disciplines of the time, was used by Eco to reconsider the work of art as a site for interactivity, collaboration, and intermediality. In this perspective, this book reconstructs the history of Italian electronic literature, looking at creative practices across literature, electronic and digital media from the early days of computers to the social media age. It examines how Italian writers, poets, literary critics and intellectuals have responded to each phase of the digital revolution, by enacting 'poetics of openness' and 'politics of intermediality'. Case studies include Nanni Balestrini, Gianni Toti, Italo Calvino, Caterina Davinio, Wu Ming, Michela Murgia, Francesco Pecoraro, Roberto Saviano, Tommaso Pincio, Fabio Viola, Fabrizio Venerandi, Enrico Colombini. In some cases, literary experimentation with new technologies has taken a clear polemical stance towards mass media, globalisation, information society and late capitalism, in order to challenge and/or reconfigure artistic or social ontologies. In others, digital technologies have been used to enhance and extend the affordances and 'languages' of literature"--

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781789978599
    RVK Klassifikation: IV 52430
    Schriftenreihe: Italian modernities ; vol. 39
    Schlagworte: Digital storytelling; Literature and technology; Literature, Experimental; Avant-garde (Aesthetics)
    Weitere Schlagworte: Eco, Umberto: Opera aperta
    Umfang: xix, 301 Seiten, Illustrationen
    Bemerkung(en):

    Literaturverzeichnis: Seiten 273-289
  2. La nuova gioventù?
    l'eredità intellettuale di Pier Paolo Pasolini
    Beteiligt: Patti, Emanuela (Hrsg.)
    Erschienen: 2009
    Verlag:  Joker, Novi Ligure (Alessandria)

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Signatur:
    W 2010/1140
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Universitätsbibliothek Siegen
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Patti, Emanuela (Hrsg.)
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    ISBN: 9788875362133
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: Transference
    Schlagworte: Rezeption
    Weitere Schlagworte: Pasolini, Pier Paolo (1922-1975)
    Umfang: 171 S.
    Bemerkung(en):

    P. P. Pasolini (1922-1975). - Contains bibliography, bibliographical references and notes. - Collected essays
  3. Experimental narratives: from the novel to digital storytelling
    Beteiligt: Patti, Emanuela (Herausgeber)
    Erschienen: [2016]
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Signatur:
    Z 2009/19 (13,3)
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Signatur:
    litz.c325(13,3)
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der Fernuniversität
    Signatur:
    ZZB/CCS
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Münster
    Signatur:
    3K 74352
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Wuppertal
    Signatur:
    04C24-13,3
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Patti, Emanuela (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Schriftenreihe: Comparative critical studies ; volume 13, number 3 (2016)
    Schlagworte: Twitter <Softwareplattform>; Erzähltheorie; Neue Medien; Internetliteratur
    Umfang: viii Seiten, Seite 277-400, Illustrationen
  4. Opera aperta
    Italian electronic literature from the 1960s to the present
    Autor*in: Patti, Emanuela
    Erschienen: [2022]
    Verlag:  Peter Lang, Oxford

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Münster
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781789978612; 9781789978605; 9781789978629
    Weitere Identifier:
    Schriftenreihe: Italian modernities ; vol. 39
    Schlagworte: Hypertext literature, Italian; Electronic publications; Hypertext; Experimentelle Literatur; Internetliteratur; Offenes Kunstwerk; Rezeption; Italienisch; Literatur
    Weitere Schlagworte: Eco, Umberto (1932-2016): Opera aperta
    Umfang: 1 Online-Ressource (xix, 301 Seiten)
  5. Opera aperta
    Italian Electronic Literature from the 1960s to the Present
    Autor*in: Patti, Emanuela
    Erschienen: 2022
    Verlag:  Peter Lang Ltd, International Academic Publishers, Oxford

    «At last, here is a book written by an Italian about the homeopathic but essential role that Italian artists, and among them, important writers, have played to introduce the digital transformation to Italians. Long before government or business, and... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    «At last, here is a book written by an Italian about the homeopathic but essential role that Italian artists, and among them, important writers, have played to introduce the digital transformation to Italians. Long before government or business, and least of all educators, took notice, artists, as was their wont for centuries, were the first to reveal the potential of the new technologies. Emanuela Patti not only pays them a long overdue tribute, but along the way revisits with care and engaging style the key features of that transformation. A wonderful read!» (Professor Derrick de Kerckhove, University of Toronto)«We were missing a systematic survey of e-literary arts in Italy. Emanuela Patti has filled that void. Indeed, her study is much more than a survey: it brilliantly connects semiotic theories of open textuality to the profound techno-cultural transformations of socio-political life from the 1960s to the present, from experimental writing to popular culture.» (Professor Massimo Riva, Brown University)In 1962, Umberto Eco published Opera aperta, setting the ground for a new wave of creative experimentation across the arts and media. The concept of «open work» – informed by systems theory, cybernetics, relativism, pragmatism and other influential disciplines of the time – was used by Eco to reconsider the work of art as a site for interactivity, collaboration and intermediality. Starting from this perspective, this book reconstructs the history of Italian electronic literature, looking at creative practices across literature, electronic and digital media from the early days of computers to the social media age. It examines how Italian writers, poets, literary critics and intellectuals have responded to each phase of the digital revolution, by enacting «poetics of openness» and «politics of intermediality». Case studies include Nanni Balestrini, Gianni Toti, Italo Calvino, Caterina Davinio, Wu Ming, Michela Murgia, Francesco Pecoraro, Roberto Saviano, Tommaso Pincio, Fabio Viola, Fabrizio Venerandi and Enrico Colombini. In some cases, literary experimentation with new technologies has taken a clear polemical stance towards mass media, globalisation, information society and late capitalism, in order to challenge and/or reconfigure artistic or social ontologies. In others, digital technologies have been used to enhance and extend the parameters and «languages» of literature.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Gordon, Robert S.C. (HerausgeberIn); Antonello, Pierpaolo (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781789978605
    Weitere Identifier:
    9781789978605
    RVK Klassifikation: IV 52430
    Schriftenreihe: Italian Modernities ; 39
    Schlagworte: Eco, Umberto; Italienisch; Elektronische Medien; Literatur; Geschichte 1960-2022;
    Umfang: 1 Online-Ressource (328 p.), 19 ill
    Bemerkung(en):

    Contents: Open textuality from the Neoavanguardia to digital convergence – Opera aperta and the Italian Neoavanguardia – Italian electronic literature: The modernist poetics of «open works» – Ideological debates and the critical function of electronic literature – Digital storytelling from experimental writing to popular culture – The Italian «digital avant-garde»: From mainframes to the Internet – The digital revolution in Italy – Generative literature: Nanni Balestrini’s Tape Mark 1 (1961), Tristano (1966 and 2007), and Epreuves d’écriture (1985) – Video poetry: Gianni Toti’s poetronica (1980–1994) – Hypertext and interactive fiction: Italo Calvino and Enrico Colombini’s Avventura nel castello (1982) – Net poetry: Caterina Davinio from Karenina.it (1998) to GATES (2005) – The social media age – Digital convergence in Italy and the transformation of the Italian literary industry – Network criticism: Lit-blogs (2006–2019) – Reality blooks: Michela Murgia’s Il mondo deve sapere (2006) and Francesco Pecoraro’s Questa e altre preistorie (2008) – Collective distributed narratives: The Wu Ming Foundation (2006–2013) – Wiki novels: SIC’s In territorio nemico (2013) – The social network novel: Tommaso Pincio’s Panorama (2015) and Fabio Viola’s I dirimpettai (2015) – Twitterature and Facebookature – Post-digital experimentation: Creative coding and digital poetry – Interactive e-books: Enrico Colombini and Fabrizio Venerandi’s Polistorie – Contemporary digital poetry.
  6. Pasolini after Dante
    the "Divine mimesis" and the politics of representation
    Autor*in: Patti, Emanuela
    Erschienen: 2016
    Verlag:  Legenda, Cambridge

    Standort:
    Universitätsbibliothek Eichstätt-Ingolstadt
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der LMU München
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781909662933
    RVK Klassifikation: IV 39361
    Schriftenreihe: Italian perspectives ; 35
    Schlagworte: Criticism, interpretation, etc / fast / (OCoLC)fst01411635; Rezeption
    Weitere Schlagworte: Pasolini, Pier Paolo / 1922-1975 / fast / (OCoLC)fst00034620; Pasolini, Pier Paolo (1922-1975); Pasolini, Pier Paolo (1922-1975); Dante Alighieri (1265-1321); Pasolini, Pier Paolo; Dante Alighieri; Pasolini, Pier Paolo; Dante Alighieri (1265-1321); Pasolini, Pier Paolo (1922-1975)
    Umfang: 177 Seiten
    Bemerkung(en):

    Includes bibliographical references (pages 162-173) and index
  7. Comparative critical studies
    the journal of the British Comparative Literature Association – 13,3, Experimental narratives: from the novel to digital storytelling
    Beteiligt: Patti, Emanuela (Hrsg.)
    Erschienen: 2016
    Verlag:  Edinburgh Univ. Press, Edinburgh

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Patti, Emanuela (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Übergeordneter Titel:
    Schlagworte: Neue Medien; Experimentelle Literatur
    Umfang: viii Seiten, Seiten 277-400, Illustrationen
  8. Opera aperta
    Italian electronic literature from the 1960s to the present
    Autor*in: Patti, Emanuela
    Erschienen: [2022]; © 2022
    Verlag:  Peter Lang, Oxford ; Bern ; Berlin

    Standort:
    Universitätsbibliothek Augsburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Bayerische Staatsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Regensburg
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781789978599; 1789978599
    Weitere Identifier:
    9781789978599
    RVK Klassifikation: IV 52430 ; AK 39950
    Schriftenreihe: Italian modernities ; vol. 39
    Schlagworte: Elektronische Medien; Italienisch; Literatur
    Weitere Schlagworte: Eco, Umberto (1932-2016): Opera aperta; Italian electronic literature; Digital culture & creativity; Neo-avantgarde; Opera aperta; Emanuela Patti
    Umfang: xix, 301 Seiten, Illustrationen, 21 cm x 14.8 cm
  9. Opera aperta
    Italian electronic literature from the 1960s to the present
    Autor*in: Patti, Emanuela
    Erschienen: [2022]; © 2022
    Verlag:  Peter Lang, Oxford ; Bern ; Berlin ; Bruxelles ; New York ; Wien

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Signatur:
    KZB2510
    Fernleihe:
    Ausleihe von Bänden möglich, keine Kopien

    Standort:
    Universitätsbibliothek Duisburg-Essen
    Signatur:
    FIN1761
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  10. Pasolini after Dante
    The 'Divine Mimesis' and the politics of representation
    Autor*in: Patti, Emanuela
    Erschienen: 2016
    Verlag:  Legenda, Modern Humanities Research Association and Routledge, Cambridge

    What role did Dante play in the work of Pier Paolo Pasolini (1922-1975)? His unfinished and fragmented imitation of the Comedia, La Divina Mimesis, is only one outward sign of what was a sustained dialogue with Dante on representation begun in the... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    What role did Dante play in the work of Pier Paolo Pasolini (1922-1975)? His unfinished and fragmented imitation of the Comedia, La Divina Mimesis, is only one outward sign of what was a sustained dialogue with Dante on representation begun in the early 1950s. During this period, the philologists Gianfranco Contini (1912-1990) and Erich Auerbach (1892-1957) played a crucial role in Pasolini's re-thinking of `represented reality', suggesting Dante as the best literary, authorial and political model for a generation of postwar Italian writers. This emerged first as `Dantean realism' in Pasolini's prose and poetry, after Contini's interpretation of Dante and of his plurilingualism, and then as `figural realism' in his cinema, after Auerbach's concepts of Dante's figura and `mingling of styles'. Following the evolution of Pasolini's mimetic ideal from these formative influences through to La Divina Mimesis, Emanuela Patti explores Pasolini's politics of representation in relation to the `national-popular', the `questione della lingua' and the Italian post-war debates on neorealism, while also providing a new interpretation of some of his major literary and cinematic works.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781317196150
    Auflage/Ausgabe: First published
    Schriftenreihe: Italian perspectives ; 35
    Legenda
    Schlagworte: Influence (Literary, artistic, etc.); Influence (Literary, artistic, etc.); Electronic books; LANGUAGE ARTS & DISCIPLINES / General ; bisacsh; LANGUAGE ARTS & DISCIPLINES / General
    Umfang: 1 Online-Ressource (177 Seiten)
  11. <<La>> nuova gioventù?
    l'eredità intellettuale di Pier Paolo Pasolini
    Beteiligt: Patti, Emanuela (Hrsg.)
    Erschienen: 2009
    Verlag:  Ed. Joker, Novi Ligure

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Patti, Emanuela (Hrsg.)
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788875362133
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: Transference
    Schlagworte: Pasolini, Pier Paolo; Ideengeschichte; Aufsatzsammlung;
    Umfang: 171 S.
    Bemerkung(en):

    Literaturverz. S. 166 - 170
  12. Pasolini after Dante
    The 'Divine Mimesis' and the politics of representation
    Autor*in: Patti, Emanuela
    Erschienen: 2016
    Verlag:  Legenda, Modern Humanities Research Association and Routledge, Cambridge

    What role did Dante play in the work of Pier Paolo Pasolini (1922-1975)? His unfinished and fragmented imitation of the Comedia, La Divina Mimesis, is only one outward sign of what was a sustained dialogue with Dante on representation begun in the... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

     

    What role did Dante play in the work of Pier Paolo Pasolini (1922-1975)? His unfinished and fragmented imitation of the Comedia, La Divina Mimesis, is only one outward sign of what was a sustained dialogue with Dante on representation begun in the early 1950s. During this period, the philologists Gianfranco Contini (1912-1990) and Erich Auerbach (1892-1957) played a crucial role in Pasolini's re-thinking of `represented reality', suggesting Dante as the best literary, authorial and political model for a generation of postwar Italian writers. This emerged first as `Dantean realism' in Pasolini's prose and poetry, after Contini's interpretation of Dante and of his plurilingualism, and then as `figural realism' in his cinema, after Auerbach's concepts of Dante's figura and `mingling of styles'. Following the evolution of Pasolini's mimetic ideal from these formative influences through to La Divina Mimesis, Emanuela Patti explores Pasolini's politics of representation in relation to the `national-popular', the `questione della lingua' and the Italian post-war debates on neorealism, while also providing a new interpretation of some of his major literary and cinematic works.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (lizenzpflichtig)
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781317196150
    Auflage/Ausgabe: First published
    Schriftenreihe: Italian perspectives ; 35
    Legenda
    Schlagworte: Influence (Literary, artistic, etc.); Influence (Literary, artistic, etc.); Electronic books; LANGUAGE ARTS & DISCIPLINES / General ; bisacsh; LANGUAGE ARTS & DISCIPLINES / General
    Umfang: 1 Online-Ressource (177 Seiten)
  13. Opera aperta
    Italian electronic literature from the 1960s to the present
    Autor*in: Patti, Emanuela
    Erschienen: [2022]; © 2022
    Verlag:  Peter Lang, Oxford ; Bern ; Berlin ; Bruxelles ; New York ; Wien

    Standort:
    Ruhr-Universität Bochum, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Duisburg-Essen
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  14. Opera aperta
    Italian electronic literature from the 1960s to the present
    Autor*in: Patti, Emanuela
    Erschienen: [2022]
    Verlag:  Peter Lang, Oxford

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
  15. Comparative critical studies
    the journal of the British Comparative Literature Association – 13,3, Experimental narratives: from the novel to digital storytelling
    Beteiligt: Patti, Emanuela (Hrsg.)
    Erschienen: 2016
    Verlag:  Edinburgh Univ. Press, Edinburgh

    Standort:
    Freie Universität Berlin, Universitätsbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Philologische Bibliothek, FU Berlin
    Beteiligt: Patti, Emanuela (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Übergeordneter Titel:
    Schlagworte: Neue Medien; Experimentelle Literatur
    Umfang: viii Seiten, Seiten 277-400, Illustrationen
  16. Pasolini after Dante
    the 'Divine Mimesis' and the politics of representation
    Autor*in: Patti, Emanuela
    Erschienen: 2016; ©2016
    Verlag:  Legenda, an imprint of the Modern Humanities Research Association and Routledge, Cambridge

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Signatur:
    1 B 170508
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1909662933; 9781909662933
    Schriftenreihe: Italian perspectives ; 35
    Schlagworte: Pasolini, Pier Paolo;
    Weitere Schlagworte: Pasolini, Pier Paolo (1922-1975); Pasolini, Pier Paolo (1922-1975): Divina mimesis; Dante Alighieri (1265-1321)
    Umfang: 177 Seiten, 26 cm
    Bemerkung(en):

    Includes bibliographical references (pages 162-173) and index

    Machine generated contents note: 1. Setting the Scene: Debates and Contexts -- 2. Dante, Poeta Della Realta -- 3. Representing the Reality of the `Other': Objectivity and Plurilingualism from Poesia dialettale del Novecento to Ragazzi di vita -- 4. Officina and `La Grande Ideologia del Reale': Dante, Contini, Gramsci, and Auerbach for a Theory of Experimental Literature -- 5. Auerbach's Figural Realism in Pasolini's `National-popular' Cinema and Beyond -- 6. La Divina Mimesis, or the Death of Dantean Realism.
  17. Opera Aperta
    Italian Electronic Literature from the 1960s to the Present
    Autor*in: Patti, Emanuela
    Erschienen: 2022; ©2022
    Verlag:  Peter Lang Ltd. International Academic Publishers, Oxford

    This book reconstructs the history of Italian electronic literature, looking at creative practices across literature, electronic and digital media from the early days of computers to the social media age. Topics include criticism of mass media,... mehr

    Zugang:
    Aggregator (lizenzpflichtig)

    Standort:
    Technische Universität Chemnitz, Universitätsbibliothek
    Fernleihe:
    keine Fernleihe

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    This book reconstructs the history of Italian electronic literature, looking at creative practices across literature, electronic and digital media from the early days of computers to the social media age. Topics include criticism of mass media, globalisation, information society and late capitalism as well as the enhancement of language itself. Cover -- Table of Contents -- List of Figures -- Preface -- Acknowledgements -- Part I Open textuality from the Neoavanguardia to digital convergence -- Chapter 1 Opera aperta and the Italian Neoavanguardia -- Chapter 2 Italian electronic literature: The modernist poetics of 'open works' -- Chapter 3 Ideological debates and the critical function of electronic literature -- Chapter 4 Digital storytelling from experimental writing to popular culture -- Part II The Italian 'digital avant-garde': From mainframes to the Internet -- Chapter 5 The digital revolution in Italy -- Chapter 6 Generative literature: Nanni Balestrini's Tape Mark 1 (1961), Tristano (1966 and 2007), and Epreuves d'écriture (1985) -- Chapter 7 Video poetry: Gianni Toti's poetronica (1980-1994) -- Chapter 8 Hypertext and interactive fiction: Italo Calvino and Enrico Colombini's Avventura nel castello (1982) -- Chapter 9 Net poetry: Caterina Davinio from Karenina.it (1998) to GATES (2005) -- Part III The social media age -- Chapter 10 Digital convergence in Italy and the transformation of the Italian literary industry -- Chapter 11 Network criticism: Lit-blogs (2006-2019) -- Chapter 12 Reality blooks: Michela Murgia's Il mondo deve sapere (2006) and Francesco Pecoraro's Questa e altre preistorie (2008) -- Chapter 13 Collective distributed narratives: The Wu Ming Foundation (2006-2013) -- Chapter 14 Wiki novels: SIC's In territorio nemico (2013) -- Chapter 15 The social network novel: Tommaso Pincio's Panorama (2015) and Fabio Viola's I dirimpettai (2015) -- Chapter 16 Twitterature and Facebookature -- Part IV Post-digital experimentation: Creative coding and digital poetry -- Chapter 17 Interactive e-books: Enrico Colombini and Fabrizio Venerandi's Polistorie -- Chapter 18 Contemporary digital poetry -- Conclusion -- Bibliography -- Index -- Series index.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781789978605
    Schriftenreihe: Italian Modernities Ser. ; v.39
    Schlagworte: Electronic books
    Umfang: 1 online resource (330 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  18. Opera aperta
    Italian Electronic Literature from the 1960s to the Present
    Autor*in: Patti, Emanuela
    Erschienen: 2022
    Verlag:  Peter Lang Ltd, International Academic Publishers, Oxford

    «At last, here is a book written by an Italian about the homeopathic but essential role that Italian artists, and among them, important writers, have played to introduce the digital transformation to Italians. Long before government or business, and... mehr

    Zugang:
    Resolving-System (lizenzpflichtig)
    Verlag (lizenzpflichtig)

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    Fernleihe:
    keine Fernleihe

    Standort:
    Saarländische Universitäts- und Landesbibliothek
    Fernleihe:
    keine Fernleihe

     

    «At last, here is a book written by an Italian about the homeopathic but essential role that Italian artists, and among them, important writers, have played to introduce the digital transformation to Italians. Long before government or business, and least of all educators, took notice, artists, as was their wont for centuries, were the first to reveal the potential of the new technologies. Emanuela Patti not only pays them a long overdue tribute, but along the way revisits with care and engaging style the key features of that transformation. A wonderful read!» (Professor Derrick de Kerckhove, University of Toronto)«We were missing a systematic survey of e-literary arts in Italy. Emanuela Patti has filled that void. Indeed, her study is much more than a survey: it brilliantly connects semiotic theories of open textuality to the profound techno-cultural transformations of socio-political life from the 1960s to the present, from experimental writing to popular culture.» (Professor Massimo Riva, Brown University)In 1962, Umberto Eco published Opera aperta, setting the ground for a new wave of creative experimentation across the arts and media. The concept of «open work» – informed by systems theory, cybernetics, relativism, pragmatism and other influential disciplines of the time – was used by Eco to reconsider the work of art as a site for interactivity, collaboration and intermediality. Starting from this perspective, this book reconstructs the history of Italian electronic literature, looking at creative practices across literature, electronic and digital media from the early days of computers to the social media age. It examines how Italian writers, poets, literary critics and intellectuals have responded to each phase of the digital revolution, by enacting «poetics of openness» and «politics of intermediality». Case studies include Nanni Balestrini, Gianni Toti, Italo Calvino, Caterina Davinio, Wu Ming, Michela Murgia, Francesco Pecoraro, Roberto Saviano, Tommaso Pincio, Fabio Viola, Fabrizio Venerandi and Enrico Colombini. In some cases, literary experimentation with new technologies has taken a clear polemical stance towards mass media, globalisation, information society and late capitalism, in order to challenge and/or reconfigure artistic or social ontologies. In others, digital technologies have been used to enhance and extend the parameters and «languages» of literature.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Gordon, Robert S.C. (HerausgeberIn); Antonello, Pierpaolo (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781789978605
    Weitere Identifier:
    9781789978605
    RVK Klassifikation: IV 52430
    Schriftenreihe: Italian Modernities ; 39
    Schlagworte: Eco, Umberto; Italienisch; Elektronische Medien; Literatur; Geschichte 1960-2022;
    Umfang: 1 Online-Ressource (328 p.), 19 ill
    Bemerkung(en):

    Contents: Open textuality from the Neoavanguardia to digital convergence – Opera aperta and the Italian Neoavanguardia – Italian electronic literature: The modernist poetics of «open works» – Ideological debates and the critical function of electronic literature – Digital storytelling from experimental writing to popular culture – The Italian «digital avant-garde»: From mainframes to the Internet – The digital revolution in Italy – Generative literature: Nanni Balestrini’s Tape Mark 1 (1961), Tristano (1966 and 2007), and Epreuves d’écriture (1985) – Video poetry: Gianni Toti’s poetronica (1980–1994) – Hypertext and interactive fiction: Italo Calvino and Enrico Colombini’s Avventura nel castello (1982) – Net poetry: Caterina Davinio from Karenina.it (1998) to GATES (2005) – The social media age – Digital convergence in Italy and the transformation of the Italian literary industry – Network criticism: Lit-blogs (2006–2019) – Reality blooks: Michela Murgia’s Il mondo deve sapere (2006) and Francesco Pecoraro’s Questa e altre preistorie (2008) – Collective distributed narratives: The Wu Ming Foundation (2006–2013) – Wiki novels: SIC’s In territorio nemico (2013) – The social network novel: Tommaso Pincio’s Panorama (2015) and Fabio Viola’s I dirimpettai (2015) – Twitterature and Facebookature – Post-digital experimentation: Creative coding and digital poetry – Interactive e-books: Enrico Colombini and Fabrizio Venerandi’s Polistorie – Contemporary digital poetry.
  19. Pasolini after Dante
    the 'Divine Mimesis' and the politics of representation
    Autor*in: Patti, Emanuela
    Erschienen: 2016; ©2016
    Verlag:  Legenda, an imprint of the Modern Humanities Research Association and Routledge, Cambridge

    Standort:
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 1909662933; 9781909662933
    Schriftenreihe: Italian perspectives ; 35
    Schlagworte: Pasolini, Pier Paolo;
    Weitere Schlagworte: Pasolini, Pier Paolo (1922-1975); Pasolini, Pier Paolo (1922-1975): Divina mimesis; Dante Alighieri (1265-1321)
    Umfang: 177 Seiten, 26 cm
    Bemerkung(en):

    Includes bibliographical references (pages 162-173) and index

    Machine generated contents note: 1. Setting the Scene: Debates and Contexts -- 2. Dante, Poeta Della Realta -- 3. Representing the Reality of the `Other': Objectivity and Plurilingualism from Poesia dialettale del Novecento to Ragazzi di vita -- 4. Officina and `La Grande Ideologia del Reale': Dante, Contini, Gramsci, and Auerbach for a Theory of Experimental Literature -- 5. Auerbach's Figural Realism in Pasolini's `National-popular' Cinema and Beyond -- 6. La Divina Mimesis, or the Death of Dantean Realism.
  20. Opera Aperta
    Italian Electronic Literature from the 1960s to the Present
    Autor*in: Patti, Emanuela
    Erschienen: 2022
    Verlag:  Peter Lang Ltd. International Academic Publishers, Oxford ; ProQuest, Ann Arbor, Michigan

    This book reconstructs the history of Italian electronic literature, looking at creative practices across literature, electronic and digital media from the early days of computers to the social media age. Topics include criticism of mass media,... mehr

    Standort:
    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
    Fernleihe:
    keine Fernleihe

     

    This book reconstructs the history of Italian electronic literature, looking at creative practices across literature, electronic and digital media from the early days of computers to the social media age. Topics include criticism of mass media, globalisation, information society and late capitalism as well as the enhancement of language itself.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781789978605
    DDC Klassifikation: Italienische, rumänische, rätoromanische Literaturen (850); Romanische Sprachen; Französisch (440)
    Auflage/Ausgabe: 1st ed.
    Schriftenreihe: Italian Modernities Ser. ; v.39
    Schlagworte: Italienisch; Elektronische Medien; Literatur
    Umfang: 1 Online-Ressource (330 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources
  21. Opera aperta
    Italian Electronic Literature from the 1960s to the Present
    Autor*in: Patti, Emanuela
    Erschienen: 2022
    Verlag:  Peter Lang Ltd, Oxford ; Peter Lang International Academic Publishers, Bern

    «At last, here is a book written by an Italian about the homeopathic but essential role that Italian artists, and among them, important writers, have played to introduce the digital transformation to Italians. Long before government or business, and... mehr

    Zugang:

    Standort:
    Universitätsbibliothek Gießen
    Fernleihe:
    keine Fernleihe

     

    «At last, here is a book written by an Italian about the homeopathic but essential role that Italian artists, and among them, important writers, have played to introduce the digital transformation to Italians. Long before government or business, and least of all educators, took notice, artists, as was their wont for centuries, were the first to reveal the potential of the new technologies. Emanuela Patti not only pays them a long overdue tribute, but along the way revisits with care and engaging style the key features of that transformation. A wonderful read!» (Professor Derrick de Kerckhove, University of Toronto)«We were missing a systematic survey of e-literary arts in Italy. Emanuela Patti has filled that void. Indeed, her study is much more than a survey: it brilliantly connects semiotic theories of open textuality to the profound techno-cultural transformations of socio-political life from the 1960s to the present, from experimental writing to popular culture.» (Professor Massimo Riva, Brown University)In 1962, Umberto Eco published Opera aperta, setting the ground for a new wave of creative experimentation across the arts and media. The concept of «open work» – informed by systems theory, cybernetics, relativism, pragmatism and other influential disciplines of the time – was used by Eco to reconsider the work of art as a site for interactivity, collaboration and intermediality. Starting from this perspective, this book reconstructs the history of Italian electronic literature, looking at creative practices across literature, electronic and digital media from the early days of computers to the social media age. It examines how Italian writers, poets, literary critics and intellectuals have responded to each phase of the digital revolution, by enacting «poetics of openness» and «politics of intermediality». Case studies include Nanni Balestrini, Gianni Toti, Italo Calvino, Caterina Davinio, Wu Ming, Michela Murgia, Francesco Pecoraro, Roberto Saviano, Tommaso Pincio, Fabio Viola, Fabrizio Venerandi and Enrico Colombini. In some cases, literary experimentation with new technologies has taken a clear polemical stance towards mass media, globalisation, information society and late capitalism, in order to challenge and/or reconfigure artistic or social ontologies. In others, digital technologies have been used to enhance and extend the parameters and «languages» of literature.

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Gordon, Robert S.C. (Herausgeber); Antonello, Pierpaolo (Herausgeber)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781789978605
    Weitere Identifier:
    DDC Klassifikation: Italienische, rumänische, rätoromanische Literaturen (850); Romanische Sprachen; Französisch (440)
    Auflage/Ausgabe: 1st, New ed.
    Schriftenreihe: Italian Modernities ; 39
    Schlagworte: Italienisch; Elektronische Medien; Literatur
    Umfang: 1 Online-Ressource (328 Seiten), Illustrationen
  22. Pasolini after Dante
    The 'Divine Mimesis' and the Politics of Representation
    Autor*in: Patti, Emanuela
    Erschienen: 2018
    Verlag:  Routledge, Florence

    Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Dedication -- Acknowledgements -- Abbreviations -- Introduction: Pasolini After Dante -- 1 Setting the Scene: Debates and Contexts -- 2 Dante, Poeta Della Realtà -- 3... mehr

    Standort:
    Hochschulbibliothek Friedensau
    Signatur:
    Online-Ressource
    Fernleihe:
    keine Fernleihe

     

    Cover -- Half Title -- Title Page -- Copyright Page -- Table of Contents -- Dedication -- Acknowledgements -- Abbreviations -- Introduction: Pasolini After Dante -- 1 Setting the Scene: Debates and Contexts -- 2 Dante, Poeta Della Realtà -- 3 Representing the Reality of the 'Other': Objectivity and Plurilingualism from Poesia dialettale del Novecento to Ragazzi di vita -- 4 Officina and 'La Grande Ideologia del Reale': Dante, Contini, Gramsci, and Auerbach for a Theory of Experimental Literature -- 5 Auerbach's Figural Realism in Pasolini's 'National-popular' Cinema and Beyond -- 6 La Divina Mimesis, or the Death of Dantean Realism -- Conclusion -- Bibliography -- Index

     
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781317196150
    Schriftenreihe: Legenda Ser
    Umfang: 1 Online-Ressource (188 pages)
  23. <<La>> nuova gioventù?
    l'eredità intellettuale di Pier Paolo Pasolini
    Beteiligt: Patti, Emanuela (Herausgeber)
    Erschienen: 2009
    Verlag:  Joker, Novi Ligure (Alessandria)

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Beteiligt: Patti, Emanuela (Herausgeber)
    Sprache: Italienisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9788875362133
    Auflage/Ausgabe: 1. ed.
    Schriftenreihe: Transference
    Schlagworte: Pasolini, Pier Paolo; Rezeption
    Umfang: 171 S.
    Bemerkung(en):

    P. P. Pasolini (1922-1975). - Contains bibliography, bibliographical references and notes. - Collected essays
  24. Opera aperta
    Italian electronic literature from the 1960s to the present
    Autor*in: Patti, Emanuela
    Erschienen: [2022]
    Verlag:  Peter Lang, Oxford

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Fernleihe:
    keine Fernleihe

    Standort:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Fernleihe:
    keine Fernleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781789978612; 9781789978605; 9781789978629
    Weitere Identifier:
    Schriftenreihe: Italian modernities ; vol. 39
    Schlagworte: Hypertext literature, Italian; Electronic publications
    Umfang: 1 Online-Ressource (xix, 301 Seiten)
  25. Experimental narratives: from the novel to digital storytelling
    Beteiligt: Patti, Emanuela (Herausgeber)
    Erschienen: [2016]
    Verlag:  Edinburgh University Press, Edinburgh

    Standort:
    Universitäts- und Landesbibliothek Bonn
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Düsseldorf
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek der Fernuniversität
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitäts- und Landesbibliothek Münster, Zentralbibliothek
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe

    Standort:
    Universitätsbibliothek Wuppertal
    Fernleihe:
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Beteiligt: Patti, Emanuela (Herausgeber)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    Schriftenreihe: Comparative critical studies ; volume 13, number 3 (2016)
    Schlagworte: Neue Medien; Twitter <Softwareplattform>; Internetliteratur; Erzähltheorie
    Umfang: viii Seiten, Seite 277-400, Illustrationen