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Although an increasing number of works are focusing on depictions of God in the New Testament, none so far specifically focus on how these depictions rely on anthropomorphic language in their presentation of God. This article attends to this oversight by turning to the Synoptic Gospels (and the book of Acts) as a test case. Not only do these narratives lack an explicit anti-anthropomorphic agenda, but they also rely on divine anthropomorphisms that are derived from Jewish Scripture. To demonstrate this claim, the article concentrates on how Matthew and Luke expand Mark's anthropomorphic presentation of God and how Luke's presentation emerges as the most anthropomorphic of all. It also discusses how Mark, Matthew, and Luke's respective narratives depict God's human, or human-like, characteristics according to the following four categories: (1) God's human roles and titles, (2) God's depiction as an acting subject who speaks and desires to be in relationship with humans, (3) God's concrete presence located in space, and finally, (4) God's description as a character with recognisable body parts and other markers of corporeality. In the end, we shall see that anthropomorphism is a central component of God's characterisation in the Synoptics and that this anthropomorphic characterisation better enables readers to see the Jewish, scriptural shape of God as a personal deity who desires to be in relationship with humans.
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