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Standing Up to Words: Writing and Resistance in Toni Morrison’s A Mercy
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The presence of the past in the novels of Toni Morrison
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Reading the Social in American Studies
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The Corporation in the Nineteenth-Century American Imagination
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The corporation in the nineteenth-century American imagination
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Reading the social in American studies
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Reading the Social in American Studies
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The Presence of the Past in the Novels of Toni Morrison
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The presence of the past in the novels of Toni Morrison
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Reading the social in American studies
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Reading the social in American studies
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Violence and open spaces
the subversion of boundaries and the transformation of the Western genre -
The presence of the past in the novels of Toni Morrison
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Fake Identity?
The Impostor Narrative in North American Culture -
<<The>> presence of the past in the novels of Toni Morrison
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Fake identity?
the impostor narrative in North American culture -
Reading the social in American studies
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<<The>> presence of the past in the novels of Toni Morrison
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Standing Up to Words: Writing and Resistance in Toni Morrison’s A Mercy
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Reading the Social in American Studies
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Reading the social in American studies
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The presence of the past in the novels of Toni Morrison
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Standing Up To Words: Writing and Resistance in Toni Morrison s A Mercy
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The derivative condition, an aesthetics of resolution, and the figure of the renegade: a conversation
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Standing Up to Words: Writing and Resistance in Toni Morrison’s A Mercy