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  1. Manhua Modernity : Chinese Culture and the Pictorial Turn
    Autor*in: Crespi, John A.
    Erschienen: 2020
    Verlag:  University of California Press, Oakland, California

    From fashion sketches of Shanghai dandies in the 1920s, to phantasmagoric imagery of war in the 1930s and 1940s, to panoramic pictures of anti-American propaganda rallies in the 1950s, the cartoon-style art known as manhua helped define China’s... mehr

     

    From fashion sketches of Shanghai dandies in the 1920s, to phantasmagoric imagery of war in the 1930s and 1940s, to panoramic pictures of anti-American propaganda rallies in the 1950s, the cartoon-style art known as manhua helped define China’s modern experience. Manhua Modernity offers a richly illustrated and deeply contextualized analysis of these illustrations from the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. “An innovative reconceptualization of manhua. John Crespi’s meticulous study shows the many benefits of interpreting Chinese comics and other illustrations not simply as image genres but rather as part of a larger print culture institution. A must-read for anyone interested in modern Chinese visual culture.” CHRISTOPHER REA, author of The Age of Irreverence: A New History of Laughter in China “A rich media-centered reading of Chinese comics from the mid-1920s through the 1950s, Manhua Modernity shifts the emphasis away from ideological interpretation and demonstrates that the pictorial turn requires examinations of manhua in its heterogenous, expansive, spontaneous, and interactive ways of engaging its audience’s varied experiences of fast-changing everyday life.” YINGJIN ZHANG, author of Cinema, Space, and Polylocality in a Globalizing China

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    Weitere Identifier:
    Schlagworte: Black & Asian studies; Media studies
    Weitere Schlagworte: Asian Studies; Media Studies
    Umfang: 1 electronic resource (219 p.)
  2. Manhua Modernity : Chinese Culture and the Pictorial Turn
    Autor*in: Crespi, John A.
    Erschienen: 2020
    Verlag:  University of California Press

    From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic... mehr

     

    From fashion sketches of smartly dressed Shanghai dandies in the 1920s, to multipanel drawings of refugee urbanites during the war against Japan, to panoramic pictures of anti-American propaganda rallies in the early 1950s, the polymorphic cartoon-style art known as manhua helped define China's modern experience. Manhua Modernity offers a richly illustrated, deeply contextualized analysis of these illustrations across the lively pages of popular pictorial magazines that entertained, informed, and mobilized a nation through a half century of political and cultural transformation. In this compelling media history, John Crespi argues that manhua must be understood in the context of the pictorial magazines that hosted them, and in turn these magazines must be seen as important mediators of the modern urban experience. Even as times changed—from interwar-era consumerism to war-time mobilization to Mao-style propaganda—the art form adapted to stay on the cutting edge of both politics and style.

     

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    Quelle: OAPEN
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780520973862
    Schlagworte: Media studies; History of art / art & design styles; Film theory & criticism
    Weitere Schlagworte: Social Science; Media Studies; Art; Asian; Chinese; Performing Arts; Film; History & Criticism
  3. Voices in revolution
    poetry and the auditory imagination in modern China
    Autor*in: Crespi, John A.
    Erschienen: c 2009
    Verlag:  Univ. of Hawai'i Press, Honolulu

    Poetic interiorities: from civilization to nation -- Poetry off the page: sound aesthetics in print -- Inventing recitation: poetry and the idea of the sounding voice during the war of resistance -- Wartime recitals and the consolidation of a genre... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
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    Poetic interiorities: from civilization to nation -- Poetry off the page: sound aesthetics in print -- Inventing recitation: poetry and the idea of the sounding voice during the war of resistance -- Wartime recitals and the consolidation of a genre -- Zhu Ziqing and situational poetics: sounding out an alternative -- Calculated passions: the lyric and the theatric in Mao-era poetry recitation -- From Yundong to Huodong: the value of poetry recitation in postsocialist China

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0824833651; 9780824833657
    Schlagworte: Revolutionary poetry, Chinese; Oral interpretation of poetry; Chinese poetry; Social movements in literature; Revolutionary poetry, Chinese; Oral interpretation of poetry; Chinese poetry; Social movements in literature
    Umfang: X, 228 S., Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [205] - 222) and index

    Poetic interiorities: from civilization to nation -- Poetry off the page: sound aesthetics in print -- Inventing recitation: poetry and the idea of the sounding voice during the war of resistance -- Wartime recitals and the consolidation of a genre -- Zhu Ziqing and situational poetics: sounding out an alternative -- Calculated passions: the lyric and the theatric in Mao-era poetry recitation -- From Yundong to Huodong: the value of poetry recitation in postsocialist China.

  4. Voices in revolution
    poetry and the auditory imagination in modern China
    Autor*in: Crespi, John A.
    Erschienen: c2009
    Verlag:  University of Hawai'i Press, Honolulu

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Ostbayerische Technische Hochschule Amberg-Weiden, Hochschulbibliothek, Standort Weiden
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 0824833651; 0824837533; 1441671366; 9780824833657; 9780824837532; 9781441671363
    Schlagworte: LITERARY CRITICISM / Asian / General; Lyrik; Hörer; POETRY / General; Revolutionary poetry, Chinese; Oral interpretation of poetry; Chinese poetry; Social movements in literature; Lyrik; Hörer
    Umfang: 1 Online-Ressource (x, 228 p.)
    Bemerkung(en):

    Master and use copy. Digital master created according to Benchmark for Faithful Digital Reproductions of Monographs and Serials, Version 1. Digital Library Federation, December 2002

    Includes bibliographical references (p. [205]-222) and index

    Poetic interiorities: from civilization to nation -- Poetry off the page: sound aesthetics in print -- Inventing recitation: poetry and the idea of the sounding voice during the war of resistance -- Wartime recitals and the consolidation of a genre -- Zhu Ziqing and situational poetics: sounding out an alternative -- Calculated passions: the lyric and the theatric in Mao-era poetry recitation -- From Yundong to Huodong: the value of poetry recitation in postsocialist China

  5. Voices in Revolution
    Poetry and the Auditory Imagination in Modern China
    Autor*in: Crespi, John A.
    Erschienen: [2009]; © 2009
    Verlag:  University of Hawaii Press, Honolulu

    China’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
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    Technische Hochschule Augsburg
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    Universitätsbibliothek Bamberg
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    Hochschule Coburg, Zentralbibliothek
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    Hochschule Kempten, Hochschulbibliothek
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    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
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    Universitätsbibliothek Passau
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    China’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers today, poetics meets politics in the sounding voice of poetry. Supported throughout by vivid narration and accessible analysis, Voices in Revolution offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary, and postsocialist culture. Crespi brings the past to life by first examining the ideological changes to poetic voice during China’s early twentieth-century transition from empire to nation. He then traces the emergence of the spoken poem from the May Fourth period to the present, including its mobilization during the Anti-Japanese War, its incorporation into the student protest repertoire during China’s civil war, its role as a conflicted voice of Mao-era revolutionary passion, and finally its current adaptation to the cultural life of China’s party-guided market economy. Voices in Revolution alters the way we read by moving poems off the page and into the real time and space of literary activity. To all readers it offers an accessible yet conceptually fresh and often dramatic narration of China’s modern literary experience. Specialists will appreciate the book’s inclusion of noncanonical texts as well as its innovative interdisciplinary approach

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780824837532
    Weitere Identifier:
    Schlagworte: Chinese poetry; Oral interpretation of poetry; Revolutionary poetry, Chinese; Social movements in literature; Hörer; Lyrik
    Umfang: 1 online resource, 11 b&w images
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Nov 2017)

  6. Voices in revolution
    poetry and the auditory imagination in modern China
    Autor*in: Crespi, John A.
    Erschienen: c2009
    Verlag:  University of Hawai'i Press, Honolulu

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780824833657; 0824833651
    Schlagworte: Revolutionary poetry, Chinese; Oral interpretation of poetry; Chinese poetry / 20th century / History and criticism; Social movements in literature; Lyrik; Hörer
    Umfang: 1 Online-Ressource (x, 228 p.), 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [205]-222) and index

    Poetic interiorities: from civilization to nation -- Poetry off the page: sound aesthetics in print -- Inventing recitation: poetry and the idea of the sounding voice during the war of resistance -- Wartime recitals and the consolidation of a genre -- Zhu Ziqing and situational poetics: sounding out an alternative -- Calculated passions: the lyric and the theatric in Mao-era poetry recitation -- From Yundong to Huodong: the value of poetry recitation in postsocialist China

  7. Voices in revolution
    poetry and the auditory imagination in modern China
    Autor*in: Crespi, John A.
    Erschienen: c2009
    Verlag:  University of Hawai'i Press, Honolulu

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780824833657; 0824833651
    Schlagworte: Revolutionary poetry, Chinese; Oral interpretation of poetry; Chinese poetry; Social movements in literature; Lyrik; Hörer
    Umfang: x, 228 p.
    Bemerkung(en):

    Includes bibliographical references (p. [205]-222) and index

    Poetic interiorities: from civilization to nation -- Poetry off the page: sound aesthetics in print -- Inventing recitation: poetry and the idea of the sounding voice during the war of resistance -- Wartime recitals and the consolidation of a genre -- Zhu Ziqing and situational poetics: sounding out an alternative -- Calculated passions: the lyric and the theatric in Mao-era poetry recitation -- From Yundong to Huodong: the value of poetry recitation in postsocialist China

  8. Voices in Revolution
    Poetry and the Auditory Imagination in Modern China
    Autor*in: Crespi, John A.
    Erschienen: [2009]; © 2009
    Verlag:  University of Hawaii Press, Honolulu

    China's century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun's seminal writings on literature to a recitation renaissance in urban centers... mehr

    Ostbayerische Technische Hochschule Amberg-Weiden / Hochschulbibliothek Amberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    TH-AB - Technische Hochschule Aschaffenburg, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Technische Hochschule Augsburg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Coburg, Zentralbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Kempten, Hochschulbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Hochschule Landshut, Hochschule für Angewandte Wissenschaften, Bibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    China's century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun's seminal writings on literature to a recitation renaissance in urban centers today, poetics meets politics in the sounding voice of poetry. Supported throughout by vivid narration and accessible analysis, Voices in Revolution offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary, and postsocialist culture. Crespi brings the past to life by first examining the ideological changes to poetic voice during China's early twentieth-century transition from empire to nation. He then traces the emergence of the spoken poem from the May Fourth period to the present, including its mobilization during the Anti-Japanese War, its incorporation into the student protest repertoire during China's civil war, its role as a conflicted voice of Mao-era revolutionary passion, and finally its current adaptation to the cultural life of China's party-guided market economy. Voices in Revolution alters the way we read by moving poems off the page and into the real time and space of literary activity. To all readers it offers an accessible yet conceptually fresh and often dramatic narration of China's modern literary experience. Specialists will appreciate the book's inclusion of noncanonical texts as well as its innovative interdisciplinary approach

     

    Export in Literaturverwaltung   RIS-Format
      BibTeX-Format
    Hinweise zum Inhalt
    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780824837532
    Weitere Identifier:
    Schlagworte: POETRY / Asian / General; Chinese poetry; Oral interpretation of poetry; Revolutionary poetry, Chinese; Social movements in literature
    Umfang: 1 online resource (248 pages), 11 b&w images
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 29. Jul 2021)

  9. Voices in Revolution
    Poetry and the Auditory Imagination in Modern China
  10. Voices in Revolution
    Poetry and the Auditory Imagination in Modern China
    Autor*in: Crespi, John A.
    Erschienen: 2009; ©2009
    Verlag:  University of Hawaii Press, Honolulu

    China’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers... mehr

    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    keine Fernleihe
    Bibliotheks-und Informationssystem der Carl von Ossietzky Universität Oldenburg (BIS)
    keine Fernleihe

     

    China’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers today, poetics meets politics in the sounding voice of poetry. Supported throughout by vivid narration and accessible analysis, Voices in Revolution offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary, and postsocialist culture. Crespi brings the past to life by first examining the ideological changes to poetic voice during China’s early twentieth-century transition from empire to nation. He then traces the emergence of the spoken poem from the May Fourth period to the present, including its mobilization during the Anti-Japanese War, its incorporation into the student protest repertoire during China’s civil war, its role as a conflicted voice of Mao-era revolutionary passion, and finally its current adaptation to the cultural life of China’s party-guided market economy. Voices in Revolution alters the way we read by moving poems off the page and into the real time and space of literary activity. To all readers it offers an accessible yet conceptually fresh and often dramatic narration of China’s modern literary experience. Specialists will appreciate the book’s inclusion of noncanonical texts as well as its innovative interdisciplinary approach.

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780824837532
    Weitere Identifier:
    Schlagworte: Social movements in literature; Revolutionary poetry, Chinese; Chinese poetry; Oral interpretation of poetry; Social movements in literature; Revolutionary poetry, Chinese; Chinese poetry; Oral interpretation of poetry; Chinese poetry.; Oral interpretation of poetry.; Revolutionary poetry, Chinese.; Social movements in literature.
    Umfang: 1 Online-Ressource, 11 b&w images
    Bemerkung(en):

    Frontmatter -- -- Contents -- -- Acknowledgments -- -- Introduction -- -- 1. Poetic Interiorities: From Civilization to Nation -- -- 2. Poetry Off The Page: Sound Aesthetics in Print -- -- 3. Inventing Recitation: Poetry and the Idea of the Sounding Voice During the War of Resistance -- -- 4. Wartime Recitals and the Consolidation of a Genre -- -- 5. Zhu Ziqing and Situational Poetics: Sounding Out an Alternative -- -- 6. Calculated Passions: The Lyric and the Theatric in Mao-Era Poetry Recitation -- -- 7. From Yundong to Huodong: The Value of Poetry Recitation in Postsocialist China -- -- Notes -- -- Glossary -- -- Works Cited -- -- Index -- -- About the Author

  11. Voices in revolution
    poetry and the auditory imagination in modern China
    Autor*in: Crespi, John A.
    Erschienen: 2016
    Verlag:  University of Hawai'i Press, Honolulu ; Oxford University Press, Oxford

    Offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary and post-socialist culture. mehr

    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary and post-socialist culture.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780824868871
    Weitere Identifier:
    Schlagworte: Hörer; Mündliche Kommunikation; Chinesisch; Lyrik; Revolutionary poetry, Chinese; Oral interpretation of poetry; Chinese poetry; Social movements in literature
    Umfang: 1 Online-Ressource, Illustrations (black and white)
    Bemerkung(en):

    Previously issued in print: 2009

    Includes bibliographical references and index

  12. Voices in Revolution
    Poetry and the Auditory Imagination in Modern China
    Autor*in: Crespi, John A.
    Erschienen: [2009]
    Verlag:  University of Hawaii Press, Honolulu ; Walter de Gruyter GmbH, Berlin

    China’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers... mehr

    Zugang:
    Universitätsbibliothek Gießen
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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    China’s century of revolutionary change has been heard as much as seen, and nowhere is this more evident than in an auditory history of the modern Chinese poem. From Lu Xun’s seminal writings on literature to a recitation renaissance in urban centers today, poetics meets politics in the sounding voice of poetry. Supported throughout by vivid narration and accessible analysis, Voices in Revolution offers a literary history of modern China that makes the case for the importance of the auditory dimension of poetry in national, revolutionary, and postsocialist culture. Crespi brings the past to life by first examining the ideological changes to poetic voice during China’s early twentieth-century transition from empire to nation. He then traces the emergence of the spoken poem from the May Fourth period to the present, including its mobilization during the Anti-Japanese War, its incorporation into the student protest repertoire during China’s civil war, its role as a conflicted voice of Mao-era revolutionary passion, and finally its current adaptation to the cultural life of China’s party-guided market economy. Voices in Revolution alters the way we read by moving poems off the page and into the real time and space of literary activity. To all readers it offers an accessible yet conceptually fresh and often dramatic narration of China’s modern literary experience. Specialists will appreciate the book’s inclusion of noncanonical texts as well as its innovative interdisciplinary approach.

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780824837532
    Weitere Identifier:
    Umfang: 1 Online-Ressource, 11 b&w images
    Bemerkung(en):

    Description based on online resource; title from PDF title page (publisher's Web site, viewed 21. Nov 2017)

  13. Voices in revolution
    poetry and the auditory imagination in modern China
    Autor*in: Crespi, John A.
    Erschienen: 2009
    Verlag:  University of Hawai'i Press, Honolulu ; EBSCO Industries, Inc., Birmingham, AL, USA

    Bibliothek der Hochschule Mainz, Untergeschoss
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781441671363; 1441671366; 9780824837532; 0824837533; 9780824868871; 0824868870
    Schlagworte: Hörer; Mündliche Kommunikation; Chinesisch; Lyrik
    Umfang: 1 Online-Ressource (x, 228 pages), Illustrations
    Bemerkung(en):

    Includes bibliographical references (pages 205-222) and index

  14. A New Literary History of Modern China
    Beteiligt: Admussen, Nick (Mitwirkender); Ain-Ling, Wong (Mitwirkender); Allen, Joseph R. (Mitwirkender); Anyi, Wang (Mitwirkender); Bachner, Andrea (Mitwirkender); Bender, Mark (Mitwirkender); Berry, Michael (Mitwirkender); Braester, Yomi (Mitwirkender); Capehart, Clint (Mitwirkender); Chan, Kwok Kou Leonard (Mitwirkender); Chang, Kang-I Sun (Mitwirkender); Chang, Sung-Sheng Yvonne (Mitwirkender); Cheah, Pheng (Mitwirkender); Chen, Guangchen (Mitwirkender); Chen, Jianhua (Mitwirkender); Chen, Jingling (Mitwirkender); Chen, Lingchei Letty (Mitwirkender); Chen, Xiaomei (Mitwirkender); Cheng, Eileen J. (Mitwirkender); Chou, Katherine Hui-Ling (Mitwirkender); Chow, Eileen Cheng-Yin (Mitwirkender); Chow, Rey (Mitwirkender); Chun, Tarryn Li-Min (Mitwirkender); Conceison, Claire (Mitwirkender); Crespi, John A. (Mitwirkender); Crevel, Maghiel van (Mitwirkender); Daruvala, Susan (Mitwirkender); Davies, Gloria (Mitwirkender); Davis, Darrell William (Mitwirkender); Denton, Kirk A. (Mitwirkender); Dooling, Amy (Mitwirkender); Dung, Kai-Cheung (Mitwirkender); Egan, Susan Chan (Mitwirkender); Elman, Benjamin A. (Mitwirkender); Fiss, Géraldine (Mitwirkender); Fong, Grace S. (Mitwirkender); Forges, Alexander Des (Mitwirkender); Gentz, Natascha (Mitwirkender); Groppe, Alison M. (Mitwirkender); Hamm, John Christopher (Mitwirkender); Hanan, Patrick Dewes (Mitwirkender); Harris, Kristine (Mitwirkender); Hartley, Lauran R. (Mitwirkender); Hashimoto, Satoru (Mitwirkender); He, Man (Mitwirkender); Heinrich, Ari Larissa (Mitwirkender); Hill, Michael Gibbs (Mitwirkender); Hing, Chong Fah (Mitwirkender); Hockx, Michel (Mitwirkender); Hon, Tze-Ki (Mitwirkender); Hsiao-Yen, Peng (Mitwirkender); Hsin, Chu T'ien (Mitwirkender); Hua, Yu (Mitwirkender); Huang, Alexa (Mitwirkender); Huang, Hsinya (Mitwirkender); Hui, Wang (Mitwirkender); Huters, Theodore (Mitwirkender); Idema, Wilt L. (Mitwirkender); Inwood, Heather (Mitwirkender); Ishii, Tsuyoshi (Mitwirkender); Jiang, David (Mitwirkender); Jiang, Hui (Mitwirkender); Jianmei, Liu (Mitwirkender); Jin, Ha (Mitwirkender); Jin, Huan (Mitwirkender); Jones, Andrew F. (Mitwirkender); Juan, Li (Mitwirkender); Kan, Har Ye (Mitwirkender); Keulemans, Paize (Mitwirkender); King, Richard (Mitwirkender); Kinkley, Jeffrey C. (Mitwirkender); Kleeman, Faye Yuan (Mitwirkender); Klein, Lucas (Mitwirkender); Kwan, Uganda Sze Pui (Mitwirkender); Lai, John T. P. (Mitwirkender); Laughlin, Charles A. (Mitwirkender); Lee, Casey (Mitwirkender); Lee, Haiyan (Mitwirkender); Lee, Leo Ou-Fan (Mitwirkender); Lei, Ying (Mitwirkender); Li, Jie (Mitwirkender); Li, Sher-Shiueh (Mitwirkender); Li, Wai-Yee (Mitwirkender); Liao, Ping-Hui (Mitwirkender); Lin, Pei-Yin (Mitwirkender); Link, Perry (Mitwirkender); Liqun, Qian (Mitwirkender); Liu, Petrus (Mitwirkender); Lupke, Christopher (Mitwirkender); Malmqvist, N. Göran D. (Mitwirkender); McDougall, Bonnie S. (Mitwirkender); Owen, Stephen (Mitwirkender); Pingyuan, Chen (Mitwirkender); Qian, Ying (Mitwirkender); Rodekohr, Andy (Mitwirkender); Rojas, Carlos (Mitwirkender); Ruru, Li (Mitwirkender); Schonebaum, Andrew (Mitwirkender); Shen, Shuang (Mitwirkender); Shernuk, Kyhle (Mitwirkender); Shernuk, Kyle (Mitwirkender); Shu, Yunzhong (Mitwirkender); Sihe, Chen (Mitwirkender); Skerratt, Brian (Mitwirkender); Smith, Norman (Mitwirkender); So, Richard Jean (Mitwirkender); Song, Mingwei (Mitwirkender); Song, Weijie (Mitwirkender); Suher, Dylan (Mitwirkender); Tan, E. K. (Mitwirkender); Tang, Xiaobing (Mitwirkender); Teng, Emma J. (Mitwirkender); Teo, Stephen (Mitwirkender); Thornber, Karen L. (Mitwirkender); Tian, Xiaofei (Mitwirkender); Tong, Q. S. (Mitwirkender); Tsai, Chien-Hsin (Mitwirkender); Tsu, Jing (Mitwirkender); Volland, Nicolai (Mitwirkender); Wagner, Rudolf G. (Mitwirkender); Wang, Ao (Mitwirkender); Wang, Ban (Mitwirkender); Wang, Chih-ming (Mitwirkender); Wang, David Der-Wei (Mitwirkender); Wang, David Der-wei (Mitwirkender); Wang, Pu (Mitwirkender); Wang, Xiaojue (Mitwirkender); Weinstein, John B. (Mitwirkender); Widmer, Ellen (Mitwirkender); Woesler, Martin (Mitwirkender); Wong, Lawrence Wang-Chi (Mitwirkender); Wong, Mary Shuk-Han (Mitwirkender); Wu, Shengqing (Mitwirkender); Xiaohong, Xia (Mitwirkender); Xu, Lanjun (Mitwirkender); Yan, Mo (Mitwirkender); Yan, Wei (Mitwirkender); Yao, Steven (Mitwirkender); Yeh, Catherine Vance (Mitwirkender); Yeh, Emilie Yueh-Yu (Mitwirkender); Yeh, Michelle (Mitwirkender); Ying, Hu (Mitwirkender); Yip, Wai-lim (Mitwirkender); Young, Helen Praeger (Mitwirkender); Zhang, Yingjin (Mitwirkender)
    Erschienen: [2017]; ©2017
    Verlag:  Harvard University Press, Cambridge, MA ; Walter de Gruyter GmbH, Berlin

    Literature, from the Chinese perspective, makes manifest the cosmic patterns that shape and complete the world-a process of "worlding" that is much more than mere representation. In that spirit, A New Literary History of Modern China looks beyond... mehr

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    Universitätsbibliothek Kassel, Landesbibliothek und Murhardsche Bibliothek der Stadt Kassel
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    Universität Mainz, Zentralbibliothek
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    Universität Marburg, Universitätsbibliothek
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    Literature, from the Chinese perspective, makes manifest the cosmic patterns that shape and complete the world-a process of "worlding" that is much more than mere representation. In that spirit, A New Literary History of Modern China looks beyond state-sanctioned works and official narratives to reveal China as it has seldom been seen before, through a rich spectrum of writings covering Chinese literature from the late-seventeenth century to the present. Featuring over 140 Chinese and non-Chinese contributors from throughout the world, this landmark volume explores unconventional forms as well as traditional genres-pop song lyrics and presidential speeches, political treatises and prison-house jottings, to name just a few. Major figures such as Lu Xun, Shen Congwen, Eileen Chang, and Mo Yan appear in a new light, while lesser-known works illuminate turning points in recent history with unexpected clarity and force. Many essays emphasize Chinese authors' influence on foreign writers as well as China's receptivity to outside literary influences. Contemporary works that engage with ethnic minorities and environmental issues take their place in the critical discussion, alongside writers who embraced Chinese traditions and others who resisted. Writers' assessments of the popularity of translated foreign-language classics and avant-garde subjects refute the notion of China as an insular and inward-looking culture. A vibrant collection of contrasting voices and points of view, A New Literary History of Modern China is essential reading for anyone seeking a deeper understanding of China's literary and cultural legacy.

     

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    Quelle: Verbundkataloge
    Beteiligt: Admussen, Nick (Mitwirkender); Ain-Ling, Wong (Mitwirkender); Allen, Joseph R. (Mitwirkender); Anyi, Wang (Mitwirkender); Bachner, Andrea (Mitwirkender); Bender, Mark (Mitwirkender); Berry, Michael (Mitwirkender); Braester, Yomi (Mitwirkender); Capehart, Clint (Mitwirkender); Chan, Kwok Kou Leonard (Mitwirkender); Chang, Kang-I Sun (Mitwirkender); Chang, Sung-Sheng Yvonne (Mitwirkender); Cheah, Pheng (Mitwirkender); Chen, Guangchen (Mitwirkender); Chen, Jianhua (Mitwirkender); Chen, Jingling (Mitwirkender); Chen, Lingchei Letty (Mitwirkender); Chen, Xiaomei (Mitwirkender); Cheng, Eileen J. (Mitwirkender); Chou, Katherine Hui-Ling (Mitwirkender); Chow, Eileen Cheng-Yin (Mitwirkender); Chow, Rey (Mitwirkender); Chun, Tarryn Li-Min (Mitwirkender); Conceison, Claire (Mitwirkender); Crespi, John A. (Mitwirkender); Crevel, Maghiel van (Mitwirkender); Daruvala, Susan (Mitwirkender); Davies, Gloria (Mitwirkender); Davis, Darrell William (Mitwirkender); Denton, Kirk A. (Mitwirkender); Dooling, Amy (Mitwirkender); Dung, Kai-Cheung (Mitwirkender); Egan, Susan Chan (Mitwirkender); Elman, Benjamin A. (Mitwirkender); Fiss, Géraldine (Mitwirkender); Fong, Grace S. (Mitwirkender); Forges, Alexander Des (Mitwirkender); Gentz, Natascha (Mitwirkender); Groppe, Alison M. (Mitwirkender); Hamm, John Christopher (Mitwirkender); Hanan, Patrick Dewes (Mitwirkender); Harris, Kristine (Mitwirkender); Hartley, Lauran R. (Mitwirkender); Hashimoto, Satoru (Mitwirkender); He, Man (Mitwirkender); Heinrich, Ari Larissa (Mitwirkender); Hill, Michael Gibbs (Mitwirkender); Hing, Chong Fah (Mitwirkender); Hockx, Michel (Mitwirkender); Hon, Tze-Ki (Mitwirkender); Hsiao-Yen, Peng (Mitwirkender); Hsin, Chu T'ien (Mitwirkender); Hua, Yu (Mitwirkender); Huang, Alexa (Mitwirkender); Huang, Hsinya (Mitwirkender); Hui, Wang (Mitwirkender); Huters, Theodore (Mitwirkender); Idema, Wilt L. (Mitwirkender); Inwood, Heather (Mitwirkender); Ishii, Tsuyoshi (Mitwirkender); Jiang, David (Mitwirkender); Jiang, Hui (Mitwirkender); Jianmei, Liu (Mitwirkender); Jin, Ha (Mitwirkender); Jin, Huan (Mitwirkender); Jones, Andrew F. (Mitwirkender); Juan, Li (Mitwirkender); Kan, Har Ye (Mitwirkender); Keulemans, Paize (Mitwirkender); King, Richard (Mitwirkender); Kinkley, Jeffrey C. (Mitwirkender); Kleeman, Faye Yuan (Mitwirkender); Klein, Lucas (Mitwirkender); Kwan, Uganda Sze Pui (Mitwirkender); Lai, John T. P. (Mitwirkender); Laughlin, Charles A. (Mitwirkender); Lee, Casey (Mitwirkender); Lee, Haiyan (Mitwirkender); Lee, Leo Ou-Fan (Mitwirkender); Lei, Ying (Mitwirkender); Li, Jie (Mitwirkender); Li, Sher-Shiueh (Mitwirkender); Li, Wai-Yee (Mitwirkender); Liao, Ping-Hui (Mitwirkender); Lin, Pei-Yin (Mitwirkender); Link, Perry (Mitwirkender); Liqun, Qian (Mitwirkender); Liu, Petrus (Mitwirkender); Lupke, Christopher (Mitwirkender); Malmqvist, N. Göran D. (Mitwirkender); McDougall, Bonnie S. (Mitwirkender); Owen, Stephen (Mitwirkender); Pingyuan, Chen (Mitwirkender); Qian, Ying (Mitwirkender); Rodekohr, Andy (Mitwirkender); Rojas, Carlos (Mitwirkender); Ruru, Li (Mitwirkender); Schonebaum, Andrew (Mitwirkender); Shen, Shuang (Mitwirkender); Shernuk, Kyhle (Mitwirkender); Shernuk, Kyle (Mitwirkender); Shu, Yunzhong (Mitwirkender); Sihe, Chen (Mitwirkender); Skerratt, Brian (Mitwirkender); Smith, Norman (Mitwirkender); So, Richard Jean (Mitwirkender); Song, Mingwei (Mitwirkender); Song, Weijie (Mitwirkender); Suher, Dylan (Mitwirkender); Tan, E. K. (Mitwirkender); Tang, Xiaobing (Mitwirkender); Teng, Emma J. (Mitwirkender); Teo, Stephen (Mitwirkender); Thornber, Karen L. (Mitwirkender); Tian, Xiaofei (Mitwirkender); Tong, Q. S. (Mitwirkender); Tsai, Chien-Hsin (Mitwirkender); Tsu, Jing (Mitwirkender); Volland, Nicolai (Mitwirkender); Wagner, Rudolf G. (Mitwirkender); Wang, Ao (Mitwirkender); Wang, Ban (Mitwirkender); Wang, Chih-ming (Mitwirkender); Wang, David Der-Wei (Mitwirkender); Wang, David Der-wei (Mitwirkender); Wang, Pu (Mitwirkender); Wang, Xiaojue (Mitwirkender); Weinstein, John B. (Mitwirkender); Widmer, Ellen (Mitwirkender); Woesler, Martin (Mitwirkender); Wong, Lawrence Wang-Chi (Mitwirkender); Wong, Mary Shuk-Han (Mitwirkender); Wu, Shengqing (Mitwirkender); Xiaohong, Xia (Mitwirkender); Xu, Lanjun (Mitwirkender); Yan, Mo (Mitwirkender); Yan, Wei (Mitwirkender); Yao, Steven (Mitwirkender); Yeh, Catherine Vance (Mitwirkender); Yeh, Emilie Yueh-Yu (Mitwirkender); Yeh, Michelle (Mitwirkender); Ying, Hu (Mitwirkender); Yip, Wai-lim (Mitwirkender); Young, Helen Praeger (Mitwirkender); Zhang, Yingjin (Mitwirkender)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780674978898
    Weitere Identifier:
    Auflage/Ausgabe: Pilot project. eBook available to selected US libraries only
    Umfang: 1 Online-Ressource (1032 p.), 21 halftones, 1 map
  15. Voices in revolution
    poetry and the auditory imagination in modern China
    Autor*in: Crespi, John A.
    Erschienen: 2009
    Verlag:  Univ. of Hawai'i Pr., Honolulu

    Universität Mainz, Bereichsbibliothek Translations-, Sprach- und Kulturwissenschaft
    LIT-ZH 03.10 Cresp 1
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780824833657; 0824833651
    Schlagworte: Hörer; Mündliche Kommunikation; Chinesisch; Lyrik
    Umfang: X, 228 S., Ill.
    Bemerkung(en):

    Literaturverz. S. [205] - 222

  16. Voices in revolution
    poetry and the auditory imagination in modern China
    Autor*in: Crespi, John A.
    Erschienen: 2009
    Verlag:  Univ. of Hawai'i Press, Honolulu

    Bayerische Staatsbibliothek
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780824833657
    Schlagworte: Revolutionary poetry, Chinese; Oral interpretation of poetry; Chinese poetry; Social movements in literature; Hörer; Lyrik
    Umfang: X, 228 S., Ill.
    Bemerkung(en):

    Includes bibliographical references and index

  17. Voices in revolution
    poetry and the auditory imagination in modern China
    Autor*in: Crespi, John A.
    Erschienen: c 2009
    Verlag:  Univ. of Hawai'i Press, Honolulu

    Poetic interiorities: from civilization to nation -- Poetry off the page: sound aesthetics in print -- Inventing recitation: poetry and the idea of the sounding voice during the war of resistance -- Wartime recitals and the consolidation of a genre... mehr

    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    Universität Freiburg, Orientalisches Seminar, Bibliothek
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    Staats- und Universitätsbibliothek Hamburg Carl von Ossietzky
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    Poetic interiorities: from civilization to nation -- Poetry off the page: sound aesthetics in print -- Inventing recitation: poetry and the idea of the sounding voice during the war of resistance -- Wartime recitals and the consolidation of a genre -- Zhu Ziqing and situational poetics: sounding out an alternative -- Calculated passions: the lyric and the theatric in Mao-era poetry recitation -- From Yundong to Huodong: the value of poetry recitation in postsocialist China

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 0824833651; 9780824833657
    Schlagworte: Revolutionary poetry, Chinese; Oral interpretation of poetry; Chinese poetry; Social movements in literature; Revolutionary poetry, Chinese; Oral interpretation of poetry; Chinese poetry; Social movements in literature
    Umfang: X, 228 S., Ill., 24 cm
    Bemerkung(en):

    Includes bibliographical references (p. [205] - 222) and index

    Poetic interiorities: from civilization to nation -- Poetry off the page: sound aesthetics in print -- Inventing recitation: poetry and the idea of the sounding voice during the war of resistance -- Wartime recitals and the consolidation of a genre -- Zhu Ziqing and situational poetics: sounding out an alternative -- Calculated passions: the lyric and the theatric in Mao-era poetry recitation -- From Yundong to Huodong: the value of poetry recitation in postsocialist China.

  18. Voices in revolution
    poetry and the auditory imagination in modern China
    Autor*in: Crespi, John A.
    Erschienen: c2009
    Verlag:  University of Hawai'i Press, Honolulu

    Hochschulbibliothek Friedensau
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 1441671366; 9781441671363
    Schlagworte: Oral interpretation of poetry; Revolutionary poetry, Chinese; Social movements in literature; Chinese poetry
    Umfang: Online-Ressource (x, 228 p), ill
    Bemerkung(en):

    Includes bibliographical references (p. [205]-222) and index

    Poetic interiorities: from civilization to nationPoetry off the page: sound aesthetics in print -- Inventing recitation: poetry and the idea of the sounding voice during the war of resistance -- Wartime recitals and the consolidation of a genre -- Zhu Ziqing and situational poetics: sounding out an alternative -- Calculated passions: the lyric and the theatric in Mao-era poetry recitation -- From Yundong to Huodong: the value of poetry recitation in postsocialist China.