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  1. Of serpents and dragons in Islamic art
    an iconographical study
    Erschienen: 2011
    Verlag:  Mazda Publ., Costa Mesa, Calif.

    Background information -- Names, types and attributes -- The intrepid hero -- Astrocosmological symbolism of the dragon -- The dragon at the navel of the earth -- Hybrid representations of dragons and serpents -- Dragons, opium and "the kitab... mehr

    Hessisches BibliotheksInformationsSystem hebis
    keine Fernleihe

     

    Background information -- Names, types and attributes -- The intrepid hero -- Astrocosmological symbolism of the dragon -- The dragon at the navel of the earth -- Hybrid representations of dragons and serpents -- Dragons, opium and "the kitab al-diryaq" -- Dragons in the cult of the saints..

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781568592640
    RVK Klassifikation: EH 5500
    Schriftenreihe: Bibliotheca Iranica. Islamic art and architecture series ; 13
    Schlagworte: Islamische Kunst; Ikonographie; Drachen <Motiv>; Schlangen <Motiv>
    Umfang: XXI, 236 S., Ill.
  2. Of serpents and dragons in Islamic art and related animals
    an iconograpical study
    Erschienen: 2021
    Verlag:  Mazda Publishers, Costa Mesa, CA

    In the medieval Muslim world, the dragon was the most frequently represented fabulous beast. This applied across styles and media and in both sacred and secular contexts. Yet its prominence is marked by seemingly contradictory representations. Like... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In the medieval Muslim world, the dragon was the most frequently represented fabulous beast. This applied across styles and media and in both sacred and secular contexts. Yet its prominence is marked by seemingly contradictory representations. Like Plato's "Pharmakon, "; the dragon was imbued with antithetical meanings: as it stood for both the darkness of the eclipse and the light of God, the satanic and the divine, the transcendent and the earthly. The "yin" and the "yang" of Islam were embodied in the dragon, whose fire was the hell of destruction and also the blessed light of the divine. The dragon thus represented one of those exceptional and mysterious symbols that explained the more baffling phenomena such as creation, chaos and order, furthermore signifying amalgamations of dichotomous forces whose balance made life and the understanding of life possible ... -- Book Description

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781568593913
    Auflage/Ausgabe: Expanded and revised edition
    Schriftenreihe: Bibliotheca Iranica. Islamic art and architecture series ; no. 13
    Schlagworte: Fabeltiere; Drache; Schlangen <Motiv>; Islamische Kunst
    Weitere Schlagworte: Dragons in art; Serpents in art; Islamic art and symbolism; Dragons in art; Islamic art and symbolism; Serpents in art; Islamische Kunst; Drachen; Schlangen; Motiv; Ikonographie
    Umfang: xxii, 247 Seiten, Illustrationen (schwarz-weiß), 23 cm
    Bemerkung(en):

    Series information from publisher's website

    Background information -- Names, types and attributes -- The intrepid hero -- Astrocosmological symbolism of the dragon -- The dragon at the navel of the earth -- Hybrid representations of dragons and serpents -- Dragons, opium and "the kitab al-diryaq" -- Dragons in the cult of the saints

  3. Of serpents and dragons in Islamic art
    an iconographical study
    Erschienen: 2011
    Verlag:  Mazda Publ., Costa Mesa, Calif.

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
    Ikun/Dan
    keine Fernleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Museum für Islamische Kunst, Bibliothek
    Kunst allg./Dan
    keine Fernleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 827914
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    12 SA 1890
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    62.2658
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781568592640
    RVK Klassifikation: EH 5500
    Schriftenreihe: Array ; 13
    Schlagworte: Dragons in art; Serpents in art; Islamic art and symbolism
    Umfang: XXI, 236 S., Ill.
    Bemerkung(en):

    Background information -- Names, types and attributes -- The intrepid hero -- Astrocosmological symbolism of the dragon -- The dragon at the navel of the earth -- Hybrid representations of dragons and serpents -- Dragons, opium and "the kitab al-diryaq" -- Dragons in the cult of the saints.

  4. Of serpents and dragons in Islamic art
    an iconographical study
    Erschienen: 2011
    Verlag:  Mazda Publ., Costa Mesa, Calif.

    Sächsische Landesbibliothek - Staats- und Universitätsbibliothek Dresden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Germanisches Nationalmuseum, Bibliothek
    keine Ausleihe von Bänden, nur Papierkopien werden versandt
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    Hinweise zum Inhalt
    Verlag (Inhaltsverzeichnis)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781568592640
    RVK Klassifikation: EH 5500
    Schriftenreihe: Array ; 13
    Schlagworte: Islamische Kunst; Drache; Schlangen <Motiv>;
    Umfang: XXI, 236 S., zahlr. Ill.
  5. Metaphor and allegory in Tanavoli's art
    the artist as the unifying principle in a fragmented universe = Istiʿāra wa tamṯīl dar hunar-i Tanāwulī : hunarmand bi maṯāba-i aṣl-i waḥdatbaḫš dar ǧahān
    Erschienen: 2021
    Verlag:  Mazda Publishers, Costa Mesa, California

    "This book's intent is to forge a closer connection between the aesthetical and theoretical aspects of Parviz Tanavoli's sculptures. So far, and understandably so, the aesthetic of his art has been at the forefront of most studies. Yet, the... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book's intent is to forge a closer connection between the aesthetical and theoretical aspects of Parviz Tanavoli's sculptures. So far, and understandably so, the aesthetic of his art has been at the forefront of most studies. Yet, the philosophical implications and assertions of his work have been less emphasized. The significance of Tanavoli's sculptures are multifaceted and this phenomenon is engendered by the unique manner which he relates the past to the present; essence to experience, and emotion to rationality. The study of metaphor and allegory and the role of the artist in a fragmented universe aims to communicate a few philosophical values embodied in his philosophically multi-pronged forms and creations. Tanavoli's "Heech" series is one example of how his work unveils the depth-structures in the transcendental plays of language and the physical reality of forms. The scope of Tanavoli's fertile creative imagination and its relation to the role of the artist within the frames of sacrifice, individuality, nationalism and universal responsibility have been the focus of this book"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch; Persisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781568593562
    Schlagworte: Sculpture; Sculpture; Sculptors; Artists; Artists
    Weitere Schlagworte: Tanavoli, Parviz
    Umfang: 48, 25 Seiten
    Bemerkung(en):

    Originally published as an essay in Things and nothings, Tehran, 2016

  6. Of serpents and dragons in Islamic art
    an iconographical study
    Erschienen: 2011
    Verlag:  Mazda Publ., Costa Mesa, Calif.

    Freie Universität Berlin, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin; Philologische Bibliothek, FU Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781568592640
    RVK Klassifikation: EH 5500 ; LH 65960
    Schriftenreihe: Bibliotheca Iranica : Islamic art and architecture series ; 13
    Schlagworte: Schlangen <Motiv>; Islamische Kunst; Drache
    Umfang: XXI, 236 S., zahlr. Ill.
  7. Of serpents and dragons in Islamic art
    an iconographical study
    Erschienen: 2011
    Verlag:  Mazda Publ., Costa Mesa, Calif.

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bayreuth
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bibliotheca Hertziana - Max-Planck-Institut für Kunstgeschichte
    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9781568592640
    RVK Klassifikation: EH 5500 ; LH 65960
    Schriftenreihe: Bibliotheca Iranica : Islamic art and architecture series ; 13
    Schlagworte: Schlangen <Motiv>; Islamische Kunst; Drache
    Umfang: XXI, 236 S., zahlr. Ill.
  8. Of serpents and dragons in Islamic art and related animals
    an iconograpical study
    Erschienen: 2021; ©2021
    Verlag:  Mazda Publishers, Costa Mesa, CA

    In the medieval Muslim world, the dragon was the most frequently represented fabulous beast. This applied across styles and media and in both sacred and secular contexts. Yet its prominence is marked by seemingly contradictory representations. Like... mehr

     

    In the medieval Muslim world, the dragon was the most frequently represented fabulous beast. This applied across styles and media and in both sacred and secular contexts. Yet its prominence is marked by seemingly contradictory representations. Like Plato's "Pharmakon, "; the dragon was imbued with antithetical meanings: as it stood for both the darkness of the eclipse and the light of God, the satanic and the divine, the transcendent and the earthly. The "yin" and the "yang" of Islam were embodied in the dragon, whose fire was the hell of destruction and also the blessed light of the divine. The dragon thus represented one of those exceptional and mysterious symbols that explained the more baffling phenomena such as creation, chaos and order, furthermore signifying amalgamations of dichotomous forces whose balance made life and the understanding of life possible ... -- Book Description

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781568593913; 1568593910
    Auflage/Ausgabe: Expanded and revised edition
    Schriftenreihe: Bibliotheca Iranica. Islamic art and architecture series ; no. 13
    Schlagworte: Dragons in art; Serpents in art; Islamic art and symbolism; Dragons dans l'art; Serpents dans l'art; Symbolisme islamique; Dragons in art; Islamic art and symbolism; Serpents in art; Islamische Kunst; Drachen; Schlangen; Motiv; Ikonographie; Dragons in art; Serpents in art; Animals in art; Islamic art and symbolism
    Umfang: xxii, 250 pages, illustrations, 23 cm
    Bemerkung(en):

    Series information from publisher's Web site

    Includes bibliographical references and index

    Background information -- Names, types and attributes -- The intrepid hero -- Astrocosmological symbolism of the dragon -- Dragons at the navel of the earth -- Hybrid representations of dragons and serpents -- Dragons, opium and Le livre de la Thériaque -- Dragons in the cult of the saints.

  9. Metaphor and allegory in Tanavoli's art
    the artist as the unifying principle in a fragmented universe = Istiʿāra wa tamṯīl dar hunar-i Tanāwulī : hunarmand bi maṯāba-i aṣl-i waḥdatbaḫš dar ǧahān
    Erschienen: 2021
    Verlag:  Mazda Publishers, Costa Mesa, California

    "This book's intent is to forge a closer connection between the aesthetical and theoretical aspects of Parviz Tanavoli's sculptures. So far, and understandably so, the aesthetic of his art has been at the forefront of most studies. Yet, the... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 B 196804
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book's intent is to forge a closer connection between the aesthetical and theoretical aspects of Parviz Tanavoli's sculptures. So far, and understandably so, the aesthetic of his art has been at the forefront of most studies. Yet, the philosophical implications and assertions of his work have been less emphasized. The significance of Tanavoli's sculptures are multifaceted and this phenomenon is engendered by the unique manner which he relates the past to the present; essence to experience, and emotion to rationality. The study of metaphor and allegory and the role of the artist in a fragmented universe aims to communicate a few philosophical values embodied in his philosophically multi-pronged forms and creations. Tanavoli's "Heech" series is one example of how his work unveils the depth-structures in the transcendental plays of language and the physical reality of forms. The scope of Tanavoli's fertile creative imagination and its relation to the role of the artist within the frames of sacrifice, individuality, nationalism and universal responsibility have been the focus of this book"--

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch; Persisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781568593562
    Schlagworte: Sculpture; Sculpture; Sculptors; Artists; Artists
    Weitere Schlagworte: Tanavoli, Parviz
    Umfang: 48, 25 Seiten
    Bemerkung(en):

    Originally published as an essay in Things and nothings, Tehran, 2016

  10. Of serpents and dragons in Islamic art
    an iconographical study
    Erschienen: 2011
    Verlag:  Mazda Publishers, Costa Mesa, CA

    In the medieval Muslim world, the dragon was the most frequently represented fabulous beast. This applied across styles and media and in both sacred and secular contexts. Yet its prominence is marked by seemingly contradictory representations. Like... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
    Ikun/Dan
    keine Fernleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Museum für Islamische Kunst, Bibliothek
    Kunst allg./Dan
    keine Fernleihe
    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Museum für Islamische Kunst, Bibliothek
    Kunst allg./Dan
    keine Fernleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    1 A 827914
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitäts- und Landesbibliothek Sachsen-Anhalt / Zentrale
    12 SA 1890
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Herzog August Bibliothek Wolfenbüttel
    62.2658
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    In the medieval Muslim world, the dragon was the most frequently represented fabulous beast. This applied across styles and media and in both sacred and secular contexts. Yet its prominence is marked by seemingly contradictory representations. Like Plato's "Pharmakon, "; the dragon was imbued with antithetical meanings: as it stood for both the darkness of the eclipse and the light of God, the satanic and the divine, the transcendent and the earthly. The "yin" and the "yang" of Islam were embodied in the dragon, whose fire was the hell of destruction and also the blessed light of the divine. The dragon thus represented one of those exceptional and mysterious symbols that explained the more baffling phenomena such as creation, chaos and order, furthermore signifying amalgamations of dichotomous forces whose balance made life and the understanding of life possible ... -- Book Description Background information -- Names, types and attributes -- The intrepid hero -- Astrocosmological symbolism of the dragon -- The dragon at the navel of the earth -- Hybrid representations of dragons and serpents -- Dragons, opium and "the kitab al-diryaq" -- Dragons in the cult of the saints

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9781568592640; 1568592647
    RVK Klassifikation: EH 5500
    Schriftenreihe: Array ; 13
    Schlagworte: Dragons in art; Serpents in art; Islamic art and symbolism
    Umfang: XXI, 236 S., Ill.
    Bemerkung(en):

    Includes bibliographical references (pages 207-225) and index

    Background information -- Names, types and attributes -- The intrepid hero -- Astrocosmological symbolism of the dragon -- The dragon at the navel of the earth -- Hybrid representations of dragons and serpents -- Dragons, opium and "the kitab al-diryaq" -- Dragons in the cult of the saints.