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  1. The future imaginary in indigenous North American arts and literatures
    Erschienen: 2022
    Verlag:  Routledge, London

    Introduction: "turning our backs on Mars"--futures seen through the window of an indigenous starship -- Futureanalysis: toward a critical paradigm -- Apocryphal futures: indegenous and other archives -- Part I: (Un)writing the future: textual... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Kunstbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: "turning our backs on Mars"--futures seen through the window of an indigenous starship -- Futureanalysis: toward a critical paradigm -- Apocryphal futures: indegenous and other archives -- Part I: (Un)writing the future: textual imaginaries -- Apocalypse and the archive in Gerald Vizenor's Future World novels -- Textuality and futurity in Stephen Graham Jones's The fast red road, The bird is gone, and Ledfeather -- Part II; (Dis)Simulating the future: imaginaries in cyberspace -- The future is technological: virtual archives in Skawennati's Timetraveller -- The future is soverign: post-American imaginaries in 2167 -- The future is female: Skawennati's She falls for ages and The peacemaker returns -- Conclusion: the future as a strategy. "This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity but a malleable textual/digital product that can function as both a colonial tool and a catalyst for decolonization. Central to this study is the development of a methodology that helps unearth the signifying structures producing the future in selected works by Darcie Little Badger, Gerald Vizenor, Stephen Graham Jones, Skawennati, Danis Goulet, Scott Benesiinaabandan, Postcommodity, Kite, Jeff Barnaby, and Ryan Singer. Drawing on Jason Lewis's 'future imaginary' as the theoretical core, the book describes the various forms of textual representation and virtual simulation through which notions of Indigenous continuation are expressed in literary and new media works. Arguing that Indigenous authors and artists apply the aesthetics of the future as a strategy in their works, the volume conceptualizes its multimedia corpus as a continuously growing archive of, and for, Indigenous futures"--

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9780367754815; 9780367754822
    RVK Klassifikation: LO 96730
    Schriftenreihe: Routledge research in transnational indigenous perspectives
    Schlagworte: Science fiction, American; American fiction; Science fiction, Canadian; Canadian fiction; Indian art; Indian arts; Indian arts
    Umfang: 237 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index

    "This book is a revised version of the doctoral dissertation 'Signifying futures : future imaginaries in indigenous North American literatures and new media arts', written and defended at the Europa-Universität Flensburg."

    Dissertation, Europa-Universität Flensburg, 2019

  2. The future imaginary in indigenous North American arts and literatures
    Erschienen: 2022
    Verlag:  Routledge, London

    Introduction: "turning our backs on Mars" -- futures seen through the window of an indigenous starship -- Futureanalysis: toward a critical paradigm -- Apocryphal futures: indegenous and other archives -- Part I: (Un)writing the future: textual... mehr

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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universität Potsdam, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    Introduction: "turning our backs on Mars" -- futures seen through the window of an indigenous starship -- Futureanalysis: toward a critical paradigm -- Apocryphal futures: indegenous and other archives -- Part I: (Un)writing the future: textual imaginaries -- Apocalypse and the archive in Gerald Vizenor's Future World novels -- Textuality and futurity in Stephen Graham Jones's The fast red road, The bird is gone, and Ledfeather -- Part II; (Dis)Simulating the future: imaginaries in cyberspace -- The future is technological: virtual archives in Skawennati's Timetraveller -- The future is soverign: post-American imaginaries in 2167 -- The future is female: Skawennati's She falls for ages and The peacemaker returns -- Conclusion: the future as a strategy.

     

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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9781003162629; 9781000529890; 9781000529883
    Weitere Identifier:
    Schriftenreihe: Routledge research in transnational indigenous perspectives
    Schlagworte: Indian arts; American fiction; Science fiction, Canadian; Canadian fiction; Indian art; Science fiction, American; Indian arts; SOCIAL SCIENCE / Anthropology / General; SOCIAL SCIENCE / Ethnic Studies / Native American Studies
    Umfang: 1 Online-Ressource (237 Seiten), Illustrationen
    Bemerkung(en):

    "This book is a revised version of the doctoral dissertation 'Signifying futures : future imaginaries in indigenous North American literatures and new media arts', written and defended at the Europa-Universität Flensburg."

    Dissertation, Europa-Universität Flensburg,

  3. Landscape and space
    comparative perspectives from Chinese, Mesoamerican, ancient Greek, and Roman art
    Beteiligt: Elsner, Jaś (Hrsg.)
    Erschienen: 2022
    Verlag:  Oxford University Press, Oxford

    Universitätsbibliothek Erlangen-Nürnberg, Hauptbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Kunsthistorisches Institut in Florenz, Max-Planck-Institut, Bibliothek
    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek der LMU München
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Quelle: Verbundkataloge
    Beteiligt: Elsner, Jaś (Hrsg.)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780192845955
    Auflage/Ausgabe: First edition
    Schriftenreihe: Visual conversations in art and archaeology
    Schlagworte: Raum; Landschaft <Motiv>; Vergleich; Archäologie; Kunst
    Weitere Schlagworte: Celan, Paul (1920-1970): Landschaft; Landscapes in art; Art / History; Art, Greek; Art, Roman; Indian art / Central America; Indian art / Mexico; Indians of Central America / Antiquities; Indians of Mexico / Antiquities; Antiquities; Art; Art, Greek; Art, Roman; Indian art; Indians of Central America ; Antiquities; Indians of Mexico ; Antiquities; Landscapes in art; History; Greece / Antiquities; Rome / Antiquities; Central America; Greece; Mexico; Rome (Empire)
    Umfang: xvi, 188 Seiten, Illustrationen (teilweise farbig), 25 cm
    Bemerkung(en):

    Includes bibliographical references and index

  4. The future imaginary in indigenous North American arts and literatures
    Erschienen: 2022
    Verlag:  Routledge, Taylor & Francis Group, London ; New York

    "This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate... mehr

    Bayerische Staatsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Universitätsbibliothek Passau
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity but a malleable textual/digital product that can function as both a colonial tool and a catalyst for decolonization. Central to this study is the development of a methodology that helps unearth the signifying structures producing the future in selected works by Darcie Little Badger, Gerald Vizenor, Stephen Graham Jones, Skawennati, Danis Goulet, Scott Benesiinaabandan, Postcommodity, Kite, Jeff Barnaby, and Ryan Singer. Drawing on Jason Lewis's 'future imaginary' as the theoretical core, the book describes the various forms of textual representation and virtual simulation through which notions of Indigenous continuation are expressed in literary and new media works. Arguing that Indigenous authors and artists apply the aesthetics of the future as a strategy in their works, the volume conceptualizes its multimedia corpus as a continuously growing archive of, and for, Indigenous futures"--

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    ISBN: 9780367754815; 9780367754822
    RVK Klassifikation: HV 17220 ; HQ 4045
    Schriftenreihe: Routledge research in transnational indigenous perspectives
    Schlagworte: Kunst; Indigenes Volk; Literatur
    Weitere Schlagworte: Science fiction, American / Indian authors / History and criticism; American fiction / 21st century / History and criticism; Science fiction, Canadian / Indian authors / History and criticism; Canadian fiction / 21st century / History and criticism; Indian art / North American; Indian arts / Canadian / 21st century; Indian arts / United States / 21st century; Arts indiens d'Amérique / États-Unis / 21e siècle; Indian art; Indian arts; United States; 2000-2099; Criticism, interpretation, etc
    Umfang: 237 Seiten, Illustration
    Bemerkung(en):

    Introduction: "turning our backs on Mars" -- futures seen through the window of an indigenous starship -- Futureanalysis: toward a critical paradigm -- Apocryphal futures: indegenous and other archives -- Part I: (Un)writing the future: textual imaginaries -- Apocalypse and the archive in Gerald Vizenor's Future World novels -- Textuality and futurity in Stephen Graham Jones's The fast red road, The bird is gone, and Ledfeather -- Part II; (Dis)Simulating the future: imaginaries in cyberspace -- The future is technological: virtual archives in Skawennati's Timetraveller -- The future is soverign: post-American imaginaries in 2167 -- The future is female: Skawennati's She falls for ages and The peacemaker returns -- Conclusion: the future as a strategy

  5. Landscape and space
    comparative perspectives from Chinese, Mesoamerican, ancient Greek, and Roman art
    Beteiligt: Elsner, Jaś (Hrsg.)
    Erschienen: 2022
    Verlag:  Oxford University Press, Oxford, United Kingdom ; New York, NY, United States of America

    Universitätsbibliothek Bamberg
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Verbundkataloge
    Beteiligt: Elsner, Jaś (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191938313; 9780192660978
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: Visual conversations in art and archaeology
    Schlagworte: Archäologie; Vergleich; Raum; Landschaft <Motiv>; Kunst
    Weitere Schlagworte: Celan, Paul (1920-1970): Landschaft; Landscapes in art; Art / History; Art, Greek; Art, Roman; Indian art / Central America; Indian art / Mexico; Indians of Central America / Antiquities; Indians of Mexico / Antiquities; Antiquities; Art; Art, Greek; Art, Roman; Indian art; Indians of Central America ; Antiquities; Indians of Mexico ; Antiquities; Landscapes in art; History; Greece / Antiquities; Rome / Antiquities; Central America; Greece; Mexico; Rome (Empire)
    Umfang: 1 Online-Ressource (xvi, 188 Seiten), Illustrationen, Karten
    Bemerkung(en):

    Includes bibliographical references and index

  6. The future imaginary in indigenous North American arts and literatures
    Erschienen: 2022
    Verlag:  Routledge, Abingdon, Oxon ; Taylor & Francis Group, London

    "This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate... mehr

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    Universität Frankfurt, Elektronische Ressourcen
    /
    keine Fernleihe

     

    "This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity but a malleable textual/digital product that can function as both a colonial tool and a catalyst for decolonization. Central to this study is the development of a methodology that helps unearth the signifying structures producing the future in selected works by Darcie Little Badger, Gerald Vizenor, Stephen Graham Jones, Skawennati, Danis Goulet, Scott Benesiinaabandan, Postcommodity, Kite, Jeff Barnaby, and Ryan Singer. Drawing on Jason Lewis's 'future imaginary' as the theoretical core, the book describes the various forms of textual representation and virtual simulation through which notions of Indigenous continuation are expressed in literary and new media works. Arguing that Indigenous authors and artists apply the aesthetics of the future as a strategy in their works, the volume conceptualizes its multimedia corpus as a continuously growing archive of, and for, Indigenous futures"--...

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781003162629; 1003162622; 9781000529890; 1000529894; 9781000529883; 1000529886
    Schriftenreihe: Routledge research in transnational indigenous perspectives
    Schlagworte: Science fiction, American; American fiction; Science fiction, Canadian; Canadian fiction; Indian art; Indian arts; Indian arts; SOCIAL SCIENCE / Anthropology / General; SOCIAL SCIENCE / Ethnic Studies / Native American Studies
    Umfang: 1 Online-Ressource
  7. Landscape and space
    comparative perspectives from Chinese, Mesoamerican, ancient Greek, and Roman art
    Beteiligt: Elsner, Jaś (Hrsg.)
    Erschienen: 2022
    Verlag:  Oxford University Press, Oxford, United Kingdom ; New York, NY, United States of America

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    Aggregator (lizenzpflichtig)
    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Unter den Linden
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Brandenburgische Technische Universität Cottbus - Senftenberg, Universitätsbibliothek
    uneingeschränkte Fernleihe, Kopie und Ausleihe
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    Volltext (URL des Erstveröffentlichers)
    Quelle: Staatsbibliothek zu Berlin
    Beteiligt: Elsner, Jaś (Hrsg.)
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9780191938313; 9780192660978
    Weitere Identifier:
    Auflage/Ausgabe: First edition
    Schriftenreihe: Visual conversations in art and archaeology
    Schlagworte: Archäologie; Vergleich; Raum; Landschaft <Motiv>; Kunst
    Weitere Schlagworte: Celan, Paul (1920-1970): Landschaft; Landscapes in art; Art / History; Art, Greek; Art, Roman; Indian art / Central America; Indian art / Mexico; Indians of Central America / Antiquities; Indians of Mexico / Antiquities; Antiquities; Art; Art, Greek; Art, Roman; Indian art; Indians of Central America ; Antiquities; Indians of Mexico ; Antiquities; Landscapes in art; History; Greece / Antiquities; Rome / Antiquities; Central America; Greece; Mexico; Rome (Empire)
    Umfang: 1 Online-Ressource (xvi, 188 Seiten), Illustrationen, Karten
    Bemerkung(en):

    Includes bibliographical references and index

  8. The future imaginary in indigenous North American arts and literatures
    Erschienen: 2022
    Verlag:  Routledge, London

    Introduction: "turning our backs on Mars" -- futures seen through the window of an indigenous starship -- Futureanalysis: toward a critical paradigm -- Apocryphal futures: indegenous and other archives -- Part I: (Un)writing the future: textual... mehr

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    Fachinformationsverbund Internationale Beziehungen und Länderkunde
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
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    German Institute for Global and Area Studies, Bibliothek
    E-Book EBA TF-21
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    Leuphana Universität Lüneburg, Medien- und Informationszentrum, Universitätsbibliothek
    keine Fernleihe
    Universität Potsdam, Universitätsbibliothek
    keine Fernleihe

     

    Introduction: "turning our backs on Mars" -- futures seen through the window of an indigenous starship -- Futureanalysis: toward a critical paradigm -- Apocryphal futures: indegenous and other archives -- Part I: (Un)writing the future: textual imaginaries -- Apocalypse and the archive in Gerald Vizenor's Future World novels -- Textuality and futurity in Stephen Graham Jones's The fast red road, The bird is gone, and Ledfeather -- Part II; (Dis)Simulating the future: imaginaries in cyberspace -- The future is technological: virtual archives in Skawennati's Timetraveller -- The future is soverign: post-American imaginaries in 2167 -- The future is female: Skawennati's She falls for ages and The peacemaker returns -- Conclusion: the future as a strategy.

     

    Export in Literaturverwaltung   RIS-Format
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    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Online
    ISBN: 9781003162629; 9781000529890; 9781000529883
    Weitere Identifier:
    RVK Klassifikation: LO 96730
    Schriftenreihe: Routledge research in transnational indigenous perspectives
    Schlagworte: Indian arts; American fiction; Science fiction, Canadian; Canadian fiction; Indian art; Science fiction, American; Indian arts; SOCIAL SCIENCE / Anthropology / General; SOCIAL SCIENCE / Ethnic Studies / Native American Studies
    Umfang: 1 Online-Ressource (237 Seiten), Illustrationen
    Bemerkung(en):

    "This book is a revised version of the doctoral dissertation 'Signifying futures : future imaginaries in indigenous North American literatures and new media arts', written and defended at the Europa-Universität Flensburg."

    Dissertation, Europa-Universität Flensburg,

  9. Landscape and space
    comparative perspectives from Chinese, Mesoamerican, ancient Greek, and Roman art
    Beteiligt: Elsner, Jaś (HerausgeberIn)
    Erschienen: 2022
    Verlag:  Oxford University Press, Oxford

    Universitätsbibliothek Heidelberg
    2022 C 435
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    Bereichsbibliothek Altertumswissenschaften, Abteilung Archäologie
    Ba 115
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    Thüringer Universitäts- und Landesbibliothek
    ARC:CM::::2022
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    Universitätsbibliothek Tübingen, Bereichsbibliothek Schloss Nord
    KLA C Elsn
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    Quelle: Verbundkataloge
    Beteiligt: Elsner, Jaś (HerausgeberIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9780192845955
    Auflage/Ausgabe: First edition
    Schriftenreihe: Visual conversations in art and archaeology
    Schlagworte: Landscapes in art; Art; Art, Greek; Art, Roman; Indian art; Indian art; Indians of Central America; Indians of Mexico; Antiquities; Art; Art, Greek; Art, Roman; Indian art; Indians of Central America ; Antiquities; Indians of Mexico ; Antiquities; Landscapes in art; History
    Umfang: xvi, 188 Seiten, Illustrationen, 25 cm
    Bemerkung(en):

    Includes bibliographical references and index

  10. The future imaginary in indigenous North American arts and literatures
    Erschienen: 2022
    Verlag:  Routledge, London

    Introduction: "turning our backs on Mars"--futures seen through the window of an indigenous starship -- Futureanalysis: toward a critical paradigm -- Apocryphal futures: indegenous and other archives -- Part I: (Un)writing the future: textual... mehr

    Staatliche Museen zu Berlin, Preußischer Kulturbesitz, Ethnologisches Museum, Bibliothek
    LO 96730 2022 003
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    Staatsbibliothek zu Berlin - Preußischer Kulturbesitz, Haus Potsdamer Straße
    10 A 142985
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    Zentrale Hochschulbibliothek Flensburg
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    Zentrale Hochschulbibliothek Flensburg
    HR 1726 B338+2
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    Max-Planck-Institut für ausländisches und internationales Privatrecht, Bibliothek
    Allg. 4401: 195
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    Universitätsbibliothek Hildesheim
    ANG 489 : B17
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    Saarländische Universitäts- und Landesbibliothek
    H 2024-211
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    Introduction: "turning our backs on Mars"--futures seen through the window of an indigenous starship -- Futureanalysis: toward a critical paradigm -- Apocryphal futures: indegenous and other archives -- Part I: (Un)writing the future: textual imaginaries -- Apocalypse and the archive in Gerald Vizenor's Future World novels -- Textuality and futurity in Stephen Graham Jones's The fast red road, The bird is gone, and Ledfeather -- Part II; (Dis)Simulating the future: imaginaries in cyberspace -- The future is technological: virtual archives in Skawennati's Timetraveller -- The future is soverign: post-American imaginaries in 2167 -- The future is female: Skawennati's She falls for ages and The peacemaker returns -- Conclusion: the future as a strategy. "This book examines the future in Indigenous North American speculative literature and digital arts. Asking how different Indigenous works imagine the future and how they negotiate settler colonial visions of what is to come, the chapters illustrate that the future is not an immutable entity but a malleable textual/digital product that can function as both a colonial tool and a catalyst for decolonization. Central to this study is the development of a methodology that helps unearth the signifying structures producing the future in selected works by Darcie Little Badger, Gerald Vizenor, Stephen Graham Jones, Skawennati, Danis Goulet, Scott Benesiinaabandan, Postcommodity, Kite, Jeff Barnaby, and Ryan Singer. Drawing on Jason Lewis's 'future imaginary' as the theoretical core, the book describes the various forms of textual representation and virtual simulation through which notions of Indigenous continuation are expressed in literary and new media works. Arguing that Indigenous authors and artists apply the aesthetics of the future as a strategy in their works, the volume conceptualizes its multimedia corpus as a continuously growing archive of, and for, Indigenous futures"--

     

    Export in Literaturverwaltung   RIS-Format
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    Hinweise zum Inhalt
    Quelle: Staatsbibliothek zu Berlin
    Sprache: Englisch
    Medientyp: Dissertation
    Format: Druck
    ISBN: 9780367754815; 9780367754822
    RVK Klassifikation: LO 96730
    Schriftenreihe: Routledge research in transnational indigenous perspectives
    Schlagworte: Science fiction, American; American fiction; Science fiction, Canadian; Canadian fiction; Indian art; Indian arts; Indian arts
    Umfang: 237 Seiten, Illustrationen
    Bemerkung(en):

    Dissertation, Europa-Universität Flensburg, 2019

  11. The Future Imaginary in Indigenous North American Arts and Literatures
    Erschienen: 2021; ©2022
    Verlag:  Taylor & Francis Group, Milton

    Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Acknowledgments -- Chapter 1 Introduction: "Turning our backs on Mars" - futures seen through the window of an Indigenous starship -- Chapter 2... mehr

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    Aggregator (lizenzpflichtig)
    Technische Universität Chemnitz, Universitätsbibliothek
    keine Fernleihe
    Hochschulbibliothek Friedensau
    Online-Ressource
    keine Fernleihe

     

    Cover -- Half Title -- Series Page -- Title Page -- Copyright Page -- Dedication -- Table of Contents -- Acknowledgments -- Chapter 1 Introduction: "Turning our backs on Mars" - futures seen through the window of an Indigenous starship -- Chapter 2 Futureanalysis: Toward a critical paradigm -- Chapter 3 Apocryphal futures: Indigenous and other archives -- Part I (Un)Writing the future: Textual imaginaries -- Chapter 4 Apocalypse and the archive in Gerald Vizenor's Future World novels -- Chapter 5 Textuality and Futurity in Stephen Graham Jones's The Fast Red Road, The Bird Is Gone, and Ledfeather -- Part II (Dis)Simulating the future: Imaginaries in cyberspace -- Chapter 6 The future is technological: Virtual archives in Skawennati's TimeTraveller ™ -- Chapter 7 The future is sovereign: Post-American imaginaries in 2167 -- Chapter 8 The future is female: Skawennati's She Falls for Ages and The Peacemaker Returns -- Chapter 9 Conclusion: The future as strategy -- Index.

     

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    Quelle: Verbundkataloge
    Sprache: Englisch
    Medientyp: Ebook
    Format: Online
    ISBN: 9781000529883
    Schriftenreihe: Routledge Research in Transnational Indigenous Perspectives Ser.
    Schlagworte: Indian art; Indian arts; Science fiction, American-History and criticism; Electronic books
    Umfang: 1 online resource (247 pages)
    Bemerkung(en):

    Description based on publisher supplied metadata and other sources

  12. Visual culture and indigenous agency in the early Americas
    Beteiligt: Frassani, Alessia (HerausgeberIn, VerfasserIn)
    Erschienen: [2022]
    Verlag:  Brill, Leiden

    "This volume explores how visual arts functioned in the indigenous pre- and post-conquest New World as vehicles of social, religious, and political identity. Twelve scholars in the field of visual arts examine indigenous artistic expressions in the... mehr

    Universitätsbibliothek Heidelberg
    2021 C 4015
    uneingeschränkte Fernleihe, Kopie und Ausleihe
    uneingeschränkte Fernleihe, Kopie und Ausleihe

     

    "This volume explores how visual arts functioned in the indigenous pre- and post-conquest New World as vehicles of social, religious, and political identity. Twelve scholars in the field of visual arts examine indigenous artistic expressions in the American continent from the pre-Hispanic age to the present. The contributions offer new interpretations of materials, objects, and techniques based on a critical analysis of historical and iconographic sources and argue that indigenous agency in the continent has been primarily conceived and expressed in visual forms in spite of the textual epistemology imposed since the conquest. Contributors are: Miguel Arisa, Mary Brown, Ananda Cohen-Aponte, Elena FitzPatrick Sifford, Alessia Frassani, Jeremy James George, Orlando Hernández Ying, Angela Herren Rajagopalan, Keith Jordan, Lorena Tezanos Toral, Marcus B. Burke, and Lawrence Waldron"--

     

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    Quelle: Verbundkataloge
    Beteiligt: Frassani, Alessia (HerausgeberIn, VerfasserIn)
    Sprache: Englisch
    Medientyp: Buch (Monographie)
    Format: Druck
    ISBN: 9789004467453
    Schriftenreihe: The early Americas: history and culture ; volume 10
    Schlagworte: Indian art; Indian art; Indians of Central America; Indians of South America; Indians of Central America; Indians of South America; Indians of Central America; Indians of South America
    Umfang: XXIII, 256 Seiten, Illustrationen
    Bemerkung(en):

    Includes bibliographical references and index